Asleep at the Wheel is an American country band based in Austin, Texas. Formed in Paw Paw, West Virginia in 1970, the group originally consisted of vocalist and guitarist Ray Benson, vocalist and drummer LeRoy Preston, steel guitarist Lucky Oceans, bassist Rob Silver, and pianist Danny Levin, who were joined later by bassist Gene Dobkin, and vocalist and guitarist Chris O'Connell. The band's current lineup includes Benson alongside vocalist and fiddler Katie Shore (since 2014), fiddler and mandolinist Dennis Ludiker (since 2016), pianist and keyboardist Connor Forsyth (since 2016), bassist Josh Hoag (since 2017), steel guitarist Flavio Pasquetto (since 2019), drummer Jason Baczynski (since 2020), and saxophonist Joey Colarusso (since 2021).
Asleep at the Wheel (AATW) was originally formed in January 1970 in Paw Paw, West Virginia.[1] The band's initial lineup featured lead vocalist and guitarist Ray Benson, second vocalist and drummer LeRoy Preston, pedal and lap steel guitarist Lucky Oceans (real name Reuben Gosfield), and pianist Danny Levin.[2] By the time they made their live debut a few months after forming, the band included Gene Dobkin on upright and electric bass, replacing Richard Fitzhugh who left after he "kind of went nuts", according to Benson.[3] By the end of the year the group had added two female backing vocalists, Chris O'Connell and Emily Paxton, although the latter had to leave after a few months due to "family matters".[4] In August 1971, the band relocated to Oakland, California and Levin remained in West Virginia.[5]
After adding pianist Floyd Domino (real name Jim Haber) to the lineup in 1972,[6] AATW signed with United Artists Records and issued its debut album Comin' Right at Ya the following year.[7] In February 1974, the group moved to Austin, Texas.[8] Dobkin was replaced by Tony Garnier,[9] Richard Casanova joined on fiddle,[10] and in the summer the group released its self-titled second album on Epic Records.[11] The next year saw the release of Texas Gold on Capitol Records, featuring original pianist Levin returning on fiddle, new drummer Scott Hennige (Preston switched to rhythm guitar) and saxophonist Ed Vizard.[12][13] For the 1976 album Wheelin' and Dealin', the group added second fiddler Bill Mabry and replaced Vizard with Link Davis Jr.[14] Shortly after its release, Chris York replaced Hennige and Pat "Taco" Ryan joined on saxophone.[15]
Two years and two more albums (The Wheel and Collision Course) for Capitol later, AATW suffered its first major lineup change in September 1978 when Preston, Domino and Mabry all left the band.[16]Johnny Nicholas took over rhythm guitar and piano duties, and the band reduced to a nine-piece lineup.[17] By December the group was an eight-piece following the departure of Davis, while Garnier and York had been replaced by Spencer Starnes and Fran Christina, respectively.[18] After the band released its first live album Served Live, Starnes was replaced by Dean DeMerritt.[19] Shortly thereafter, Lucky Oceans left the band to move to Australia with his family.[20]
1980–2000
In early 1980, AATW added vocalist Maryann Price and replaced steel guitarist Lucky Oceans with Bobby Black.[21] Later in the year, O'Connell took a temporary leave of absence from full-time touring,[22] and was replaced by Brenda Burns.[23] Several members left after a show on the final day of 1980, including Johnny Nicholas.[24] The group returned in early 1981 with new members Dan Tyack on pedal steel guitar, Falkner Evans on piano, Billy Estes on drums and Paul Anastasio on fiddle.[25] By the summer, Burns, Tyack, Estes and Pat "Taco" Ryan had been replaced by Jann Browne, Wally Murphy, Steve Schwelling and Michael Francis, respectively.[26][27][28]
By summer 1982, the lineup of AATW featured Anastasio's brother Tom on bass and Roy McCrory on drums.[29] Richard Hormachea replaced McCrory a few months later.[30] Browne had left by 1983 as O'Connell returned full-time,[26] and during 1984 Billy Cochran replaced Paul Anastasio.[31] By early 1985, the band featured Junior Brown on lap steel guitar, Tim Alexander on piano, Mike Grammar on drums and Larry Franklin on fiddle.[32] That year, the band issued Pasture Prime, its first album in five years, which featured contributions from several of the 1981–85 lineups.[33] In 1986, O'Connell left AATW after becoming pregnant with her second child.[34]
