Pasture Prime

Last updated
Pasture Prime
AATW-PasturePrime.jpg
Studio album by
ReleasedApril 1985 (1985-04)
Recorded1981–1984
Studio
Genre Western swing [1]
Length40:51
Label
Producer
Asleep at the Wheel chronology
Framed
(1980)
Pasture Prime
(1985)
10
(1987)
Alternative cover
AATW-SelfTitled1985.jpg

Pasture Prime is the eighth studio album by American western swing band Asleep at the Wheel. Produced by Ray Benson at Austin Recording and Bee Creek Studios in Austin, Texas, and by Benson and Willie Nelson at Pedernales Recording Studio in Briarcliff, Texas, it was released in April 1985 by Demon Music Group in the UK and Stony Plain Records in Canada. The album was later repackaged in the US with three fewer tracks and released under the title Asleep at the Wheel.

Contents

Following the release of Framed in 1980, Asleep at the Wheel left MCA Records and underwent a series of personnel changes (Benson predicts over 30 members were present at various times from 1980 to 1985). Recording for Pasture Prime took place over the course of three years, beginning with sessions at Nelson's Briarcliff studio in 1981. In 1985, the album received its initial limited release, before Dot Records issued the self-titled version in the United States later in the year.

Despite its long and disjointed production, Pasture Prime received largely positive reviews from music critics, who praised its return to the group's classic Western swing style following more experimentation in recent years. It has been highlighted by commentators as one of the band's best releases, while Benson has credited it for "rebounding" Asleep at the Wheel's career after several years of dwindling popularity and financial issues. The album did not register on the US charts.

Background

After suffering the departure of many key band members between 1978 and 1980, Asleep at the Wheel faced dwindling popularity and mounting financial problems in the early 1980s. [2] The band was reportedly $180,000 in debt to the Internal Revenue Service in 1980 following the release of its only album for MCA Records, Framed . [3] Bandleader Ray Benson recalls that "From 1981 to 1985, we didn't have a record deal," suggesting the band faced difficulty securing a deal due to the increasing popularity of disco, adding that "Traditional country was making a comeback, but they [labels] didn't consider us traditional country ... we were living hand-to-mouth, as far as the band was concerned." [4] During what Benson described as "the dark age of disco", the band played much smaller venues and recorded music for TV commercials. [3]

During this period of uncertainty and low popularity, the group also went through a large number of lineup changes. Benson recalled in a 1998 interview for the reissue of Pasture Prime that "Our personnel shifted rather dramatically ... We've had over 80 people in the band, and I think almost 35 or 40 of them were in those five years [1980 to 1985]." [4] By the time Pasture Prime was released in 1985, only Benson and co-lead vocalist Chris O'Connell remained from the Framed incarnation. [5]

Production

Recording for Asleep at the Wheel's eighth album began in 1981 at Willie Nelson's Pedernales Recording Studio in Briarcliff, Texas, initially under the working title The Road Will Hold Me Tonight, with the plan to release it on Nelson's own label Lone Star Records. [6] [7] Speaking about the sessions, frontman Ray Benson recalled that "Willie built himself a recording studio ... we were pals and everything and he said, 'Just come on over and record.' And he opened the studio to us ... So we would go in there when Willie was done recording ... we spent hundreds of hours out there ... So we were broke and out of luck, but ... Willie was just so generous." [4]

Willie Nelson co-produced four tracks at his own Pedernales Recording Studio, as well as writing and featuring on one. Willie Nelson 1996-05.png
Willie Nelson co-produced four tracks at his own Pedernales Recording Studio, as well as writing and featuring on one.

