This article contains promotional content .(September 2024) |
Company type | Aktieselskab |
---|---|
Industry | Digital imaging |
Founded | Denmark (1994) |
Headquarters | Copenhagen, Denmark |
Key people | Samir Léhaff, Founder Henrik O. Håkonsson, CEO |
Products | Cameras, Digital backs, Lenses, RAW Processing Software, Photo management software, Camera control software |
Revenue | DKK 413 million (2015) [1] |
DKK 168 million (2015) [1] | |
DKK 22 million (2015) [1] | |
Number of employees | 300 |
Parent | Axcel |
Subsidiaries | Phase One U.S Phase One Germany Phase One China Phase One Japan Leaf Imaging/Phase One Israel Mamiya Digital Imaging |
Website | www |
Footnotes /references Company is partially an employee owned organization. |
Phase One A/S is a Danish company specializing in high-end digital photography equipment and software. It manufactures open platform based medium format camera systems and solutions.[ buzzword ] Its RAW processing software, Capture One, supports many DSLRs besides their backs.
PODAS workshops (Phase One Digital Artist Series) is a series of worldwide photography workshops designed for digital photographers interested in working with medium format, high-resolution cameras. PODAS is a part of the Phase One educational division. Each attendee receives a Phase One digital camera system for the duration of the workshop. [2]
On 18 February 2014, it was announced that UK-based private equity firm Silverfleet Capital would acquire a 60% majority stake in the company. [3]
On 17 June 2019, Phase One A/S was once again sold, this time to the Danish investment company Axcel. [4]
In 2009, Phase One purchased a major stake in Japanese Mamiya and the two companies developed products together. The following cameras are currently produced and sold by Phase One:
The Phase One 645DF+ and 645DF cameras are medium format cameras which support both focal plane and leaf shutter lenses with shutter speeds ranging from 1/4000s to 60 minutes and flash synchronization up to 1/1600 sec. [5] [6] Among the new features on the 645DF+ are: [5]
The Phase One V-Grip Air vertical grip is compatible with the 645DF+/645DF. The V-Grip Air supports a Profoto Air flash trigger for wireless flash synchronization. [7]
The 645DF+/645DF supports digital back interfaces including the IQ and P+ series digital backs as well as 3rd party digital backs from Hasselblad, Leaf and others.
In 2012, Phase One released two specialty cameras: iXR [8] which is made specifically for reproduction and iXA [9] which is made specifically for aerial photography. Both uses the 645 lenses as the normal 645 cameras. Main difference on this camera is they have no viewfinder and very few mechanical moving parts.
In 2013, Phase One signed a collaborative distribution agreement with Digital Transitions (DT) to deliver advanced digitization solutions[ buzzword ] for cultural heritage preservation imaging projects worldwide (Repro camera solutions[ buzzword ]). The range of Digital Transitions digitization equipment includes a multitude of reprographic benches, purpose-built reprographic cameras, specialized book copy stations, film scanning kits, and accessories that are designed to host the line of Phase One digital capture hardware and Capture One software.
In 2014, Phase One launched a medium format digital back with a CMOS/active pixel sensor: The IQ250. All Phase One digital backs launched prior to the IQ250 have sensors based on the CCD (Charge-coupled device) technology.[ citation needed ]
