Patience Agbabi | |
---|---|
Born | 1965 (age 58–59) London, England |
Nationality | British |
Alma mater | Pembroke College, Oxford University of Sussex |
Occupation(s) | Poet and performer |
Patience Agbabi FRSL (born 1965) is a British poet and performer who emphasizes the spoken word. [1] Although her poetry hits hard in addressing contemporary themes, it often makes use of formal constraints, including traditional poetic forms. She has described herself as "bicultural" and bisexual. [2] Issues of racial and gender identity feature in her poetry. She is celebrated "for paying equal homage to literature and performance" and for work that "moves fluidly and nimbly between cultures, dialects, voices; between page and stage." [3] In 2017, she was elected a Fellow of the Royal Society of Literature. [4]
Patience Agbabi was born in London to Nigerian parents. [1] From a young age, she was privately fostered by a white English family and moved at the age of 12 from Sussex to North Wales, where she was then raised in Colwyn Bay. [5] She studied English language and literature at Pembroke College, Oxford.
She earned an MA in Creative Writing, the Arts and Education from the University of Sussex in 2002, and in September that year was appointed Associate Creative Writing Lecturer at the University of Wales, Cardiff. [6]
Agbabi began performing on the London club circuit in 1995 as a member of the performance group Atomic Lip, which was once described as "poetry's first pop group." [7] Their final tour occurred in 1998, titled "Quadrophonix," which mixed live and video performance in each show. In 1996, she worked on a performance piece called FO(U)R WOMEN, with Adeola Agbebiyi and Dorothea Smartt, first performed at the Institute of Contemporary Arts and touring from 1995 to 1998. [8] [9] She has cited among her influences Janis Joplin, Carol Ann Duffy, Chaucer, and various aspects of contemporary music and culture. Agbabi's childhood love of cake is apparent in her poem "Eat Me".
The poems in her first book R.A.W., published in 1995, focus on her experiences regarding Thatcherism, urban life, and racial and sexual politics. [9] The style of these poems "owe much to the rhythms, verbal and associational genius of rap". [10] Her next collection was Transformatrix (2000), a commentary on contemporary Britain that draws inspiration from popular music forms. "Transformatix" also contains Agbabi's first published adaptation of Geoffrey Chaucer's The Canterbury Tales , reimagining the Wife of Bath as the Nigerian "Mrs. Alice Ebi Bafa". [11] In 2008, Agbabi published Bloodshot Monochrome, a collection that, as described by one reviewer, highlights social and political issues, captures and considers moments in time through long-dead authors, and offers readers a diverse sampling of the author's views of life in a variety of places." [12] Carol Rumens has said: "Agbabi characteristically makes poetry an opportunity for conversation with the past, not swamping it but setting new lexical terms." [13]
As Canterbury Laureate from July 2009 to December 2010, Agbabi received an Arts Council grant to write a full-length poetry collection based on Geoffrey Chaucer's The Canterbury Tales . [14] The final product was published in 2014 as Telling Tales, which retold each tale in the Middle-English work to offer a 21st-century take on the characters, its poetry and its performance elements. [15] The reinterpretation used her critically acclaimed, lyrical poetic style to newly define British literary traditions. The book met with praise from poets including Simon Armitage, who described it as "the liveliest versions of Chaucer you're likely to read." [16] Agbabi continues to tour Telling Tales as a performance-poetry production shown at literature festivals, arts spaces and libraries across the UK. She performed tales such as "The Wife of Bafa" or "Tit for Tat (Reeves's tale)".
As well as performing in Britain, Agbabi undertook British Council reading tours of Namibia, the Czech Republic, Zimbabwe, Germany and Switzerland. She took part in Modern Love, a spoken-word tour produced by Renaissance One, which explored love and modern relationships, touring the UK and Switzerland.
