Opening Night | |
---|---|
Directed by | John Cassavetes |
Written by | John Cassavetes |
Produced by | Al Ruban |
Starring |
|
Cinematography | Alan Ruban |
Edited by | Tom Cornwell |
Music by | Bo Harwood |
Production company | Faces Distribution |
Distributed by | Faces Distribution |
Release date |
|
Running time | 144 minutes [1] |
Country | United States |
Language | English |
Opening Night is a 1977 American psychological drama film written and directed by John Cassavetes, and starring Gena Rowlands, Ben Gazzara, Joan Blondell, Paul Stewart, Zohra Lampert, and Cassavetes. Its plot follows a stage actress who, after witnessing the accidental death of a fan, struggles through a nervous breakdown while she prepares for an upcoming Broadway premiere.
Though set in Connecticut and New York City, Opening Night was shot on location in Los Angeles and Pasadena, California, with the theatrical performance sequences taking place at the Pasadena Civic Auditorium.
Myrtle Gordon is a famous but troubled middle-aged actress performing out-of-town previews in New Haven, Connecticut of a new play called The Second Woman before its Broadway run. While leaving the theatre after a performance, Myrtle signs autographs and encounters an obsessive teenaged fan, Nancy, who runs after Myrtle into the street and is struck by a car. Myrtle is unsettled by the incident, and even goes to the girl's shiva, though her family greets her coolly.
Myrtle struggles to connect with the character she is playing in The Second Woman, finding her to have no motivation beyond her age. Over the course of numerous performances, Myrtle departs from the play's script in myriad ways, including changing her lines, throwing props around the set, breaking the fourth wall, and collapsing on stage. This frustrates others involved in the play. The writer, Sarah Goode, attempts to force Myrtle into facing her age. Myrtle admits to her that she has been seeing the apparition of Nancy—the teenager killed in the car accident—which Myrtle believes is a projection of her youth.
Myrtle's state of mind continues to deteriorate, and she begins to drink heavily. She imagines Nancy attacking her, and later she throws herself against the walls of Sarah's hotel room, breaking her sunglasses and slashing her face. The incident disturbs Sarah, who expresses her wish to have Myrtle replaced in the play, feeling she is psychologically unable to perform. After storming out of a rehearsal, Myrtle visits Sarah's spiritual medium for help and has another violent encounter with her vision of Nancy, this time fighting back and “killing” Nancy's ghost. Myrtle attempts to seduce Maurice Aarons—her leading man and a former lover—but he refuses.
Myrtle fails to show up on time for her call on opening night. When she finally arrives, Myrtle is so drunk that she can barely stand. With the audience growing restless, director Manny Victor demands the show go on. Myrtle struggles through the show's opening scenes, collapsing before her entrance and again on stage. As the show continues, Myrtle finds something of a rhythm. By the end, she and Maurice go off script and improvise the play's final act, to the producers’ chagrin and the audience's rapturous applause.
Writing in a 2018 retrospective for Esquire , critic Dom Nero describes Opening Night as a horror film or art horror film, writing: "In the way that its title sequence magnifies the mundane cheers of an audience into a violently furious sound, it takes our reality and presents the concurrent darkness within like the truth-driven horror films such as Get Out . In the way that it drapes Gena Rowlands in long, black, specter-like capes and collars—and the primal world around her colored in bright, bloody reds—it turns a funhouse mirror onto the crushing, almost satanic rituals of film acting and movie star culture like in Mulholland Drive . In the way that its haunting and minimalistic score is reminiscent of a John Carpenter theme, it makes a psychological break as foreboding as a masked bogeyman haunting suburban teenagers." [2]
Though set in New Haven, Connecticut and New York City, Opening Night was shot on location in Los Angeles and Pasadena, California. [3] The film's theater sequences were shot at the Pasadena Civic Auditorium. [3]
In common with earlier films, Cassavetes struggled to get Opening Night distributed in the United States. After a number of preview screenings, it opened on December 25, 1977, at the Fox Wilshire Theater, Los Angeles where it played to almost empty houses, and closed in February having never been commercially shown elsewhere. Screenings in New York City that March were similarly ignored. The film was only picked up by an American distributor in 1991, two years after Cassavetes' death. [4]
In 1978, it was entered into the 28th Berlin International Film Festival, where Gena Rowlands won the Silver Bear for Best Actress. [5]
The film was screened out of competition at the 1992 Cannes Film Festival. [6]
Opening Night was critically panned in the US on its release. The review in Variety that appeared after a press screening concluded, "One must question whether more than a handful of moviegoers are interested in the effort, whether audiences have not already seen enough of Cassavetes' characters ... He's made these films before and not many seemed interested in them." When it opened in New York, the film was not reviewed at all in most newspapers and magazines. [4]
The film was better received in Europe, with the Hollywood Foreign Press Association nominating Rowlands and Blondell for the Best Actress and Best Supporting Actress, respectively, at the 35th Golden Globe Awards. [7] [8]
Its reputation has improved since its initial release. It currently holds a 96% "fresh" rating on Rotten Tomatoes from 27 reviews; the consensus states: "Opening Night is as dense and difficult as one would expect from John Cassavetes, but even the director's detractors will be unable to deny the power of Gena Rowlands' performance." [9]
The film has been referenced by several musicians. Back to the Beat, an EP from the band, Motion City Soundtrack, features a song titled "Opening Night", in reference to the film. The Hold Steady's 2008 album Stay Positive makes various allusions to the film; the closing song "Slapped Actress" is the most explicit. "Shut Up"—the first track on Savages' 2013 album Silence Yourself —opens with dialogue between Rowlands and Blondell sampled from the film. Róisín Murphy's music video for "Exploitation", from the album Hairless Toys , serves as an homage to the movie.