In 2015, Phase One introduced the XF camera system. It is a new digital camera platform, medium format system built with the intention to upgrade it over a series of updates throughout the product lifetime. At the same time, the IQ3 series digital backs were introduced. This included the IQ3 50MP based on the previous IQ250, the IQ3 60MP based on the previous IQ260 and the newly introduced IQ3 80MP which includes a new CCD (Charge-coupled device) sensor exclusive to Phase One.[ citation needed ]
The 645DF / DF+ / XF is compatible with the following lenses:
Focal length | Maximum Aperture range | Designator | Optical Construction | Shutter speed | Minimum focusing distance | Filter thread | Equivalent 35mm Focal Length | Dimension | Weight |
---|---|---|---|---|---|---|---|---|---|
28mm | f/4.5–32 | AF Aspherical | 14 elements, 10 groups | N/A | 35 cm /1.15 ft | Rear sheet filter / Optional LEE SW150 filter | 17mm | 136 x 90mm / 5.35 x 3. 54" | 886g / 31.01 oz. 1.9 lbs. |
35mm | f/3.5–22 | AF | 9 elements, 5 groups | N/A | 35 cm / 1.15 ft | 77mm | 22mm | 62mm x 84mm 2.4” x 3.3” | 480g |
45mm | f/2.8–22 | AF | 9 elements, 7 groups | N/A | 45 cm / 1.4 ft. | 67mm | 29mm | 49.5 x 77mm / 1.9 x 3" | 492 g. / 17.35 oz. / 1.1 lbs. |
80mm | f/2.8.5–22 | AF | 6 elements, 5 groups | N/A | 70 cm / 2.3 ft. | 67mm | 50mm | 51.5 x 80.5mm / 2 x 3.2" | 330 g. / 0.7 lbs / 11.6 oz. |
120mm | f/4–22 | MF Macro | 9 elements, 8 groups | N/A | 40 cm / 1.3 ft. | 67mm | 73mm | 111 x 83mm / 4.4 x 3.25" | 835 g. / 1.8 lbs / 29.2 oz. |
120mm | f/4–22 | AF Macro | 9 elements, 8 groups | N/A | 0.37 m / 1.21 ft | 72mm | 73mm | 107 x 91 mm / 4.2 x 3.6 " | 960 g / 2.12 lbs. /33.86 oz. |
120mm | f/5.6-22 | TS (Tilt/Shift) | 6 elements, 4 groups | N/A | 0.84m | 104mm | 72mm | 135 x 106 mm | |
150mm | f/2.8–22 | AF IF | 8 elements, 7 groups | N/A | 100 cm / 3.3 ft. | 72mm | 93mm | 120 x 85mm / 4.7 x 33" | 780 g. / 1.7 lbs / 27.03 oz. |
75-150mm | f/4.5-32 | AF Zoom | 11 elements, 10 groups | N/A | 1.00m / 3.3 ft. | 77mm | 47mm-93mm | 145 x 86mm 7 5.7 x 3.4" | 1114 g. / 2.5 lbs / 38.99 oz. |
Focal length | Maximum Aperture range | Designator | Optical Construction | Shutter speed | Minimum focusing distance | Filter thread | Equivalent 35mm Focal Length | Dimension | Weight |
---|---|---|---|---|---|---|---|---|---|
28mm | f/4.5–32 | LS Aspherical | 14 elements, 10 groups | 1/1600 | 35 cm /1.15 ft | Rear sheet filter / Optional LEE SW150 filter | 17mm | 90 x 136mm / 3.5 x 5.5” | 1100g /2.43bs / 38.80 oz. |
55mm | f/2.8–32 | LS | 7 elements, 6 groups | 1/1600 | 45 cm / 1.47 ft. | 72mm | 34mm | 77.6 x 86.5mm / 3 x 3.4 | 660 g / 1.3 lbs. / 21.15 oz. |
80mm | f/2.8–22 | LS | 6 elements, 5 groups | 1/1600 | 70 cm / 2.3 ft. | 72mm | 50mm | 64.4 x 86.5 / 2.5 x 3.4" | 500g / 1.1 lbs. / 17.6 oz. |
110mm | f/2.8–22 | LS | 6 elements, 5 groups | 1/1600 | 90 cm / 2.9 ft. | 72mm | 68mm | 83.3 x 86.5mm / 3.2 x 3.4" | 700g / 1.5 lbs. / 24.69 oz |
150mm | f/3.5–32 | LS | 5 elements, 5 groups | 1/1600 | 150 cm / 4.92 ft. | 72mm | 96mm | 87.1 x 86.5mm / 3.4 x 3.4" | 652g / 1.43 lbs. / 22.99 oz. |
240mm | f/4.5–22 | LS IF | 8 elements, 8 groups | 1/1000 | 170 cm /5.58 ft | 86mm | 149mm | 169 x 104.5mm / 6.7 x 4.1” | 1600g /3.53bs / 56.44 oz. |
40-80mm | f/4–32 / 5.6–45 | LS | 15 elements, 11 groups | 1/1600 | 0.60m / 1.97 ft. | 105mm | 25mm-50mm | 5.90 x 4.40 " / 150 x 111 mm | 4.1 lbs. / 1860 g / 65.60 oz. |
