Pepe | |
---|---|
Directed by | George Sidney |
Written by | Claude Binyon Dorothy Kingsley |
Story by | Sonya Levien George Sidney Leonard Spigelgass |
Based on | Broadway Zauber play by Leslie Bush-Fekete |
Produced by | George Sidney |
Starring | Cantinflas Dan Dailey Shirley Jones |
Cinematography | Joseph MacDonald |
Edited by | Viola Lawrence Al Clark |
Music by | Johnny Green |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 180 minutes [1] |
Country | United States |
Language | English |
Budget | $5 million [2] |
Box office | $4.8 million (US/ Canada rentals) [3] [4] |
Pepe is a 1960 American musical comedy film starring Cantinflas in the title role, directed by George Sidney. The film contained a multitude of cameo appearances, attempting to replicate the success of Cantiflas' American debut Around the World in 80 Days .
The film received generally unfavorable reviews from critics and failed to match the box-office success of his previous American film. The movie was issued on VHS tape in 1998; to date, a DVD and a Blu-ray have been released in Spain, but none in the United States. [5]
Pepe is a hired hand, employed on a ranch. A boozing Hollywood director, Mr. Holt, buys a white stallion that belongs to Pepe's boss. Pepe, determined to get the horse back (as he considers it his family), decides to go to Hollywood. There he meets film stars, including Jimmy Durante, Frank Sinatra, Zsa Zsa Gabór, Bing Crosby, Maurice Chevalier and Jack Lemmon in drag as Daphne from Some Like It Hot . He is also surprised by things that were new in the U.S. at the time, such as automatic doors. When he finally reaches the man who bought the horse, he is led to believe there is no hope of getting it back. However Mr. Holt offers him a job when he realizes that Pepe brings new life to the stallion. With his luck changing, Pepe wins big money in Las Vegas, enough that Mr. Hold lets him be the producer of his next movie. Most of the movie centers around his meeting Suzie Murphy, an actress on hard times who hates the world. Just like with the stallion, Pepe brings out the best in Suzie and helps her become a big star in a movie made by Mr. Holt. The last scene shows both him and the stallion back at the ranch with several foals.
In August 1957 George Sidney Productions announced Leonard Spigelglass was working on the screenplay of a vehicle for Cantiflas called Magic. [6] In November of that year Sidney announced the film was called Pepe. [7]
The film was based on an Austrian musical revue, Broadway Zauber ("Broadway Magic"), whose debut in Vienna in 1935 was reviewed by Variety. [8]
In April 1959 contracts were signed with Columbia to produce and release the film. George Sidney was to direct and co produce, under his own banner, along with Jacques Gelman, head of Posa International films. [9]
George Sidney later recalled "there were problems dealing with the logistics of making a picture in two countries with a writer's strike going on at the same time. It was difficult trying to schedule around this person and that person and getting all of the people together. Shooting in Mexico with two sets of crew down there posed problems. I was moving back and forth and any time I was in one place I needed to be in another place." Sidney says that because of the writers strike, Durante and Cantiflas had to ad lib their scene together. "It turned out to be pretty funny," said Sidney. "The studio thought we had hired writers on the black market." [10]
It was Judy Garland’s first film work since A Star is Born was released in 1954. She was slated to make an onscreen appearance. However she was still recovering from illness and the producers decided to limit it to a song.
Bosley Crowther of The New York Times was not impressed. "The rare and wonderful talents of Mexican comedian Cantinflas, who was nicely introduced to the general public as the valet in Around the World in 80 Days, are pitifully spent and dissipated amid a great mass of Hollywooden dross in the oversized, over-peopled Pepe, which opened at the Criterion last night." [11]
Variety said it had a "wealth of entertainment" as well as "dull spots". [12]
The soundtrack was issued in 1960 by Colpix Records in the U.S. (CP 507) and Pye International Records in the UK (NPL 28015). The tracks were:
Side One
Side Two
Award | Category | Nominee(s) | Result |
---|---|---|---|
Academy Awards [13] (to this day, the Academy record-holder for the most nominations without a nomination in either Picture, Director, Acting, or Screenplay) | Best Art Direction – Color | Art Direction: Ted Haworth; Set Decoration: William Kiernan | Nominated |
Best Cinematography – Color | Joseph MacDonald | Nominated | |
Best Costume Design – Color | Edith Head | Nominated | |
Best Film Editing | Viola Lawrence and Al Clark | Nominated | |
Best Scoring of a Musical Picture | Johnny Green | Nominated | |
Best Song | "Faraway Part of Town" Music by André Previn; Lyrics by Dory Previn | Nominated | |
Best Sound | Charles Rice | Nominated | |
Golden Globe Awards [14] | Best Motion Picture – Musical | Nominated | |
Best Actor in a Motion Picture – Musical or Comedy | Cantinflas | Nominated | |
Best Original Score – Motion Picture | Johnny Green | Nominated | |
Laurel Awards | Top Musical | Won | |
Top Male Comedy Performance | Cantinflas | 5th Place | |
Top Female Comedy Performance | Janet Leigh | Won | |
Top Musical Score | André Previn | 5th Place |
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