Four tracks from the sessions produced by Benson and Nelson were included on the final album, featuring a lineup of Benson on lead guitar and vocals, Chris O'Connell on rhythm guitar and vocals, Wally Murphy on pedal steel guitar, Spencer Starnes on bass, Falkner Evans on piano, Steve Schwelling on drums and Paul Anastasio on fiddle; guests included former band member Floyd Domino on piano, Johnny Gimble on fiddle, and Bob Myers on trumpet and saxophone. [8] Nelson featured on his own composition "Write Your Own Song", which details "every musician's frustrations with how label people seem to think it's so easy to write hits". [9]

Additional recording for Pasture Prime took place in 1983 and 1984. [10] [11] Seven tracks on the album were produced at Austin Recording Studio, with a lineup of Benson, O'Connell, Murphy, Evans, bassist Tom Anastasio, drummer Richard Hormachea and saxophonist Michael Francis. [8] The Roomful of Blues horn section is featured on the recording of Big Joe Turner's "Switchin' in the Kitchen". [1] The final two songs were tracked at Spencer Starnes' Bee Creek Studios with lap steel guitarist Junior Brown, bassist Anastasio, pianist Tim Alexander, drummer Mike Grammar, fiddler Larry Franklin and saxophonist Francis. [8]

Continuing to talk about the album's production process, Benson explained that "I finally got all the stuff [from the Pedernales sessions] and I said, 'Gosh, we got an album here.' And then this guy came along – actually, it's one of the Tysons from the Tyson chicken empire – and said he wanted to make a record on us ... and we wound up with a whole record. So I took the cuts from the stuff we'd been doing for two years, combined them with that, and made Pasture Prime." [4]

Release

Pasture Prime was initially issued in April 1985 as a limited release in the United Kingdom (by Demon Records) and Canada (by Stony Plain Records). [4] [1] A release in the United States followed in late-October, after Asleep at the Wheel signed as one of the first acts on Dot Records following its acquisition by the band's former label MCA. [12] [13] Ray Benson credited the securing of the US distribution deal to the release of the album internationally first, commenting that "Europe's the only place to get anything done. We got the MCA deal because of interest overseas." [14] For the US release, Dot removed three tracks ("The Chick's Too Young to Fry", "Big Beaver" and "The Natural Thing to Do") and retitled it Asleep at the Wheel. [4]

Reception

Professional ratings
Review scores
SourceRating
AllMusic (Pasture Prime)Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]
AllMusic (Asleep at the Wheel)Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [15]

Critical reviews of Pasture Prime and Asleep at the Wheel were generally positive. Reviewing the 1998 reissue of the original Pasture Prime album for AllMusic, Anne Wickstrom described it as a collection of "classic Western swing". [1] An uncredited review of the US version on the website claimed that Asleep at the Wheel is "a disc that most fans agree is among [the band's] best", praising the "expert takes" on popular compositions within the genres of country and swing music. [15]

Pasture Prime has often been hailed as one of the most important releases by Asleep at the Wheel, and credited for rejuvenating the band's career. In the interview featured on later reissues of the album, Ray Benson recalls that "Pasture Prime is a very special album, because it contains almost three years of recording ... After that, it just took off. All of a sudden, the career rebounded for whatever reason. I guess if you hang in there long enough, they either kick you out or bring you back." [4] In a later interview, he dubbed it the band's "comeback" release, [16] a term also used by Wickstrom in her AllMusic review. [1]

Track listing

Pasture Prime original pressings
No.TitleWriter(s)Length
1."Across the Alley from the Alamo" (originally recorded by Woody Herman and the Four Chips ) Joe Greene 2:50
2."Switchin' in the Kitchen" (originally recorded by Big Joe Turner )Rudolph Moore4:09
3."Write Your Own Song" Willie Nelson 2:32
4."Cotton Eyed Joe" (originally recorded by Fiddlin' John Carson )Traditional (arr. Benson, Johnny Gimble)2:16
5."Baby"
  • Harvey Thomas Young
  • Danny Levin
3:38
6."Shorty"Benson3:37
7."The Chick's Too Young to Fry" (originally recorded by Louis Jordan and the Tympany Five )
2:12
8."Big Beaver" (originally recorded by Bob Wills and His Texas Playboys ) Bob Wills 3:11
9."This Is the Way We Make a Broken Heart" John Hiatt 3:16
10."Deep Water" (originally recorded by Bob Wills and His Texas Playboys) Fred Rose 3:01
11."The Natural Thing to Do" (originally recorded by Al Cohn ) Al Cohn 3:53
12."Liar's Moon"Benson3:20
13."That's Your Red Wagon" (originally recorded by the Andrews Sisters and Vic Schoen )2:56
Total length:40:51
Pasture Prime 1998 reissue
No.TitleLength
14."Interview with Ray Benson"17:48
Total length:58:39
Asleep at the Wheel
No.TitleWriter(s)Length
1."Cotton Eyed Joe"Traditional (arr. Benson, Gimble)2:25
2."This Is the Way We Make a Broken Heart"Hiatt3:30
3."Across the Alley from the Alamo" (originally recorded by Woody Herman and the Four Chips)Greene2:58
4."Switchin' in the Kitchen" (originally recorded by Big Joe Turner)Moore4:19
5."Deep Water" (originally recorded by Bob Wills and His Texas Playboys)Rose3:09
6."Write Your Own Song"Nelson2:40
7."That's Your Red Wagon" (originally recorded by the Andrews Sisters and Vic Schoen)
  • Jones
  • de Paul
  • Raye
3:03
8."Baby"
  • Young
  • Levin
3:58
9."Liar's Moon"Benson3:37
10."Shorty"Benson3:57
Total length:33:36

