Tsui Man-kong (徐文光)
1 February 1951
|Occupation(s)||Film director, producer, presenter, screenwriter, actor|
(m. 1996;div. 2014)
Hong Kong Film Awards – Best Film
1987 A Better Tomorrow
1992 Once Upon a Time in China
2011 Detective Dee and the Mystery of the Phantom Flame
2016 The Taking of Tiger Mountain
Hong Kong Film Critics Society Awards – Best Director
2016 The Taking of Tiger Mountain
Asian Film Awards – Lifetime Achievement Award
Golden Horse Awards – Best Director
1981 All the Wrong Clues for the Right Solution
Golden Rooster Awards – Best Director
2015 The Taking of Tiger Mountain
|Alternative Chinese name|
Tsui Hark (Chinese :徐克,Vietnamese :TừKhắc,born 1 February 1951),born Tsui Man-kong,is a Hong Kong film director,producer and screenwriter. Tsui has directed several influential Hong Kong films such as Zu Warriors from the Magic Mountain (1983),the Once Upon a Time in China film series (1991–1997) and The Blade (1995). Tsui also has been a prolific writer and producer;  his productions include A Better Tomorrow (1986), A Better Tomorrow II (1987), A Chinese Ghost Story (1987), The Killer (1989), The Legend of the Swordsman (1992), The Wicked City (1992), Iron Monkey (1993) and Black Mask (1996). He is viewed as a major figure in the Golden Age of Hong Kong cinema and is regarded by critics as "one of the masters of Asian cinematography". 
In the late 1990s,Tsui had a short-lived career in the United States,directing the Jean-Claude Van Damme–led films Double Team (1997) and Knock Off (1998). Both films were commercially unsuccessful and critically panned;Tsui himself was unsatisfied with his lack of creative control and returned to Hong Kong to continue his career,where he found commercial and critical success with blockbusters such as the Detective Dee film series, Flying Swords of Dragon Gate (2011),and The Taking of Tiger Mountain (2014).
Tsui was born and raised in Saigon,Vietnam,to a large Chinese (Hoa) family with sixteen siblings.  Tsui showed an early interest in show business and films;when he was 10,he and some friends rented an 8 mm camera to film a magic show they put on at school. He also drew comic books,an interest that would influence his cinematic style. By the age of 13,he and his family immigrated to Hong Kong. 
Tsui started his secondary education in Hong Kong in 1966. He proceeded to study film in Texas,first at Southern Methodist University and then at the University of Texas at Austin,graduating in 1975. He claims to have told his parents he wanted to follow in his father's footsteps as a pharmacist,and that it was here he changed his given name to Hark ("overcoming").
After graduation,Tsui moved to New York City,where he worked on From Spikes to Spindles (1976),a noted documentary film by Christine Choy on the history of the city's Chinatown. He also worked as an editor for a Chinese newspaper,developed a community theatre group and worked in a Chinese cable TV station. He returned to Hong Kong in 1977.
Upon turning to feature filmmaking,Tsui was quickly typed as a member of the "New Wave" of young,iconoclastic directors. His debut film, The Butterfly Murders (1979),was a technically challenging blend of wuxia,murder mystery and science fiction / fantasy elements. His second film, We're Going to Eat You (1980),was a blend of cannibal horror,black comedy and martial arts.
Tsui's third film, Dangerous Encounters of the First Kind (1980),was a nihilistic thriller about delinquent youths on a bombing spree. Heavily censored by the British colonial government,it was released in 1981 in a drastically altered version titled Dangerous Encounter –1st Kind (or alternatively,Don't Play with Fire). It was not a financial success. However,it helped make Tsui a darling of film critics who had coined the New Wave label,and who were hopeful for a more aesthetically daring cinema more engaged with the realities of contemporary Hong Kong.[ citation needed ]
In 1981,Tsui joined Cinema City &Films Co.,a production company founded by comedians Raymond Wong,Karl Maka and Dean Shek. Cinema City &Films Co. was instrumental in codifying the slick Hong Kong blockbuster films of the 1980s.[ citation needed ] Tsui played his part in the process with pictures like the crime farce All the Wrong Clues (1981),his first hit,and Aces Go Places 3 (1984),part of the studio's long-running spy spoof series.