75-150mm | f/4–22 / 5.6-45 | LS | 11 elements, 10 groups | 1/1600 | 1.00m / 3.28 ft. | 95mm | 47mm-93mm | 172 x 105.5mm / 6.8 x 4.2” | 1800g / 3.96 lb / 63.49 oz. |
Focal length | Maximum Aperture range | Designator | Optical Construction | Shutter speed | Minimum focusing distance | Filter thread | Equivalent 35mm Focal Length | Dimension | Weight |
---|---|---|---|---|---|---|---|---|---|
35mm | f/3.5–32 | LS Blue Ring | 11 elements, 8 groups | 1/1600 | 0.5m / 1.64 ft | 105mm | 22mm | 111mm x 119mm, 4.4" x 4.7" | 1370g |
45mm | f/3.5–32 | LS Blue Ring | 10 elements, 7 groups | 1/1600 | 55 cm / 1.80 ft | 95mm | 28mm | 101 x 122.9mm /4.0 x 4.8” | |
55mm | f/2.8–32 | LS Blue Ring | 7 elements, 6 groups | 1/1600 | 45 cm / 1.47 ft. | 72mm | 34mm | 77.6 x 86.5mm / 3 x 3.4 | 660 g / 1.3 lbs. / 21.15 oz. |
80mm | f/2.8–22 | LS Blue Ring | 6 elements, 5 groups | 1/1600 | 70 cm / 2.3 ft. | 72mm | 50mm | 64.4 x 86.5 / 2.5 x 3.4" | 500g / 1.1 lbs. / 17.6 oz. |
80mm Mark II | f/2.8–32 | LS Blue Ring | 8 elements, 6 groups | 1/1600 | 70 cm / 2.3 ft. | 72mm | 50mm | 85.4 x 87.2 / 3.4 x 3.4" | 765g / 1.69 lbs. |
110mm | f/2.8–22 | LS Blue Ring | 6 elements, 5 groups | 1/1600 | 90 cm / 2.9 ft. | 72mm | 68mm | 83.3 x 86.5mm / 3.2 x 3.4" | 700g / 1.5 lbs. / 24.69 oz |
120mm | f/4–22 | LS Macro Blue Ring | 9 elements, 8 groups | 1/1600 | 40 cm / 1.3 ft. | 86mm | 73mm | 111 x 83mm / 4.4 x 3.25" | 835 g. / 1.8 lbs / 29.2 oz. |
150mm | f/3.5–32 | LS Blue Ring | 5 elements, 5 groups | 1/1600 | 150 cm / 4.92 ft. | 72mm | 96mm | 87.1 x 86.5mm / 3.4 x 3.4" | 652g / 1.43 lbs. / 22.99 oz. |
150mm | f/2.8–22 | LS IF Blue Ring | 8 elements, 7 groups | 1/1600 | 1.0m / 3.28 ft | 95mm | 96mm | 115 x 141.6mm /4.5 x 5.6” | 1.658g / 3.65 lb |
240mm | f/4.5–22 | LS IF Blue Ring | 8 elements, 8 groups | 1/1000 | 170 cm /5.58 ft | 86mm | 149mm | 169 x 104.5mm / 6.7 x 4.1” | 1600g /3.53bs / 56.44 oz. |
40-80mm | f/4–32 / 5.6–45 | LS Blue Ring | 15 elements, 11 groups | 1/1600 | 0.60m / 1.97 ft. | 105mm | 25mm-50mm | 5.90 x 4.40 " / 150 x 111 mm | 4.1 lbs. / 1860 g / 65.60 oz. |
75-150mm | f/4–22 / 5.6-45 | LS Blue Ring | 11 elements, 10 groups | 1/1600 | 1.00m / 3.28 ft. | 95mm | 47mm-93mm | 172 x 105.5mm / 6.8 x 4.2” | 1800g / 3.96 lb / 63.49 oz. |
Phase One XT compatible lenses
Focal length | Designator | Maximum Aperture range | Glass manufacturar | Shutter speed | Filter thread |
---|---|---|---|---|---|
23mm | HR Digaron S | f/5.6–22 | Rodenstock | 1/1000 | 72mm |
32mm | HR Digaron W | f/4–22 | Rodenstock | 1/1000 | 86mm |
40mm Tilt | HR Digaron W | f/4–22 | Rodenstock | 1/1000 | 67mm |
50mm | HR Digaron W | f/4–22 | Rodenstock | 1/1000 | 67mm |
70mm | HR Digaron W | f/5.6–22 | Rodenstock | 1/1000 | 58mm |
90mm | HR Digaron W | f/5.6–22 | Rodenstock | 1/1000 | 72mm |
150mm | HO-S SB | f/5.6–22 | Phase One | 1/1000 | 72mm |
*In addition, any medium or large format lens which has sufficient image circle and resolution with the Cambo lens mount
RS Lenses compatible with iXM-RS
Focal length | Maximum Aperture range | Glass manufacturar | Shutter speed | Filter thread | Weight |
---|---|---|---|---|---|
32mm | f/4–22 | Rodenstock | 1/2500 | 86mm | 970g |
40mm | f/4–22 | Rodenstock | 1/2500 | 67mm | 730g |
50mm | f/4–22 | Rodenstock | 1/2500 | 67mm | 800g |
70mm | f/5.6–22 | Rodenstock | 1/2500 | 58mm | 580g |
90mm | f/5.6–22 | Rodenstock | 1/2500 | 72mm | 1150g |
110mm | f/4–22 | Schneider-Kreuznach | 1/2500 | 58mm | 620g |
