"I Write the Songs" is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976.
"(They Long to Be) Close to You" is a song written by Burt Bacharach and Hal David. The best-known version is that recorded by American duo The Carpenters for their second studio album Close to You (1970) and produced by Jack Daugherty. Released on May 14, 1970, the single topped both the US Billboard Hot 100 and Adult Contemporary charts. It also reached the top of the Canadian and Australian charts and peaked at number six on the charts of both the UK and Ireland. The record was certified gold by the Recording Industry Association of America (RIAA) in August 1970.
"There's a Kind of Hush" is a popular song written by Les Reed and Geoff Stephens. Originally recorded by Stephens' group the New Vaudeville Band in 1967 as a neo-British music hall number, this version of the track became a hit in Australia and South Africa. However, in the rest of the world, a near-simultaneous cover was a big hit for Herman's Hermits. The song was a charted hit again in 1976 for The Carpenters.
"Yesterday Once More", written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.
"Rainy Days and Mondays" is a song by the Carpenters from their self-titled third album, with instrumental backing by the Wrecking Crew. It was written by Paul Williams (lyrics) and Roger Nichols (music), who had previously written "We've Only Just Begun," another hit for the duo. The B-side on the single is "Saturday," a song written and sung by Richard Carpenter.
"Solitaire" is a ballad written by Neil Sedaka and Phil Cody. Cody employs playing the card game of solitaire as a metaphor for a man "who lost his love through his indifference"—"while life goes on around him everywhere he's playing solitaire". The song is perhaps best known via its rendition by the Carpenters. Another version by Andy Williams reached number 4 in the UK Singles Chart in 1973.
"Baby, What a Big Surprise" is a ballad written by Chicago's then bassist/singer Peter Cetera, which appeared on their album Chicago XI (1977), with Cetera singing lead vocals. The first single released from the album reached number 4 on the US Billboard Hot 100 chart.
"No Tell Lover" is a song written by Lee Loughnane, Danny Seraphine, and Peter Cetera for the group Chicago and recorded for their album Hot Streets (1978), with Cetera and Donnie Dacus singing lead vocals. The second single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart and No. 5 on the adult contemporary chart.
"Hurting Each Other" is a song popularized by the Carpenters in 1972. It was written in 1965 by Gary Geld and Peter Udell, and has been recorded many times by artists ranging from Ruby & the Romantics to Rosemary Clooney.
"This Masquerade" is a song written by American singer and musician Leon Russell. It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single "Tight Rope". The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single "Please Mr. Postman". Three years later, "This Masquerade" was recorded by American singer and guitarist George Benson, who released it on his 1976 album, Breezin'. Benson's version, featuring Jorge Dalto on piano, was released as a single and became the first big hit of his career.
"Touch Me When We're Dancing" is a song written by Terry Skinner, J. L. Wallace and Ken Bell. Skinner and Wallace headed the Muscle Shoals, Alabama session group Bama, who first recorded this song and released it as a single in 1979 reaching number 42 on the Billboard Easy Listening chart and number 86 on the Billboard Hot 100 chart. The song was later recorded by The Carpenters in 1981 for their Made in America album. In 1984, it was recorded by country music artists Mickey Gilley and Charly McClain for their 1984 duet album It Takes Believers and in 1986 by the country music group Alabama.
"Tryin' to Get the Feeling Again" is a song written by David Pomeranz that became a top 10 hit for Barry Manilow in 1976. It was first recorded by the Carpenters in 1975, but their version was not released until 1994 on their 25th anniversary CD, Interpretations: A 25th Anniversary Celebration. Pomeranz also recorded the song for his 1975 album It's in Every One of Us.
"Blue Eyes" is a song performed by English musician Elton John with music and lyrics written by John and Gary Osborne. It was released in 1982, as the UK lead single from John's 16th studio album, Jump Up! (1982). It was released as the album's second single in the US. It hit No. 8 in the UK; in the US, it spent three weeks at No. 10 on the Cash Box chart, went to No. 12 on the Billboard Hot 100, and spent two weeks at No. 1 on the Billboard AC chart. John performed this song often in his concerts until 2012.
"Lonely Night (Angel Face)" is a song written by Neil Sedaka. The song was first recorded by Sedaka and appeared as a track on his 1975 studio album, The Hungry Years. The following year the song was made popular when covered by the pop music duo Captain & Tennille, who took their version to number 3 on the Billboard Hot 100.
"Use ta Be My Girl" is a song by R&B vocal group The O'Jays. Released from their hit 1978 album, So Full of Love, it became a crossover hit. The song spent five weeks at number one on the R&B singles chart. It also peaked at number four on the Billboard Hot 100 singles chart. "Use ta Be My Girl" became one of the biggest and most familiar hits by The O'Jays. The song has also been certified by the RIAA as a million-seller.
"I Believe You" is a love ballad composed by Don and Dick Addrisi which was a 1977 single for Dorothy Moore; taken from her self-titled Dorothy Moore album. "I Believe You" reached #5 R&B and crossed over to the US Pop Top 30 at number 27. The track also reached number 20 in the UK.
"Fooled Around and Fell in Love" is a song written and performed by blues guitarist Elvin Bishop with Mickey Thomas on lead vocals. It appeared on his 1975 album Struttin' My Stuff, and was released as a single the following year.
"How Much Love" is a popular song from 1977 by the British singer Leo Sayer. It was the third of three single releases from Sayer's 1976 album, Endless Flight. The song was co-written by Sayer with Barry Mann.
"On and On" is a song by American singer-songwriter Stephen Bishop. The song, from his debut album Careless, became a major hit, peaking at number 11 on the U.S. Billboard Hot 100 and spending 28 weeks on the chart. In Canada, the song peaked at number 6.
"Stand Tall" is the title of an international hit single by Burton Cummings, taken from his eponymous debut album. The song was released less than two years after "Dancin' Fool", the final hit single by the group for which Cummings had been lead singer, The Guess Who.