Jessica Pratt cited the film as an influence on her album Quiet Signs and titled the instrumental first track "Opening Night." Describing her reaction to the film after viewing it at a screening, she said, "Sometimes when you see a film, especially an emotional, anguishing film like that, it can just simmer in your subconscious for a while. It definitely did that for me." [10]
Pedro Almodóvar repeats the film's accident scene in his film All About My Mother as the center of the dramatic conflict. [11]
Rufus Wainwright and Ivo van Hove have adapted the film into a musical set to premier at the Gielgud Theatre in London's West End in March 2024. [12]
A Woman Under the Influence is a 1974 American drama film written and directed by John Cassavetes. The story follows a woman whose unusual behavior leads to conflict with her blue-collar husband and family. It received two Academy Award nominations, for Best Actress and Best Director.
Virginia Cathryn "Gena" Rowlands was an American actress, whose career in film, stage, and television spanned nearly seven decades. A four-time Emmy and two-time Golden Globe winner, she collaborated with her actor-director husband John Cassavetes in ten films, including A Woman Under the Influence (1974) and Gloria (1980), both of which earned her nominations for the Academy Award for Best Actress. She also won the Silver Bear for Best Actress for Opening Night (1977). She appeared in Woody Allen's Another Woman (1988), and her son Nick Cassavetes's film, The Notebook (2004). In 2021, Richard Brody of The New Yorker said, "The most important and original movie actor of the past half century-plus is Gena Rowlands." In November 2015, Rowlands received an Honorary Academy Award in recognition of her unique screen performances.At the time of her death, she was one of the last surviving stars from the Golden Age of Hollywood.
John Nicholas Cassavetes was a Greek-American filmmaker and actor. He began as an actor in film and television before helping to pioneer modern American independent cinema as a writer and director, often self-financing, producing, and distributing his own films. He received nominations for three Academy Awards, two BAFTA Awards, four Golden Globe Awards, and an Emmy Award.
Faces is a 1968 American drama film written, produced, and directed by John Cassavetes. It is his fourth directorial work. The film, shot in cinéma vérité-style, depicts the final stages of the disintegrating marriage of a middle-aged couple, played by John Marley and newcomer Lynn Carlin. Cassavetes regulars Gena Rowlands, Seymour Cassel, Fred Draper and Val Avery also star.
Hysterical Blindness is a 2002 American television drama film directed by Mira Nair and written by Laura Cahill, based on her stage play of the same name. It stars Gena Rowlands, Uma Thurman, Juliette Lewis, and Ben Gazzara. The film premiered at the Sundance Film Festival on January 16, 2002, and aired on HBO on August 21, 2002. In 2003, Uma Thurman won a Golden Globe Award for her portrayal of Debby Miller. Ben Gazzara and Gena Rowlands also won Best Supporting Actor/Actress awards for their performances as Virginia Miller and Nick Piccolo at the 2003 Emmy Awards. The opening titles by Trollbäck + Company won a Primetime Emmy Award for Outstanding Main Title Design in 2003.
Biagio Anthony "Ben" Gazzara was an American actor and director of film, stage, and television. He received numerous accolades, including a Primetime Emmy Award and a Drama Desk Award, in addition to nominations for three Golden Globe Awards and three Tony Awards.
