Opera (1987 film)

Last updated

Opera
Opera - Film 1987.jpg
Theatrical release poster by Renato Casaro. [1]
Directed by Dario Argento
Screenplay by
Story byDario Argento [2]
Produced byDario Argento [3]
Starring
Cinematography Ronnie Taylor [2]
Edited by Franco Fraticelli [2]
Production
companies
Distributed by CDI Compagnia Distribuzione Internazionale [2]
Release date
  • 19 December 1987 (1987-12-19)(Italy)
Running time
107 minutes
CountryItaly [4]
Box office4.737 billion lire (Italy)

Opera (also known and released as Terror at the Opera) is a 1987 Italian giallo directed and co-written by Dario Argento and starring Cristina Marsillach, Urbano Barberini, Daria Nicolodi, and Ian Charleson. The film's plot focuses on a young soprano (Marsillach) who becomes involved in a series of murders being committed inside an opera house by a masked assailant. The film features music composed and performed by Brian Eno, Claudio Simonetti, and Bill Wyman.

Contents

Plot

When Mara Cecova, the star of an avant-garde production of Verdi's Macbeth at the Parma Opera House, is injured after getting hit by a car outside the theater during an argument with the director, Cecova's young understudy, Betty, is given the role of Lady Macbeth. Despite her initial apprehension, Betty's performance proves a success. However, an anonymous figure finds his way into the opera house on the opening night, watching Betty's performance from an empty box. When a stagehand finds him, the figure murders him against a coat hook.

While at her boyfriend Stefano's apartment, the unseen assailant breaks in and overpowers Betty. He gags her with tape, ties her to a pillar, and forces her to watch him kill Stefano, taping a row of needles beneath her eyes to ensure she sees his death. Afterwards, the masked killer unties Betty and flees. Disturbed by a childhood recollection of the same figure murdering her mother, Betty chooses to confide in her director, Marco, that the killer may know her. She refuses police intervention.

The next day, Inspector Alan Santini questions the opera house staff about Stefano's murder, as well as an attack on the production's pet ravens, three of which were found dead after the show. Later that day, Betty meets with the wardrobe seamstress, Giulia, in order to restore her slashed costume. On said costume, Giulia spots a gold bracelet with an anniversary date. The killer soon intervenes, restraining Betty again in the same manner. He stabs Giulia, who swallows the bracelet, prompting him to cut her throat open to retrieve it. The assailant unties Betty and flees.

At her apartment, Santini promises to send a detective, Inspector Soavi, over. On arrival, Betty lets the man in despite her unclear vision (from eyedrops). Later, Betty's agent Mira arrives and tells Betty that she talked with a man in the lobby claiming to be Soavi. Horrified and unsure of whom is the impostor, Betty and Mira hide while the figure claiming to be Soavi receives a phone call and leaves. Mira answers a knock at the door and, while looking through the door's peephole to find out and demand his identity, she is fatally shot. After the killer breaks in and Betty comes across a mortally wounded Soavi, Betty escapes through a ventilation shaft with the help of a girl living in a neighbouring apartment.

Betty returns to the opera house and meets with Marco, who tells her he has a plan to identify the killer. The following night, Betty again takes the stage as Lady Macbeth. During the performance, Marco unleashes a flock of ravens into the audience. Recognizing the face of their attacker from the previous night, the birds swoop down on him, gouging out one of his eyes. The murderer, revealed to be Santini, attempts to shoot at Betty. Santini evades capture and abducts Betty from her dressing room, dragging her to another room.

Santini reveals that he was once the teenage lover of Betty's mother and murdered young women at her behest, but killed the mother due to her escalating demands; Betty witnessed the murder from behind a partly open door. Now, years later, Santini's desire to kill has been rekindled by Betty's appearance, which he sees as her mother's reincarnation. Blindfolding Betty and tying her to a chair, Santini stages his own death by setting fire to the room and apparently himself. Betty breaks free and escapes.

