Pasture Prime | ||||
---|---|---|---|---|
Studio album by | ||||
Released | April 1985 | |||
Recorded | 1981–1984 | |||
Studio |
| |||
Genre | Western swing [1] | |||
Length | 40:51 | |||
Label | ||||
Producer | ||||
Asleep at the Wheel chronology | ||||
| ||||
Alternative cover | ||||
Pasture Prime is the eighth studio album by American western swing band Asleep at the Wheel. Produced by Ray Benson at Austin Recording and Bee Creek Studios in Austin, Texas, and by Benson and Willie Nelson at Pedernales Recording Studio in Briarcliff, Texas, it was released in April 1985 by Demon Music Group in the UK and Stony Plain Records in Canada. The album was later repackaged in the US with three fewer tracks and released under the title Asleep at the Wheel.
Following the release of Framed in 1980, Asleep at the Wheel left MCA Records and underwent a series of personnel changes (Benson predicts over 30 members were present at various times from 1980 to 1985). Recording for Pasture Prime took place over the course of three years, beginning with sessions at Nelson's Briarcliff studio in 1981. In 1985, the album received its initial limited release, before Dot Records issued the self-titled version in the United States later in the year.
Despite its long and disjointed production, Pasture Prime received largely positive reviews from music critics, who praised its return to the group's classic Western swing style following more experimentation in recent years. It has been highlighted by commentators as one of the band's best releases, while Benson has credited it for "rebounding" Asleep at the Wheel's career after several years of dwindling popularity and financial issues. The album did not register on the US charts.
After suffering the departure of many key band members between 1978 and 1980, Asleep at the Wheel faced dwindling popularity and mounting financial problems in the early 1980s. [2] The band was reportedly $180,000 in debt to the Internal Revenue Service in 1980 following the release of its only album for MCA Records, Framed . [3] Bandleader Ray Benson recalls that "From 1981 to 1985, we didn't have a record deal," suggesting the band faced difficulty securing a deal due to the increasing popularity of disco, adding that "Traditional country was making a comeback, but they [labels] didn't consider us traditional country ... we were living hand-to-mouth, as far as the band was concerned." [4] During what Benson described as "the dark age of disco", the band played much smaller venues and recorded music for TV commercials. [3]
During this period of uncertainty and low popularity, the group also went through a large number of lineup changes. Benson recalled in a 1998 interview for the reissue of Pasture Prime that "Our personnel shifted rather dramatically ... We've had over 80 people in the band, and I think almost 35 or 40 of them were in those five years [1980 to 1985]." [4] By the time Pasture Prime was released in 1985, only Benson and co-lead vocalist Chris O'Connell remained from the Framed incarnation. [5]
Recording for Asleep at the Wheel's eighth album began in 1981 at Willie Nelson's Pedernales Recording Studio in Briarcliff, Texas, initially under the working title The Road Will Hold Me Tonight, with the plan to release it on Nelson's own label Lone Star Records. [6] [7] Speaking about the sessions, frontman Ray Benson recalled that "Willie built himself a recording studio ... we were pals and everything and he said, 'Just come on over and record.' And he opened the studio to us ... So we would go in there when Willie was done recording ... we spent hundreds of hours out there ... So we were broke and out of luck, but ... Willie was just so generous." [4]
Four tracks from the sessions produced by Benson and Nelson were included on the final album, featuring a lineup of Benson on lead guitar and vocals, Chris O'Connell on rhythm guitar and vocals, Wally Murphy on pedal steel guitar, Spencer Starnes on bass, Falkner Evans on piano, Steve Schwelling on drums and Paul Anastasio on fiddle; guests included former band member Floyd Domino on piano, Johnny Gimble on fiddle, and Bob Myers on trumpet and saxophone. [8] Nelson featured on his own composition "Write Your Own Song", which details "every musician's frustrations with how label people seem to think it's so easy to write hits". [9]
