Zohra Lampert | |
---|---|
Born | Manhattan, New York City, New York, U.S. | May 13, 1937
Other names | Zohra Alton |
Alma mater | University of Chicago |
Occupation | Actress |
Years active | 1953–2016 |
Spouse |
Zohra Lampert (born May 13, 1937) [1] is an American actress, who has had roles on stage, film and television. She performed under her then-married name of Zohra Alton early in her career.
Among her performances were as the title character in the 1971 cult horror film Let's Scare Jessica to Death. [2] She also starred alongside Natalie Wood and Warren Beatty in the 1961 film Splendor in the Grass .
Lampert achieved critical acclaim for her work on Broadway as well, earning two Tony Award nominations for her roles in Look: We've Come Through (1962) and Mother Courage and Her Children (1963). She won a Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for her role in a 1975 episode of Kojak .
Lampert was born in Manhattan, [3] [4] the only child [5] of Rose and Morris Lampert, both Russian-Jewish immigrants. In 1940 the family lived in the Washington Heights section of Manhattan, and Morris Lampert worked in a hardware store. [6] She attended the High School of Music & Art and the University of Chicago, [3] graduating in 1952. [7] [5] She later studied acting at HB Studio [8] with Uta Hagen; she also studied with Mira Rostova. [3]
Lampert joined other University of Chicago alumni, including Ed Asner and Anthony Holland, in the Playwrights Theatre Club, which was established in Chicago by the theatrical producer David Shepherd. She later said that until she was thrust on stage as Grisha in Berthold Brecht's Caucasian Chalk Circle, in which she had initially joined the cast as assistant scenic designer, [9] she thought, "I might want to become something scholarly. A librarian, not an actor." [7] She subsequently appeared as The Actress in Rounddance, drawing praise from Sydney J. Harris of the Chicago Daily News as "unquestionably the find of the summer season. . . a gypsy-like girl with elfin grace and the dramatic constitution of Shirley Booth." [10]
She left the Playwrights Theater Club to study acting with Mira Rostova, Montgomery Clift's acting coach, even though her upbringing had taught her that acting "was an unserious thing to do." [11] After a stint as a member of the Second City troupe in Chicago, she appeared on Broadway as Zohra Alton in the 1956 Broadway production of Diary of a Scoundrel.
Lampert, who began performing under her birth name after her divorce from acting colleague Bill Alton, gave a Tony-nominated performance in 1961's Look: We've Come Through. In 1964 she became one of the 26 members of the newly established Lincoln Center Repertory Theater company. [12]
She scored with a pair of small, noteworthy performances in the films Pay or Die and Splendor in the Grass . In the 1960s/1970s, she was active in supporting roles in film and television, and won an Emmy for her performance as a gypsy in an episode of Kojak ("Queen of the Gypsies", 1975). She co-starred with Gena Rowlands in John Cassavetes' Opening Night (1977).
She was a regular in the sitcom The Girl with Something Extra and the medical drama Doctors' Hospital . During the early 1970s, she originated the role of Ellie Jardin on the CBS soap Where the Heart Is until her character was killed off in 1972. In 1986, she appeared in an episode of Knight Rider (season 4, "Hills of Fire"). She worked less during the 1980s and 1990s. She appeared in The Exorcist III (playing actor George C. Scott's wife) and the offbeat 1999 film The Eden Myth .
After a ten-year absence from films, Lampert returned to acting in supporting roles in two films: The Hungry Ghosts (2009) and Zenith (2010).