Betty and Marco leave Rome, traveling to Marco's house in the Swiss Alps. However, when Marco hears a television broadcast that the man thought to have been burned alive was not Santini but a clothed mannequin, he yells for Betty to flee. Betty runs into the nearby woods, with Santini in pursuit. Marco tackles him, only to be stabbed to death. Betty distracts Santini long enough to bash him on the head with a rock, after which the police arrive to take him away. Betty wanders through an empty meadow. Finding a lizard trapped in the grass, Betty frees it and tells it to "go free."

Cast

Production

In early 1985, director Dario Argento was entrusted by Sferisterio di Macerata with a production of Giuseppe Verdi's Rigoletto , which was to be Argento's debut as an opera director. Argento's version would have included horrific overtones and gimmicks, such as devices in seats throughout the theatre that would release voltage during thunderstorm scenes. [5] The theatre did not approve of Argento's ideas, leading him to eventually back out of the project. [6] Further problems for Argento occurred when he and Daria Nicolodi were arrested for drug possession, after police had found hashish in their home. [5] According to Michele Soavi, Argento spent two years working on the script for Opera, noting that early drafts "went beyond the limitations of gore which any country, apart from Japan, would have found unacceptable" and that early drafts of the film were "far too long and rather incomplete in certain areas." [7] During pre-production, Argento learned of his father's death on April 19, 1987, after he had been suffering from a long illness. [8]

Development of Opera was announced in mid-1986. Argento declared that the film would initially be shot at Teatro Carignano and star Giuliana De Sio, who was at the peak of her popularity in Italy following the release of Let's Hope It's a Girl . Neither plans materialized, with the film being shot at Teatro Regio in Parma and the lead being cast by the Spanish actress Cristina Marsillach. [5] Argento had initially wanted Jennifer Connelly to play the role of Betty in the film, but changed his mind as he did not want comparisons between this film as Phenomena (1985). He then attempted to cast Mia Sara, the star of Legend (1985), but changed his mind when fashion designer Giorgio Armani suggested Marsillach. [9] Much of the cast had previously worked with Argento, such as Barberini and Zinny appearing Argento's productions of Demons , Tassoni in Demons 2 , and Mirella D'Angelo starring in Tenebrae . [10]

Opera was shot at the Teatro Regio in Parma. Interior of Teatro Regio (Parma) 2014-09-16.jpg
Opera was shot at the Teatro Regio in Parma.

Filming began in April 1987. [11] The film was Argento's most expensive to date, initially budgeted at 10 billion lire, but was later reduced to seven billion. [5] The scene shot from the ravens point of view around the theatre cost 1 billion lire on its own. [12] Initially, the film was to be produced by Goffredo Lombardo, the head of Titanus. A corporate split between Titanus away from distribution lead to a split in interest in backing the film. Backed by the production company from Mario and Vittorio Cecchi Gori; the brothers had ties to Italy's national television network RAI, allowing them to organize a presale for the film that gave Argento a larger budget than he had usually worked with. [13] Additional filming took place in Lugano, Switzerland with interiors shot at De Paolis Studios in Rome. [13] Argento had written the role of Mara Cecova for Vanessa Redgrave, who dropped out shortly before production began, leading to Nicolodi being cast in the part, and the character's role in the film being severely reduced. [12] On set, Alan Jones reported that Opera had been an "arduous 15 week shoot". [10] Marsillach stated she received real burns from the multiple takes she needed during the scene where she is tied to a chair in a burning room. [14]

