Occupy Comics | |
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Publication information | |
Publisher | Black Mask Studios |
Publication date | May–August 2013 |
No. of issues | 3 |
Editor(s) | Matt Pizzolo |
Occupy Comics: Art & Stories Inspired by Occupy Wall Street is a three-issue comic book anthology series published by Black Mask Studios in 2013. Funded on Kickstarter, the series articulates themes of the Occupy Wall Street movement through comics as well as fund-raises on behalf of the protesters. [1] [2]
As Bleeding Cool described it:
Some of the biggest names in independent and mainstream comics have come together for a social-networking funded comic book anthology to tell the story of the Occupy Wall Street protest that sidesteps the 24-hour news media's desire for sensationalism. The money raised will pay the creators for their work – and they will then donate all that money to the Occupy movement, especially through the coming winter months. [1]
Wired explained the perceived relationship between Occupy Wall Street and art:
Pizzolo said the project makes sense because the Occupy Wall Street movement was launched by a piece of art. "Adbusters created a really powerful image of a ballerina atop the Wall Street Bull with protesters in the background, and that was enough to set this off," he said. "Then Anonymous brought in the Guy Fawkes masks, and U.S. Day of Rage created more art challenging the relationship between Wall Street and Washington. So this is an art-inspired movement, and that's part of what makes it so viral. It's not intellectual, it doesn't need a manifesto. People are banding together around an idea, rather than an ideology." [3]
The project was officially announced by organizational spearhead Matt Pizzolo in Wired Magazine on October 13, 2011, several weeks after the occupation of Zuccotti Park began on September 17, 2011. [4]
According to Wired:
Pizzolo's Occupy Comics was originally designed to bring public awareness to the Occupy Wall Street movement. But a combination of growing protests, as well as possibly illegal police pushback, solved the exposure gap. Now Pizzolo is interested in providing illustrative and material support to protesters through a Kickstarter project whose contributors would donate all proceeds to the Wall Street occupiers. "I think it's cool to expand the Occupy movement out of physical spaces and into abstract spaces like comics, so its culture can start occupying shared mindspaces as well as cities," Pizzolo said. "The occupation has to be as pervasive and immersive as possible." [4]
Occupy Comics launched on Kickstarter November 9, 2011 with a minimum funding goal of US$10,000 and a roster of 30 professional artists and writers, including Charlie Adlard, Marc Andreyko, Kevin Colden, Molly Crabapple, J.M. DeMatteis, Joshua Dysart, Brea Grant, Joe Keatinge, George Krstic, Joseph Michael Linsner, B. Clay Moore, Steve Niles, Laurie Penny, Matt Pizzolo, Steve Rolston, Riley Rossmo, Douglas Rushkoff, Tim Seeley, Simon Spurrier, and Ben Templesmith. [3]
Shortly after the Kickstarter campaign launched, Wired released a follow-up article which explained the project's funding goals and strategy:
What do we want? Funding! How will we get it? Comics!
That's the goal of the Occupy Comics Kickstarter project... The plan is to graphically document the Occupy movement with the help of a roster of respected comics creators and artists, then funnel the proceeds directly to the protesters taking hits and making history for the 99 percent.
"Comics is at the root of this thing," Halo-8 founder and Occupy Comics organizer Matt Pizzolo said in an e-mail to Wired.com. "Just look at Alan Moore and David Lloyd's V for Vendetta masks at every protest. A Guy Fawkes mask is now a more iconic image of street protest than a gas mask."
Occupy Comics contributor Molly Crabapple ... lives a block from Zuccotti Park, where the Occupy Wall Street movement got its start. She said she visits the site, where hundreds of people have encamped to protest economic inequality, almost daily.
"It's a beautiful community, almost a mini-city, complete with library, kitchen, free store, coffee, compost and Ben and Jerry's ice cream scooped out by Ben himself," Crabapple told Wired.com in an e-mail. "But the media wasn't portraying this. So I started drawing the protesters to show the diversity down at Zuccotti. Later, I did more blatantly political work in response to attacks on unions and police brutality in Oakland."