150mm | f/5.6–22 | Schneider-Kreuznach | 1/2500 | 67mm | 1150g |
180mm | f/6.3–22 | Rodenstock | 1/2000 | 67mm | 1400g |
RSM lenses compatible with iXM
Focal length | Maximum Aperture range | Focus distance | Glass manufacturar | Shutter speed | Filter thread | Weight |
---|---|---|---|---|---|---|
35mm | f/5.6–22 | Infinity | Phase One | 1/2500 | 58mm | 540g |
80mm | f/5.6–22 | Infinity | Phase One | 1/2500 | 58mm | 470g |
80mm AF | f/5.6–22 | 3m to Infinity | Phase One | 1/2500 | 58mm | 630g |
150mm AF | f/5.6–22 | 10m to Infinity | Phase One | 1/2500 | 58mm | 744g |
300mm | f/8–32 | 10m to Infinity | Phase One | 1/2000 | 86mm | 1900g |
Lenses for iXM-MV NOTE: iXM-MV is also compatible with Schneider-Kreuznach medium format lenses
Focal length | Maximum Aperture range | Focus distance | Glass manufacturar | Shutter speed | Filter thread | Weight |
---|---|---|---|---|---|---|
60mm | f/4–22 | 334mm to Infinity | Linos | N/A | 60mm | 240g |
100mm | f/4–22 | 570mm to Infinity | Linos | N/A | M58X0.75 mm | 340g |
105mm | f/5.6–22 | 183mm to 241mm | Linos | N/A | M43X0.75 mm | 360g |
105mm Float | f/5.6–16 | 100mm to 417mm | Linos | N/A | M43X0.75 mm | 360g |
Model | Sensor sizex | Sensor type | Resolution | Active pixels | ISO range | Dynamic range (Extended Mode / Normal) | Frames per Second LS/FP (IIQs FPS) | Lens conversion factor | Display | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|---|---|
IQ4 150MP | 53.4 × 40 mm | CMOS | 151 MP 16-bit | 14204 × 10652 | 50–25600 | 15/14.5 f-stops | 1.2 / 1.4 (2.5) | 1.0 | 3.2-inch 1.5-megapixel Retina-type multi touchscreen | XQD and SD Card (CFExpress supported as of Firmware 8) | USB-C, Ethernet and WiFi | 2018 |
IQ4 150MP Achromatic | 53.4 × 40 mm | CMOS | 151 MP 16-bit | 14204 × 10652 | 200–102400 | 15/14.5 f-stops | 1.2 / 1.4 (2.5) | 1.0 | 2018 | |||
IQ4 100MP Trichromatic | 53.7 × 40.4 mm | CMOS | 101 MP, 16-bit | 11608 × 8708 | 35–12800 | 15 f-stops | 0.7 / 1.4 | 1.0 | 2018 | |||
Model | Sensor size | Sensor type | Resolution (Sensor+ mode) | Active pixels | ISO range (Sensor+ mode) | Dynamic range | Frames per Second (Sensor+ mode) | Lens conversion factor | Display | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|---|---|
IQ3 100MP Trichromatic | 53.7 × 40.4 mm | CMOS | 101 MP (N/A), 16-bit | 11608 × 8708 | 35–12800 (N/A) | 15 f-stops | 0.7 / 1.4 / N/A | 1.0 | 3.2-inch 1.5-megapixel Retina-type touchscreen | CF up to UDMA 7 | IEEE 1394b Firewire800, USB3 / USB2 and WiFi | 2017 |
IQ3 100MP Achromatic | 53.7 × 40.4 mm | CMOS | 101 MP (N/A), 16-bit | 11608 × 8708 | 200–51200 (N/A) | 15 f-stops | 0.6 / 1.1 / N/A | 1.0 | 2017 | |||
IQ3 100MP | 53.7 × 40.4 mm | CMOS | 101 MP (N/A), 16-bit | 11608 × 8708 | 50–12800 (N/A) | 15 f-stops | 0.7 / 1.4 / N/A | 1.0 | 2016 | |||
IQ3 80MP | 53.7 × 40.4 mm | CCD | 80 MP (20 MP), 16-bit | 10328 × 7760 | 50–800 (140 - 3200) | 13 f-stops | 0.8 / N/A / 1.1 | 1.0 | 2015 | |||
IQ3 60MP | 53.9 × 40.4 mm | CCD | 60.5 MP (15 MP), 16-bit | 8984 × 6732 | 50–800 (200 - 3200) | 13 f-stops | 1.0 / N/A / 1.4 | 1.0 | 2015 | |||
IQ3 50MP | 44.0 × 33.0 mm | CMOS | 51 MP (N/A), 14-bit | 8280 × 6208 | 100 - 6400 | 14 f-stops | N/A / 1.8 / N/A | 1.3 | 2015 |
Model | Sensor size | Sensor type | Resolution (Sensor+ mode) | Active pixels | ISO range (Sensor+ mode) | Dynamic range | Frames per Second (Sensor+ mode) | Lens conversion factor | Display | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|---|---|
