Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan. Released in 1997, it was produced by McLachlan's frequent collaborator, Pierre Marchand. It was released in July 1997, coinciding with the start of McLachlan's Lilith Fair tour. The album reached the top position on the Canadian RPM 100 Albums chart, number two on the US Billboard 200 and became her first album to reach the top 50 outside of North America, achieving that in the UK, Australia and the Netherlands. It was certified as Diamond in sales in Canada and as 8× Platinum in sales in the US. Critical reviews were mixed; some of the more positive reviews praised the songwriting, while the album's detractors criticized it as banal and slow.
"Always on My Mind" is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee and first released by Gwen McCrae in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first commercially successful version of the song.
"Last Kiss" is a song released by Wayne Cochran in 1961 on the Gala label. It failed to do well on the charts. Cochran subsequently re-recorded his song for the King label in 1963. It was revived by J. Frank Wilson and the Cavaliers, who took it to number two on the Billboard Hot 100 charts. Wednesday, Pearl Jam, and several international artists also covered the song, with varying degrees of success. The song was one of several teen tragedy songs from that period.
"On My Own" is a duet by American singers Patti LaBelle and Michael McDonald. It was written and produced by Burt Bacharach and his then-wife Carole Bayer Sager and originally recorded by singer Dionne Warwick for inclusion on her album Friends (1985). The song was eventually recorded by LaBelle and McDonald for her eighth studio album, Winner in You (1986). It was released as the album's lead single on March 22, 1986, by MCA Records. Lyrically, "On My Own" was based on a relationship that had reached its end with both parties going their separate ways in a melancholy state with the occasional option of coming back together again one day.
The British-American hard rock band Whitesnake have released thirteen studio albums, nine live albums, twelve compilation albums, three box sets, two extended plays (EPs), 40 singles, nine video albums and 29 music videos. Formed in London in 1978 by vocalist David Coverdale, the band originally featured guitarists Micky Moody and Bernie Marsden, bassist Neil Murray, keyboardist Peter Solley and drummer Dave Dowle. The group's debut EP Snakebite was released in June 1978 and reached number 61 on the UK Singles Chart. After replacing Solley with Jon Lord, the band released their debut full-length album Trouble later in the year, which reached number 50 on the UK Albums Chart. 1979's Lovehunter reached number 29 on the chart. Lead single "Long Way from Home" charted at number 55.
"Loves Me Like a Rock" is a song by the American singer-songwriter Paul Simon. It was the second single from his third studio album, There Goes Rhymin' Simon (1973), released on Columbia Records. It features background vocals from the Dixie Hummingbirds, a Southern black gospel group. Although the lyrics are not typically associated with gospel music, the Dixie Hummingbirds were eager to record the song with Simon, and they recorded their own version soon after for their 1973 album We Love You Like a Rock/Every Day and Every Hour.
Scottish alternative rock band The Jesus and Mary Chain have released seven studio albums, two live albums, eight compilation albums, two video albums, six extended plays and 21 singles.
"Love Is in the Air" is a 1977 disco song by Australian singer John Paul Young. It was written by George Young and Harry Vanda, and released as the lead single from Young's fourth studio album, Love Is in the Air (1978). The song became a worldwide hit in 1978, peaking at No. 3 on the Australian charts and No. 5 on the UK Singles Chart. In the United States, it peaked at No. 7 on the pop chart and spent two weeks at No. 1 on the Adult Contemporary chart, his only U.S. top 40 hit. The song plays at 122 beats per minute, a typical 1970s disco rhythm. At the Australian 1978 King of Pop Awards, the song won Most Popular Australian Single. In 1992, a remix of the song was released and featured on the soundtrack to the Golden Globe-nominated film Strictly Ballroom. A new music video was also produced.
The discography of English blues rock musician John Mayall, including the band John Mayall & the Bluesbreakers, consists of 35 studio albums, 34 live albums, 24 compilation albums, four extended plays (EPs), 44 singles and four video albums. Mayall's 38th studio album was released in 2022.
