"Nightclubbing" | |
---|---|
Song by Iggy Pop | |
from the album The Idiot | |
Released | March 18, 1977 |
Recorded | 1976–1977 |
Genre | Art rock |
Length | 4:14 |
Label | RCA |
Songwriter(s) |
|
Producer(s) | David Bowie |
"Nightclubbing" is a song written by David Bowie and Iggy Pop, [1] [2] [3] first released by Iggy Pop on his debut solo studio album, The Idiot in 1977. It has been since considered "a career highlight", along with "Lust for Life" [4] and has been covered by many artists. It is also extensively featured on other media.
The song, which was written and recorded in Berlin, [1] [5] features David Bowie on piano with the aid of a Roland drum machine. [6] [7] When Pop pronounced himself happy with the result, Bowie protested that they needed real drums to finish it off. [8] Pop insisted on keeping the rhythm machine, saying "it kicks ass, it's better than a drummer". Pop largely wrote the lyrics on the spot "in ten minutes", Bowie suggesting that he write about "walking through the night like ghosts". [8] The song's riff has been perceived as a mischievous quote of Gary Glitter's "Rock and Roll". [6] : 242–250
The song has been covered by many artists, including Grace Jones, The Jolly Boys, and Bluvertigo. Grace Jones' version achieved mainstream success and was included on her album of the same name. [5] [9] [10] The Human League has a version on their Holiday '80 EP (1980).
Siouxsie Sioux with her band The Creatures covered the song on their 1999 live album Sequins in the Sun.
In 2021, American gothic rock/post-punk band Damien Done released a cover of "Nightclubbing" as a single. [11]
Nine Inch Nails' hit song, "Closer", features a modified sample of the Roland bass drum from the song. [7] [12] Trent Reznor, Peter Murphy, Atticus Ross and Jeordie White later covered the song during a live radio session. [13]
The drum loop from "Nightclubbing" was used by Oasis in their song "Force of Nature", a track written for the soundtrack of Love, Honor and Obey, and recorded for their 2002 album Heathen Chemistry . [14] [12]
The song was featured in the 1996 film, Trainspotting , along with another Iggy Pop track, "Lust for Life". [4] [15]
The song also appears in the HBO series Westworld, as part of the third season, as episode "Genre". [16] [17]
James Newell Osterberg Jr., known professionally as Iggy Pop, is an American singer, musician, songwriter, actor and radio broadcaster. He was the vocalist and lyricist of proto-punk band the Stooges, who were formed in 1967 and have disbanded and reunited many times since. Often called the "Godfather of Punk", he was named one of the 50 Great Voices by NPR. In 2010, he was inducted into the Rock and Roll Hall of Fame as a member of the Stooges. Pop also received a Grammy Lifetime Achievement Award in 2020 for his solo work.
Earthling is the 21st studio album by the English musician David Bowie, released on 3 February 1997 through RCA Records in the United Kingdom, Virgin Records in the United States, and Arista Records/BMG in other territories. Mostly self-produced by Bowie, it was primarily recorded from August to October 1996 at New York City's Looking Glass Studios. Bowie composed the tracks with Reeves Gabrels and Mark Plati, who are credited as co-producers, with Mike Garson, Gail Ann Dorsey and Zack Alford providing overdubs later.
David Bowie is the debut studio album by the English musician David Bowie, originally released in the United Kingdom on 1 June 1967 through Decca subsidiary Deram Records. Produced by Mike Vernon and recorded from November 1966 to March 1967 in London, the album followed a string of singles Bowie released for Pye Records that failed to chart. Vernon hired numerous studio musicians for the album's sessions; Bowie and his former Buzz bandmate Derek Fearnley composed music charts themselves using a musical guidebook.
Lust for Life is the second solo studio album by the American musician Iggy Pop, released on September 9, 1977, through RCA Records. It was his second collaboration with David Bowie after The Idiot, released in March the same year. Shortly after Bowie released his own album Low in January, Pop went on a tour to support The Idiot with Bowie as his keyboardist. At the tour's conclusion, Pop and Bowie regrouped in Berlin to record the former's next solo album.