IQ280 | 53.7 × 40.4 mm | CCD | 80 MP (20 MP), 16-bit | 10328 × 7760 | 35–800 (140 - 3200) | 13 f-stops | 0.7 / (0.9) | 1.0 | 3.2-inch 1.5-megapixel Retina-type touchscreen | CF up to UDMA 6 | IEEE 1394b Firewire800, USB3 / USB2 and WiFi | 2013 |
IQ260 | 53.9 × 40.4 mm | CCD | 60.5 MP (15 MP), 16-bit | 8984 × 6732 | 50–800 (200 - 3200) | 13 f-stops | 1.0 / (1.4) | 1.0 | 2013 | |||
IQ260 Achromatic | 53.9 × 40.4 mm | CCD | 60.5 MP (N/A), 16-bit | 8984 × 6732 | 50–800 (200 - 3200) | 13 f-stops | 1.0 / (1.4) | 1.0 | 2013 | |||
IQ250 | 44.0 × 33.0 mm | CMOS | 50.0 MP (N/A), 14-bit | 8280 × 6208 | 100 - 6400 | 14 f-stops | 1.2 | 1.3 | 2014 |
The IQ series Phase One backs included many industry-first innovations. It was the first camera series to utilize a USB 3 connection. At the time of the release, this was not very widespread, but did allow for backwards compatibility with USB 2.0. It was also the first camera series to include a high resolution multi-touch display, similar to the "Retina" screen used in the iPhone 4. [11]
Model | Sensor size | Sensor type | Resolution (Sensor+ mode) | Active pixels | ISO range (Sensor+ mode) | Dynamic range | Frames per Second (Sensor+ mode) | Lens conversion factor | Display | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|---|---|
IQ1 100MP | 53.7 × 40.4 mm | CMOS | 101 MP (N/A), 16-bit | 11608 × 8708 | 50–12800 (N/A) | 15 f-stops | 0.7 / (N/A) | 1.0 | 3.2-inch 1.5-megapixel Retina-type touchscreen | CF up to UDMA 6 | IEE1394b Firewire800, USB3 / USB2 | 2016 |
IQ180 | 53.7 × 40.4 mm | CCD | 80 MP (20 MP), 16-bit | 10328 × 7760 | 35–800 (140 - 3200) | 12.5 f-stops | 0.7 / (0.9) | 1.0 | 2011 | |||
IQ160 | 53.9 × 40.4 mm | CCD | 60.5 MP (15 MP), 16-bit | 8984 × 6732 | 50–800 (200 - 3200) | 12.5 f-stops | 1.0 / (1.4) | 1.0 | 2011 | |||
IQ150 | 44.0 × 33.0 mm | CMOS | 50.0 MP (N/A), 14-bit | 8280 × 6208 | 100 - 6400 | 14 f-stops | 1.2 | 1.3 | 2014 | |||
IQ140 | 43.9 × 32.9 mm | CCD | 40 MP (10 MP), 16-bit | 7320 × 5484 | 50–800 (200 - 3200) | 12 f-stops | 1.2 / (1.8) | 1.3 | 2011 |
The P+ series are similar to the normal P series but have higher capture speeds, better response to long exposure times, and add Live Preview, which allows the user to focus and compose on a monitor while tethered. Also, a new high resolution LCD screen was implemented with better resolution and luminance.
Model | Sensor size | Resolution (Sensor+ mode) | Active pixels | ISO range (Sensor+ mode) | Dynamic range | Frames per Second (Sensor+ mode) | Lens conversion factor | Display | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|---|
P65+ | 53.9 × 40.4mm | 60.5 MP (15 MP), 16-bit | 8984 × 6732 | 50–800 (200-3200) | 12.5 f-stops | 1.0 / (1.4) | 1.0 | 2.2-inch 230,000 px TFT | CF | IEEE 1394 Firewire | 2008 |
P45+ | 49.1 × 36.8 mm | 39 MP, 16-bit | 7216 × 5412 | 50–800 | 12 f-stops | 0.67 | 1.15 | 2007 | |||
P40+ | 43.9 × 32.9 mm | 40 MP (10 MP), 16-bit | 7320 × 5484 | 50–800 (200 - 3200) | 12 f-stops | 1.2 / (1.8) | 1.25 | 2009 | |||
P30+ | 44.2 × 33.1 mm | 31.6 MP, 16-bit | 6496 × 4872 | 100–1600 | 12 f-stops | 0.8 | 1.25 | 2007 | |||
P25+ | 48.9 × 36.7 mm | 22 MP, 16-bit | 5436 × 4080 | 50–800 | 12 f-stops | 0.67 | 1.15 | 2007 | |||
P21+ | 44.2 × 33.1 mm | 18 MP, 16-bit | 4904 × 3678 | 100–800 | 12 f-stops | 1.25 | 1.25 | 2007 | |||
P20+ | 36.9 × 36.9 mm | 16 MP, 16-bit | 4080 × 4080 | 50–800 | 12 f-stops | 0.87 | 1.5 | 2007 |
The P series are fully untethered backs available for many different camera mounts.
