Nacho Libre is a 2006 sportscomedy film written by Jared Hess, Jerusha Hess, and Mike White, and directed by Jared Hess. It stars Jack Black as Ignacio, a Catholicfriar and secret lucha libre fan who moonlights as a luchador to earn money for the orphanage where he works. The film is loosely based on the story of Fray Tormenta ("Friar Storm"), a real-life Mexican Catholic priest who had a 23-year career as a masked luchador to support the orphanage he directed.[5] The film was produced by Paramount Pictures, Nickelodeon Movies, and Black & White Productions.[6]
Nacho Libre was released on June 16, 2006, by Paramount Pictures. It received mixed reviews from critics and grossed $99 million at the worldwide box-office against its $35 million production budget.
Plot
Ignacio is a cook for the Oaxaca monastery orphanage where he was raised. He dreams of becoming a luchador, but wrestling is strictly forbidden by the monastery as it is considered a sin of vanity. Though Ignacio cares deeply for the orphans, he is unable to provide decent meals for them due to a lack of funds. He also struggles with his feelings for Sister Encarnación, a nun who has just arrived to teach at the orphanage. One night, Ignacio is mugged of the orphanage's tortilla chips by a street thief. While on the way home, a dejected Ignacio is brightened up when he sees his idol, an enormous gold-masked luchador champion named Ramses, giving autographs and being bombarded by paparazzi in the streets, and at the same time, Ignacio sees a flyer for an amateur tag team wrestling match.
The next day, following a disastrous lunch service, Ignacio has enough and decides to disregard the monastery's rules and become a luchador to make money. He finds the man that robbed him, an atheist named Steven, and convinces him to join him by promising to share the prize money if they win, so the two join the advertised local competition as tag partners. Ignacio fights with the moniker "Nacho" to keep his identity secret, while Steven adopts the name "Esqueleto" (skeleton).
They lose their first match but still get paid, as wrestlers are entitled to a portion of the total revenue, and the crowd of the event was charmed by their performance. Following this round, Ignacio has Steven make him his own luchador costume for the next matches. They continue to wrestle every week, with Ignacio using the money to improve the orphans' lives but becoming frustrated that they can never win. Ignacio tries everything he can think of, including a folk remedy to acquire the powers of an eagle, but success still eludes them. He then seeks advice from Ramses himself, who arrogantly rebuffs him and the orphans. Undeterred, the duo infiltrates a party Ramses's manager holds for the best wrestlers in Mexico. They discover that in order to be considered a professional, one must be the last luchador standing in the ring at an upcoming free-for-all match. Their cover is blown when Steven encounters an overweight woman named Candidia who falls madly in love with him, to his horror, and when Ignacio, who got in by impersonating a member of a Mariachi band, tries to improvise a song for Ramses, but is rebuffed by Ramses once again and kicked out of the party alongside Steven. In the parking lot, they encounter a duo of rival wrestlers that slash Ignacio's tires, but are defeated by Steven throwing a corncob like a throwing knife into one of their eyes.
The next morning, a disillusioned Ignacio expresses his resentment towards Ramses for treating him terribly and decides not to continue wrestling, which starts a heated argument between him and Steven, who wants him to continue. Later, Ignacio's secret is revealed to the entire monastery when his robe catches fire during Mass, exposing his wrestling costume and forcing him to confess to everyone. He declares that he intends to fight at the battle royale for the right to take on Ramses for a cash prize he hopes to use to buy a bus for the orphanage, but he comes in second place, losing unfairly to another wrestler named Silencio after he was tripped by an out competitor. Banished from the monastery, Ignacio goes to live in exile, where only a day later he and Steven reconcile. It turns out Silencio has withdrawn on account of Steven injuring him, giving the runner-up Ignacio the right to fight Ramses instead. After praying with Steven, Ignacio overcomes difficulty and manages to do well in the match, winning the crowd's support, but Ramses, enraged, resorts to cheating by attacking Ignacio during the match's break and unmasking him, revealing his face and identity to the crowd, before pinning him to the ground. Ramses nearly wins the match until Ignacio sees Encarnación and the orphans enter the arena. Inspired by their support, Ignacio rallies himself and defeats Ramses.