Occupy Comics overall plan is pretty simple, which is how Pizzolo wants to keep it, in the interests of transparency. But some workarounds have been needed. "You can't fund-raise for charity on Kickstarter; you can only use it to fund a creative project," Pizzolo said. "So Kickstarter itself is funding the creation of a hardcover anthology graphic novel about the protests, and through that everyone is being paid, then donating their pay to the protesters." [3]
Early in the campaign, the project got an unexpected boost when Frank Miller attacked Occupy Wall Street in a controversial and polarizing blog post. [5]
As the campaign closed in on its funding goal, 13 additional contributors were added to the roster, including Vito Delsante, Dan Goldman, Amanda Palmer, Darick Robertson, Mark Sable, and Salgood Sam. [6]
The campaign passed its funding goal and was guaranteed its budget on November 20, 2011, 11 days in on its 30-day funding period. [7]
Shortly after passing its funding goal, six additional contributors were added to the roster, including Mike Allred, Shannon Wheeler, Eric Drooker, Ryan Ottley, Dean Haspiel, Guy Denning, and David Lloyd. [8]
In the final week of its Kickstarter campaign, Alan Moore joined the roster. [9]
Although not an official reunion, the participation of Alan Moore and David Lloyd was considered significant to many observers of the Occupy movement, as the duo's V for Vendetta originated the Guy Fawkes mask that has become emblematic of the movement. Moore and Lloyd have not worked together since V for Vendetta was completed in 1989. [10] [11] [12] [13]
Alan Moore further boosted Occupy Comics' profile when, during an interview with Honest Publishing, he responded to Frank Miller's attack on the Occupy movement. The conflict led to mainstream news coverage of Occupy Comics in The Huffington Post, Deadline Hollywood , MTV, Entertainment Weekly. [14] [15] [16] [17]
On December 9, 2011, the Occupy Comics Kickstarter campaign ended with $28,640 raised from 715 backers, earning 286% of its funding goal. [18]
On March 20, 2012, it was announced that Occupy Comics would not be released through an existing comic book publisher, instead a new company called Black Mask Studios would be formed to release the project. [19]
According to Comic Book Resources:
"Initially I was hoping we could partner with a publisher or retailer to work with us on distribution, but we weren't happy with any of the deals we were offered," said Pizzolo on the project's Kickstarter site. "So instead I decided to invent a solution we'd be happy with, and it wound up seeming like a pretty cool way to support comics creators in general." [20]
Wired reported that Steve Niles (30 Days of Night) and Brett Gurewitz (guitarist-songwriter Bad Religion, owner Epitaph Records) joined with Pizzolo to found Black Mask:
The mainstream comics industry has spawned another alternative supergroup. 30 Days of Night creator Steve Niles and Epitaph Records owner and Bad Religion guitarist Brett Gurewitz have banded together with Halo-8′s Matt Pizzolo to form Black Mask Studios with the stated aim of disrupting the comics market.
"It's become this monopolized walled garden where you're only allowed to grow two things: superheroes and movie treatments," Pizzolo told Wired via e-mail. "We're going to open new space outside the entrenched market where we can cultivate more subversive experimental and literary comics to reach broader audiences."
Inspired by the controversial but influential 1960s anarchists Up Against the Wall Motherfuckers and Edgar Allan Poe's class-conscious gothic short The Masque of the Red Death, Black Mask Studios was teased Sunday during WonderCon's spotlight panel on Niles, who serves as creative director. Pizzolo runs the biz as president, and Gurewitz's Epitaph Records empowers the indie operation.
"Comics and punk have a lot in common, being transgressive art forms with under-appreciated potential for social influence," Gurewitz said in an e-mail to Wired. "Black Mask Studios might be disruptive, in a really good way, for both artists and fans."