In 1983,Tsui directed the wuxia fantasy film Zu Warriors from the Magic Mountain (1983) for the studio Golden Harvest. Tsui imported Hollywood technicians to help create special effects whose number and complexity were unprecedented in Chinese-language cinema.[ citation needed ]
In 1984,Tsui formed the production company Film Workshop with Nansun Shi. He also developed a reputation as a hands-on and even intrusive producer of other directors' work,fuelled by public breaks with major filmmakers like John Woo and King Hu. His most longstanding and fruitful collaboration has probably been with Ching Siu-tung.[ citation needed ] As action choreographer and/or director on many Film Workshop productions,Ching made a major contribution to the well-known Tsui style.
Film Workshop releases became consistent box office hits in Hong Kong and around Asia,drawing audiences with their visual adventurousness,their broad commercial appeal,and hectic camerawork and pace. With Tsui having been called the 'Steven Spielberg of Asia',Film Workshop became the 'Amblin of Hong Kong'.  He produced John Woo's A Better Tomorrow (1986),which launched a craze for Heroic bloodshed movies,and Ching Siu-tung's A Chinese Ghost Story (1987),which did the same for period ghost fantasies. Zu Warriors from the Magic Mountain and The Swordsman (1990) birthed the modern-day special effects industry in Hong Kong.
In fact,Tsui's "movie brat" nostalgia is one of the main ingredients in his work. He often resurrects and revises classic films and genres:the murder mystery in The Butterfly Murders (1979);the Shanghai musical comedy in Shanghai Blues (1985). Peking Opera Blues (1986) plays with and pays tribute to the traditions of the Peking opera that his mother took him to see as a small boy and which had such a strong influence on Hong Kong action cinema. The Lovers (1994) adapts a retold,cross-dressing period romance,best known from Li Han-hsiang's 1963 opera film The Love Eterne. A Chinese Ghost Story remakes Li's supernatural romance The Enchanting Shadow (1959) as a special effects action movie.
The pattern is also seen in perhaps Tsui's most successful work to date,the Once Upon a Time in China film series (1991–97). Jet Li played the role of Chinese folk hero Wong Fei-hung in the first three films and the sixth, Once Upon a Time in China and America . This series is the clearest expression in his oeuvre of Tsui's Chinese nationalism and his passionate engagement with the upheavals of Chinese history,particularly in the face of Western power and influence.
Tsui also dabbled in acting,mostly for other directors. Notable roles include one-third of the comic relief trio in Corey Yuen's film Yes,Madam! (1985) and a villain in Patrick Tam's darkly comic crime story Final Victory (1987),written by Wong Kar-wai. He also made frequent cameo appearances in his own productions,such as a music judge in A Better Tomorrow and a phony FBI agent in Aces Go Places II .
In the face of an industry downturn in the '90s,he produced two expensive movies. Green Snake (1993) was a poetic and lyric movie based on a favourite Chinese fairy tale. The Blade (1995) was a gory,deliberately rough-hewn revision of the 1967 wuxia classic The One-Armed Swordsman .
In the mid-to-late '90s,Tsui tried Hollywood with two films starring Jean-Claude Van Damme: Double Team (1997) and Knock Off (1998). In 2002,he made Black Mask 2:City of Masks ,an American market sequel to Jet Li's 1996 film. It was released direct-to-video in the United States in December of that year before being theatrically released the next month in Hong Kong.
Tsui returned to directing at home in 2000 after not having made a local film since 1996. Time and Tide (2000) and The Legend of Zu (2001) were action extravaganzas with lavish computer-generated imagery that gained cult admirers but no mass success.
Tsui continues to push technical boundaries and revise old favourites. Master Q 2001 was Hong Kong's first combination of live action and Pixar-style 3D computer animation. Era of Vampires (2002;US title,"Tsui Hark's Vampire Hunters") reworked a subgenre popular in the '80s,hybrid martial arts / supernatural horror films featuring the "hopping corpses" of Chinese folk legend.
