Opus Dei | ||||
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Studio album by | ||||
Released | March 23, 1987 | |||
Genre | Martial industrial, neoclassical dark wave | |||
Length | 37:17 (LP version), 58:60 (CD version) | |||
Label | Mute | |||
Producer | Rico Conning | |||
Laibach chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Encyclopedia of Popular Music | [2] |
Opus Dei is the third studio album by Slovenian band Laibach, released in 1987. It features "Geburt einer Nation" ("birth of a nation"), a German language cover version of Queen's "One Vision", and two reworkings of the Austrian band Opus' sole international hit single "Live Is Life". The Opus song became the German language "Leben heißt Leben" and the English language "Opus Dei". "The Great Seal" is the national anthem of the NSK State, the lyrics taken from Churchill's "We shall fight on the beaches" speech. A new arrangement of the song appears on Laibach's album Volk , with the title "NSK". On Volk, the song is credited to Laibach and Slavko Avsenik, Jr.
There are two further connections with Queen's A Kind of Magic album. Although the drum loop in "Trans-National" is nearly identical to that in Queen's "Don't Lose Your Head", it is composed in fact from samples from the introduction musical theme from the movie Battle of Neretva , composed by Bernard Herrmann.[ citation needed ] The elements of "How the West Was Won" (specifically the rhythm and harmonised guitars) are inspired by Queen's "Gimme the Prize".[ citation needed ]
The album was included in the book 1001 Albums You Must Hear Before You Die . [3] In 2023, Consequence ranked it at number 6 in its list of the "50 Best Industrial Albums of All Time". [4] Al Jourgensen of Ministry named it one of the ten essential industrial records. [5]
In December 2024, Laibach released Opus Dei Revisited, a "collection of new versions which radically interrogate the source material". The release consists of two complete versions, the first reworked by the band themselves and the second by Rico Conning, who produced and mixed the original album [6] .
+ On CD editions, 4 tracks from "Baptism":
Laibach is a Slovenian and Yugoslav avant-garde music group associated with the industrial, martial, and neo-classical genres. Formed in 1980 in the mining town of Trbovlje, Slovenia, at the time a constituent republic within Socialist Federal Republic of Yugoslavia, Laibach represents the musical wing of the Neue Slowenische Kunst (NSK) art collective, a group which Laibach co-founded in 1984.
Ministry is an American industrial metal band founded in Chicago, Illinois, in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial rock and industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole remaining original member. Musicians who have contributed to the band's studio or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia, Tommy Victor and Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison and Roy Mayorga, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989, by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
ΚΕΦΑΛΗΞΘ is the fifth studio album by American industrial metal band Ministry, released on July 14, 1992, by Sire Records. It was produced by frontman Al Jourgensen and bassist Paul Barker, and was recorded from March 1991 to May 1992 in Chicago, Illinois and Lake Geneva, Wisconsin. The album's title, initially intended to be The Tapes of Wrath, ended up being derived from Aleister Crowley's The Book of Lies.
In the minds of many foreigners, Slovenian folk music means a form of polka that is still popular today, especially among expatriates and their descendants. However, there are many styles of Slovenian folk music beyond polka and waltz. Kolo, lender, štajeriš, mafrine and šaltin are a few of the traditional music styles and dances.
How the West Was Won may refer to:
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988, by Sire Records. This is the first Ministry album to include bassist Paul Barker and marks a departure from the band's previous two synthpop and EBM records. It incorporates heavy metal guitars and industrial music influences, and Al Jourgensen uses distorted vocals in his natural accent, rather than the faux British accent of previous albums. The resulting sound was influential in the industrial metal genre and is Jourgensen's favorite Ministry album. The album was certified gold by the RIAA in January 1996.
Revolting Cocks, also known as RevCo, are an American-Belgian industrial rock band, and sometimes supergroup, that began as a musical side project for Richard 23 of Front 242, Luc van Acker, and Al Jourgensen of Ministry.
With Sympathy is the debut studio album by American industrial band Ministry, released on May 10, 1983 by Arista Records. The group was formed in 1981 by lead singer and multi-instrumentalist Al Jourgensen, with drummer Stephen George being the most notable member of its initial lineup. The album was briefly re-released overseas as Work for Love.