Additional recording for Pasture Prime took place in 1983 and 1984. [10] [11] Seven tracks on the album were produced at Austin Recording Studio, with a lineup of Benson, O'Connell, Murphy, Evans, bassist Tom Anastasio, drummer Richard Hormachea and saxophonist Michael Francis. [8] The Roomful of Blues horn section is featured on the recording of Big Joe Turner's "Switchin' in the Kitchen". [1] The final two songs were tracked at Spencer Starnes' Bee Creek Studios with lap steel guitarist Junior Brown, bassist Anastasio, pianist Tim Alexander, drummer Mike Grammar, fiddler Larry Franklin and saxophonist Francis. [8]
Continuing to talk about the album's production process, Benson explained that "I finally got all the stuff [from the Pedernales sessions] and I said, 'Gosh, we got an album here.' And then this guy came along – actually, it's one of the Tysons from the Tyson chicken empire – and said he wanted to make a record on us ... and we wound up with a whole record. So I took the cuts from the stuff we'd been doing for two years, combined them with that, and made Pasture Prime." [4]
Pasture Prime was initially issued in April 1985 as a limited release in the United Kingdom (by Demon Records) and Canada (by Stony Plain Records). [4] [1] A release in the United States followed in late-October, after Asleep at the Wheel signed as one of the first acts on Dot Records following its acquisition by the band's former label MCA. [12] [13] Ray Benson credited the securing of the US distribution deal to the release of the album internationally first, commenting that "Europe's the only place to get anything done. We got the MCA deal because of interest overseas." [14] For the US release, Dot removed three tracks ("The Chick's Too Young to Fry", "Big Beaver" and "The Natural Thing to Do") and retitled it Asleep at the Wheel. [4]
Review scores | |
---|---|
Source | Rating |
AllMusic (Pasture Prime) | [1] |
AllMusic (Asleep at the Wheel) | [15] |
Critical reviews of Pasture Prime and Asleep at the Wheel were generally positive. Reviewing the 1998 reissue of the original Pasture Prime album for AllMusic, Anne Wickstrom described it as a collection of "classic Western swing". [1] An uncredited review of the US version on the website claimed that Asleep at the Wheel is "a disc that most fans agree is among [the band's] best", praising the "expert takes" on popular compositions within the genres of country and swing music. [15]
Pasture Prime has often been hailed as one of the most important releases by Asleep at the Wheel, and credited for rejuvenating the band's career. In the interview featured on later reissues of the album, Ray Benson recalls that "Pasture Prime is a very special album, because it contains almost three years of recording ... After that, it just took off. All of a sudden, the career rebounded for whatever reason. I guess if you hang in there long enough, they either kick you out or bring you back." [4] In a later interview, he dubbed it the band's "comeback" release, [16] a term also used by Wickstrom in her AllMusic review. [1]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Across the Alley from the Alamo" (originally recorded by Woody Herman and the Four Chips ) | Joe Greene | 2:50 |
2. | "Switchin' in the Kitchen" (originally recorded by Big Joe Turner ) | Rudolph Moore | 4:09 |
3. | "Write Your Own Song" | Willie Nelson | 2:32 |
4. | "Cotton Eyed Joe" (originally recorded by Fiddlin' John Carson ) | Traditional (arr. Benson, Johnny Gimble) | 2:16 |
5. | "Baby" |
| 3:38 |
6. | "Shorty" | Benson | 3:37 |
7. | "The Chick's Too Young to Fry" (originally recorded by Louis Jordan and the Tympany Five ) |
| 2:12 |
8. | "Big Beaver" (originally recorded by Bob Wills and His Texas Playboys ) | Bob Wills | 3:11 |
9. | "This Is the Way We Make a Broken Heart" | John Hiatt | 3:16 |