In 2005,Tsui launched the multimedia production Seven Swords ,a film adaptation of Liang Yusheng's novels Saiwai Qixia Zhuan and Qijian Xia Tianshan . The film came with a television series counterpart ( Seven Swordsmen ),a comic book series,a cellphone game,clothing brand,and an online multi-player video game. The film was relatively successful,and in February 2006 Tsui announced plans to begin filming the second late in the year. As of 2008,Tsui continues to work on the script for Seven Swords 2 in between filming projects. In 2011 there has been no news nor plans about a Seven Swords 2. Rumors has it that due to lack of interest by the filmmakers of finishing the hexalogy lead the project into being cancelled.
In August 2008,Tsui provided art direction for the direct-to-video anime feature titled Kungfu Master (a.k.a. Wong Fei Hong vs Kungfu Panda),an apparent unofficial sequel to Kung Fu Panda ,featuring Chinese folk hero Wong Fei-hung.  Also in 2008 was the thriller Missing starring Angelica Lee. His latest comedy film All About Women features wonky sound editing and comic graphics.
Tsui's latest work in 2010 is Detective Dee and the Mystery of the Phantom Flame ,a rare but successful blend of wuxia,suspense-thriller,mystery,and comedy,which was in competition for the Golden Lion award and was also nominated and won numerous other awards.
In 2010 he announced his first 3-D film, The Flying Swords of Dragon Gate ,which is a re-imagining of his 1992 film New Dragon Gate Inn starring Tony Leung Ka-Fai,Maggie Cheung and Brigitte Lin. In 2011 Huayi Brothers announced that Tsui will be making a prequel to Detective Dee and the Mystery of the Phantom Flame;shot in 3-D,it was released in 2013 as Young Detective Dee:Rise of the Sea Dragon .
In October 2011,Tsui received the Asian Filmmaker of the Year Award at the 16th Busan International Film Festival for his contributions to Hong Kong cinema. He is the fifth Chinese filmmaker to receive this award at Busan. 
His film The Taking of Tiger Mountain premiered in China in December 2014. 
Tsui worked on a film with Milkyway Image alongside Ann Hui,Ringo Lam,Patrick Tam,Johnnie To,Sammo Hung and Yuen Woo-Ping. Each director created a segment based on Hong Kong history.  The completed film, Septet:The Story of Hong Kong ,was shown at the Busan International Film Festival on 21 October 2020 and at the annual Hong Kong International Film Festival in April 2021. 
In 2021 Tsui co-directed The Battle at Lake Changjin with Chen Kaige and Dante Lam.
Tsui was featured on a track which bore his name on the 1994 Sparks album Gratuitous Sax &Senseless Violins . (Sparks also provided a song,"It's a Knockoff," for the closing credits of Knock Off.)
|1979||The Butterfly Murders||Yes||No||No|
|1980||We're Going to Eat You||Yes||Yes||No||Also known as Hell Has No Gates|
|Dangerous Encounters of the First Kind||Yes||Yes||No|
|1981||All the Wrong Clues for the Right Solution||Yes||Yes||No|
|1983||Zu Warriors from the Magic Mountain||Yes||No||No|
|Search for the Gods||Yes||No||No|
|Aces Go Places 3||Yes||No||No||Also known as Mad Mission 3|
|1986||Peking Opera Blues||Yes||No||Yes|
|1987||A Chinese Ghost Story||No||No||Yes|
|A Better Tomorrow II||No||Yes||Yes|
|1988||The Big Heat||Uncredited||No||Yes|
|I Love Maria||Uncredited||Uncredited||Yes||Also known as Roboforce|
|1989||A Better Tomorrow III:Love &Death in Saigon||Yes||Yes||Yes|
|1990||Fight and Love with a Terracotta Warrior||No||No||Yes|
|A Chinese Ghost Story II||No||No||Yes||Also editor|
|1991||Once Upon a Time in China||Yes||Yes||Yes|
|A Chinese Ghost Story III||Uncredited||Yes||Yes|
|King of Chess||Uncredited||No||Executive|
|The Banquet||Yes [lower-alpha 1]||Yes||No|
|1992||Twin Dragons||Yes [lower-alpha 2]||Yes||No||Also known as Shuang long hui|
and Brother vs. Brother
|Once Upon a Time in China II||Yes||Yes||Yes|