Personnel

Current and former band members

Guest musicians

Additional personnel

Related Research Articles

<span class="mw-page-title-main">Asleep at the Wheel</span> American band

Asleep at the Wheel is an American country music group that was formed in Paw Paw, West Virginia, and is based in Austin, Texas. The band has won nine Grammy Awards since their 1970 inception, released over twenty albums, and has charted more than 21 singles on the Billboard country charts. Their highest-charting single, "The Letter That Johnny Walker Read", peaked at No. 10 in 1975.

<span class="mw-page-title-main">Ray Benson</span> American singer-songwriter

Ray Benson is an American musician and the frontman of the Western swing band Asleep at the Wheel as well as an actor and voice actor.

Larry Franklin is an American Fiddler, mandolin and guitar player, session musician, and composer. His style embraces country, blues, rock and roll, jazz, and Western swing.

<i>Comin Right at Ya</i> 1973 studio album by Asleep at the Wheel

Comin' Right at Ya is the debut album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Mercury Custom Studios in Nashville, Tennessee, it was released in March 1973 as the group's only album on United Artists Records. The album features a variety of traditional and original compositions, including recordings of songs originally by Bob Wills, Hank Williams and Geoff Mack. Most of the original tracks on the album were written by drummer and vocalist LeRoy Preston.

<i>Asleep at the Wheel</i> (album) 1974 studio album by Asleep at the Wheel

Asleep at the Wheel is the second album by American western swing band Asleep at the Wheel. Produced by Norro Wilson at Columbia Recording Studios in Nashville, Tennessee, it was released in September 1974 as the group's first album on Epic Records. As with its predecessor Comin' Right at Ya, Asleep at the Wheel's self-titled album featured a mix of traditional and original compositions, including songs written by popular country musicians Rex Griffin, Cindy Walker and Hank Penny.

<i>Served Live</i> 1979 live album by Asleep at the Wheel

Served Live is the first live album by American country band Asleep at the Wheel. Recorded over two nights at the Austin Opry House in Austin, Texas in January 1979, it was produced by the band's frontman Ray Benson with Chuck Flood, and released on June 11, 1979 as the group's final album on Capitol Nashville. Neither the album nor its sole single, "Choo Choo Ch'Boogie", registered on the US Billboard record charts – the band's first album since 1974 not to do so.

<i>Framed</i> (Asleep at the Wheel album) 1980 studio album by Asleep at the Wheel

Framed is the seventh studio album by American country band Asleep at the Wheel. Recorded at several studios in Austin and Dallas, Texas, it was produced solely by the band's frontman Ray Benson and released on August 5, 1980, as the group's only album on MCA Records. Following the departure of the group's primary songwriter LeRoy Preston in 1978, the original material on Framed was written primarily by Benson, with Chris O'Connell the only other credited member.

<i>10</i> (Asleep at the Wheel album) 1987 studio album by Asleep at the Wheel

10 is the ninth studio album by American western swing band Asleep at the Wheel. Recorded at Bee Creek Studios in Spicewood, Texas and the Austin Recording Studio in Austin, Texas, it was produced solely by the band's frontman Ray Benson and released in March 1987 as the group's first album back on Epic Records. 10 was the group's first album on a major label since 1980's Framed, and its first to register on the US Billboard charts since 1978's Wheelin' and Dealin'.