"I'm really excited about this project," Niles told Wired via e-mail. "Since the advent of the direct market and the disappearance of the spinner rack, I've watched comics sales fall due to lack of exposure." [21]
On June 12, 2012, Black Mask Studios opened its webstore and officially released Occupy Comics #1 with the announcement that Pulitzer Prize-winner Art Spiegelman, Bill Ayers, Ryan Alexander-Tanner, Jimmy Palmiotti, and Matt Bors had joined the Occupy Comics roster. [22]
Spiegelman told Wired:
"I'm proud to be included in this book," Spiegelman told Wired by email. "Occupy is the seismograph of things to come."
"Occupy is one of the most significant things happening that could actually bring hope and change to our ravaged nation." [22]
On September 17, 2012, the one-year anniversary of Occupy Wall Street, Occupy Comics #2 was released to the project's Kickstarter backers and via the Black Mask Studios website. The cover featured a new and iconic illustration by V for Vendetta artist David Lloyd pitting his seminal character V against the Wall Street Charging Bull. [23]
Lloyd told Wired:
"I was massively impressed by the great camaraderie and strength of will [the Occupy movement] showed in New York last October when I went to see what they were doing, and I hope that they can somehow survive all the blows they've suffered since then… They've got a hard job to do and it's not going to get any easier." [23]
V for Vendetta is a British graphic novel written by Alan Moore and illustrated by David Lloyd. Initially published between 1982 and 1985 in black and white as an ongoing serial in the British anthology Warrior, its serialisation was completed in 1988–89 in a ten-issue colour limited series published by DC Comics in the United States. Subsequent collected editions were typically published under DC's specialised imprint, Vertigo, until that label was shut down in 2018. Since then it has been transferred to DC Black Label. The story depicts a dystopian and post-apocalyptic near-future history version of the United Kingdom in the 1990s, preceded by a nuclear war in the 1980s that devastated most of the rest of the world. The Nordic supremacist, neo-fascist, outwardly Christofascistic, and homophobic fictional Norsefire political party has exterminated its opponents in concentration camps, and now rules the country as a police state.
Itzhak Avraham ben Zeev Spiegelman, professionally known as Art Spiegelman, is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker. He is married to designer and editor Françoise Mouly and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters.
Warrior was a British comics anthology that ran for 26 issues between March 1982 and January 1985. It was edited by Dez Skinn and published by his company Quality Communications. It featured early work by numerous figures who would go on to successful careers in the industry, including Alan Moore, Alan Davis, David Lloyd, Steve Dillon, and Grant Morrison; it also included contributions by the likes of Brian Bolland and John Bolton, while many of the magazine's painted covers were by Mick Austin.
David Lloyd is an English comics artist best known as the illustrator of the story V for Vendetta, written by Alan Moore, and the designer of its anarchist protagonist V and the modern Guy Fawkes/V mask, the latter going on to become a symbol of protest.
V for Vendetta is a 2005 dystopian political action film directed by James McTeigue from a screenplay by the Wachowskis. It is based on the 1988–89 DC Vertigo Comics limited series of the same title by Alan Moore, David Lloyd, and Tony Weare. The film, set in a future where a fascist totalitarian regime has subjugated the UK, centres on V, an anarchist and masked freedom fighter who attempts to ignite a revolution through elaborate terrorist acts, and on Evey Hammond, a young woman caught up in V's mission. Stephen Rea portrays a detective leading a desperate quest to stop V.
Steve Niles is an American comic book author and novelist, known for works such as 30 Days of Night, Criminal Macabre: A Cal McDonald Mystery, Simon Dark, Mystery Society, Batman: Gotham County Line, Kick-Ass – The New Girl, and Kick-Ass vs. Hit-Girl.
Gene Ha is an American comics artist and writer best known for his work on books such as Top 10 and Top 10: The Forty-Niners, with Alan Moore and Zander Cannon, for America's Best Comics, the Batman graphic novel Fortunate Son, with Gerard Jones, and The Adventures of Cyclops and Phoenix, among others. He has also drawn Global Frequency and has drawn covers for Wizard and Marvel Comics.
