Notre Dame de Paris is a ballet by French choreographer Roland Petit. It was premiered by the Paris Opera Ballet in 1967. The ballet is based on Victor Hugo's 1831 novel The Hunchback of Notre Dame .
It was the first work Roland Petit created for the Paris Opera Ballet, a company he had left 20 years earlier. [1]
This ballet was very successful and continues to be performed to the present, including a series of performances at the Opéra national de Paris at the end of the 2013-2014 season, at the Opera Bastille and a production in 2013 at the Teatro alla Scala in Milan. [2]
La Scala is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the Nuovo Regio Ducale Teatro alla Scala. The premiere performance was Antonio Salieri's Europa riconosciuta.
The Hunchback of Notre-Dame is a French Gothic novel by Victor Hugo, published in 1831. It focuses on the unfortunate story of Quasimodo, the Romani street dancer Esmeralda and Quasimodo's guardian the Archdeacon Claude Frollo in 15th-century Paris. All its elements—Renaissance setting, impossible love affairs, marginalized characters—make the work a model of the literary themes of Romanticism.
Roland Petit was a French ballet company director, choreographer and dancer. He trained at the Paris Opera Ballet school, and became well known for his creative ballets.
Violette Verdy was a French ballerina, choreographer, teacher, and writer who worked as a dance company director with the Paris Opera Ballet in France and the Boston Ballet in the United States. From 1958 to 1977 she was a principal dancer with the New York City Ballet where she performed in the world premieres of several works created specifically for her by choreographers George Balanchine and Jerome Robbins. She was Distinguished Professor of Music (Ballet) at the Jacobs School of Music, Indiana University, in Bloomington, and the recipient of two medals from the French government.
Azio Corghi was an Italian composer, academic teacher and musicologist. He composed mostly operas and chamber music. His operas are often based on literature, especially in collaboration with José Saramago as librettist. His first opera, Gargantua, was premiered at the Teatro Regio in Turin in 1984, his second opera, Blimunda, was first performed at La Scala in Milan in the 1989/90 season, and his third opera, Divara – aqua e sangue, was premiered in 1993 at the Theater Münster, Germany. He taught composition at the Accademia Nazionale di Santa Cecilia in Rome, among other academies. In 2005, he was awarded the Order of Merit of the Italian Republic.
Diana Viktorovna Vishneva is a Russian ballet dancer who performs as a principal dancer with the Mariinsky Ballet.
Alessandra Ferri OMRI is an Italian prima ballerina. She danced with the Royal Ballet (1980–1984), American Ballet Theatre (1985–2007) and La Scala Theatre Ballet (1992–2007) and as an international guest artist, before temporally retiring on 10 August 2007, aged 44, then returning in 2013. She was eventually granted the rank of prima ballerina assoluta.
Laurent Pelly is a French opera and theatre director. He enjoys a career as one of France's most sought after directors of both theatre and opera, working regularly in the world's most prestigious houses.
Carlo Evasio Soliva was a Swiss-Italian composer of opera, chamber music, and sacred choral works. Soliva was born in Casale Monferrato, Piedmont to a family of Swiss chocolatiers who had emigrated from the canton of Ticino. He studied pianoforte and composition at the Milan Conservatory.
The Teatro Lirico is a theatre in Milan, Italy. In the 19th and early 20th centuries it hosted numerous opera performances, including the world premieres of Donizetti's L'elisir d'amore and Giordano's Fedora. The theatre, located on Via Rastrelli, closed in 1998. However, a restoration project was begun in April 2007, and it has finally re-opened in December 2021 as the Teatro Lirico Giorgio Gaber. Stage Entertainment carried on the renovation of the Theatre, completing all finishes and all workings started by the administration "Comune di Milano".
Amedeo Amodio is an Italian choreographer and former ballet dancer. Trained at the Teatro alla Scala where he performed notably with Carla Fracci, he was appointed artistic director of the Reggio Emilia based modern ballet company Aterballetto in 1979 and served in that role until 1996. Most recently, in 2003, he accepted a position as artistic director of the ballet company at Teatro Massimo in Palermo, Sicily.
The La Scala Theatre Ballet is the resident classical ballet company at La Scala in Milan, Italy. One of the oldest and most renowned ballet companies in the world, the company pre-dates the theatre, but was officially founded at the inauguration of La Scala in 1778. Many leading dancers have performed with the company, including Mara Galeazzi, Alessandra Ferri, Viviana Durante, Roberto Bolle and Carla Fracci. The official associate school of the company is the La Scala Theatre Ballet School, a constituent of the La Scala Theatre Academy.
Enzo Mascherini was an Italian operatic baritone, one of the leading baritones of his generation.
Stéphane Bullion is a French Etoile dancer of the Paris Opera Ballet.
Manuel Legris is a French ballet dancer, born in Paris on October 10, 1964. He was an étoile of the Paris Opera Ballet for 23 years. On September 1, 2010, he began direction of the Vienna State Ballet. He was appointed artistic director of La Scala Theatre Ballet in the month of December 2020.
Loipa Araújo is a Cuban ballet dancer, ballet master, and teacher of ballet. Along with Aurora Bosch, Josefina Méndez, and Mirta Plá, she is regarded as one of the "four jewels of Cuban ballet". Nicknamed the "Cuban muse of Marseilles", Araújo is considered to be "one of the best ballet teachers in the world today". She was a principal artist with the Cuban National Ballet.
Cyril Atanassoff is a French dancer of Bulgarian descent.
Francesco Ventriglia is an Italian ballet dancer, choreographer and artistic director. In 2010 he was appointed as Europe's youngest artistic director by the Florence Opera House at the age of 32, where he held the role as artistic director and principal choreographer for Maggio Danza until 2013. In 2014, he was named the artistic director of the Royal New Zealand Ballet until June 2017, and from January 2018, as adjunct artistic director of the National Ballet of Uruguay, Ballet Nacional Sodre alongside Igor Yebra. Ventriglia is also a choreographer of classical and contemporary ballet, having works performed internationally by companies such as the La Scala Ballet, Arena di Verona, Bolshoi Theatre, the Mariinsky Ballet, Grande Theatre du Geneve, Royal New Zealand Ballet, Ballet Nacional Sodre and at the Venice Biannale.
Faust ballets are a set of ballets, choreographed between the 18th and 20th centuries, based on the legend of Faust. As early as 1723, London-based John Rich put on a Faust-inspired ballet pantomime called The Necromancer at the Lincoln's Inn Fields Theatre. In the 19th century several productions took Faust as their subject matter including August Bournonville's 1832 production Faust for the Royal Danish Ballet.
Elisabetta Terabust was an Italian ballerina and company director. She trained at the Teatro dell'Opera di Roma and worked for the London Festival Ballet and the Ballet National de Marseille. Terabust served as was director of the Teatro dell'Opera di Roma, La Scala, MaggioDanza of the Maggio Musicale Fiorentino and of the Corps de ballet at the Teatro di San Carlo at various points between 1990 and 2009. The primary ballet rehearsal room at the Teatro dell'Opera Di Roma Dancing School was renamed for her.