<i>Greatest Hits: Live & Kickin</i> 1992 live album by Asleep at the Wheel

Greatest Hits: Live & Kickin' is the second live album by American country band Asleep at the Wheel. Recorded on August 9, 1991, at the 30th annual Austin Aqua Festival, which was held at Auditorium Shores in Austin, Texas, it was produced by the band's frontman Ray Benson and released on March 24, 1992, as the group's second and final album on Arista Records. The album was supported by the release of "(Get Your Kicks on) Route 66" as its one single.

<i>Tribute to the Music of Bob Wills and the Texas Playboys</i> 1993 studio album by Asleep at the Wheel

Tribute to the Music of Bob Wills and the Texas Playboys is the 12th studio album and first tribute album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on October 25, 1993, by Liberty Records. The collection features recordings of songs made popular by Western swing group Bob Wills and His Texas Playboys, a major influence on Asleep at the Wheel.

<i>The Wheel Keeps on Rollin</i> 1995 studio album by Asleep at the Wheel

The Wheel Keeps on Rollin' is the 13th studio album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by Andy Byrd with the band's frontman Ray Benson and released on November 21, 1995, by Capitol Nashville. The album was produced to mark the 25th anniversary of the group's 1970 inception, and was its first collection of new original studio material since the release of Keepin' Me Up Nights in 1990.

<i>Back to the Future Now: Live at Arizona Charlies, Las Vegas</i> 1997 live album by Asleep at the Wheel

Back to the Future Now: Live at Arizona Charlie's, Las Vegas is the third live album by American country band Asleep at the Wheel. Recorded on December 6 and 7, 1996, at Arizona Charlie's Decatur in Las Vegas, it was produced by the band's frontman Ray Benson with Blake Chancey and released on May 20, 1997, by Sony Music imprint Lucky Dog. The album did not chart, spawned no single releases, and received mixed reviews from critics.

<i>Merry Texas Christmas, Yall</i> 1997 studio album by Asleep at the Wheel

Merry Texas Christmas, Y'all is the 14th studio album and first Christmas album by American western swing band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas, it was produced by the band's frontman Ray Benson and released on September 30, 1997, by High Street Records. The album includes a mix of traditional and original songs, which feature guests including Willie Nelson, fiddler Johnny Gimble and former Asleep at the Wheel pianist Floyd Domino.

<i>Ride with Bob: A Tribute to Bob Wills and the Texas Playboys</i> 1999 studio album by Asleep at the Wheel

Ride with Bob: A Tribute to Bob Wills and the Texas Playboys is the 15th studio album and second tribute album by American country band Asleep at the Wheel. Recorded between June 1998 and March 1999 at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on August 10, 1999, as the band's only album on DreamWorks Records. The album is another tribute to the music of Bob Wills and His Texas Playboys.

<i>Hang Up My Spurs</i> 2002 studio album by Asleep at the Wheel

Hang Up My Spurs is the 17th studio album by American country band Asleep at the Wheel. Recorded during 2001 at Bismeaux Studio in Austin, Texas, it was produced by the band's frontman Ray Benson and released in January 2002 as one of the first albums on Cracker Barrel Old Country Stores' own label CB Music. Several songs on the album had been previously recorded by the band for earlier releases, while others are new compositions produced exclusively for the release.

<span class="mw-page-title-main">Asleep at the Wheel discography</span>

The discography of Asleep at the Wheel (AATW), an American country band, consists of 26 studio albums, 16 live albums, 21 compilation albums, seven extended plays (EPs), 40 singles, four video albums and 19 music videos.

<i>New Routes</i> (album) 2018 studio album by Asleep at the Wheel

New Routes is the 25th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studios and Arlyn Studios in Austin, Texas, it was produced by the band's frontman Ray Benson with manager and engineer Sam Seifert, and released on September 14, 2018 by Benson's own Bismeaux Productions with Thirty Tigers. It is the group's first album to feature original material since 2007's Reinventing the Wheel.