|The Master||Yes||Yes||Yes||Filmed in 1989|
|Swordsman II||No||Yes||Yes||Also known as The Legend of the Swordsman|
|New Dragon Gate Inn||No||Yes||Yes||Also known as Dragon Inn|
|The Wicked City||No||Yes||Yes|
|The East Is Red||No||Yes||Yes||Also known as Swordsman III|
|Once Upon a Time in China III||Yes||Yes||Yes|
|Once Upon a Time in China IV||No||Yes||Yes|
|Once Upon a Time in China V||Yes||Yes||Yes|
|1995||The Chinese Feast||Yes||Yes||Yes|
|Love in the Time of Twilight||Yes||Yes||Yes|
|The Blade||Yes||Yes||Yes||Also editor and production manager|
|1997||Once Upon a Time in China and America||No||No||Yes|
|Double Team||Yes||No||No||American and English-language debut|
|A Chinese Ghost Story:The Tsui Hark Animation||No||Yes||Executive||Also editor|
|2000||Time and Tide||Yes||Yes||Yes|
|2001||The Legend of Zu||Yes||Yes||Yes||Also known as Zu Warriors|
|Old Master Q 2001||No||No||Yes|
|2002||The Era of Vampires||No||Yes||Yes||Also known as Tsui Hark's Vampire Hunters|
|Black Mask 2:City of Masks||Yes||No||Yes|
|2003||1:99 Shorts||Yes||No||No||1 segment|
|2004||Xanda||No||Yes||Yes||Also known as Sanda|
|2006||The Warrior||No||Yes||Yes||Also action director|
|2007||Triangle||Yes [lower-alpha 3]||Yes||Yes|
|All About Women||Yes||Yes||Yes||Also editor|
|2010||Detective Dee and the Mystery of the Phantom Flame||Yes||No||Yes|
|2011||Flying Swords of Dragon Gate||Yes||Yes||Yes|
|2013||Sheng dan mei gui||No||No||Yes|
|Young Detective Dee:Rise of the Sea Dragon||Yes||Yes||Yes|
|2014||The Taking of Tiger Mountain||Yes||Yes||No|
|2017||Journey to the West:The Demons Strike Back||Yes||Yes||Yes|
|The Thousand Faces of Dunjia||No||Yes||Executive|
|2018||Detective Dee:The Four Heavenly Kings||Yes||Story||Yes|
|2020||Septet:The Story of Hong Kong||Yes||Yes||No||1 segment,also acted as editor|
|2021||The Battle at Lake Changjin||Yes||No||Executive||Also editor|
|2022||The Battle at Lake Changjin II||Yes||No||Executive|
|TBD||Legend of the Condor Heroes:The Great Hero||Yes||TBA||TBA|
|1986||Spirit Chaser Aisha||Yes||No||Yes|
|1995–1996||Wong Fei Hung Series||Yes||Yes||Yes||Episodes "The Final Victory" and "The Ideal Century"|
|1980||Dangerous Encounters of the First Kind||Interpol Officer||Uncredited cameo|
|1982||Aces Go Places||Ballerina Director||Also known as Diamondfinger and Mad Mission|
|Yi jiu ling wu de dong tian||Li Shutong|
|1983||Zu Warriors from the Magic Mountain||Blue Army soldier fighting Fat Man|
|Aces Go Places 2||FBI||Also known as Mad Mission II|
|Wo ai Ye Laixiang||Japanese Ambassador|
|1984||Shanghai Blues||Pedestrian Who Gets Soaked|
|Aces Go Places 3||Police Officer in Computer Room||Also known as Mad Mission 3|
|1985||Kung Hei Fat Choy||Gold Grabber|
|1986||A Better Tomorrow||Music Judge|
|Happy Ghost III||Reincarnation Director|
|1987||Final Victory||Big Bo|
|1988||The Big Heat||Inspector Yiuming Butt||Uncredited|
|I Love Maria||Whiskey||Also known as Roboforce|
|1989||A Better Tomorrow III:Love &Death in Saigon||Police Officer in Computer Room|
|1992||The Wicked City||Card player|
|1997||A Chinese Ghost Story:The Tsui Hark Animation||Solid Gold (voice)|
|2000||Time and Tide||Narrator (voice)||Uncredited cameo|
|2008||All About Women||Taxi driver||Uncredited cameo|
|2011||A Simple Life||Director Tsui||Also known as Sister Peach|
|The Great Magician||Warlord|
|2016||The Mermaid||Uncle Rich||Credited under the name "Ke Xu"|
|The Bodyguard||Old Man|
|2017||Journey to the West:The Demons Strike Back||Theater employee|
|1983||All the Wrong Spies||Production designer|
|1986||Righting Wrongs||Action choreographer||Also known as Above the Law|
|1981||Best Director||All the Wrong Clues for the Right Solution||Won|
|1992||Best Adapted Screenplay||Swordsman II||Nominated|
|1994||Best Adapted Screenplay||The Lovers||Nominated|
|1997||Best Adapted Screenplay||A Chinese Ghost Story:The Tsui Hark Animation||Nominated|