Later in 1986, AATW signed with Epic Records again and recorded 10,[35] which saw the debut of steel guitarist John Ely, bassist David Dawson and drummer David Sanger.[36] In summer 1988, Dawson was replaced by Jon Mitchell.[37] Ricky Turpin took over from Franklin in 1991,[38] and shortly after the release of Greatest Hits: Live & Kickin' the next year, Ely, Mitchell and Sanger were replaced by Cindy Cashdollar, David Miller and Tommy Beavers, respectively.[22][39]Tribute to the Music of Bob Wills and the Texas Playboys followed in 1993, after which Barbara Lamb of Ranch Romance replaced Turpin and Sanger returned on drums.[40][41] After the release of The Wheel Keeps on Rollin' in 1995, Lamb was replaced by Monty Gaylord.[42] Jason Roberts (fiddle, mandolin) and Chris Booher (piano, fiddle) joined AATW the next year, followed by Rosie Flores (vocals, rhythm guitar) in April 1997.[43][44] After Flores departed, the band issued Merry Texas Christmas, Y'all in 1997 and a second tribute album, Ride with Bob, in 1999.[22]
Vocalist and guitarist Ray Benson has remained the sole constant member of AATW since its formation.
2000–2019
By the spring of 2000, John Michael Whitby had taken over from Chris Booher on piano.[45] After the release of The Very Best of Asleep at the Wheel in 2001, Cindy Cashdollar left to pursue other projects.[46] She was replaced by Jim Murphy.[47] Later in the year, long-term saxophonist Michael Francis also left, with Murphy taking over saxophone duties.[48] In early 2003, Haydn Vitera joined to give the band a two-fiddler lineup for the first time since 1978, debuting on that year's Live at Billy Bob's Texas and Remembers the Alamo.[49][50] Eddie Rivers replaced Murphy in June 2004.[51] Just under a year later, Vitera left and Elizabeth McQueen joined as second vocalist and guitarist.[52]
In late 2006, Walt Roberts joined on second fiddle,[53] although less than a year later he had left again.[54] Also in 2007, former pianist Floyd Domino returned to the band.[55] The group collaborated with Willie Nelson on Willie and the Wheel in 2009, and later in the year Dan Walton took over from Domino.[56] In January 2014, McQueen left to raise her children and was replaced by Katie Shore, who also played second fiddle.[57][58] Jason Roberts left a few months later, at which point Shore became the primary fiddler in the group.[59] Around the same time, pianist Emily Gimble (the granddaughter of fiddler Johnny Gimble) and saxophonist/clarinetist Jay Reynolds joined the band.[60]
After the release of a third Bob Wills tribute album, Still the King, AATW became an eight-piece again with the addition of lead fiddler and mandolinist Dennis Ludiker in January 2016, followed by Connor Forsyth replacing Gimble in May.[61][62][63] By 2017, Josh Hoag had also joined on bass, marking the end of David Earl Miller's 25-year tenure in the band.[64] The band issued New Routes in 2018, its first album of new material since Reinventing the Wheel in 2006.[65] In June 2019, Eddie Rivers retired and Jay Reynolds left; they were replaced temporarily by returning steel guitarist Cindy Cashdollar (and later Lucky Oceans) and saxophonist Chloe Feoranzo, respectively.[66][67]
Since 2019
In September 2019, Italian steel guitarist Flavio Pasquetto joined AATW as the full-time replacement for the retired Rivers.[68] Late the following year, long-time drummer David Sanger was replaced by Jason Baczynski.[69] Starting with the band's 50th anniversary shows in 2021, Joey Colarusso joined on saxophones.[70]
all AATW releases from Comin' Right at Ya (1973) to Collision Course (1978)
Live at Ebbets Field 1973 (2004) (plus Back to the Future Now: Live at Arizona Charlie's Las Vegas (1997) and Half a Hundred Years (2021) as a guest)
Danny Levin
1970–1971
1975–1981
piano
fiddle, mandolin, organ (1975–81)
all AATW releases from Texas Gold (1975) to Served Live (1979) (plus The Wheel Keeps on Rollin' (1995) and Half a Hundred Years (2021) as a guest)
Gene Dobkin
1970–1974
bass
backing and occasional lead vocals
Comin' Right at Ya (1973)
Live at Ebbets Field 1973 (2004)
