"Pilot" | |
---|---|
Arrested Development episode | |
Episode no. | Season 1 Episode 1 |
Directed by | Anthony Russo Joe Russo |
Written by | Mitchell Hurwitz |
Cinematography by | James Hawkinson |
Editing by | Lee Haxall |
Production code | 1AJD79 |
Original air date | November 2, 2003 |
Running time | 22 minutes |
Guest appearances | |
"Pilot" is the first episode of the first season of the American television satirical sitcom Arrested Development. It was written by series creator Mitchell Hurwitz and directed by producers Anthony and Joe Russo. It originally aired on Fox on November 2, 2003. An uncensored, extended version of the episode was released as a special feature on the DVD home release. [1]
The series, narrated by Ron Howard, follows the Bluths, a formerly wealthy, dysfunctional family, who made their money from property development. The Bluth family consists of Michael, his twin sister Lindsay, his older brother Gob, his younger brother Buster, their mother Lucille and father George Sr., as well as Michael's son George Michael, and Lindsay and her husband Tobias' daughter Maeby. In the episode, George Sr. is about to announce his retirement from the Bluth Company when he is arrested for using his company's funds for personal expenses.
For ten years, Michael Bluth (Jason Bateman) had been waiting for his father, George Sr. (Jeffrey Tambor), to make him a partner in the family's real estate development company. On the morning of his father's retirement boat party, Michael discusses the announcement of his promotion with his son, George Michael (Michael Cera). The two of them are living in one of the Bluths' model homes, to show their support for the business. After dropping his son off at the frozen banana stand his father started, Michael goes to see his oldest brother Gob (Will Arnett), an amateur magician, to ask for his check to cover party expenses. Gob tells Michael that their sister Lindsay (Portia de Rossi) had been staying at the Four Seasons for a month. Upset by both Lindsay's avoidance of him and her abuse of the company's largesse, Michael goes to tell his mother, Lucille (Jessica Walter), that the company checkbook is closing.
At the banana stand, George Michael's cousin Maeby (Alia Shawkat) suggests they kiss at the boat party to teach their parents a lesson that family should see each other more often. Back at the hotel, Lindsay's husband Tobias (David Cross), believing that the boat party is pirate-themed because of a joke from Michael, begins trying on Lindsay's blouses. He mistakes a group of garishly dressed men for pirates, and boards a van full of homosexual protesters. Finally, George Sr. gives his retirement speech, and appoints Lucille the new CEO. The dismayed Michael decides it is time to move on. The family poses for a photo, and Maeby goes through with her previous suggestion and kisses George Michael as the SEC raids the ship. George Sr. calls his secretary with instructions on what to do. Lindsay takes command of the boat and Lucille tells Buster (Tony Hale), her youngest son, to find a channel to the ocean on the maps. Buster, despite his cartography lessons, can only offer certainty that the blue part of the map is land before a panic attack sets in. The SEC hauls George Bluth away, leaving the family in turmoil.
At the police station, Tobias joins up with the family and tells them he discovered that the men on the other boat with him were in fact actors from the local theater. Believing that a path has been shown to him, Tobias informs the family that he has decided to become an actor. Michael then informs the family that their dad is being kept in jail, and the SEC is putting a halt on the company's expense account. Lucille decides to put Buster in charge. This is too much for Michael, who accepts a job in Arizona with a rival development company. When Buster discovers his academic pursuits didn't prepare him for running a big company, the family turns to Michael, begging for his help. Michael rejects their imposition, but Lindsay says he should visit their father before leaving. Michael does indeed visit his father in jail, asking why he wasn't put in charge. George informs him that he put Lucille in charge because he believes they cannot arrest a husband and wife for the same crime, and Michael tells him that is not true. At the model home, Lindsay is trying to steal some belongings that she can grab and sell when she comes across George Michael. He opens up his heart, saying he wishes the family could see each other more often, and when Michael sees this, he decides to stay in California and try to save the family business.
Having to share a room with his cousin Maeby, George Michael begins to feel awkward. Gob interviews for a job with the rival development company Michael interviewed for earlier, and at the county jail, George Sr. tells Michael that he's "having the time of [his] life."