|2005||Best Adapted Screenplay||Seven Swords||Nominated|
|2014||Best Director||The Taking of Tiger Mountain||Nominated|
|1985||Best Film||Shanghai Blues||Nominated|
|1987||Best Film||A Better Tomorrow||Won|
|Best Action Choreography||Righting Wrongs||Nominated|
|1988||Best Film||A Chinese Ghost Story||Nominated|
|Best Supporting Actor||Final Victory||Nominated|
|1990||Best Film||The Killer||Nominated|
|1992||Best Film||Once Upon a Time in China||Nominated|
|1993||Best Film||Once Upon a Time in China II||Nominated|
|1995||Best Director||The Lovers||Nominated|
|2006||Best Film||Seven Swords||Nominated|
|2011||Best Film||Detective Dee and the Mystery of the Phantom Flame||Nominated|
|2012||Best Film||Flying Swords of Dragon Gate||Nominated|
|2016||Best Director||The Taking of Tiger Mountain||Won|
Ringo Lam Ling-Tung was a Hong Kong film director, producer, and screenwriter. Born in Hong Kong in 1955, Lam initially went to acting school. After finding he preferred making films to acting, he went to Canada to study film. In 1983, he returned and began filming comedy films. After the commercial success of his film Aces Go Places IV, he was allowed to develop his own film. Lam directed City on Fire in 1987, which led him to winning his first Hong Kong Film Award.
A Chinese Ghost Story is a 1987 Hong Kong romantic comedy horror film starring Leslie Cheung, Joey Wong and Wu Ma, directed by Ching Siu-tung and produced by Tsui Hark. The plot is loosely based on a short story about Nie Xiaoqian from Qing dynasty writer Pu Songling's Strange Stories from a Chinese Studio and is also inspired by the 1960 Shaw Brothers Studio film The Enchanting Shadow. The film was popular in Hong Kong and several Asian countries, including South Korea and Japan. Although the film could not gain access to movie theaters in mainland China when it was first released, it became a cult film among young people in the mainland. At that time the film generated a phenomenal cult following among audiences, especially the generation born in the 1980s. In 2011, the Hong Kong producers screened a restored version officially in mainland China.
The Hong Kong New Wave is a film movement in Chinese-language Hong Kong cinema that emerged in the late 1970s and lasted through the early 2000s until the present time.
Brigitte Lin Ching-hsia is a Taiwanese actress. She is regarded as an icon of Chinese language cinema for her extensive and varied roles in both Taiwanese and Hong Kong films.
One-Armed Swordsman is a 1967 Hong Kong wuxia film produced by the Shaw Brothers Studio. Directed by Chang Cheh, it was the first of the new style of wuxia films emphasizing male anti-heroes, violent swordplay and heavy bloodletting. It was the first Hong Kong film to make HK$1 million at the local box office, propelling its star Jimmy Wang to super stardom.
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards.
Raymond Chow Man-wai, was a Hong Kong film producer, and presenter. He was responsible for successfully launching martial arts and the Hong Kong cinema onto the international stage. As the founder of Golden Harvest, he produced some of the biggest stars of the martial arts film genre, including Bruce Lee, Jackie Chan, Sammo Hung, Jimmy Wang Yu, Cynthia Rothrock and Tsui Hark.
Seven Swords is a 2005 wuxia film produced and directed by Tsui Hark, starring Donnie Yen, Leon Lai, Charlie Yeung, Sun Honglei, Lu Yi and Kim So-yeon. An international co-production between Hong Kong, China, South Korea and the Netherlands, the story is loosely adapted from Liang Yusheng's novel Qijian Xia Tianshan and is completely unrelated to the novel except for some characters' names. Seven Swords was used as the opening film to the 2005 Venice Film Festival and as a homage to Akira Kurosawa's 1954 film Seven Samurai.