Chris O'Connell
1970–1986
lead and backing vocals
rhythm guitar
banjo
all AATW releases from Comin' Right at Ya (1973) to Pasture Prime (1985)
Wide Awake! Live in Oklahoma (2003)
Live at Ebbets Field 1973 (2004) (plus 10 (1987), Western Standard Time (1988), Tribute to the Music of Bob Wills and the Texas Playboys (1993), The Wheel Keeps on Rollin' (1995), Back to the Future Now: Live at Arizona Charlie's Las Vegas (1997), Ride with Bob (1999) and Half a Hundred Years (2021) as a guest)
all AATW releases from Comin' Right at Ya (1973) to Collision Course (1978), and from Reinventing the Wheel (2006) to Still the King (2015)
Live at Ebbets Field 1973 (2004) (plus Pasture Prime (1985), Greatest Hits: Live & Kickin' (1992), Tribute to the Music of Bob Wills and the Texas Playboys (1993), Back to the Future Now: Live at Arizona Charlie's Las Vegas (1997), Merry Texas Christmas, Y'all (1997), Ride with Bob (1999), Hang Up My Spurs (2002) and Better Times (2021) as a guest)
all AATW releases from Asleep at the Wheel (1974) to Collision Course (1978) (plus Western Standard Time (1988), Back to the Future Now: Live at Arizona Charlie's Las Vegas (1997) and Half a Hundred Years (2021) as a guest)
Pasture Prime (1985) (plus Half a Hundred Years (2021) as a guest)
Wes Starr
1984–1985
2015 (touring)
Asleep at The Wheel (1985)
Billy Cochran
1984–1985
fiddle
none – live performances only
"Professor" Tim Alexander
1985–1996
2006 (touring)(died 2017)
piano
accordion
organ
backing vocals
all AATW releases from Pasture Prime (1985) to The Wheel Keeps on Rollin' (1995)
Wide Awake! Live in Oklahoma (2003)
Live from Austin, TX (2006)
The Best of Asleep at the Wheel on the Road (2006) (plus Back to the Future Now: Live at Arizona Charlie's Las Vegas (1997) and Ride with Bob (1999) as a guest)
Wide Awake! Live in Oklahoma (2003) (plus Tribute to the Music of Bob Wills and the Texas Playboys (1993), Ride with Bob (1999), Still the King (2015) and Half a Hundred Years (2021) as a guest)
all AATW releases from 10 (1987) onwards (except Wide Awake! Live in Oklahoma and Live at Ebbets Field 1973)
John Ely
1986–1992
steel guitars
all AATW releases from 10 (1987) to Tribute to the Music of Bob Wills and the Texas Playboys (1993) (plus Half a Hundred Years (2021) as a guest)
David Dawson
1986–1988
bass
10 (1987)
Jon Mitchell
1988–1992
bass
backing vocals
Western Standard Time (1988)
Keepin' Me Up Nights (1990)
Greatest Hits: Live & Kickin' (1992)
Ricky Turpin
1991–1994
fiddle
mandolin
backing vocals
Greatest Hits: Live & Kickin' (1992)
Tribute to the Music of Bob Wills and the Texas Playboys (1993)
Live from Austin, TX (2006)
David Earl Miller
1992–2017
bass
backing vocals
all AATW releases from Tribute to the Music of Bob Wills and the Texas Playboys (1993) to Lone Star Christmas Night (2016) (except Wide Awake! Live in Oklahoma and Live at Ebbets Field 1973; plus Half a Hundred Years (2021) as a guest)
all AATW releases from Tribute to the Music of Bob Wills and the Texas Playboys (1993) to Hang Up My Spurs (2002) (plus Live at Billy Bob's Texas (2003), Live from Austin, TX (2006) and Half a Hundred Years (2021) as a guest)
Tommy Beavers
1992–1995
drums
Tribute to the Music of Bob Wills and the Texas Playboys (1993)
Barbara Lamb
1994–1995
fiddle
The Wheel Keeps on Rollin' (1995)
Monty Gaylord
1995–1996
none – live performances only
Jason Roberts
1996–2014
fiddle
mandolin
rhythm guitar
backing and occasional lead vocals
all AATW releases from Back to the Future Now: Live at Arizona Charlie's, Las Vegas (1997) to Remembers the Alamo (2003) (except Wide Awake! Live in Oklahoma), and from The Best of Asleep at the Wheel on the Road (2006) to Still the King (2015) (plus Half a Hundred Years (2021) as a guest)
Chris Booher
1996–2000
piano
fiddle
rhythm guitar
backing vocals
Back to the Future Now: Live at Arizona Charlie's, Las Vegas (1997)
Asleep at the Wheel is an American Western Swing music group that was formed in Paw Paw, West Virginia, and is based in Austin, Texas. The band has won nine Grammy Awards since their 1970 inception, released over twenty albums, and has charted more than 21 singles on the Billboard country charts. Their highest-charting single, "The Letter That Johnny Walker Read", peaked at No. 10 in 1975.