Ignacio becomes a professional wrestler and eventually manages to buy a bus for the orphans with his prize money.
Jack Black was a fan of the film Napoleon Dynamite (2004) and its director Jared Hess, and the two met in Los Angeles to discuss collaborating. Black was drawn to Hess' idea of a man of the Lord secretly living a life of violence via his love of lucha libre wrestling. He did, however, express concern over portraying a Mexican character, but Hess quelled his concerns by explaining Ignacio was supposed to be "a gringo" but born and raised in Mexico. While filming, Black sustained a gash on his eye after diving out of the wrestling ring during a stunt. He was rushed to the hospital but was able to continue filming.[7] The film was shot entirely in Oaxaca, Mexico.[8]
Music
Hess originally wanted musical artist Beck to be behind the soundtrack for the film. Beck, being a fan of Hess, accepted. However, Paramount Pictures did not think Beck's style fit the movie, so composer Danny Elfman was brought in to replace him. Elfman then wrote a full score and recorded it in May 2006.[9] However, only about 2/3 of Elfman's score ended up in the movie (with one of the songs, Ramses Suite, appearing in the released soundtrack). Due to how much of Elfman's music filled the film, Elfman's representatives asked that Elfman be the only person credited for the film's score. Hess caught wind of this and would not allow the studio to remove Beck from the credits. When finding that he would not have the only music credit, Elfman told Paramount to remove his name from the film. An agreement was eventually reached where both Beck and Elfman were credited for their respective parts of the score.[10] However, Elfman appears with sole credit in the official billing block on promotional material.
The theme song for the Japanese version is called "Go! Go! Carlito" by Jonny Jakobsen.[11]
Soundtrack
The track listing for the official soundtrack to Nacho Libre.[12] The soundtrack was released October 24, 2006
"Beneath the Clothes We Find the Man... (Dialogue)" - Jack Black
"Forbidden Nectar" - Jack Black and Mucho Macho Acapulco
Some songs that were not included on the soundtrack, but were in the movie, are "Mucha Muchacha" by Esquivel, "Bubblegum" and "Mr. Loco" by Mister Loco, "Holy Man" by Beck, "Bat Macumba" by Os Mutantes, and “La Llorona Loca” by Little Joe and the Latinaires.
During its opening weekend, Nacho Libre grossed $28,309,599, opening at #2 behind Cars' second weekend.[4] The total domestic box office stands at $80,197,993 and a worldwide total of $99,255,460.[3]
The film received mixed reviews from critics. On Rotten Tomatoes, the film has an approving rating of 39% based on 165 reviews, with an average rating of 5.1/10.[6] The website's critical consensus states: "At times hilarious, but other times offensive, director Jared Hess is unable to recapture the collective charisma of his Napoleon Dynamite characters, and instead, relies on a one-joke concept that runs out of steam. Sure to entertain the adolescents, however".[6]Metacritic gave the film a score of 52 out of 100, based on 36 reviews, indicating "mixed or average reviews".[14] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[4][15]
In November 2006, Black, when asked, expressed his interest in a sequel: "I sure hope so, I love working with Jared. I think it's a good bet that we'll collaborate on something again. Mike had an idea that it would be Nacho goes to Japan, we'll see though."[19] However, Jared Hess (who directed the film) revealed in October 2009 that Paramount had never approached him about doing a sequel to Nacho Libre, though he said he would "love to work with Black again".[20] Hess and Black would later collaborate again on A Minecraft Movie.
Notes
↑ Beck was the initial composer, before being replaced by Elfman under orders from Paramount Pictures. Although most of the score used in the final film is from Elfman, director Jared Hess wanted Beck to receive credit for his tracks, which Elfman did not want. Ultimately, both are credited for their individual tracks in the end credits, but Elfman has sole credit in the official billing block used in promo material, despite only one of his songs appearing in the released soundtrack.
1 2 3 Friedman, Josh (June 19, 2006). "'Cars' Still Outpacing Competitors". Los Angeles Times. Archived from the original on March 11, 2022. Retrieved March 11, 2022. the B-plus given to "Nacho Libre,"
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