Pantoum

Last updated

The pantoum is a poetic form derived from the pantun, a Malay verse form: specifically from the pantun berkait, a series of interwoven quatrains.

Contents

Structure

The pantoum is a form of poetry similar to a villanelle in that there are repeating lines throughout the poem. It is composed of a series of quatrains; the second and fourth lines of each stanza are repeated as the first and third lines of the next stanza. The pattern continues for any number of stanzas, except for the final stanza, which differs in the repeating pattern. The first and third lines of the last stanza are the second and fourth of the penultimate; the first line of the poem is the last line of the final stanza, and the third line of the first stanza is the second of the final. Ideally, the meaning of lines shifts when they are repeated although the words remain exactly the same: this can be done by shifting punctuation, punning, or simply recontextualizing.

A four-stanza pantoum is common (although more may be used), and in the final stanza, lines one and three from the first stanza can be repeated, or new lines can be written. The pantoum form is as follows: [1]

Stanza 1
A
B
C
D

Stanza 2
B
E
D
F

Stanza 3
E
G
F
H

Stanza 4
G
I (or A or C)
H
J (or A or C)

Verse forms

The pantoum is derived from the pantun berkait, a series of interwoven quatrains. An English translation of such a pantun berkait appeared in William Marsden's A Dictionary and Grammar of the Malayan Language in 1812. Victor Hugo published an unrhymed French version by Ernest Fouinet of this poem in the notes to Les Orientales (1829) and subsequent French poets began to make their own attempts at composing original "pantoums". [2] Leconte de Lisle published five pantoums in his Poèmes tragiques (1884).

There is also the imperfect pantoum, in which the final stanza differs from the form stated above, and the second and fourth lines may be different from any preceding lines.

Baudelaire's famous poem "Harmonie du soir" [3] is usually cited as an example of the form, but it is irregular. The stanzas rhyme abba rather than the expected abab, and the last line, which is supposed to be the same as the first, is original.

Poets

American poets such as Clark Ashton Smith, John Ashbery, Marilyn Hacker, Donald Justice ("Pantoum of the Great Depression"), [4] Carolyn Kizer, [5] and David Trinidad have done work in this form, as has Irish poet Caitriona O'Reilly.

The December 2015 issue of First Things featured a pantoum by James Matthew Wilson, "The Christmas Preface." [6]

Music

Claude Debussy set Charles Baudelaire's "Harmonie du soir" in his Cinq poèmes de Charles Baudelaire in the form of a pantoum. Perhaps inspired by this setting, Maurice Ravel entitled the second movement of his Piano Trio, "Pantoum (Assez vif)". [7] While Ravel never commented on the significance of the movement's title, Brian Newbould has suggested that the poetic form is reflected in the way the two themes are developed in alternation. [8]

Neil Peart used the form (with one difference from the format listed above) for the lyrics of "The Larger Bowl (A Pantoum)", the fourth track on Rush's 2007 album Snakes & Arrows , also released as a single. [9]

See also

Related Research Articles

<span class="mw-page-title-main">Charles Baudelaire</span> French poet and critic (1821–1867)

Charles Pierre Baudelaire was a French poet who also worked as an essayist, art critic and translator. His poems are described as exhibiting mastery of rhyme and rhythm, containing an exoticism inherited from Romantics, and are based on observations of real life.

<span class="mw-page-title-main">Poetry</span> Form of literature

Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.

A quatrain is a type of stanza, or a complete poem, consisting of four lines.

<span class="mw-page-title-main">Villanelle</span> Fixed verse form; nineteen-line poetic form consisting of five tercets followed by a quatrain

A villanelle, also known as villanesque, is a nineteen-line poetic form consisting of five tercets followed by a quatrain. There are two refrains and two repeating rhymes, with the first and third line of the first tercet repeated alternately at the end of each subsequent stanza until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form. The word derives from Latin, then Italian, and is related to the initial subject of the form being the pastoral.

A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.

<i>Pantun</i> Malay poetic form

Pantun is a Malay oral poetic form used to express intricate ideas and emotions. It generally consists of even-numbered lines and based on ABAB rhyming schemes. The shortest pantun consists of two lines better known as the pantun dua kerat in Malay, while the longest pantun, the pantun enam belas kerat have 16 lines. Pantun is a disjunctive form of poetry which always come in two parts, the first part being the prefatory statement called pembayang or sampiran that has no immediate logical or the narrative connection with the second or closing statement called maksud or isi. However, they are always connected by the rhymes and other verbal associations, such as puns and repeating sounds. There is also an oblique but necessary relationship and the first statement often turns out to be a metaphor for the second one. The most popular form of pantun is the quatrain, and the couplet (two-lines), which both featured prominently in the literature and modern popular culture.

<span class="mw-page-title-main">Rubaʿi</span> Perso-Arabic quatrain form of poetry

A rubāʿī or chahārgāna is a poem or a verse of a poem in Persian poetry in the form of a quatrain, consisting of four lines.

