The Persian Princess or Persian Mummy is a mummy of an alleged Persian princess who surfaced in Pakistani Baluchistan in October 2000. After considerable attention and further investigation, the mummy proved to be an archaeological forgery and possibly a murder victim.
The mummy was found on 19 October 2000. During a murder investigation[ which? ], Pakistani authorities were alerted to a videotape recorded by Ali Aqbar, in which he claimed to have a mummy for sale. When questioned by the police, Aqbar told them where the mummy was located; at the house of tribal leader Wali Mohammed Reeki in Kharan, Baluchistan near the border of Afghanistan. Reeki claimed he had received the mummy from an Iranian named Sharif Shah Bakhi, who had said that he had found it after an earthquake near Quetta. The mummy had been put up for sale in the black antiquities market for 600 million rupees, the equivalent of $11 million. Reeki and Aqbar were accused of violating the country's Antiquities Act, a charge which carries a maximum sentence of ten years in prison. [1]
In a press conference on 26 October, Pakistani archaeologist Ahmad Hasan Dani of Islamabad's Quaid-e-Azam University announced that the mummy seemed to be a princess dated circa 600 BC. The mummy was wrapped in ancient Egyptian style, and rested in a gilded wooden coffin with cuneiform carvings inside a stone sarcophagus. The coffin had been carved with a large faravahar image. The mummy was atop a layer of wax and honey, was covered by a stone slab and had a golden crown on its brow. [1] An inscription on the golden chest plate claimed that she was the relatively unknown Rhodogune, a daughter of king Xerxes I of Persia and a member of the Achaemenid dynasty. [2] [3] : 4
Hasan Dani speculated that she might have been an Egyptian princess married to a Persian prince, or a daughter of the Achaemenid king Cyrus the Great. However, because mummification had been primarily an Egyptian practice, they had not encountered any mummies in Persia before. [1]
The governments of Iran and Pakistan soon began to argue about the ownership of the mummy. The Iranian Cultural Heritage Organization claimed her as a member of Persian royal family and demanded the mummy's return. Pakistan's Archaeological Department HQ said that it belonged to Pakistan because it had been found in Baluchistan. The Taliban of Afghanistan also made a claim. People in Quetta demanded that the police should return the mummy to them. [1] The Awan tribe in Balochistan also claimed ownership by saying that according to the inscription, the mummy might be a member of The House of Hika Munshi - an Awan royal family and demanded that it should be moved to Kallar Kahar Fossil Museum (Kallar Kahar is considered the primary settlement of Awan tribe). [4]
In November 2000, the mummy was placed in display in the National Museum of Pakistan.
News of the Persian Princess prompted American archaeologist Oscar White Muscarella to describe an incident the previous March when he was shown photographs of a similar mummy. Amanollah Riggi, a middleman working on behalf of an unidentified antiquities dealer in Pakistan, had approached him, claiming its owners were a Zoroastrian family who had brought it to the country. The seller had claimed that it was a daughter of Xerxes, based on a translation of the cuneiform of the breastplate. [1]
The cuneiform text on the breastplate contained a passage from the Behistun inscription in western Iran. [3] : 7 The Behistun inscription was carved during the reign of Darius, the father of Xerxes. When the dealer's representative had sent a piece of a coffin to be carbon dated, analysis had shown that the coffin was only around 250 years old. Muscarella had suspected a forgery and severed contact. He had informed Interpol through the FBI. [1]
When Asma Ibrahim, the curator of the National Museum of Pakistan, studied the item in police custody, she realised that the corpse was not as old as the coffin. The body had shown signs of decomposition fungus on the face, [5] a sign of a recently deceased body, and the mat below the body was about five years old. During the investigation, Iran and the Taliban repeated their demands.[ citation needed ] The Taliban claimed that they had apprehended the smugglers who had taken the mummy out of Afghanistan.
The inscriptions on the breastplate were not in proper grammatical Persian. [3] : 6, 8–10 Instead of a Persian form of the daughter's name, Wardegauna, the forgers had used a Greek version Rhodugune. [3] : 10–2 CAT and X-ray scans in Agha Khan Hospital indicated that the mummification had not been made following ancient Egyptian custom – for example, the heart had been removed along with the rest of the internal organs, whereas the heart of a genuine Egyptian mummy would normally be left inside the body. Furthermore, tendons that should have decayed over the centuries were still intact. [2]
Ibrahim published her report on 17 April 2001. In it, she stated that the "Persian princess" was in fact a woman about 21–25 years of age, who had died around 1996, possibly killed with a blunt instrument to the lower back/pelvic region (e.g., hit by vehicle from behind). [6] A subsequent accelerator mass spectrometry dating also confirmed the mummy's status as a modern fake. [7] Her teeth had been removed after death, and her hip joint, pelvis and backbone damaged, before the body had been filled with powder. Police began to investigate a possible murder and arrested a number of suspects in Baluchistan. [2]
The Edhi Foundation took custody of the body, and on 5 August 2005, announced that it was to be interred with proper burial rights. However, police and other government officials never responded to numerous requests, and it was not until 2008 that the foundation finally carried out the burial. [8] [9]
The Persian Princess is the name of an exhibition presented in August 2016 in Jerusalem, by artist Hili Greenfeld. The exhibition functions as a tribute to the anonymous woman who, in an instant, went from the status of a Princess in a gold-plated coffin displayed in a national museum, to the victim of a vicious murder in whom everyone quickly lost interest. The extreme transformation of the perception of the archeological object – from an honored Princess to a woman who was murdered – is what interests Greenfeld.
