| Route 66 | ||||
|---|---|---|---|---|
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| Compilation album by | ||||
| Released | October 12, 1992 | |||
| Recorded | 1973–1979 | |||
| Genre | ||||
| Length | 35:23 | |||
| Label | Liberty | |||
| Producer |
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| Asleep at the Wheel chronology | ||||
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Route 66 is a compilation album by American country band Asleep at the Wheel. Released on October 12, 1992, by Liberty Records, it contains select tracks from six of the group's first seven albums, from 1973's Comin' Right at Ya to 1979's Served Live (with the exception of 1974's Asleep at the Wheel ).
The release of Route 66 coincided with the 66th anniversary of the titular U.S. Route 66. [1] The band also celebrated the anniversary with a run of shows at ten cities on the road's route in May 1992. [2] Music website AllMusic awarded Route 66 a rating of three out of five stars. [3]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "(Get Your Kicks on) Route 66" (originally released on Wheelin' and Dealin' , 1976) | Bobby Troup | 2:50 |
| 2. | "Miles and Miles of Texas" (originally released on Wheelin' and Dealin', 1976) |
| 3:04 |
| 3. | "The Letter That Johnny Walker Read" (originally released on Texas Gold , 1975) |
| 3:14 |
| 4. | "Don't Forget the Trains" (originally released on Collision Course , 1978) | Kevin Farrell | 3:53 |
| 5. | "One O'Clock Jump" (originally released on Collision Course, 1978) | Count Basie | 4:29 |
| 6. | "Take Me Back to Tulsa" (originally released on Comin' Right at Ya , 1973) | 3:40 | |
| 7. | "Bump Bounce Boogie" (originally released on Texas Gold, 1975) |
| 3:13 |
| 8. | "Texas, Me & You" (originally released on Collision Course, 1978) | Benson | 3:27 |
| 9. | "My Baby Thinks She's a Train" (originally released on The Wheel , 1977) | Preston | 3:23 |
| 10. | "Choo Choo Ch'Boogie" (live; originally released on Served Live , 1979) |
| 4:10 |
| Total length: | 35:23 | ||
Asleep at the Wheel is an American Western swing group that was formed in Paw Paw, West Virginia, and is based in Austin, Texas. The band has won nine Grammy Awards since their 1970 inception, released over twenty albums, and has charted more than 21 singles on the Billboard country charts. Their highest-charting single, "The Letter That Johnny Walker Read", peaked at No. 10 in 1975.
Lucky Oceans is an American pedal steel guitarist and a former member of country and Western swing band Asleep at the Wheel. From 1995 to 2017 he was a broadcaster in Perth, Western Australia with the Australian Broadcasting Corporation.
Comin' Right at Ya is the debut album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Mercury Custom Studios in Nashville, Tennessee, it was released in March 1973 as the group's only album on United Artists Records. The album features a variety of traditional and original compositions, including recordings of songs originally by Bob Wills, Hank Williams and Geoff Mack. Most of the original tracks on the album were written by drummer and vocalist LeRoy Preston.
Asleep at the Wheel is the second album by American western swing band Asleep at the Wheel. Produced by Norro Wilson at Columbia Recording Studios in Nashville, Tennessee, it was released in September 1974 as the group's first album on Epic Records. As with its predecessor Comin' Right at Ya, Asleep at the Wheel's self-titled album featured a mix of traditional and original compositions, including songs written by popular country musicians Rex Griffin, Cindy Walker and Hank Penny.
Texas Gold is the third album by American country band Asleep at the Wheel. Produced by Tommy Allsup primarily at Jack Clement Studios in Nashville, Tennessee, it was released in August 1975 as the group's first album on Capitol Nashville. The album was the band's first commercial success, charting on the US Billboard 200 and reaching the top ten of the Top Country Albums chart. Lead single "The Letter That Johnny Walker Read" also reached the Hot Country Songs top ten.
Wheelin' and Dealin' is the fourth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Woodland Sound Studio in Nashville, Tennessee, it was released in July 1976 as the group's second album on Capitol Nashville. It is the band's first album to feature a second fiddler, Bill Mabry, as well as saxophonist Link Davis Jr. The album was a commercial success, charting on the US Billboard 200 and reaching the top 20 of the Top Country Albums chart.
The Wheel is the fifth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Sumet-Bernet Studios in Dallas, Texas, it was released on March 14, 1977 as the group's third album on Capitol Nashville. Unlike the band's previous releases, all of which included covers of songs originally recorded by popular country and jazz artists, The Wheel features entirely original material, most of which was written by band member LeRoy Preston.