Model | Sensor size | Resolution | Active pixels | ISO range | Dynamic range | Frames per Second | Lens conversion factor | Display | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|---|
P45 | 49.1 × 36.8 mm | 39 MP, 16-bit | 7216 × 5412 | 50–400 | 12 f-stops | 0,58 | 1.15 | 2.2-inch 116,000 px TFT | CF | IEEE 1394 Firewire | 2005 |
P30 | 44.2 × 33.1 mm | 31.6 MP, 16-bit | 6496 × 4872 | 100–800 | 12 f-stops | 0,67 | 1.25 | 2005 | |||
P25 | 48.9 × 36.7 mm | 22 MP, 16-bit | 5436 × 4080 | 50–800 | 12 f-stops | 0,58 | 1.15 | 2004 | |||
P21 | 44.2 × 33.1 mm | 18 MP, 16-bit | 4904 × 3678 | 100–800 | 12 f-stops | 1,0 | 1.25 | 2005 | |||
P20 | 36.9 × 36.9 mm | 16 MP, 16-bit | 4080 × 4080 | 50–800 | 12 f-stops | 0,7 | 1.5 | 2004 |
The H series are tethered backs available for many different camera mounts. Camera back connects through standard 6pin IEEE 1394. Originally this type of camera back was released as the "Lightphase", a continuation of Phase One's previous tradition of using the name "phase" in the name of the product. This changed with the release of the "H20", which was originally called "Lightphase H20" but the name was changed to "Phase One H20" for better brand recognition.
Model | Sensor size | Resolution | Active pixels | ISO range | Dynamic range | Frames per Second | Lens conversion factor | Display | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|---|
H25 | 48.9 × 36.7 mm | 22 MP, 16-bit | 5436 × 4080 | 50–400 | 12 f-stops | 0,5 | 1.15 | N/A | N/A | IEEE 1394 Firewire | 2003 |
H20 | 36.9 × 36.9 mm | 16 MP, 16-bit | 4080 × 4080 | 50–100 | 12 f-stops | 0,33 | 1.5 | 2001 | |||
H101 / H10 | 36.9 × 24.6 mm | 11 MP, 16-bit | 3992 × 2656 | 50–400 | 1.65 | 2002 | |||||
H5/H10 | 36 × 24 mm | 6 MP, 16-bit | 3056 × 2032 | 50–100 | 1.65 | 2002 | |||||
Lightphase | 36 × 24 mm | 6 MP, 16-bit | 3056 × 2032 | 50–100 | 1.65 | 1998 |
The Scan backs are tethered digital scan backs. All use SCSI connection except for PowerPhase FX, which uses IEEE 1394 "Firewire". The very early models, which were known as the CB6x (StudioKit) and FC70 (PhotoPhase), were made in plastic and had an external control unit that connected to a computer through NuBus.
Model | Sensor size | Resolution | ISO range | Host connection | Released |
---|---|---|---|---|---|
PowerPhase FX/FX+ | 12,600 steps × 10,500 pixels | 132 MP, 14-bit | 100–1600 | IEEE 1394 Firewire | 2000 |
PowerPhase | 7,000 steps × 7,000 pixels | 36 MP, 12-bit | N/A | SCSI | 1997 |
PhotoPhase | 7,200 steps × 5,000 pixels | 36 MP, 10-bit | N/A | 1996 | |
StudioKit | 3,600 steps × 2,500 pixels | 9 MP, 10-bit | N/A | 1996 |
The XF Camera System is upgradable and received various planned new features and functionality over its product lifetime.
Phase One reprographic camera systems and book capture / scanners are purpose-built to provide preservation-level rapid capture of rare books, circulation materials, manuscripts, documents, photographic slides, photographic negatives and photographic glass-plates.
Phase One repro camera solutions include the following products:
Model | Sensor size | Sensor type | Resolution | Active pixels | ISO range (Sensor+ mode) | Dynamic range | Shutter speeds | Display | Onboard Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|---|
iXH 150MP | 53.4 × 40 mm | CMOS | 150 MP, 16-bit | 14204 × 10652 | 50–25600 (N/A) | 15 f-stops | 1/250th to 1h | N/A | N/A | USB-C and 10Gb Ethernet | 2020 |
iXH 100MP | 43.9 × 32.9 mm | CMOS | 101 MP, 16-bit | 11656 x 8742 | 50–6400 (N/A) | 15 f-stops | 1/250th to 1h | 2024 | |||
iXG 100MP | 53.7 × 40.4 mm | CMOS | 101 MP, 16-bit | 11608 × 8708 | 200–51200 (N/A) | 15 f-stops | 1/250th to 1h | 3.2-inch 1.5-megapixel Retina-type touchscreen | Firewire800, USB3 / USB2 | 2017 | |
iXG 500MP | 44.0 × 33.0 mm | CMOS | 101 MP, 16-bit | 8280 × 6208 | 100 - 6400 (N/A) | 14 f-stops | 1/250th to 1h | 2017 |
The above camera systems are purpose built for the following solutions but compatible with standard Reproduction systems.
