Penny Arcade | ||||
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Studio album by | ||||
Released | 1973 | |||
Recorded | October 1973 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 36:10 | |||
Label | CTI Records | |||
Producer | Creed Taylor | |||
Joe Farrell chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
Penny Arcade is a jazz album by Joe Farrell on the CTI Records label. It was recorded at the Van Gelder Studio in October 1973. [3]
Return to Forever is a jazz fusion album by Chick Corea recorded over two days in February 1972 and released on ECM September that same year—Corea's fourth release for the label. It is the debut of a quintet featuring singer Flora Purim, flautist/saxophonist Joe Farrell, bassist Stanley Clarke and percussionist Airto Moreira, who would go on to record under the name Return to Forever.
Light as a Feather is technically the first studio album by jazz band Return to Forever led by keyboardist Chick Corea. It features saxophonist/flautist Joe Farrell, bassist Stanley Clarke, vocalist Flora Purim and her husband, drummer/percussionist Airto Moreira, who all performed on Corea’s previous album Return to Forever, from which the group took its name.
Art Blakey and the Jazz Messengers, also called Moanin', is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958 and released on Blue Note later that year.
Go! is a studio album by jazz musician Dexter Gordon featuring Sonny Clark, Butch Warren and Billy Higgins, recorded on August 27, 1962 and released in the same year on Blue Note. According to the liner notes by Ira Gitler, this session was "not recorded in a nightclub performance but, in its informal symmetry, it matches the relaxed atmosphere that the best of those made in that manner engender. Everyone was really together, in all the most positive meanings of that word." It was recorded by Rudy Van Gelder at the Van Gelder Studio in Englewood Cliffs.
Friends is a studio album by Chick Corea. It features a quartet of Corea, saxophonist Joe Farrell, acoustic bassist Eddie Gómez and drummer Steve Gadd. It was released by Polydor Records in 1978, and the cover featured The Smurfs.
Don't Mess With Mister T. is a Stanley Turrentine album produced by Creed Taylor on his label, CTI. It was arranged by Bob James and recorded at Van Gelder Studio in June 1973.
A Night at Birdland, Vols. 1 & 2 are a pair of separate but related live albums by the Art Blakey Quintet, recorded at the Birdland jazz club on February 21, 1954 and released on Blue Note in 1956. The performance was originally spread out over three 10" LPs as A Night at Birdland Vols. 1–3 (1954).
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
Fat Albert Rotunda is the eighth album by jazz keyboardist Herbie Hancock, released in 1969. It was Hancock's first release for Warner Bros. Records after his departure from Blue Note Records. The music was originally done for the TV special Hey, Hey, Hey, It's Fat Albert, which later inspired the Fat Albert and the Cosby Kids TV show.
Upon This Rock is an album by Joe Farrell released in 1974.
Time Waits, also known as The Amazing Bud Powell, Vol. 4, is a studio album by American jazz pianist Bud Powell recorded at Van Gelder Studio on May 24, 1958 with rhythm section Sam Jones and Philly Joe Jones and released on Blue Note later that year.
Captain Marvel is a 1974 jazz album by saxophonist Stan Getz recorded on March 3, 1972 and released on Columbia two years later. The quintet features pianist Chick Corea, who composed most of the material, bassist Stanley Clarke, Brazilian percussionist Airto Moreira and drummer Tony Williams.
Joe Farrell Quartet is a jazz album by Joe Farrell that was released by CTI Records. It was recorded at the Van Gelder Studio on July 1 and 2, 1970. Guitarist John McLaughlin plays on two tracks, and there are two duo tracks, one with Dave Holland and one with Chick Corea. The album was re-released twice in the mid 1970s as Super Session and Song of the Wind.
Moon Germs is a jazz album by Joe Farrell, recorded at the Van Gelder Studio on November 21, 1972 and released on CTI Records.
Outback is a jazz album by Joe Farrell on the CTI Records label. It was recorded at the Van Gelder Studio in November 1971.
Prelude is the eighth studio album by Brazilian keyboardist Eumir Deodato, released in 1973. With the signature track "Also Sprach Zarathustra (2001)", Prelude also features one of the most heavily sampled drum breaks in the early hip hop cannon. The opening bars of September 13 features a legendary break beat used in many classic hip hop songs. The album can be categorised as classical-jazz fusion, thought by some as elevator music with a twist. Prelude would become the most successful recording for Deodato and CTI Records.
Canned Funk is a jazz album by Joe Farrell for CTI Records. It was recorded at Van Gelder Studios November and December 1974. The album was released in 1975.
All Blues is an album by bassist Ron Carter recorded at Van Gelder Studio in New Jersey in 1973 and released on the CTI label.
Benson & Farrell is an album co-led by American guitarist George Benson and jazz saxophonist and flutist Joe Farrell; both artists had previously released several albums on the CTI label and had also contributed to the albums Free, CTI Summer Jazz at the Hollywood Bowl, and Giant Box.
Got My Own is an album by saxophonist Gene Ammons recorded in 1972 and released on the Prestige label.