Related Research Articles
Tsui Hark, born Tsui Man-kong, is a Hong Kong filmmaker. Tsui has directed several influential Hong Kong films such as Zu Warriors from the Magic Mountain (1983), the Once Upon a Time in China film series (1991–1997) and The Blade (1995). Tsui also has been a prolific writer and producer; his productions include A Better Tomorrow (1986), A Better Tomorrow II (1987), A Chinese Ghost Story (1987), The Killer (1989), The Legend of the Swordsman (1992), The Wicked City (1992), Iron Monkey (1993) and Black Mask (1996). He is viewed as a major figure in the Golden Age of Hong Kong cinema and is regarded by critics as "one of the masters of Asian cinematography".
Wong Kar-wai is a Hongkonger film director, screenwriter, and producer. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours. A pivotal figure of Hong Kong cinema, Wong is considered a contemporary auteur, and ranks third on Sight & Sound's 2002 poll of the greatest filmmakers of the previous 25 years. His films frequently appear on best-of lists domestically and internationally.
In the Mood for Love is a 2000 romantic drama film written, produced and directed by Wong Kar-wai. A co-production between Hong Kong and France, it portrays a man and a woman in 1962 whose spouses have an affair together and who slowly develop feelings for each other. It forms the second part of an informal trilogy, alongside Days of Being Wild and 2046.
Tony Leung Chiu-wai is a Hong Kong actor and singer. He is one of Asia's most successful and internationally recognized actors. He has won many international acting prizes, including the Cannes Film Festival award for Best Actor for his performance in Wong Kar-wai's film In the Mood for Love. He was named by CNN as one of "Asia's 25 Greatest Actors of All Time".
2046 is a 2004 film written, produced and directed by Wong Kar-wai. An international co-production between Hong Kong, France, Italy, China and Germany, it is a loose sequel to Wong's films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan's unconsummated affair with Su Li-zhen in 1960s Hong Kong.
Chungking Express is a 1994 Hong Kong arthouse romantic comedy-drama film written and directed by Wong Kar-wai. The film consists of two stories told in sequence, each about a lovesick Hong Kong policeman mulling over his relationship with a woman. The first story stars Takeshi Kaneshiro as a cop obsessed by his breakup with a woman named May, and his encounter with a mysterious drug smuggler. The second stars Tony Leung as a police officer roused from his gloom over the loss of his flight attendant girlfriend by the attentions of a quirky snack bar worker.
Ashes of Time is a 1994 Hong Kong film written and directed by Wong Kar-wai, and inspired by characters from Jin Yong's novel The Legend of the Condor Heroes.
Ann Hui On-wah, is a film director, producer, screenwriter and actress from Hong Kong who is one of the most critically acclaimed filmmakers of the Hong Kong New Wave. She is known for her films about social issues in Hong Kong which include: literary adaptations, martial arts, semi-autobiographical works, women's issues, social phenomena, political changes, and thrillers. She served as the president of the Hong Kong Film Directors' Guild from 2004 to 2006.
The Hong Kong New Wave is a film movement in Chinese-language Hong Kong cinema that emerged in the late 1970s and lasted through the early 2000s until the present time.
Andrew Lau Wai-keung is a Hong Kong film director, producer, and cinematographer. Lau began his career in the 1980s and 1990s, serving as a cinematographer to filmmakers such as Ringo Lam, Wong Jing and Wong Kar-wai. In the 1990s, Lau decided to have more creative freedom as a cinematographer by becoming a film director and producer. Apart from making films in his native Hong Kong, Lau has also made films in China, Korea and the United States. A highly prolific filmmaker, Lau has made films in a variety of genres, and is most notable in the West for his action and crime films which include the Young and Dangerous film series, the Infernal Affairs trilogy, and Revenge of the Green Dragons.
The Banquet, also known as Party of a Wealthy Family, is a 1991 Hong Kong comedy film. It was quickly filmed for a Hong Kong flood relief charity, after the Yangtze River flooded in July of that year, killing over 1,700 people and displacing many more in the eastern and southern regions of mainland China.
William Chang Suk-ping is a Hong Kong production designer, costume designer and film editor. Along with cinematographer Christopher Doyle, Chang is an important collaborator with Hong Kong film director Wong Kar-wai. He has also collaborated with directors such as Stanley Kwan, Patrick Tam, Yim Ho, Tsui Hark, Jiang Wen and Johnnie To. He is of Shanghainese ancestry.
Muse (瞄) is a bilingual Hong Kong-based multimedia publisher specialising in content related to the art and culture scene of Hong Kong and greater China. Muse now concentrates on digital media, books, and specialised publishing projects, and is a developer for both Amazon.com's Kindle Store and Apple's iBookstore, Muse also maintains its own online bookstore.
The 2008 Shanghai International Film Festival is the 11th such festival devoted to international cinema to be held in Shanghai, China. It was held from June 14–22, 2008. Hong Kong film director Wong Kar-wai was the head of jury at this year's film festival along with other jury members such as Chinese-American actress Joan Chen, legendary Danish director Bille August and Israeli stage actress Gila Almagor.
The Jade Faced Assassin is a 1971 Hong Kong film adapted from Gu Long's novel Juedai Shuangjiao. The film was directed by Yan Jun, produced by the Shaw Brothers Studio, and starred Lily Ho and Kao Yuen as the lead characters.
Cinema City Enterprises Ltd also known as Cinema Capital Entertainment and Cinema City Entertainment, formerly Cinema City and Films Co. and Cinema City Company Limited was a company that specialized in Hong Kong Cinema. The company had a small catalogue of only 88 films. Their library covers genres including drama, comedy, horror.
Born Wild is a 2001 Hong Kong action drama film directed by Patrick Leung and starring Louis Koo, Daniel Wu, Patrick Tam and Jo Kuk.
The Monk, also known as The Kung Fu Monks, is a 1975 Hong Kong martial arts film written, directed by and starring Dean Shek, who makes his directorial debut.
Heiward Mak Hei-yan is a Hong Kong film director, writer and producer. Her work has been featured at various international film festivals including Singapore, Bratislava and Fribourg. In 2011, she won a Hong Kong Film Award for Best Screenplay for her writing on Love in a Puff.
References
- ↑ "Wong Kar Wai". Artificial Eye. Archived from the original on 10 July 2015. Retrieved 5 September 2021.
- Mardhiah Osman (27 July 2012). "Wong Kar-Wai: An exploration of a director's obsession with lost time and love by Shane Mok". Archived from the original on 6 July 2015. Retrieved 5 September 2021.
- Artemisia Ng (10 August 2007). "Patrick Tam's Exile: Before and After". UCLA Center for Near Eastern Studies. Retrieved 5 September 2021. - 1 2 3 Möller 2008, p. 14.
- ↑ Lam, Perry (September 2008). "Eye-openers". Muse (20): 116.
- ↑ Chung, Audrey (13 November 2006). "Award-winning filmmaker Patrick Tam nurtures talent for the creative media industry". City University of Hong Kong. Retrieved 10 September 2023.
Sources
- Möller, Olaf (March–April 2008). "Unreconciled". Film Comment . Vol. 44, no. 2.