Model | Sensor sizex | Sensor type | Resolution | Active pixels | ISO range | Dynamic range (Extended Mode / Normal) | Frames per Second (IIQs) | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|
iXM-RS280F | 2 x 53.4 × 40 mm | CMOS | 280 MP 16-bit | 20150 x 14118 | 50–6400 | 83db | 2.0 | N/A | USB-C, 10G Ethernet. | 2022 |
iXM-RS150F | 53.4 × 40 mm | CMOS | 151 MP 16-bit | 14204 × 10652 | 50–6400 | 83db | 2.0 | XQD (CFExpress supported as of Firmware 4) | USB-C, 10G Ethernet and HDMI | 2020 |
iXM-RS150F Achromatic | 53.4 × 40 mm | CMOS | 151 MP 16-bit | 14204 × 10652 | 200-25600 | 83db | 2.0 | 2020 | ||
iXM-RS100F | 53.7 × 40.4 mm | CMOS | 101 MP, 16-bit | 11608 × 8708 | 50–6400 | 84db | 1.6 | 2020 | ||
iXM-RS100F Achromatic | 53.7 × 40.4 mm | CMOS | 101 MP, 16-bit | 11608 × 8708 | 200-12800 | 84db | 1.6 | 2020 | ||
Model | Sensor sizex | Sensor type | Resolution | Active pixels | ISO range | Dynamic range (Extended Mode / Normal) | Frames per Second (IIQs) | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|
iXM-GS120 | 43.9x32.9 mm | CMOS | 120 MP, 14-bit | 12768 x 9564 | 200–64000 | 80db | 8.0 | XQD / CFExpress | USB-C 10G Ethernet and HDMI | 2022 |
iXM-GS120 Achromatic | 43.9x32.9 mm | CMOS | 120 MP, 14-bit | 12768 x 9564 | 200–64000 | 80db | 8.0 | 2022 | ||
iXM-100 | 43.9x32.9 mm | CMOS | 101 MP, 16-bit | 11664 x 8750 | 50–6400 | 83db | 3.0 | 2019 | ||
iXM-50 | 43.9x32.9 mm | CMOS | 50 MP, 14-bit | 11608 × 8708 | 100-6400 | 84db | 2.0 | 2019 | ||
Model | Sensor size | Sensor type | Resolution | Active pixels | ISO range | Dynamic range | Frames per Second (IIQs) | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|
iXU-RS-1000 | 43.9x32.9 mm | CMOS | 101 MP, 16-bit | 11664 x 8750 | 50–6400 | 84db | 1.65 | CF card UDMA 6 or 7) | USB 3 and HDMI (CMOS only) | 2016 |
iXU-180 | 53.7 x 40.4 mm | CCD | 80 MP, 16-bit | 10328 x 7760 | 35-800 | 72db | 0.68 | 2016 | ||
iXU-RS-160 | 53.9 x 40.4 mm | CCD | 60 MP, 16-bit | 8984 x 6732 | 50-800 | 72db | 0.9 | 2016 | ||
iXU-RS-160 Achromatic | 53.8 x 40.3 mm | CCD | 60 MP, 16-bit | 8964 x 6716 | 200-3200 | 72db | 0.9 | 2016 | ||
Model | Sensor size | Sensor type | Resolution | Active pixels | ISO range | Dynamic range | Frames per Second (IIQs) | Storage | Host connection | Released |
---|---|---|---|---|---|---|---|---|---|---|
iXU-1000 | 43.9x32.9 mm | CMOS | 101 MP, 16-bit | 11664 x 8750 | 50–6400 | 84db | 1.0 | CF card (UDMA 6 or 7) | USB 3 and HDMI (CMOS only) | 2016 |
iXU-180 | 53.7 x 40.4 mm | CCD | 80 MP, 16-bit | 10328 x 7760 | 35-800 | 72db | 0.6 | 2014 | ||
iXU-160 | 53.9 x 40.4 mm | CCD | 60 MP, 16-bit | 8984 x 6732 | 50-800 | 72db | 0.7 | 2014 | ||
iXU-160 Achromatic | 53.8 x 40.3 mm | CCD | 60 MP, 16-bit | 8964 x 6716 | 200-3200 | 72db | 0.7 | 2014 | ||
iXU-150 | 43.8 x 32.9 mm | CMOS | 50 MP, 14-bit | 8280 x 6208 | 100-6400 | 84db | 1.2 | 2016 | ||
Model | Sensor size | Sensor type | Resolution | Active pixels | ISO range | Dynamic range | Frames per Second (IIQs) | Released |
---|---|---|---|---|---|---|---|---|
iXA-180 | 53.7 x 40.4 mm | CCD | 80 MP, 16-bit | 10328 x 7760 | 35-800 | 72db | 0.6 | 2012 |
iXA-160 | 53.9 x 40.4 mm | CCD | 60 MP, 16-bit | 8984 x 6732 | 50-800 | 72db | 0.7 | 2012 |
iXA-160 Achromatic | 53.8 x 40.3 mm | CCD | 60 MP, 16-bit | 8964 x 6716 | 200-3200 | 72db | 0.7 | 2012 |
The Capture One software comes in several flavours but is still a single binary. License key and option selected determine which version is active:
Capture One companion software:
Victor Hasselblad AB is a Swedish manufacturer of medium format cameras, photographic equipment and image scanners based in Gothenburg, Sweden. The company originally became known for its classic analog medium-format cameras that used a waist-level viewfinder. Perhaps the most famous use of the Hasselblad camera was during the Apollo program missions when the first humans landed on the Moon. Almost all of the still photographs taken during these missions used modified Hasselblad cameras. In 2016, Hasselblad introduced the world's first digital compact mirrorless medium-format camera, the X1D-50c, changing the portability of medium-format photography. Hasselblad produces about 10,000 cameras a year from a small three-storey building.