An Early Frost is a 1985 American made-for-television drama film. It was the first major film with major motion picture stars, Aidan Quinn, Gena Rowlands, Ben Gazzara, and Sylvia Sidney, broadcast on a major television network, NBC, to deal with the topic of AIDS. It was viewed by 34 million households in its initial airing, the highest rated show of the night, even beating Monday Night Football. It received 14 Emmy nominations, winning 3 including Best Original Teleplay, a Peabody Award, as well as multiple Golden Globe nominations, including one for Sylvia Sidney who won for Best Supporting Actress. It was a major breakthrough into mass culture, as it was the first time an American audience of that size saw a film about a gay man who had AIDS, which up until then was considered a gay disease.
Nicholas David Rowland Cassavetes is an American actor, director, and writer. He has directed such films as She's So Lovely (1997), John Q. (2002), The Notebook (2004), Alpha Dog (2006), and My Sister's Keeper (2009). His acting credits include an uncredited role in Husbands (1970)—which was directed by his father, John Cassavetes—as well as roles in the films The Wraith (1986), Face/Off (1997), and Blow (2001).
Zohra Lampert is a retired American actress, who has had roles on stage, film and television. She performed under her then-married name of Zohra Alton early in her career.
Let's Scare Jessica to Death is a 1971 American horror film co-written and directed by John Hancock in his directorial debut, and starring Zohra Lampert, Barton Heyman, Kevin O'Connor, Gretchen Corbett, and Mariclare Costello. The film depicts the nightmarish experiences of a psychologically fragile woman who comes to believe that another strange, mysterious young woman she has let into her home may actually be a vampire.
Alexandra "Xan" Cassavetes is an American actress and director. She is the daughter of Greek-American actor-director John Cassavetes and actress Gena Rowlands. She is the granddaughter of actress Katherine Cassavetes. She is the sister of actor-director Nick Cassavetes and actor-screenwriter-director Zoe Cassavetes.
She's So Lovely is a 1997 American romantic drama film directed by Nick Cassavetes, written by John Cassavetes. At the time of its release, it received special attention because, eight years after his death, it was the first posthumous film to feature previously unreleased material from John Cassavetes. The film stars Sean Penn and John Travolta as two men who bid for the affection of Maureen Murphy Quinn. Harry Dean Stanton co-stars as a friend of Penn's character, and James Gandolfini plays the abusive neighbor.
The Killing of a Chinese Bookie is a 1976 American neo-noir crime film written and directed by John Cassavetes and starring Ben Gazzara. A rough and gritty film, this is the second of their three collaborations, following Husbands and preceding Opening Night. Timothy Carey, Seymour Cassel, Morgan Woodward, Meade Roberts, and Azizi Johari appear in supporting roles.
Katherine Cassavetes was an American actress. She was the mother of actor-director John Cassavetes and mother-in-law of actress Gena Rowlands. Her grandchildren are actor-directors Nick Cassavetes, Zoe Cassavetes, and Alexandra Cassavetes. She appeared in four films, three of which were written and directed by her son, including Minnie and Moskowitz (1971).
Minnie and Moskowitz is a 1971 American romantic comedy-drama film written and directed by John Cassavetes and starring his wife Gena Rowlands and Seymour Cassel in the title roles of Minnie and Moskowitz, respectively.
Zoe Rowlands Cassavetes is an American film director, screenwriter, and actress. She is the daughter of filmmaker John Cassavetes and actress Gena Rowlands. She is best known for her 2007 film Broken English.
Machine Gun McCain is a 1969 English-language Italian crime film directed by Giuliano Montaldo and starring John Cassavetes, Britt Ekland, Peter Falk, Gabriele Ferzetti, and Florinda Bolkan. Cassavetes' spouse and regular collaborator Gena Rowlands appears in a supporting role. The film is based on the Ovid Demaris novel Candyleg, adapted by Montaldo, Mino Roli, and American playwright Israel Horovitz. It premiered at the 1969 Cannes Film Festival, where it was nominated for the Palme d'Or.
John Cassavetes began his career in film in 1953 and ended it in 1986, between which times he was involved in every aspect of the film, television, and stage arts, including acting, directing, scoring, shooting, editing, producing, and marketing.
Lady Rowlands was an American film actress. Most of her work came in the films of John Cassavetes, who was married to her daughter, actress Gena Rowlands.
Opening Night is a stage musical with music and lyrics by Rufus Wainwright and conceived and book by Ivo van Hove. It is based on the 1977 film of the same name by John Cassavetes, which van Hove has also previously adapted as a play in 2005.