V is the titular protagonist of the comic book series V for Vendetta, created by Alan Moore and David Lloyd. He is a mysterious anarchist, vigilante, and freedom fighter who is easily recognizable by his Guy Fawkes mask, long hair and dark clothing. He strives to topple a totalitarian regime of a dystopian United Kingdom through acts of heroism. According to Moore, he was designed to be morally ambiguous, so that readers could decide for themselves whether he was a hero fighting for a cause or simply insane.
Matt Pizzolo is an American film director, screenwriter, producer, bestselling comic book writer, playwright, and entrepreneur, best known for his work as writer of the speculative politics comic books Calexit and Young Terrorists, creator of the transmedia franchise Godkiller, writer-director of the indie movie Threat, and director of music videos for Atari Teenage Riot.
HALO-8 Entertainment is an independent film company specializing in genre cinema, documentaries, midnight movies, music-driven lifestyle videos, and animation. Its most popular releases include the films Pop Skull and Threat, the animated series Godkiller and Xombie, the fitness yoga franchise, Fitness For Indie Rockers, and the documentaries Grant Morrison: Talking With Gods, Your Mommy Kills Animals, N.Y.H.C., and Ctrl+Alt+Compete.
"Husbands and Knives" is the seventh episode of the nineteenth season of the American animated television series The Simpsons. It first aired on the Fox network in the United States on November 18, 2007. It features guest appearances from Alan Moore, Art Spiegelman, and Dan Clowes as themselves and Jack Black as Milo. It was written by Matt Selman and directed by Nancy Kruse. The title is a reference to the Woody Allen film Husbands and Wives.
The Guy Fawkes mask is a stylised depiction of Guy Fawkes created by illustrator David Lloyd for the 1982–1989 graphic novel V for Vendetta written by Alan Moore with art by Lloyd. Derived from the masks used to represent Fawkes being burned on an effigy having long previously had roots as part of Guy Fawkes Night celebrations, Lloyd designed the mask as a smiling face with red cheeks, a wide moustache upturned at both ends, and a thin vertical pointed beard, worn in the graphic novel's narrative by anarchist protagonist V.
Molly Crabapple is an American artist and writer. She is a contributing editor for VICE and has written for a variety of other outlets, as well as publishing books, including an illustrated memoir, Drawing Blood (2015), Discordia on the Greek economic crisis, and the art books Devil in the Details and Week in Hell (2012). Her works are held in the permanent collections of the Museum of Modern Art, The Barjeel Art Foundation and the New-York Historical Society.
Steve Whitaker was a British artist best known as the colourist on the reprint of V for Vendetta.
Alan Moore is an English author known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke, and From Hell. He is widely recognised among his peers and critics as one of the best comic book writers in the English language. Moore has occasionally used such pseudonyms as Curt Vile, Jill de Ray, Brilburn Logue, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed.
A motion comic is a form of animation combining elements of print comic books and animation. Individual panels are expanded into a full shot while sound effects, voice acting, and animation are added to the original artwork. Text boxes, speech bubbles and the onomatopoeia are typically removed to feature more of the original artwork being animated. Motion comics are often released as short serials covering a story arc of a long running series or animating a single release of a graphic novel. Single release issues of a story arc are converted into ten- to twenty-minute-long episodes depending on content.
Godkiller is a transmedia series of graphic novels, illustrated films, and novels created by filmmaker Matt Pizzolo that tells the stories of human beings caught in the crossfire of warring fallen gods.
Black Mask Studios is a comic book and graphic novel publishing company formed by Matt Pizzolo, Steve Niles and Brett Gurewitz, designed as a new infrastructure to support comic book creators and a new pipeline for transgressive art.
Red Giant Entertainment, Inc. is a Florida-headquartered comic book publisher and "transmedia" entertainment company established in 2005. Red Giant was founded by Benny R. Powell, former marketing writer for Priceline.com. Other key players included David Campiti, director and COO; and Chris Crosby, CTO and the CEO of Keenspot Entertainment. Mark "Markiplier" Fischbach joined the board in November 2014.