Soundtrack

TitlePerformer/ComposerPublisher
  • "White Darkness"
  • "Balance"
  • "From the Beginning"
 Brian Eno and Roger Eno By Arrangement with Opal Ltd, London
  • "Opera"
  • "Crows"
  • "Confusion"
 Claudio Simonetti By Arrangement with BMG Ariola-Walkman SRL
  • "Opera Theme"
  • "Black Notes"
 Bill Wyman and Terry TaylorBy Arrangement with Ripple Music Ltd.
  • "Knights of the Night"
  • "Steel Grave"
Steel Grave a.k.a. GowBy Arrangement with Franton Music/Walkman SRL
  • "No Escape"
Norden LightBy Arrangement with Sonet
  • "Casta Diva"
From "Norma". Composed by Vincenzo Bellini.
  • "Amami Alfredo"
  • "Sempre libera"
From "La Traviata". Composed by Giuseppe Verdi. Performed by Maria Callas.By Arrangement with Fonit Cetra
  • "Un bel dì vedremo"
From "Madama Butterfly". Composed by Giacomo Puccini. Performed by Mirella Freni.By Arrangement with PolyGram (as Poligram)
Composed by Giuseppe Verdi. Performed by Elizabeth Norberg-Schulz (as Elisabetta Norberg Schulz) soprano, Paola Leolini Soprano, Andrea Piccinni (as Andrea Piccini) Tenor, Michele Pertusi Baritone, with "Arturo Toscanini" Symphonic Orchestra of Emilia and Romagna. Recorded at the Elite Studio of Sermide (MN)

Release

Opera was released in Italy on December 19, 1987. [4] Film critic and historian Roberto Curti wrote that the film was a box-office success in Italy, with 706,000 spectators 4,737 million lire grossed. [5] The film was initially going to be released in the United States by Orion Pictures, with plans to remove the film's ending in the Swiss Alps. [15]

Opera was released on home video in Australia, Japan, the United States and the United Kingdom as Terror at the Opera. [16]

Critical reception

Curti wrote that the film was critically well received in Italy. [5]

From retrospective reviews, Adrian Luther-Smith in his book Blood and Black Lace echoed the film as an "exceptional visual experience" and referred to it as a return to form for Argento after the release of Phenomena. [16] Luther-Smith only lamented the use of heavy metal music and what he saw as a "weak ending" to the film. [16]

Ed Gonzalez of Slant Magazine awarded the film a score of four out of four stars, calling it Argento's "last full-fledged masterpiece" and praising the "operatic attention to death and the way in which the film's killer forces Betty's gaze" as "genius". [17]

Patrick Legare of AllMovie awarded the film two-and-a-half out of five stars, calling it "a decent, fairly typical Argento film that is worth watching primarily for its above-average murder sequences." [18]

On the review aggregator website Rotten Tomatoes, Opera has an approval rating of 91% based on 22 reviews, with an average rating of 7.07/10. The site's critical consensus reads: "The Opera house location gives plenty to work with for director Dario Argento, who hits his decadently bloody high notes here." [19]

Related Research Articles

<span class="mw-page-title-main">Dario Argento</span> Italian film director and screenwriter

Dario Argento is an Italian film director, screenwriter and producer. His influential work in the horror and giallo genres during the 1970s and 1980s has led him to being referred to as the "Master of the Thrill" and the "Master of Horror".

<span title="Italian-language text"><i lang="it">Giallo</i></span> Literature and film genre

In Italian cinema, giallo is a genre of murder mystery fiction that often contains slasher, thriller, psychological horror, psychological thriller, sexploitation, and, less frequently, supernatural horror elements.

<span class="mw-page-title-main">Lamberto Bava</span> Italian film director

Lamberto Bava is an Italian film director. Born in Rome, Bava began working as an assistant director for his director father Mario Bava. Lamberto co-directed the 1979 television film La Venere d'Ille with his father and in 1980 directed his first solo feature film Macabre.

<span class="mw-page-title-main">Daria Nicolodi</span> Italian actress and screenwriter (1950–2020)

Daria Nicolodi was an Italian television and film actress and screenwriter, and associated mostly with the films of director Dario Argento.

<i>Demons</i> (1985 film) 1985 Italian horror film directed by Lamberto Bava

Demons is a 1985 Italian supernatural horror film directed by Lamberto Bava, produced by Dario Argento, and starring Urbano Barberini and Natasha Hovey. The plot follows two female university students who, along with a number of random people, are given complimentary tickets to a mysterious movie screening, where they soon find themselves trapped in the theater with a horde of ravenous demons.