Her poetry has featured on television and radio, including the Channel 4 series Litpop in 1998 and on the children's programme Blue Peter in 1999. She has also been a contributor to several anthologies, among them Jubilee Lines (2012), edited by Carol Ann Duffy, which marked Queen Elizabeth II's 60th anniversary on the throne, [17] and Refugee Tales (2016), a collection of stories based on accounts by Gatwick airport detainees. [18] [19]
She has taught and run workshops and also been poet-in-residence at various places, ranging from Oxford Brookes University and Eton College to a London tattoo and piercing studio. [20]
In 2018, she was writer in residence at the Brontë Parsonage Museum. [21]
In 1997, Agbabi's first poetry collection, R.A.W (1995), received the Excelle Literary Award. [22]
In 2000, she was one of 10 poets commissioned by BBC Radio 4 to write a poem for National Poetry Day. [23]
In 2004, she featured on the Poetry Book Society list of Next Generation poets. [24] [25]
In 2010, Agbabi was appointed as the Canterbury Festival's Canterbury Poet Laureate. [26] [27] [28]
In March 2015, The Poetry Society announced Agbabi as one of five poets shortlisted for the 2014 Ted Hughes Award for New Work in Poetry, for her book Telling Tales. [29]
In 2017, Agbabi was elected as a Fellow of the Royal Society of Literature. [30]
The Canterbury Tales is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's magnum opus. The tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.
Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son, Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
Dame Carol Ann Duffy is a Scottish poet and playwright. She is a professor of contemporary poetry at Manchester Metropolitan University, and was appointed Poet Laureate in May 2009, and her term expired in 2019. She was the first female poet laureate, the first Scottish-born poet and the first openly lesbian poet to hold the Poet Laureate position.
John Gower was an English poet, a contemporary of William Langland and the Pearl Poet, and a personal friend of Geoffrey Chaucer. He is remembered primarily for three major works—the Mirour de l'Omme, Vox Clamantis, and Confessio Amantis—three long poems written in French, Latin, and English respectively, which are united by common moral and political themes.
This article contains information about the literary events and publications of 14th century.
Rhyme royal is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries.
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Pearl is a late 14th-century Middle English poem that is considered one of the most important surviving Middle English works. With elements of medieval allegory and from the dream vision genre, the poem is written in a North-West Midlands variety of Middle English and is highly—though not consistently—alliterative; there is, among other stylistic features, a complex system of stanza-linking.
Violet Jacob was a Scottish writer known especially for her historical novel Flemington and for her poetry, mainly in Scots. She was described by a fellow Scottish poet Hugh MacDiarmid as "the most considerable of contemporary vernacular poets".
Thomas Hoccleve or Occleve (1368/69–1426) was a key figure in 15th-century Middle English literature, significant for promoting Chaucer as "the father of English literature", and as a poet in his own right. His poetry, especially his longest work, the didactic work Regement of Princes, was extremely popular in the fifteenth century, but went largely ignored until the late twentieth century, when it was re-examined by scholars, particularly John Burrow. Today he is most well known for his Series, which includes the earliest autobiographical description of mental illness in English, and for his extensive scribal activity. Three holographs of his poetry have survived, and he also copied literary manuscripts by other writers. As a clerk of the Office of the Privy Seal, he wrote hundreds of documents in French and Latin.
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Confessio Amantis is a 33,000-line Middle English poem by John Gower, which uses the confession made by an ageing lover to the chaplain of Venus as a frame story for a collection of shorter narrative poems. According to its prologue, it was composed at the request of Richard II. It stands with the works of Chaucer, Langland, and the Pearl poet as one of the great works of late 14th-century English literature. The Index of Middle English Verse shows that in the era before the printing press it was one of the most-often copied manuscripts along with Canterbury Tales and Piers Plowman.
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Salena Godden is an English poet, author, activist, broadcaster, memoirist and essayist. Born in Hastings, UK, of Jamaican-Irish heritage, Godden based in London. Widely anthologised, she has published several books. She has also written for BBC TV and radio and has released four studio albums to date.
Nationality words link to articles with information on the nation's poetry or literature.
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