Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.
Joséphine Bonaparte was Empress of the French as the first wife of Emperor Napoleon I from 18 May 1804 until their marriage was annulled on 10 January 1810. As Napoleon's consort, she was also Queen of Italy from 26 May 1805 until the 1810 annulment. She is widely known as Joséphine de Beauharnais.
Eugène Rose de Beauharnais was a French nobleman, statesman, and military commander who served during the French Revolutionary Wars and the Napoleonic Wars. Through the second marriage of his mother, Joséphine de Beauharnais, he was the stepson of Napoleon Bonaparte. Under the French Empire he also became Napoleon's adopted son. He was Viceroy of the Kingdom of Italy under his stepfather, from 1805 to 1814, and commanded the Army of Italy during the Napoleonic Wars. Historians consider him one of Napoleon's most able relatives.
Count Leopoldo Cicognara was an Italian artist, art collector, art historian and bibliophile.
Giuseppe Bossi was an Italian painter, arts administrator and writer on art. He ranks among the foremost figures of Neoclassical culture in Lombardy, along with Ugo Foscolo, Giuseppe Parini, Andrea Appiani or Manzoni.
Giovanni Luigi "Gianni" Brera was an Italian sports journalist and novelist.
Andrea Appiani was an Italian neoclassical painter.
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Palazzo Brera or Palazzo di Brera is a monumental palace in Milan, in Lombardy in northern Italy. It was a Jesuit college for two hundred years. It now houses several cultural institutions including the Accademia di Brera, the art academy of the city, and its gallery, the Pinacoteca di Brera; the Orto Botanico di Brera, a botanical garden; an observatory, the Osservatorio Astronomico di Brera; the Istituto Lombardo Accademia di Scienze e Lettere, a learned society; and an important library, the Biblioteca di Brera.
Eleuterio Pagliano was an Italian painter of the Romantic period as well as an activist and fighter of the Risorgimento.
The Accademia di Belle Arti di Brera, also known as the Accademia di Brera or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public museum for art. In 2010 an agreement was signed to move the accademia to a former military barracks, the Caserma Magenta in via Mascheroni. In 2018 it was announced that Caserma Magenta was no longer a viable option, with the former railway yard in Via Farini now under consideration as a potential venue for the campus extension.
Napoleon as Mars the Peacemaker is a colossal heroic nude statue by the Italian artist Antonio Canova, of Napoleon I of France in the guise of the Roman god Mars. He holds a gilded Nike or Victory standing on an orb in his right hand and a staff in his left. It was produced between 1802 and 1806 and stands 3.45 metres to the raised left hand. Once on display in the Louvre in Paris, it was purchased from Louis XVIII in 1816 by the British government, which granted it to the Duke of Wellington. It is now on display in Robert Adam's stairwell at the Duke's London residence, Apsley House.
Francesco Melzi d'Eril, Duke of Lodi, Count of Magenta was an Italian politician and patriot, serving as vice-president of the Napoleonic Italian Republic (1802–1805). He was a consistent supporter of the Italian unification ideals that would lead to the Italian Risorgimento shortly after his death.
Luigi Bisi was an Italian architect and painter. He was the most notable member of an artistic family.
Giovanni Battista Comolli was an Italian sculptor.
Neoclassical architecture in Milan encompasses the main artistic movement from about 1750 to 1850 in this northern Italian city. From the final years of the reign of Maria Theresa of Austria, through the Napoleonic Kingdom of Italy and the European Restoration, Milan was in the forefront of a strong cultural and economic renaissance in which Neoclassicism was the dominant style, creating in Milan some of the most influential works in this style in Italy and across Europe. Notable developments include construction of the Teatro alla Scala, the restyled Royal Palace, and the Brera institutions including the Academy of Fine Arts, the Braidense Library and the Brera Astronomical Observatory. Neoclassicism also led to the development of monumental city gates, new squares and boulevards, as well as public gardens and private mansions. Latterly, two churches, San Tomaso in Terramara and San Carlo al Corso, were completed in Neoclassical style before the period came to an end in the late 1830s.
Salvatore Pisani was an Italian sculptor.
Pietro Anderloni was an Italian Neoclassical engraver.
The Napoleonic looting of art was a series of confiscations of artworks and precious objects carried out by the French Army or French officials in the conquered territories of the French Republic and Empire, including the Italian Peninsula, Spain, Portugal, the Low Countries, and Central Europe. The looting began around 1794 and continued through Napoleon I's rule of France, until the Congress of Vienna in 1815 ordered the restitution of the works.
The Italian Campaign of 1813-1814 was the series of military operations fought during the War of the Sixth Coalition, mainly in northern Italy between the French Empire and the Coalition led by Austrians and British. It represented the last time of the so-called "French period", precisely from the campaign of 1796-1797, in which a French and an Austrian army confronted each other for control of the Italian peninsula. The Austro-Neapolitan War of 1815 was essentially a clash between only Italians and Austrians.