Texas Gold is the third album by American country band Asleep at the Wheel. Produced by Tommy Allsup primarily at Jack Clement Studios in Nashville, Tennessee, it was released in August 1975 as the group's first album on Capitol Nashville. The album was the band's first commercial success, charting on the US Billboard 200 and reaching the top ten of the Top Country Albums chart. Lead single "The Letter That Johnny Walker Read" also reached the Hot Country Songs top ten.
Wheelin' and Dealin' is the fourth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Woodland Sound Studio in Nashville, Tennessee, it was released in July 1976 as the group's second album on Capitol Nashville. It is the band's first album to feature a second fiddler, Bill Mabry, as well as saxophonist Link Davis Jr. The album was a commercial success, charting on the US Billboard 200 and reaching the top 20 of the Top Country Albums chart.
The Wheel is the fifth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Sumet-Bernet Studios in Dallas, Texas, it was released on March 14, 1977 as the group's third album on Capitol Nashville. Unlike the band's previous releases, all of which included covers of songs originally recorded by popular country and jazz artists, The Wheel features entirely original material, most of which was written by band member LeRoy Preston.
Collision Course is the sixth album by American country band Asleep at the Wheel. Produced by Joel Dorn at Regent Sound Studios in New York City, it was released in June 1978 as the group's fourth and final studio album on Capitol Nashville. After 1977's The Wheel featured all original material, Collision Course features only two tracks written by members of the band. The remaining recordings are covers of compositions originally by popular Western swing, Cajun and jazz artists.
Served Live is the first live album by American country band Asleep at the Wheel. Recorded over two nights at the Austin Opry House in Austin, Texas in January 1979, it was produced by the band's frontman Ray Benson with Chuck Flood, and released on June 11, 1979 as the group's final album on Capitol Nashville. Neither the album nor its sole single, "Choo Choo Ch'Boogie", registered on the US Billboard record charts – the band's first album since 1974 not to do so.
10 is the ninth studio album by American western swing band Asleep at the Wheel. Recorded at Bee Creek Studios in Spicewood, Texas and the Austin Recording Studio in Austin, Texas, it was produced solely by the band's frontman Ray Benson and released in March 1987 as the group's first album back on Epic Records. 10 was the group's first album on a major label since 1980's Framed, and its first to register on the US Billboard charts since 1978's Wheelin' and Dealin'.
Western Standard Time is the tenth studio album by American country band Asleep at the Wheel. Recorded at various studios in Austin, Dallas, Briarcliff and San Marcos, Texas it was produced solely by the band's frontman Ray Benson and released in August 1988 as the group's second album back on Epic Records. Western Standard Time is the band's first album to feature no original material, relying on recordings of compositions originally by popular swing, R&B and big band artists.
Keepin' Me Up Nights is the 11th studio album by American western swing band Asleep at the Wheel. Recorded primarily in Nashville, Tennessee, it was produced by the band's frontman Ray Benson with Barry Beckett, Tim DuBois and Scott Hendricks, and released in July 1990 as the group's first album on Arista Records. Unlike its 1988 predecessor Western Standard Time, Keepin' Me Up Nights features almost all original material, with just one cover version included.
Tribute to the Music of Bob Wills and the Texas Playboys is the 12th studio album and first tribute album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on October 25, 1993, by Liberty Records. The collection features recordings of songs made popular by Western swing group Bob Wills and His Texas Playboys, a major influence on Asleep at the Wheel.
The Wheel Keeps on Rollin' is the 13th studio album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by Andy Byrd with the band's frontman Ray Benson and released on November 21, 1995, by Capitol Nashville. The album was produced to mark the 25th anniversary of the group's 1970 inception, and was its first collection of new original studio material since the release of Keepin' Me Up Nights in 1990.
Ride with Bob: A Tribute to Bob Wills and the Texas Playboys is the 15th studio album and second tribute album by American country band Asleep at the Wheel. Recorded between June 1998 and March 1999 at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on August 10, 1999, as the band's only album on DreamWorks Records. The album is another tribute to the music of Bob Wills and His Texas Playboys.