10. | "Deep Water" (originally recorded by Bob Wills and His Texas Playboys) | Fred Rose | 3:01 |
11. | "The Natural Thing to Do" (originally recorded by Al Cohn ) | Al Cohn | 3:53 |
12. | "Liar's Moon" | Benson | 3:20 |
13. | "That's Your Red Wagon" (originally recorded by the Andrews Sisters and Vic Schoen ) | 2:56 | |
Total length: | 40:51 |
No. | Title | Length |
---|---|---|
14. | "Interview with Ray Benson" | 17:48 |
Total length: | 58:39 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Cotton Eyed Joe" | Traditional (arr. Benson, Gimble) | 2:25 |
2. | "This Is the Way We Make a Broken Heart" | Hiatt | 3:30 |
3. | "Across the Alley from the Alamo" (originally recorded by Woody Herman and the Four Chips) | Greene | 2:58 |
4. | "Switchin' in the Kitchen" (originally recorded by Big Joe Turner) | Moore | 4:19 |
5. | "Deep Water" (originally recorded by Bob Wills and His Texas Playboys) | Rose | 3:09 |
6. | "Write Your Own Song" | Nelson | 2:40 |
7. | "That's Your Red Wagon" (originally recorded by the Andrews Sisters and Vic Schoen) |
| 3:03 |
8. | "Baby" |
| 3:58 |
9. | "Liar's Moon" | Benson | 3:37 |
10. | "Shorty" | Benson | 3:57 |
Total length: | 33:36 |
Guest musicians
Additional personnel
Asleep at the Wheel is an American Western Swing music group that was formed in Paw Paw, West Virginia, and is based in Austin, Texas. The band has won nine Grammy Awards since their 1970 inception, released over twenty albums, and has charted more than 21 singles on the Billboard country charts. Their highest-charting single, "The Letter That Johnny Walker Read", peaked at No. 10 in 1975.
Ray Benson Seifert is an American musician, actor and voice actor who is the frontman of the Western swing band Asleep at the Wheel.
Swing is the seventeenth studio album released by The Manhattan Transfer in 1997 on the Atlantic Records label. This album is a collection of 1930s and 1940s swing music with The Manhattan Transfer's jazz twist. The album also features a guest appearance by Stéphane Grappelli, one of his last recordings before his death.
The Quebe Sisters are an American swing revival band based in Dallas, Texas, who perform a mix of progressive western swing, jazz-influenced swing, country, Texas-style fiddling, and western music. The band consists of sisters Grace, Sophia, and Hulda Quebe, all of whom play the fiddle and sing, with supporting musicians accompanying on guitar, upright bass, or other instruments.
Willie and the Wheel is an album from American country music artists Willie Nelson and Asleep at the Wheel. This album was released on February 3, 2009, on the Bismeaux Records label and was nominated for the Grammy Award for Best Americana Album.
Comin' Right at Ya is the debut album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Mercury Custom Studios in Nashville, Tennessee, it was released in March 1973 as the group's only album on United Artists Records. The album features a variety of traditional and original compositions, including recordings of songs originally by Bob Wills, Hank Williams and Geoff Mack. Most of the original tracks on the album were written by drummer and vocalist LeRoy Preston.
Asleep at the Wheel is the second album by American western swing band Asleep at the Wheel. Produced by Norro Wilson at Columbia Recording Studios in Nashville, Tennessee, it was released in September 1974 as the group's first album on Epic Records. As with its predecessor Comin' Right at Ya, Asleep at the Wheel's self-titled album featured a mix of traditional and original compositions, including songs written by popular country musicians Rex Griffin, Cindy Walker and Hank Penny.
Served Live is the first live album by American country band Asleep at the Wheel. Recorded over two nights at the Austin Opry House in Austin, Texas in January 1979, it was produced by the band's frontman Ray Benson with Chuck Flood, and released on June 11, 1979 as the group's final album on Capitol Records. Neither the album nor its sole single, "Choo Choo Ch'Boogie", registered on the US Billboard record charts – the band's first album since 1974 not to do so.