The Quebe Sisters are an American swing revival band based in Dallas, Texas, who perform a mix of progressive western swing, jazz-influenced swing, country, Texas-style fiddling, and western music. The band consists of sisters Grace, Sophia, and Hulda Quebe, all of whom play the fiddle and sing, with supporting musicians accompanying on guitar, upright bass, or other instruments.
Comin' Right at Ya is the debut album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Mercury Custom Studios in Nashville, Tennessee, it was released in March 1973 as the group's only album on United Artists Records. The album features a variety of traditional and original compositions, including recordings of songs originally by Bob Wills, Hank Williams and Geoff Mack. Most of the original tracks on the album were written by drummer and vocalist LeRoy Preston.
Asleep at the Wheel is the second album by American western swing band Asleep at the Wheel. Produced by Norro Wilson at Columbia Recording Studios in Nashville, Tennessee, it was released in September 1974 as the group's first album on Epic Records. As with its predecessor Comin' Right at Ya, Asleep at the Wheel's self-titled album featured a mix of traditional and original compositions, including songs written by popular country musicians Rex Griffin, Cindy Walker and Hank Penny.
Texas Gold is the third album by American country band Asleep at the Wheel. Produced by Tommy Allsup primarily at Jack Clement Studios in Nashville, Tennessee, it was released in August 1975 as the group's first album on Capitol Nashville. The album was the band's first commercial success, charting on the US Billboard 200 and reaching the top ten of the Top Country Albums chart. Lead single "The Letter That Johnny Walker Read" also reached the Hot Country Songs top ten.
Wheelin' and Dealin' is the fourth album by American western swing band Asleep at the Wheel. Produced by Tommy Allsup at Woodland Sound Studio in Nashville, Tennessee, it was released in July 1976 as the group's second album on Capitol Nashville. It is the band's first album to feature a second fiddler, Bill Mabry, as well as saxophonist Link Davis Jr. The album was a commercial success, charting on the US Billboard 200 and reaching the top 20 of the Top Country Albums chart.
Framed is the seventh studio album by American country band Asleep at the Wheel. Recorded at several studios in Austin and Dallas, Texas, it was produced solely by the band's frontman Ray Benson and released on August 5, 1980, as the group's only album on MCA Records. Following the departure of the group's primary songwriter LeRoy Preston in 1978, the original material on Framed was written primarily by Benson, with Chris O'Connell the only other credited member.
Pasture Prime is the eighth studio album by American western swing band Asleep at the Wheel. Produced by Ray Benson at Austin Recording and Bee Creek Studios in Austin, Texas, and by Benson and Willie Nelson at Pedernales Recording Studio in Briarcliff, Texas, it was released in April 1985 by Demon Music Group in the UK and Stony Plain Records in Canada. The album was later repackaged in the US with three fewer tracks and released under the title Asleep at the Wheel.
10 is the ninth studio album by American western swing band Asleep at the Wheel. Recorded at Bee Creek Studios in Spicewood, Texas and the Austin Recording Studio in Austin, Texas, it was produced solely by the band's frontman Ray Benson and released in March 1987 as the group's first album back on Epic Records. 10 was the group's first album on a major label since 1980's Framed, and its first to register on the US Billboard charts since 1978's Wheelin' and Dealin'.