Greenfeld picked up the signs and symbols used by the forgers, such as engraved rosettes, Cypress gold, the icon of Ahura Mazda, Gold Crown, etc. She painted the symbols on artificial grass, and created a hybrid of lyrical abstract paintings, Persian rugs and graffiti murals. The works that are shown on the walls and on the floor seem to be graffiti murals and then seem to be rugs, but in both cases they are synthetic imitations of the original. [10] [11] [12]
A mummy is a dead human or an animal whose soft tissues and organs have been preserved by either intentional or accidental exposure to chemicals, extreme cold, very low humidity, or lack of air, so that the recovered body does not decay further if kept in cool and dry conditions. Some authorities restrict the use of the term to bodies deliberately embalmed with chemicals, but the use of the word to cover accidentally desiccated bodies goes back to at least the early 17th century.
Persepolis was the ceremonial capital of the Achaemenid Empire. It is situated in the plains of Marvdasht, encircled by the southern Zagros mountains, Fars province of Iran. It is one of the key Iranian cultural heritage sites and a UNESCO World Heritage Site since 1979.
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Archaeological forgery is the manufacture of supposedly ancient items that are sold to the antiquities market and may even end up in the collections of museums. It is related to art forgery.
Georg Friedrich Grotefend was a German epigraphist and philologist. He is known mostly for his contributions toward the decipherment of cuneiform.
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.
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Tuna el-Gebel was the necropolis of Khmun. It is the largest known Greco-Roman necropolis in Egypt, dating from the New Kingdom to the Roman Period, and seeing heavy use in the Ptolemaic Period. Tuna el-Gebel is located in Al Minya Governorate in Middle Egypt.
Tomb KV40 is located in the Valley of the Kings, in Egypt. Artifacts from the tomb attribute it to 18th Dynasty royal family members, though human remains from the later 22nd Dynasty were interred. Although the tomb was excavated by Victor Loret in 1899, no report was published.
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Old Persian cuneiform is a semi-alphabetic cuneiform script that was the primary script for Old Persian. Texts written in this cuneiform have been found in Iran, Armenia, Romania (Gherla), Turkey, and along the Suez Canal. They were mostly inscriptions from the time period of Darius I, such as the DNa inscription, as well as his son, Xerxes I. Later kings down to Artaxerxes III used more recent forms of the language classified as "pre-Middle Persian".
The Awan dynasty was the first dynasty of Elam of which very little of anything is known today—appearing at the dawn of recorded history. The dynasty corresponds to the early part of the first Paleo-Elamite period ; additionally, succeeded by the Shimashki and Sukkalmah dynasties. The Elamites were likely major rivals of neighboring Sumer from remotest antiquity—they were said to have been defeated by Enmebaragesi of Kish c. 2750 BC—who is the earliest archaeologically attested king named on the Sumerian King List (SKL); moreover, by a later monarch, Eannatum of Lagash c. 2450 BC. Awan was a city-state or possibly a region of Elam whose precise location is not certain; but, it has been variously conjectured to have been within the: Ilam and/or Fars provinces of what is today known as the Islamic Republic of Iran, to the north of Susa, close to Dezful, or Godin Tepe.
Tushpa was the 9th-century BC capital of Urartu, later becoming known as Van which is derived from Biainili, the native name of Urartu. The ancient ruins are located just west of Van and east of Lake Van in the Van Province of Turkey. In 2016 it was inscribed in the Tentative list of World Heritage Sites in Turkey.
Throughout history there have been several mummy forgeries.
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Asma Ibrahim is a Pakistani archaeologist, museologist, and conservationist who is the founding director of the Museum, Archives and Art Gallery Department for the State Bank of Pakistan. Ibrahim has previously served as the curator and director of the National Museum of Pakistan.
The Xerxes I inscription at Van, also known as the XV Achaemenid royal inscription, is a trilingual cuneiform inscription of the Achaemenid King Xerxes I. It is located on the southern slope of a mountain adjacent to the Van Fortress, near Lake Van in present-day Turkey. When inscribed it was located in the Achaemenid province of Armenia. The inscription is inscribed on a smoothed section of the rock face near the fortress, approximately 20 metres above the ground. The niche was originally carved out by Xerxes' father, King Darius, but he left the surface blank.
The Jar of Xerxes I is a jar in calcite or alabaster, an alabastron, with the quadrilingual signature of Achaemenid ruler Xerxes I, which was discovered in the ruins of the Mausoleum at Halicarnassus, in Caria, modern Turkey, at the foot of the western staircase. It is now in the British Museum, though not currently on display.
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The Awan tribe of Balochistan, saying the inscriptions proved the princess belonged to the Awan royal family of Hika Munshi, asked that the mummy be moved immediately to the local Kallar Kahar Fossils Museum.