Baptism is soundtrack album by Laibach. It is the soundtrack to the Neue Slowenische Kunst production of the same name. All music and lyrics by Laibach, except where noted.
Alain David Jourgensen is a Cuban-American singer, musician and music producer. Closely related with the independent record label Wax Trax! Records, his musical career spans four decades. He is the frontman and lyricist of the industrial metal band Ministry, which he founded in 1981 and of which he remains the only constant member. He was the primary musician of several Ministry-related projects, such as Revolting Cocks, Lard, and Buck Satan and the 666 Shooters. Jourgensen is a prominent figure in industrial music, influencing numerous other groups and musicians, both in alternative and industrial-associated acts.
Black Box – Wax Trax! Records: The First 13 Years is a box set album compiling songs released on Wax Trax! Records between 1980 and 1993. Black Box commemorates Wax Trax!'s output as an independent record label prior to its purchase by TVT Records. In particular, Black Box celebrates Wax Trax!'s place as the seminal American industrial label, featuring acts such as Ministry, KMFDM, Meat Beat Manifesto, Coil, Laibach, and many others.
Anthems is a compilation by the Slovenian industrial music group Laibach. It was released in 2004 as a double album. The first CD contains a collection of Laibach's best tracks throughout the years, while the second disc accommodates remixes of Laibach songs by different artists. Besides the CDs, the Anthems box also contains a 44-page booklet with a history of Laibach plus several paintings and photographs by and of the band.
Volk is the seventh studio album by Slovenian industrial group Laibach, released in 2006. The word "volk" means "people" or "nation" in German and "wolf" in Slovene. The album is a collection of thirteen songs inspired by national or pan-national anthems, plus the anthem of the Neue Slowenische Kunst (NSK) State, a fictional state invented by the band. The album is a collaboration with another Slovenian band, Silence.
"Live Is Life" is a 1984 song by Austrian pop rock band Opus. It was released as the first single from their first live album, Live Is Life (1984), and was also included on the US version of their fourth studio album, Up and Down (1984). The song was a European number-one hit in the summer of 1985, and also reached number one in Canada and the top 40 in the US in 1986. It has been covered by many artists. The title is sometimes mistaken as "Life Is Life": German phonology has final-obstruent devoicing, so that the word "live" sounds like "life".
"Supernaut" is the fifth song from the album Vol. 4 by British heavy metal band Black Sabbath.
"Thieves" is a song by American industrial metal band Ministry. It was released as the opening track from the band's fourth studio album, The Mind Is a Terrible Thing to Taste (1989), as well as the B-side from its single, "Burning Inside". The song's lyrics deal mainly with political corruption. The song includes dialogue samples from R. Lee Ermey's drill instructor character in Full Metal Jacket. Ministry's version was featured in the 1992 science fiction film Freejack, also in the 2009 video game Brütal Legend.
"Over the Shoulder" is a song by American industrial band Ministry, from their second studio album, Twitch (1986). Written by frontman Al Jourgensen, produced by Adrian Sherwood, and released in November 1985 as a 12-inch single, it was the band’s first recording after signing with Sire Records; the accompanying music video was directed by Peter Christopherson.
The Sound of Music is an album by NSK industrial group Laibach. The album is a reinterpretation of the soundtrack of the musical of the same name. Also included are Korean folks songs such as Arirang. Lead vocals are usually duets between lead singer Milan Fras and guest collaborator Boris Benko of Silence.
Moral Hygiene is the fifteenth studio album by American industrial metal band Ministry, released on October 1, 2021. In production for about three years, following the release of AmeriKKKant (2018), this album marks the band's first collaboration with bassist Paul D'Amour, who joined Ministry in 2019, and the first to include a cover song since Relapse (2012). Moral Hygiene also includes guest appearances from guitarist Billy Morrison, former Megadeth bassist David Ellefson, former N.W.A member Arabian Prince and Ministry frontman Al Jourgensen's former bandmate in Lard, Jello Biafra. It also marks the first album since Rio Grande Blood (2006) to not feature guitarist Sin Quirin, who quit the band in March 2021 following the previous year's allegations of underage sexual relations.