"Life on Mars?" is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's "My Way". "Life on Mars?" was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. "Life on Mars?" is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.
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Outside is the 20th studio album by the English musician David Bowie, released on 25 September 1995 through Virgin Records in the United States and Arista Records, BMG and RCA Records in other territories. Reuniting Bowie with musician Brian Eno following the late 1970s Berlin Trilogy, the two were inspired by concepts "outside" the mainstream, such as various outsider and performance artists. Recorded throughout 1994, the experimental sessions saw Bowie conceive a world where "art crimes", such as murder, pervade society. The resulting Leon project initially faced resistance from labels due to its uncommercial nature. The project's bootlegging led to additional sessions in 1995 to revise the concept and record more commercial material, inspired by a diary Bowie wrote for Q magazine.
The Idiot is the debut studio album by the American musician Iggy Pop, released on March 18, 1977, through RCA Records. It was produced by David Bowie and primarily recorded at the Château d'Hérouville in Hérouville, France. The album followed the break-up of Pop's band the Stooges in 1974 and a period of drug addiction for both Pop and Bowie, after which the two moved to Europe in an effort to kick their addictions.
"Heroes" is the twelfth studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by the King Crimson guitarist Robert Fripp.
Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds the former would explore on his next record. After completing The Idiot, sessions for Low began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated.
Tonight is the sixteenth studio album by the English singer-songwriter David Bowie, released on 24 September 1984 through EMI America Records. The follow-up to his most commercially successful album Let's Dance, it was written and recorded in mid-1984 at Le Studio in Morin-Heights, Canada, following the conclusion of the Serious Moonlight Tour. Bowie, Derek Bramble and Hugh Padgham co-produced the album. Many of the same personnel from Let's Dance and the accompanying tour returned for Tonight, with a few additions. Much of Bowie's creative process was the same as he used on Let's Dance, similarly playing no instruments and offering little creative input to the musicians.
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"The Passenger" is a song written by Iggy Pop and Ricky Gardiner, recorded and released by Iggy Pop on the Lust for Life album in 1977. It was also released as the B-side of the album's first single, "Success". It was released as a single in its own right in March 1998, reaching number 22 in the UK charts.
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"China Girl" is a song written by Iggy Pop and David Bowie in 1976, and first released by Pop on his debut solo album, The Idiot (1977). Inspired by an affair Pop had with a Vietnamese woman, the lyrics tell a story of unrequited love for the protagonist's Asian girlfriend, realizing by the end that his Western influences are corrupting her. Like the rest of The Idiot, Bowie wrote the music and Pop improvised the lyrics while standing at the microphone. The song was released as a single in May 1977 and failed to chart.
The Berlin Trilogy consists of three studio albums by English musician David Bowie: Low, "Heroes" and Lodger (1979). Bowie recorded the albums in collaboration with English musician Brian Eno and American producer Tony Visconti. The trilogy originated following Bowie's move from Los Angeles to Europe with American singer Iggy Pop to rid themselves of worsening drug addiction. Influences included the German krautrock scene and the recent ambient releases of Eno.
"Lust for Life" is a 1977 song performed by American singer Iggy Pop and co-written by David Bowie, featured on the album of the same name. In 2004, Rolling Stone ranked it at No. 149 on their list of "The 500 Greatest Songs of All Time", re-ranking it at No. 325 in their 2021 updated list.
Kevin Armstrong is an English rock guitarist, record producer and songwriter, best known for his work with David Bowie, Iggy Pop and Morrissey.
"Silly Boy Blue" is a song written and recorded by the English singer-songwriter David Bowie. Originally demoed in 1965 as a mod-influenced track about a teenage runaway, it was revised in 1966 with new lyrics and released on Bowie's self-titled debut album in June 1967. This version reflects Bowie's fascination with Tibetan Buddhism, featuring various spiritual and geographic references in the lyrics and varied instrumentation such as a trumpet, cello and Chinese gong. Bowie remade the song twice during his stint with the Riot Squad in April 1967: as an instrumental for live performances and acoustically, which has appeared on compilations.
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