The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
Arthur Hoyt was an American film character actor who appeared in more than 275 films in his 34-year film career, about a third of them silent films.
Sally O'Neil was an American film actress of the 1920s. She appeared in more than 40 films, often with her name above the title.
William Robertson Bakewell was an American actor. He achieved his greatest fame as one of the leading juvenile performers of the late 1920s and early 1930s.
Helen Gilmore was an American actress of the stage and silent motion pictures from Louisville, Kentucky. She appeared in over 140 films between 1913 and 1932.
Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
Pretty Ladies is a 1925 American silent comedy drama film starring ZaSu Pitts and released by Metro-Goldwyn-Mayer. The film is a fictional recreation of the famed Ziegfeld Follies. Directed by Monta Bell, the film was written by Alice D. G. Miller and featured intertitles by Joseph Farnham. Pretty Ladies originally featured musical color sequences, some in two-color Technicolor. However, the color sequences are now considered lost.
The Taxi Dancer is a 1927 American silent comedy film directed by Harry F. Millarde and starring Owen Moore and, in her first film with top billing, Joan Crawford.
The Understanding Heart is a 1927 American silent adventure drama film directed by Jack Conway and stars Joan Crawford in an early leading role. The film was adapted for the screen by Edward T. Lowe Jr. from the novel of the same name by Peter B. Kyne.
The Only Thing is a 1925 American silent romantic drama film starring Eleanor Boardman. The film's scenario was written by author Elinor Glyn, and was based on a story adapted from Glyn's novel of the same name.
Crazy like a Fox is a 1926 American short comedy film directed by Leo McCarey and starring Charley Chase. The two-reel silent stars Chase as a young man who feigns insanity in order to get out of an arranged marriage, only to find out that his sweetheart is the girl he has been arranged to marry. Chase would remake the film as The Wrong Miss Wright (1937) in the sound era during his tenure at Columbia Pictures.
Bright Lights is a 1925 American silent romantic comedy film directed by Robert Z. Leonard. The film is based on the story "A Little Bit of Broadway" by Richard Connell, and stars Charles Ray, who achieved stardom by playing ingenious country boys.
Dance Madness is a 1926 American silent comedy film directed by Robert Z. Leonard based upon a script by Frederica Sagor. The film starred Claire Windsor, Conrad Nagel, and Hedda Hopper.
Love's Blindness is a 1926 American silent drama film directed by John Francis Dillon. The film stars Pauline Starke, Antonio Moreno, and Lilyan Tashman. Written by Elinor Glyn, the film was produced under the direct supervision of the author.
Rose-Marie is a 1928 American silent drama film directed by Lucien Hubbard. It was the first of three Metro-Goldwyn-Mayer adaptations of the 1924 operetta Broadway musical Rose-Marie. The best-known film adaptation starring Nelson Eddy and Jeanette MacDonald was released in 1936; another film was released in 1954. All three versions are set in the Canadian wilderness.
The Constant Nymph is a 1943 romantic drama film starring Charles Boyer, Joan Fontaine, Alexis Smith, Brenda Marshall, Charles Coburn, May Whitty, and Peter Lorre with a famous score by Erich Wolfgang Korngold. It was adapted by Kathryn Scola from the 1924 novel of the same name by Margaret Kennedy and the 1926 play by Kennedy and Basil Dean and directed by Edmund Goulding.
Women Love Diamonds is a 1927 American black and white silent melodrama directed by Edmund Goulding and starring Pauline Starke, Owen Moore, and Lionel Barrymore.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
Percy is a lost 1925 American silent comedy film directed by Roy William Neill and starring Charles Ray, Louise Dresser and Victor McLaglen. The film is based upon the novel The Desert Fiddler by William Henry Hamby.
Douglas Gilmore was an American actor. He appeared in numerous films and theater productions.