<i>Reinventing the Wheel</i> (album) 2006 studio album by Asleep at the Wheel

Reinventing the Wheel is the 20th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas, it was produced by the band with manager/engineer Sam Seifert and released on November 14, 2006 by Ray Benson's record label Bismeaux Productions. The release is the band's first studio album to feature steel guitarist Eddie Rivers and vocalist Elizabeth McQueen, as well as the last to feature pianist John Michael Whitby as an official member.

<i>Half a Hundred Years</i> 2021 studio album by Asleep at the Wheel

Half a Hundred Years is the 26th studio album by American country band Asleep at the Wheel. Produced by the band's frontman Ray Benson and manager Sam Seifert, it was released on October 1, 2021 by Home Records, a sub-label of Bismeaux Productions, with Thirty Tigers. The album was produced to mark the 50th anniversary of the band's 1970 formation and features a wide range of guest performers, including several former band members and frequent collaborator Willie Nelson.

References

  1. 1 2 3 4 5 6 Wickstrom, Anne. "Pasture Prime - Asleep at the Wheel: Songs, Reviews, Credits". AllMusic . Retrieved June 17, 2020.
  2. Wilonsky, Robert (August 12, 1999). "Taking the Wheel". Dallas Observer . Retrieved June 17, 2020.
  3. 1 2 Cartwright, Gary (November 1995). "Asleeping Beauty". Texas Monthly . Retrieved June 17, 2020.
  4. 1 2 3 4 5 6 7 Benson, Ray (1998). "Interview with Ray Benson". Pasture Prime (Audio track). Interviewed by Holger Petersen. Stony Plain Records.{{cite interview}}: |interviewer= has generic name (help)
  5. Huey, Steve. "Asleep at the Wheel: Biography & History". AllMusic . Retrieved June 17, 2020.
  6. Wilson, Bill (November 28, 1981). "New Generation Of Studios Find Action Worth The Wait" (PDF). Billboard . Vol. 93, no. 47. New York City, New York: Billboard. p. T-34. Retrieved June 17, 2020.
  7. Burger, Frederick (January 10, 1982). "It's A New Hayley Mills On TV Screens". The Cincinnati Enquirer . Cincinnati, Ohio: Knight News Service. p. 93. Retrieved June 17, 2020.
  8. 1 2 3 Pasture Prime (Media notes). Asleep at the Wheel. Stony Plain Records. 1998. Retrieved June 17, 2020.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  9. Benson, Ray; Menconi, David (October 2015). Comin' Right at Ya: How a Jewish Yankee Hippie Went Country, or, the Often Outrageous History of Asleep at the Wheel. Austin, Texas: University of Texas Press. p. 114. ISBN   978-0292756588 . Retrieved June 17, 2020.
  10. "Session Mix" (PDF). Cash Box . Vol. 44, no. 52. New York City, New York: Cash Box. May 28, 1983. p. 14. Retrieved June 17, 2020.
  11. Ressner, Jeffrey (March 10, 1984). "Points West" (PDF). Cash Box . Vol. 46, no. 40. New York City, New York: Cash Box. p. 10. Retrieved June 17, 2020.
  12. Kirby, Kip (October 12, 1985). "Dot Label Reborn With Seven Albums" (PDF). Billboard . Vol. 98, no. 41. New York City, New York: Billboard. p. 61. Retrieved June 17, 2020.
  13. Fisher, Bill (October 26, 1985). "MCA Launches Dot Records" (PDF). Cash Box . Vol. 49, no. 20. New York City, New York: Cash Box. p. 35. Retrieved June 17, 2020.
  14. Davis, John T. (July 20, 1985). "Austin Bands Expanding Careers Through Roots-Hungry Euro-Tex Connection" (PDF). Billboard . Vol. 98, no. 29. New York City, New York: Billboard. p. T-30. Retrieved June 17, 2020.
  15. 1 2 "Asleep at the Wheel - Asleep at the Wheel: Songs, Reviews, Credits". AllMusic . Retrieved June 17, 2020.
  16. Blackstock, Peter (July 3, 2017). "Spencer Starnes, Austin area bassist and engineer, dies at 64". Austin American-Statesman . Archived from the original on June 7, 2020. Retrieved June 17, 2020.