Lau Kar-leung, was a Chinese actor, filmmaker, choreographer, and martial artist from Hong Kong. Lau is best known for the films he made in the 1970s and 1980s for the Shaw Brothers Studio. His most famous works include The 36th Chamber of Shaolin starring Gordon Liu as well as Drunken Master II starring Jackie Chan.
Ching Siu-tung, also known as Tony Ching, is a Hong Kong action choreographer, actor, film director and producer, who has directed over 20 films, including the critically acclaimed supernatural fantasy A Chinese Ghost Story (1987). He produced the expensive music video for "L'Âme-Stram-Gram" by the French singer Mylène Farmer in the style of A Chinese Ghost Story at a cost of €1 million. He studied in the Eastern Drama Academy and trained in Northern Style Kung Fu for 7 years.
Zu Warriors from the Magic Mountain is a 1983 Hong Kong supernatural wuxia fantasy film directed by Tsui Hark and based on the xianxia novel Legend of the Swordsmen of the Mountains of Shu by Huanzhulouzhu. The film has been noted for combining elements of Hong Kong action cinema with special effects technology provided by a team of Western artists including Robert Blalack. It served as an influence for the 1986 American film Big Trouble in Little China.
Kung fu film is a subgenre of martial arts films and Hong Kong action cinema set in the contemporary period and featuring realistic martial arts. It lacks the fantasy elements seen in wuxia, a related martial arts genre that uses historical settings based on ancient China. Swordplay is also less common in kung-fu films than in wuxia and fighting is done through unarmed combat.
The Swordsman, also known as Swordsman, is a 1990 Hong Kong wuxia film. King Hu was credited as the director but allegedly left the project midway, and the film was completed by a team led by producer Tsui Hark. The film is loosely adapted from Louis Cha's novel The Smiling, Proud Wanderer. The film was followed by two sequels: Swordsman II (1992) and The East Is Red (1993).
Film Workshop Co. Ltd., is a Hong Kong production company and film distributor. It was founded in April 1984 by producer/director Tsui Hark and his now ex-wife, Nansun Shi. Already a director with box office hits, Tsui wanted to create a workshop where the foremost filmmakers could work on films with artistic merit, and at the same time, films that could be commercially rewarding for the financiers behind his projects. The company has not produced a film since 2017.
Arthur Wong Ngok-Tai is a nine time Hong Kong Film Awards-winning cinematographer, actor, screenwriter, film producer and film director.
The Sword is a 1980 Hong Kong wuxia film co-written and directed by Patrick Tam and starring Adam Cheng.
The Lovers is a 1994 Hong Kong romantic film based on the Chinese legend of the Butterfly Lovers. It was directed and produced by Tsui Hark, and starred Nicky Wu, Charlie Yeung, Elvis Tsui and Carrie Ng. The theme songs were performed by Nicky Wu.
The East Is Red, is a 1993 Hong Kong wuxia film. The main character in the film is loosely based on Dongfang Bubai, a character in Louis Cha's novel The Smiling, Proud Wanderer. The film was produced by Tsui Hark, was co-directed by Ching Siu-tung and Raymond Lee and starred Brigitte Lin, Joey Wong and Yu Rongguang. The film is regarded as a sequel to The Swordsman and Swordsman II.
Cinema City Enterprises Ltd also known as Cinema Capital Entertainment and Cinema City Entertainment, formerly Cinema City and Films Co. and Cinema City Company Limited was a company that specialized in Hong Kong Cinema. The company had a small catalogue of only 88 movies. Their library covers genres including drama, comedy, horror.
Septet: The Story of Hong Kong is a 2020 Hong Kong anthology historical drama film directed by Sammo Hung, Ann Hui, Patrick Tam, Yuen Woo-ping, Ringo Lam, Johnnie To and Tsui Hark, seven filmmakers of the Hong Kong New Wave. It is divided into seven stories, each corresponding to a decade in Hong Kong's history, told from the view of ordinary people. It was originally intended for there to be a segment about the 1970s directed by John Woo, but he withdrew for health reasons and the segment was never produced.