Lampert married radio personality Jonathan Schwartz in 2010. [13] She was previously married to Bill Alton, a founding member of Second City and fellow Playwrights Theater Club actor. [11]
Year | Title | Role | Notes | Ref. |
---|---|---|---|---|
1959 | Odds Against Tomorrow | Girl in Bar | [14] | |
1960 | Pay or Die | Adelina Saulino | [14] | |
1961 | Posse from Hell | Helen Caldwell | [14] | |
1961 | Splendor in the Grass | Angelina | [14] | |
1961 | Hey, Let's Twist! | Sharon | [14] | |
1966 | A Fine Madness | Evelyn Tupperman | [14] | |
1968 | Bye Bye Braverman | Etta Rieff | [14] | |
1969 | Some Kind of a Nut | Bunny Erickson | [14] | |
1971 | Let's Scare Jessica to Death | Jessica | [14] | |
1977 | Opening Night | Dorothy Victor | [14] | |
1984 | Alphabet City | Mama | [14] | |
1984 | Teachers | Mrs. Pilikian | [14] | |
1989 | American Blue Note | Louise | [14] | |
1990 | Stanley & Iris | Elaine | [14] | |
1990 | The Exorcist III | Mary Kinderman | [14] | |
1992 | Alan & Naomi | Mrs. Liebman | [14] | |
1992 | Last Supper | Short film | [14] | |
1994 | The Last Good Time | Barbara | [14] | |
1999 | The Eden Myth | Alma Speck | [14] | |
2009 | The Hungry Ghosts | Ruth | [15] | |
2010 | Zenith | Ms. Minor | [14] | |
2014 | Sexual Secrets | Alma Speck | ||
Year | Title | Role | Notes |
---|---|---|---|
1954 | A Time to Live | Greta Powers | TV series |
1958 | Decoy | Anne / Norma Hart | "High Swing", "Cry Revenge" |
1960 | Cradle Song | Sister Maria Jesus | TV film |
1960 | Route 66 | Sue Ellis | "Layout at Glen Canyon" |
1961 | The Defenders | Florence Meech / Eve Gideon Tubberbye | "The Prowler", "Gideon's Follies" |
1962 | Sam Benedict | Sarah Friedman | "Hear the Mellow Wedding Bells" |
1963 | The Alfred Hitchcock Hour | Marie Petit | Season 1 Episode 18: "A Tangled Web" |
1963 | Dr. Kildare | Rose Kemmer / Myra Krolik | "The Thing Speaks for Itself", "A Place Among the Monuments" |
1963 | Naked City | Clara Espuella | "Barefoot on a Bed of Coals" |
1964 | The Reporter | Molly Gresham | "Super-Star" |
1965 | The Man from U.N.C.L.E. | Kay Lorrison | "The Mad, Mad Tea Party Affair" |
1965 | Slattery's People | Asst. District Atty. Arlene Mancuso | "Question: Who Are You Taking to the Main Event, Eddie?" |
1965 | The Trials of O'Brien | Penelope | "How Do You Get to Carnegie Hall?" |
1967 | I Spy | Zili | "Blackout" |
1969 | Then Came Bronson | Mary Draper | "Amid Splinters of the Thunderbolt" |
1970 | The F.B.I. | Mary Cochella | "Deadfall" |
1970–71 | Where the Heart Is | Ellie Jardin | TV series |
1972 | Love, American Style | Nancy Ellis | "Love and the Jinx" |
1973 | The Connection | Hannah | TV film |
1973 | The Bob Newhart Show | Janine | "Motel" |
1973–74 | The Girl with Something Extra | Anne | Recurring role |
1975 | Ladies of the Corridor | Mildred Tynan | TV film |
1975 | One of Our Own | Dr. Norah Purcell | TV film |
1975 | Kojak | Marina Sheldon | "Queen of the Gypsies" |
1975–76 | Doctors' Hospital | Dr. Norah Purcell | Main role |
1976 | Serpico | Anne | "Trumpet of Time" |
1976 | Hawaii Five-0 | Anita Newhall | "Let Death Do Us Part" |
1977 | Hunter | Deedee | "The K Group: Parts 1 & 2" |
1977 | Mixed Nuts | Dr. Sarah Allgood | TV short |
1977 | Switch | Lita Verassiere | "Fade Out" |
1978 | Quincy, M.E. | Lynn Peters | "Passing" |
1978 | Black Beauty | Polly Barker | TV miniseries |
1978 | Kojak | Dr. Ellen Page | "The Halls of Terror" |
1978 | Hawaii Five-0 | Gloria Kozma | "Small Potatoes" |
1978 | Lady of the House | Julia de Paulo | TV film |
1979 | The Suicide's Wife | Sharon Logan | TV film |
1980 | The Girl, the Gold Watch & Everything | Wilma Farnham | TV film |
1980 | Children of Divorce | Mrs. Goldsmith | TV film |
1981 | Secrets of Midland Heights | Mme. Zeena | "Letting Go" |
1981 | The Girl, the Gold Watch & Dynamite | Wilma Farnham | TV film |
1982 | Romance Theatre | TV series | |
1984 | American Playhouse | Esther Mirkin | "The Cafeteria" |
1984 | Airwolf | Dr. Lisa Holgate | "Echoes from the Past" |
1985 | Izzy and Moe | Esther Einstein | TV film |
1986 | The Equalizer | Veronica Whitney | "Torn" |
1986 | Knight Rider | Tess Hubbard | "Hills of Fire" |
1986 | Trapper John, M.D. | "Fall of the Wild" |
Year | Nominated work | Award | Category | Outcome | Ref. |
---|---|---|---|---|---|
1962 | Look: We've Come Through | Tony Award | Best Featured Actress in a Play | Nominated | [16] |
1963 | Mother Courage and Her Children | Tony Award | Best Featured Actress in a Play | Nominated | [16] |
1974 | Kojak | Primetime Emmy Award | Outstanding Guest Actress in a Drama Series | Won | [17] |
She refuses to reveal her age—but she can't be much more than 22 or 23—and looks even younger. She is still single. Her parents came to this country from Bessarabia and settled in Manhattan. She was an only child, born when her parents were up in years. [...] After Leaving New York's High School of Music and Art, she decided to attend the University of Chicago. [...] Zohra returned to Manhattan to study under Uta Hagen and Mira Rostova.
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