Reception
Kirkus Reviews assessed the anthology as "[f]irst-rate," stating it "deserves an award itself," and commenting individually on all the pieces contained except the Pohl. In particular, Rotsler is praised for "creat[ing] a new science fictional art form," and the reviewer notes that Clarke "finds wonder in the old man confronts-Jupiter theme," Russ "writes powerfully of a society of women," Ellison "spins a delicate fantasy of salvation," and Wolfe "provides a complex and subtle variation on the ... subject of clones." [2]
P. Schuyler Miller in Analog Science Fiction/Science Fact praises editor Asimov's introduction as "thoughtful ... as good an analysis as we have had of what science fiction is, how it is fundamentally different from other genre fiction ... and why it stands a good chance of surviving when fiction per se seems on its way out." He feels the appendix renders the book "a valuable reference" and comments on the pieces by Russ, Ellison ("one of the author's new, lovely, and 'atypical' ... cycle of stories about New Orleans"), and Wolfe ("recommended enthusiastically"), while noting the remaining ones. [3]
The book was also reviewed by W. N. MacPherson in The Science Fiction Review Monthly, issue #7, September 1975, and Richard Delap in Delap's F & SF Review, v. 1, no. 7, October 1975. [1]
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