Greatest Hits: Live & Kickin' is the second live album by American country band Asleep at the Wheel. Recorded on August 9, 1991, at the 30th annual Austin Aqua Festival, which was held at Auditorium Shores in Austin, Texas, it was produced by the band's frontman Ray Benson and released on March 24, 1992, as the group's second and final album on Arista Records. The album was supported by the release of "(Get Your Kicks on) Route 66" as its one single.
Tribute to the Music of Bob Wills and the Texas Playboys is the 12th studio album and first tribute album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on October 25, 1993, by Liberty Records. The collection features recordings of songs made popular by Western swing group Bob Wills and His Texas Playboys, a major influence on Asleep at the Wheel.
The Wheel Keeps on Rollin' is the 13th studio album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas, and Nashville, Tennessee, it was produced by Andy Byrd with the band's frontman Ray Benson and released on November 21, 1995, by Capitol Nashville. The album was produced to mark the 25th anniversary of the group's 1970 inception, and was its first collection of new original studio material since the release of Keepin' Me Up Nights in 1990.
Back to the Future Now: Live at Arizona Charlie's, Las Vegas is the third live album by American country band Asleep at the Wheel. Recorded on December 6 and 7, 1996, at Arizona Charlie's Decatur in Las Vegas, it was produced by the band's frontman Ray Benson with Blake Chancey and released on May 20, 1997, by Sony Music imprint Lucky Dog. The album did not chart, spawned no single releases, and received mixed reviews from critics.
Merry Texas Christmas, Y'all is the 14th studio album and first Christmas album by American western swing band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas, it was produced by the band's frontman Ray Benson and released on September 30, 1997, by High Street Records. The album includes a mix of traditional and original songs, which feature guests including Willie Nelson, fiddler Johnny Gimble and former Asleep at the Wheel pianist Floyd Domino.
Ride with Bob: A Tribute to Bob Wills and the Texas Playboys is the 15th studio album and second tribute album by American country band Asleep at the Wheel. Recorded between June 1998 and March 1999 at studios in Austin, Texas, and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on August 10, 1999, as the band's only album on DreamWorks Records. The album is another tribute to the music of Bob Wills and His Texas Playboys.
Hang Up My Spurs is the 17th studio album by American country band Asleep at the Wheel. Recorded during 2001 at Bismeaux Studio in Austin, Texas, it was produced by the band's frontman Ray Benson and released in January 2002 as one of the first albums on Cracker Barrel Old Country Stores' own label CB Music. Several songs on the album had been previously recorded by the band for earlier releases, while others are new compositions produced exclusively for the release.
Live at Billy Bob's Texas is the fifth live album and first video album by American country band Asleep at the Wheel. Recorded on April 18, 2003, at Billy Bob's Texas in Fort Worth, Texas, it was produced by the band's frontman Ray Benson and released on October 14, 2003, by Smith Music Group, as part of the Live at Billy Bob's Texas series. The album is the band's first release to feature fiddler and guitarist Haydn Vitera, and features former steel guitarist Cindy Cashdollar as a guest.
New Routes is the 25th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studios and Arlyn Studios in Austin, Texas, it was produced by the band's frontman Ray Benson with manager and engineer Sam Seifert, and released on September 14, 2018 by Benson's own Bismeaux Productions with Thirty Tigers. It is the group's first album to feature original material since 2007's Reinventing the Wheel.
Reinventing the Wheel is the 20th studio album by American country band Asleep at the Wheel. Recorded at Bismeaux Studio in Austin, Texas, it was produced by the band with manager/engineer Sam Seifert and released on November 14, 2006 by Ray Benson's record label Bismeaux Productions. The release is the band's first studio album to feature steel guitarist Eddie Rivers and vocalist Elizabeth McQueen, as well as the last to feature pianist John Michael Whitby as an official member.
Half a Hundred Years is the 26th studio album by American country band Asleep at the Wheel. Produced by the band's frontman Ray Benson and manager Sam Seifert, it was released on October 1, 2021 by Home Records, a sub-label of Bismeaux Productions, with Thirty Tigers. The album was produced to mark the 50th anniversary of the band's 1970 formation and features a wide range of guest performers, including several former band members and frequent collaborator Willie Nelson.
References
Benson, Ray; Menconi, David (October 2015), Comin' Right at Ya: How a Jewish Yankee Hippie Went Country, or, the Often Outrageous History of Asleep at the Wheel, Austin, Texas: University of Texas Press, ISBN978-0292756588
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