<span class="mw-page-title-main">Michele Soavi</span> Italian filmmaker, actor, and screenwriter

Michele Soavi, sometimes known as Michael Soavi is an Italian filmmaker, actor, and screenwriter best known for his work in the horror film genre, working alongside directors like Dario Argento and Lucio Fulci.

<i>Stage Fright</i> (1987 film) 1987 Italian slasher film directed by Michael Soavi

Stage Fright is a 1987 Italian slasher film directed by Michael Soavi, and starring Barbara Cupisti, David Brandon, and Giovanni Lombardo Radice. The plot involves a group of stage actors and crew who lock themselves inside a theater for rehearsal of a musical production, unaware that an escaped mental patient is locked inside with them.

<i>The Cat o Nine Tails</i> 1971 film

The Cat o' Nine Tails is a 1971 English-language Italian film directed by Dario Argento, adapted from a story by Dardano Sacchetti, Luigi Cozzi, and an uncredited Bryan Edgar Wallace. It stars Karl Malden, James Franciscus, and Catherine Spaak.

<i>Phenomena</i> (film) 1985 film by Dario Argento

Phenomena is a 1985 Italian giallo-horror film produced and directed by Dario Argento, who co-wrote the screenplay with Franco Ferrini. It stars Jennifer Connelly, Daria Nicolodi, Dalila Di Lazzaro, Patrick Bauchau and Donald Pleasence. The plot concerns an American teenage girl (Connelly) at a remote Swiss boarding school who discovers she has psychic powers that allow her to communicate with insects, and uses them to pursue a serial killer who is targeting young girls at and around the school.

<i>Inferno</i> (1980 film) 1980 Italian horror film directed by Dario Argento

Inferno is a 1980 Italian supernatural horror film written and directed by Dario Argento, and starring Irene Miracle, Leigh McCloskey, Eleonora Giorgi, Daria Nicolodi and Alida Valli. The plot follows a young man's investigation into the disappearance of his sister, who had been living in a New York City apartment building that also served as a home for a powerful, centuries-old witch. The cinematography was by Romano Albani, and Keith Emerson composed the film's musical score.

<i>Tenebrae</i> (film) 1982 Italian giallo film by Dario Argento

Tenebrae is a 1982 Italian giallo film written and directed by Dario Argento. The film stars Anthony Franciosa as American author Peter Neal, who – while in Rome promoting his latest murder-mystery novel – becomes embroiled in the search for a serial killer who may have been inspired to kill by his novel. John Saxon and Daria Nicolodi co-star as Neal's agent and assistant respectively, while Giuliano Gemma and Carola Stagnaro appear as detectives investigating the murders. John Steiner, Veronica Lario, and Mirella D'Angelo also feature in minor roles. The film has been described as exploring themes of dualism and sexual aberration, and has strong metafictional elements; some commentators consider Tenebrae to be a direct reaction by Argento to criticism of his previous work, most especially his depictions of murders of women.

<i>Deep Red</i> 1975 giallo film directed by Dario Argento

Deep Red, also known as The Hatchet Murders, is a 1975 Italian giallo film directed by Dario Argento and co-written by Argento and Bernardino Zapponi. It stars David Hemmings as a musician who investigates a series of murders performed by a mysterious figure wearing black leather gloves. The cast also stars Daria Nicolodi, Gabriele Lavia, Macha Méril, and Clara Calamai. The film's score was composed and performed by Goblin, the first in a long-running collaboration with Argento.

<span class="mw-page-title-main">Urbano Barberini</span> Italian actor

Urbano Barberini Riario Sforza Colonna di Sciarra, best known as Urbano Barberini or sometimes Urbano Barberini Sforza, is an Italian actor. He is also a translator, theater producer and artistic director. He is fluent in Italian and French languages and is mostly known for starring or appearing in many horror, fantasy and drama films, including the cult classic Dèmoni (Demons).