A terzanelle is a poetic form combining aspects of the villanelle and the terza rima. It is nineteen lines total, with five triplets and a concluding quatrain. The middle line of each triplet stanza is repeated as the third line of the following stanza, and the first and third lines of the initial stanza are the second and final lines of the concluding quatrain; thus, seven of the lines are repeated in the poem. The rhyme scheme and stanzaic structure are as follows (a capitalized letter indicates a line repeated verbatim):

A rondeau is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of verse with a refrain. The rondeau is believed to have originated in dance songs involving singing of the refrain by a group alternating with the other lines by a soloist. The term "Rondeau" is used both in a wider sense, covering older styles of the form which are sometimes distinguished as the triolet and rondel, and in a narrower sense referring to a 15-line style which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated to the much later instrumental dance form that shares the same name in French baroque music, which is more commonly called the rondo form in classical music.

The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines in two parts, the first part being an octave and the second being a sestet.

Le Bateau ivre is a 100-line verse-poem written in 1871 by Arthur Rimbaud. The poem describes the drifting and sinking of a boat lost at sea in a fragmented first-person narrative saturated with vivid imagery and symbolism. It is considered a masterpiece of French Symbolism.

<span class="mw-page-title-main">Piano Trio (Ravel)</span> Composition by Maurice Ravel

Maurice Ravel's Piano Trio for piano, violin, and cello is a chamber work composed in 1914. Dedicated to Ravel's counterpoint teacher André Gedalge, the trio was first performed in Paris in January 1915, by Alfredo Casella (piano), Gabriel Willaume (violin), and Louis Feuillard (cello). A typical performance of the work lasts about 30 minutes.

This is a glossary of poetry.

A rondel is a verse form originating in French lyrical poetry of the 14th century. It was later used in the verse of other languages as well, such as English and Romanian. It is a variation of the rondeau consisting of two quatrains followed by a quintet or a sestet. It is not to be confused with the roundel, a similar verse form with repeating refrain.

The following outline is provided as an overview of and introduction to poetry:

Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. The alternating form came to prominence in late 16th-century English poetry and became fashionable in the 17th century when it appeared in heroic poems by William Davenant and John Dryden. In the 18th century famous poets such as Thomas Gray continued to use the form in works such as "Elegy Written in a Country Churchyard". Shakespearean Sonnets, comprising 3 quatrains of iambic pentameter followed by a final couplet, as well as later poems in blank verse have displayed the various uses of the decasyllabic quatrain throughout the history of English Poetry.

Syair is a form of traditional Malay poetry that is made up of four-line stanzas or quatrains. The syair can be a narrative poem, a didactic poem, a poem used to convey ideas on religion or philosophy, or even one to describe a historical event.

<span class="mw-page-title-main">Georges Voisset</span>

Georges Voisset is an Agrégé in French Literature, former Fellow of the Ecole Normale Supérieure of Paris and Professor of Comparative Literature at the University of the French West Indies and Guyane. Literary critic and translator, he is the author of more than a dozen books and numerous articles and essays. He has travelled widely and lived in several Asian and African countries as a university lecturer and director of French cultural institutes under the French Foreign Service.

<span class="mw-page-title-main">Catherine Chandler</span> Canadian poet

Catherine M. Chandler is a Canadian poet and translator, born in Queens, New York City and raised in Wilkes-Barre, Pennsylvania, emigrating to Canada in 1971. She received a Bachelor of Arts degree in French and Spanish from Wilkes University and a Master of Arts in Education from McGill University. She and her husband currently divide their time between their homes in Saint-Lazare-de-Vaudreuil, Québec, and Punta del Este, Uruguay.

<span class="mw-page-title-main">L'albatros (poem)</span>

L'Albatros is a poem by decadent French poet Charles Baudelaire.

References

  1. Sellers, Heather (2008). The Practice of Creative Writing: A Guide for Students. Boston: Bedford/St. Martin's. p. 332. ISBN   978-0-312-43647-6.
  2. "Home Page of Nicholas Heer". University of Washington. Victor Hugo popularized the pantun or pantoum when in 1829 he published Ernest Fouinet's French translation of this poem in the Notes at the end of Les Orientales. (links to a PDF file containing the original and various translations, and also to further information)
  3. Baudelaire, Charles. "Harmonie du soir"(imperfect pantoum, in French; also includes four English translations){{cite web}}: CS1 maint: postscript (link)
  4. Justice, Donald (1998-09-21). "Pantoum of the Great Depression". Washington Post .
  5. Kizer, Carolyn. "Parent's Pantoum"(includes audio clip of poet reading the poem) [(Stuart Dischell0]https://www.theatlantic.com/magazine/archive/2007/12/she-put-on-her-lipstick-in-the-dark/306439/ {{cite web}}: CS1 maint: postscript (link)
  6. Wilson, James Matthew (December 2015). "The Christmas Preface". First Things (258): 48.
  7. Tilmouth, Michael (2001). "Pantoum". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan. ISBN   978-1-56159-239-5.
  8. Newbould, Brian (March 1975). "Ravel's Pantoum". The Musical Times. 116 (1585): 228–231. doi:10.2307/959089. ISSN   0027-4666. JSTOR   959089.
  9. Peart, Neil (2007). "The Game of Snakes & Arrows" (PDF). Atlantic Records. Retrieved 2013-12-13.
Examples of pantoums