Collision Course is the sixth album by American country band Asleep at the Wheel. Produced by Joel Dorn at Regent Sound Studios in New York City, it was released in June 1978 as the group's fourth and final studio album on Capitol Nashville. After 1977's The Wheel featured all original material, Collision Course features only two tracks written by members of the band. The remaining recordings are covers of compositions originally by popular Western swing, Cajun and jazz artists.
Framed is the seventh studio album by American country band Asleep at the Wheel. Recorded at several studios in Austin and Dallas, Texas, it was produced solely by the band's frontman Ray Benson and released on August 5, 1980, as the group's only album on MCA Records. Following the departure of the group's primary songwriter LeRoy Preston in 1978, the original material on Framed was written primarily by Benson, with Chris O'Connell the only other credited member.
10 is the ninth studio album by American western swing band Asleep at the Wheel. Recorded at Bee Creek Studios in Spicewood, Texas and the Austin Recording Studio in Austin, Texas, it was produced solely by the band's frontman Ray Benson and released in March 1987 as the group's first album back on Epic Records. 10 was the group's first album on a major label since 1980's Framed, and its first to register on the US Billboard charts since 1978's Wheelin' and Dealin'.
Western Standard Time is the tenth studio album by American country band Asleep at the Wheel. Recorded at various studios in Austin, Dallas, Briarcliff and San Marcos, Texas it was produced solely by the band's frontman Ray Benson and released in August 1988 as the group's second album back on Epic Records. Western Standard Time is the band's first album to feature no original material, relying on recordings of compositions originally by popular swing, R&B and big band artists.
Keepin' Me Up Nights is the 11th studio album by American western swing band Asleep at the Wheel. Recorded primarily in Nashville, Tennessee, it was produced by the band's frontman Ray Benson with Barry Beckett, Tim DuBois and Scott Hendricks, and released in July 1990 as the group's first album on Arista Records. Unlike its 1988 predecessor Western Standard Time, Keepin' Me Up Nights features almost all original material, with just one cover version included.
Greatest Hits: Live & Kickin' is the second live album by American country band Asleep at the Wheel. Recorded on August 9, 1991, at the 30th annual Austin Aqua Festival, which was held at Auditorium Shores in Austin, Texas, it was produced by the band's frontman Ray Benson and released on March 24, 1992, as the group's second and final album on Arista Records. The album was supported by the release of "(Get Your Kicks on) Route 66" as its one single.
The Wheel Keeps on Rollin' is the 13th studio album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by Andy Byrd with the band's frontman Ray Benson and released on November 21, 1995, by Capitol Nashville. The album was produced to mark the 25th anniversary of the group's 1970 inception, and was its first collection of new original studio material since the release of Keepin' Me Up Nights in 1990.
Back to the Future Now: Live at Arizona Charlie's, Las Vegas is the third live album by American country band Asleep at the Wheel. Recorded on December 6 and 7, 1996, at Arizona Charlie's Decatur in Las Vegas, it was produced by the band's frontman Ray Benson with Blake Chancey and released on May 20, 1997, by Sony Music imprint Lucky Dog. The album did not chart, spawned no single releases, and received mixed reviews from critics.
Ride with Bob: A Tribute to Bob Wills and the Texas Playboys is the 15th studio album and second tribute album by American country band Asleep at the Wheel. Recorded between June 1998 and March 1999 at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on August 10, 1999, as the band's only album on DreamWorks Records. The album is another tribute to the music of Bob Wills and His Texas Playboys.
The Very Best of Asleep at the Wheel is the 16th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas and Bradley's Barn in Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on June 5, 2001, by Relentless Nashville, an imprint of Madacy Entertainment Group. The album was issued in the United Kingdom in 2003 by Evangeline Records under the title Take Me Back to Tulsa.
New Routes is the 25th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studios and Arlyn Studios in Austin, Texas, it was produced by the band's frontman Ray Benson with manager and engineer Sam Seifert, and released on September 14, 2018 by Benson's own Bismeaux Productions with Thirty Tigers. It is the group's first album to feature original material since 2007's Reinventing the Wheel.
Half a Hundred Years is the 26th studio album by American country band Asleep at the Wheel. Produced by the band's frontman Ray Benson and manager Sam Seifert, it was released on October 1, 2021 by Home Records, a sub-label of Bismeaux Productions, with Thirty Tigers. The album was produced to mark the 50th anniversary of the band's 1970 formation and features a wide range of guest performers, including several former band members and frequent collaborator Willie Nelson.