<i>Trauma</i> (1993 film) 1993 Italian horror film by Dario Argento

Trauma is a 1993 Italian horror film directed by Dario Argento and starring Asia Argento, Christopher Rydell, Piper Laurie, and Frederic Forrest. Set in Minneapolis, Minnesota, it follows a troubled teenage girl who, with the help of a boyfriend, attempts to stop a serial killer who murdered her parents.

<i>Killing Birds</i> 1988 film by Joe DAmato and Claudio Lattanzi

Killing Birds is a 1988 Italian horror film starring Lara Wendel and Robert Vaughn. The film is set in Louisiana where Fred Brown returns from the Vietnam War to find his wife in bed with her lover and slaughters the whole family sparing the newborn son. After the massacre, he is attacked and blinded by a falcon. Twenty years later a group of students led by Steve and Anne meet Brown, and begin their search for a nearly extinct breed of woodpecker and come across grisly occurrences including boys being killed by vengeful zombies.

<i>The Church</i> (1989 film) 1989 Italian film

The Church is a 1989 Italian supernatural horror film co-written and directed by Michele Soavi, and produced by Dario Argento with Mario Cecchi Gori and Vittorio Cecchi Gori. It stars Hugh Quarshie, Tomas Arana, Barbara Cupisti, Asia Argento, Feodor Chaliapin, Jr. and Giovanni Lombardo Radice.

<i>Delirium</i> (1987 film) 1987 Italian film

Delirium is a 1987 Italian giallo film directed by Lamberto Bava and starring Serena Grandi, David Brandon, George Eastman and Daria Nicolodi. The film is about Gioia, the owner of the adult Pussycat magazine. She is harassed by a killer who sends her photos of her co-workers with her own erotic photography in the background.

<i>The Bloodstained Shadow</i> 1978 film

The Blood Stained Shadow Italian giallo film co-written and directed by Antonio Bido.The film follows a professor returning to his home of a coastline Italian village, where a woman is strangled like a young girl who was murdered years ago, before sinners in the town start dying as well.

<i>Murder Obsession</i> 1981 film

Murder Obsession, a.k.a. Fear, is a 1981 Italian giallo-horror film directed by Riccardo Freda, and starring Laura Gemser and Anita Strindberg.

<i>Midnight Killer</i> 1986 Italian film

Midnight Killer is a 1986 Italian giallo film starring Valeria D'Obici and Leonardo Treviglio, and directed by Lamberto Bava.

References

  1. ↑ Curti 2022, p. 358.
  2. 1 2 3 4 5 6 "Opera (1987)" (in Italian). Archivio del Cinema Italiano. Retrieved 9 November 2023.
  3. ↑ "Credits". BFI Film & TV Database. British Film Institute. Retrieved 9 November 2023.
  4. 1 2 "Opera". BFI Film & TV Database. British Film Institute. Retrieved 9 November 2023.
  5. 1 2 3 4 5 6 Curti 2022, p. 356.
  6. ↑ "Argento dice 'no' alla regia di "Rigoletto"". Corriere della Sera (in Italian). 24 April 1985.
  7. ↑ Jones 1988, p. 38.
  8. ↑ Jones 1988, p. 34.
  9. ↑ Jones 1988, p. 32.
  10. 1 2 Jones 1988, p. 27.
  11. ↑ "Il film Opera di Dario Argento costa dieci miliardi". Corriere della Sera (in Italian). 16 April 1987.
  12. 1 2 Curti 2022, p. 357.
  13. 1 2 Jones 1988, p. 28.
  14. ↑ Jones 1988, p. 33.
  15. ↑ Curti 2022, p. 359.
  16. 1 2 3 Luther-Smith 1999, p. 119.
  17. ↑ Gonzalez, Ed (4 December 2001). "Review: Dario Argento's Opera". Slant Magazine . Retrieved 10 March 2020.
  18. ↑ Legare, Patrick. "Opera | Review | AllMovie". AllMovie . Archived from the original on 3 June 2022. Retrieved 24 July 2012.
  19. ↑ "Opera (1987)". Rotten Tomatoes . Retrieved 26 October 2020.

Sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.