Framed is the seventh studio album by American country band Asleep at the Wheel. Recorded at several studios in Austin and Dallas, Texas, it was produced solely by the band's frontman Ray Benson and released on August 5, 1980, as the group's only album on MCA Records. Following the departure of the group's primary songwriter LeRoy Preston in 1978, the original material on Framed was written primarily by Benson, with Chris O'Connell the only other credited member.
10 is the ninth studio album by American western swing band Asleep at the Wheel. Recorded at Bee Creek Studios in Spicewood, Texas and the Austin Recording Studio in Austin, Texas, it was produced solely by the band's frontman Ray Benson and released in March 1987 as the group's first album back on Epic Records. 10 was the group's first album on a major label since 1980's Framed, and its first to register on the US Billboard charts since 1978's Wheelin' and Dealin'.
Tribute to the Music of Bob Wills and the Texas Playboys is the 12th studio album and first tribute album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on October 25, 1993, by Liberty Records. The collection features recordings of songs made popular by Western swing group Bob Wills and His Texas Playboys, a major influence on Asleep at the Wheel.
The Wheel Keeps on Rollin' is the 13th studio album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by Andy Byrd with the band's frontman Ray Benson and released on November 21, 1995, by Capitol Nashville. The album was produced to mark the 25th anniversary of the group's 1970 inception, and was its first collection of new original studio material since the release of Keepin' Me Up Nights in 1990.
Merry Texas Christmas, Y'all is the 14th studio album and first Christmas album by American western swing band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas, it was produced by the band's frontman Ray Benson and released on September 30, 1997, by High Street Records. The album includes a mix of traditional and original songs, which feature guests including Willie Nelson, fiddler Johnny Gimble and former Asleep at the Wheel pianist Floyd Domino.
Ride with Bob: A Tribute to Bob Wills and the Texas Playboys is the 15th studio album and second tribute album by American country band Asleep at the Wheel. Recorded between June 1998 and March 1999 at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on August 10, 1999, as the band's only album on DreamWorks Records. The album is another tribute to the music of Bob Wills and His Texas Playboys.
Hang Up My Spurs is the 17th studio album by American country band Asleep at the Wheel. Recorded during 2001 at Bismeaux Studio in Austin, Texas, it was produced by the band's frontman Ray Benson and released in January 2002 as one of the first albums on Cracker Barrel Old Country Stores' own label CB Music. Several songs on the album had been previously recorded by the band for earlier releases, while others are new compositions produced exclusively for the release.
The discography of Asleep at the Wheel (AATW), an American country band, consists of 26 studio albums, 16 live albums, 21 compilation albums, seven extended plays (EPs), 40 singles, four video albums and 19 music videos.
New Routes is the 25th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studios and Arlyn Studios in Austin, Texas, it was produced by the band's frontman Ray Benson with manager and engineer Sam Seifert, and released on September 14, 2018 by Benson's own Bismeaux Productions with Thirty Tigers. It is the group's first album to feature original material since 2007's Reinventing the Wheel.
Reinventing the Wheel is the 20th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas, it was produced by the band with manager/engineer Sam Seifert and released on November 14, 2006 by Ray Benson's record label Bismeaux Productions. The release is the band's first studio album to feature steel guitarist Eddie Rivers and vocalist Elizabeth McQueen, as well as the last to feature pianist John Michael Whitby as an official member.
Half a Hundred Years is the 26th studio album by American country band Asleep at the Wheel. Produced by the band's frontman Ray Benson and manager Sam Seifert, it was released on October 1, 2021 by Home Records, a sub-label of Bismeaux Productions, with Thirty Tigers. The album was produced to mark the 50th anniversary of the band's 1970 formation and features a wide range of guest performers, including several former band members and frequent collaborator Willie Nelson.
{{cite interview}}
: |interviewer=
has generic name (help){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)