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the 24 mm × 36 mm used in 35 mm photography, but smaller than 4 in × 5 in.
Mamiya Digital Imaging Co., Ltd. is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya and financial backer Tsunejiro Sugawara.
A digital camera back is a device that attaches to the back of a camera in place of the traditional negative film holder and contains an electronic image sensor. This allows cameras that were designed to use film take digital photographs. These camera backs are generally expensive by consumer standards and are primarily built to be attached on medium- and large-format cameras used by professional photographers.
A digital single-lens reflex camera is a digital camera that combines the optics and mechanisms of a single-lens reflex camera with a solid-state image sensor and digitally records the images from the sensor.
A camera raw image file contains unprocessed or minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are so named because they are not yet processed, and contain large amounts of potentially redundant data. Normally, the image is processed by a raw converter, in a wide-gamut internal color space where precise adjustments can be made before conversion to a viewable file format such as JPEG or PNG for storage, printing, or further manipulation. There are dozens of raw formats in use by different manufacturers of digital image capture equipment.
Silvestri is an Italian manufacturer of professional photographic cameras and large format cameras.
Leaf is an Israeli company that manufactures high-end digital backs for medium format and large format cameras. It was previously a division of Scitex and later Kodak, and is now a subsidiary of Phase One. In 1991, Leaf introduced the first medium format digital camera back, the Leaf DCB1, nicknamed ‘The Brick’, which had a resolution of 4 million pixels. As of 2012, Leaf produces the Credo line of digital camera backs, ranging from 40 to 80 megapixels. Until 2010, Leaf also produced photography workflow software Leaf Capture.
The Kodak Digital Camera System is a series of digital single-lens reflex cameras and digital camera backs that were released by Kodak in the 1990s and 2000s, and discontinued in 2005. They are all based on existing 35mm film SLRs from Nikon, Canon and Sigma. The range includes the original Kodak DCS, the first commercially available digital SLR.
The E-mount is a lens mount designed by Sony for their NEX and ILCE series of camcorders and mirrorless cameras. The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining compatibility with 35mm sensors. E-mount achieves this by:
Capture One is a photography software suite. It includes custom support for RAW files from over 650 cameras and tethering support for over 200 cameras. Originally produced by camera maker Phase One, the software department was split off into its own company, called Capture One A/S, in 2019. Both companies are majority-owned by the private equity firm Axcel.
Paul Reiffer is a British commercial and landscape photographer.
The Fuji GX680 is a series of single lens reflex system cameras for medium format film produced by Fujifilm with interchangeable camera lenses and interchangeable film holders for the unusual film format 6×8 cm on 120 and 220 roll film. The distinguishing feature of the Fuji GX680 is the articulating front standard, which runs on a rail connecting lens and camera body by a bellows; the interchangeable lens is permanently mounted to a lens board.
The Mamiya Press is a line of medium-format rangefinder system press cameras manufactured by Mamiya. The first model was introduced in 1960, and the final model was discontinued in the 1970s. It was targeted at the professional press photography market, and a wide array of accessories was offered.
10K resolution refers to a horizontal display resolutions of approximately 10,000 pixels. Unlike 4K UHD and 8K UHD, there are no 10K resolutions defined in the UHDTV broadcast standard. The first 10K displays demonstrated were ultrawide "21:9" screens with a resolution of 10240 × 4320, the same vertical resolution as 8K UHD.
The Mamiya 645 camera systems are a series of medium format film and digital cameras and lenses manufactured by Mamiya and its successors. They are called "645" because they use the nominal 6 cm x 4.5 cm film size from 120 roll film. They came in three major generations: first-generation manual-focus film cameras, second-generation manual-focus film cameras, and autofocus film/digital cameras.
The Mamiya RB67 is a professional medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RB67 Professional, RB67 Pro-S and RB67 Pro-SD. It is primarily designed for studio use, but can also be used in the field.
The Rolleiflex Hy6, also sold as the Leaf Digital AFi and Sinar Hy6, is a line of medium format single lens reflex cameras designed by Jenoptik for Rollei, introduced in 2006 and in intermittent production starting from 2008. The Hy6 is a hybrid, accepting both analog film and digital image sensor backs, competing directly with the Hasselblad H-series.