Discussion that led to the creation of the series began in the summer of 2002. Ron Howard had the original idea to create a comedy in the style of hand-held cameras and reality television, but with an elaborate, highly comical script resulting from repeated rewritings and rehearsals. [2] Howard met with David Nevins, the President of Imagine Television, Katie O'Connell, a senior vice president, and two writers, including Mitchell Hurwitz. In light of recent corporate accounting scandals, such as Enron and Adelphia, Hurwitz suggested a story about a "riches to rags" family. Howard and Imagine were immediately interested in using this idea, and signed Hurwitz on to write the show. The idea was pitched and sold in the fall of 2002. Over the next few months, Hurwitz developed the characters and plot to the series. The pilot script was submitted in January 2003, and filmed in March 2003. It was submitted in late April, and added to the Fox fall schedule in May. [2]
Tony Hale, who plays Buster, recalled that "we didn't really improv that much, because we knew [Mitchell Hurwitz] had a specific way he wanted it done". [3]
The most difficult part for casting the series involved finding people who would be believable as a family. Alia Shawkat was the first person cast. Michael Cera, Tony Hale, and Jessica Walter were cast from video tapes and flown in to audition for Fox. Jason Bateman and Portia de Rossi both read and auditioned for the network and were immediately chosen. The character of Gob was the most challenging to cast. When Will Arnett auditioned, he depicted the character with a "macho" streak different from expectations; he was chosen immediately. The characters of Tobias and George Sr. were originally going to have minor roles, but David Cross's and Jeffrey Tambor's portrayals mixed well with the rest of the characters, and they were given more significant parts. [2] Ron Howard, the executive producer, provided the narration for the initial pilot but meshed so well with the tone of the program that the decision was made to stick with his voice. Howard also aided in the casting of "Lucille 2"; the producers told him that their dream actress for the role would be Liza Minnelli but assumed nobody of her stature would take the part. However, she agreed when Ron Howard asked her himself, because they were old friends; she had been his babysitter when he was a child and she was a teen. [4]
In the United States, the episode was watched by 7.98 million viewers on its original broadcast. [5]
The New York Times critic Alessandra Stanley said that comparisons to The Royal Tenenbaums were unfair, noting that Arrested Development dropped the "highbrow precociousness" of that film. She praised the "dry, deadpan tone" and "offbeat satire", saying that the "humor lies in balancing the characters' loopiness with sly, satisfying digs at the rich." [6] Tim Goodman praised the "film quality" and "comic beauty" of the series, while lauding Bateman's performance as "stunningly great". Goodman also said the series was too funny to survive, comparing it to the recently cancelled series Andy Richter Controls the Universe . [7] Matt Roush of TV Guide said that the Pilot demonstrated it was "sophisticated and invigorating in its barbed wit and freewheeling blackouts and flashbacks" and praised the lack of a laugh track. [8] Robert Bianco of USA Today wrote a largely positive review, exalting the performances of the entire ensemble cast, but called Bateman the standout. He, did, however, feel the series went too far outside the norm with the cousin storyline between George Michael and Maeby, referring to it as "alarming". [9] The A.V. Club writer Noel Murray wrote that the series premiere used its time well, saying that "between the on-screen titles, the narration, the quick insert shots, the brief flashbacks, and the rapid-fire dialogue, creator Mitchell Hurwitz and his team of writers, directors, and editors impart massive amounts of information in a short span of time." [10] In 2019, Brian Tallerico from Vulture ranked the episode as the fifth best of the whole series, [11] while in 2015, Megan Walsh from Screen Rant ranked the episode as one of the top ten best, saying "From the very first minute of the first episode, the tone of the show was perfectly set." [12]
The pilot was honored at the 56th Annual Primetime Emmy Awards. Mitchell Hurwitz won Outstanding Writing for a Comedy Series for writing the pilot episode. During his acceptance speech, Hurwitz joked, "This is such a huge honor and, I fear, a giant mistake." Joe and Anthony Russo also won Outstanding Directing for a Comedy Series for their directorial work on this episode. [13] In addition, the episode was nominated for Outstanding Art Direction for a Multi-Camera Series, and editor Lee Haxall won Outstanding Single-Camera Picture Editing for a Comedy Series. [14]
Arrested Development is an American television satirical sitcom created by Mitchell Hurwitz. It aired on Fox for three seasons from November 2, 2003, to February 10, 2006, followed by two seasons on Netflix; season four being released on May 26, 2013, and season five being released on May 29, 2018, and March 15, 2019.
"The One Where Michael Leaves" is the first episode of the second season of the American television satirical sitcom Arrested Development. It is the 23rd overall episode of the series, and was written by series creator Mitchell Hurwitz and co-executive producer Richard Rosenstock, and directed by Lee Shallat Chemel. It originally aired on Fox on November 7, 2004. The title is a reference to the sitcom Friends, which had finished airing six months earlier.
"Top Banana" is the second episode of the first season of the American television satirical sitcom Arrested Development. It was written by series creator Mitchell Hurwitz and co-executive producer John Levenstein, and directed by producer Anthony Russo. It originally aired on Fox on November 9, 2003.
"Bringing Up Buster" is the third episode of the first season of the American television satirical sitcom Arrested Development. It was written by series creator Mitchell Hurwitz and consulting producer Richard Rosenstock, and directed by producer Joe Russo. It originally aired on Fox on November 16, 2003.
"The One Where They Build a House" is the second episode of the second season of the American television satirical sitcom Arrested Development. It is the 24th overall episode of the series, and was written by series creator Mitchell Hurwitz and co-executive producer Jim Vallely, and directed by Patty Jenkins. It originally aired on Fox on November 14, 2004. The title is a reference to the sitcom Friends, which had finished airing six months earlier.
"Motherboy XXX" is the thirteenth episode of the second season of the American television satirical sitcom Arrested Development. It is the 35th overall episode of the series, and was written by series creator Mitchell Hurwitz and co-executive producer Jim Vallely, and directed by Joe Russo. It originally aired on Fox on March 13, 2005. The episode received mostly positive reviews from critics, with it being Hurwitz's fourth favorite episode.
"Righteous Brothers" is the eighteenth and final episode of the second season of the American television satirical sitcom Arrested Development. It is the 40th overall episode of the series, and was written by series creator Mitchell Hurwitz and co-executive producer Jim Vallely, and directed by Chuck Martin. It originally aired on Fox on April 17, 2005.
"Pier Pressure" is the tenth episode of the first season of the American television satirical sitcom Arrested Development. It was written by consulting producer Jim Vallely and series creator Mitchell Hurwitz, and directed by producer Joe Russo. It originally aired on Fox on January 11, 2004. The episode is Hurwitz's joint-favorite episode with "Making a Stand", and it was received mostly positive reviews from critics.
"Afternoon Delight" is the sixth episode of the second season of the American television satirical sitcom Arrested Development. It is the 28th overall episode of the series, and was written by executive story editor Abraham Higginbotham and supervising producer Chuck Martin, and directed by series star Jason Bateman. It originally aired on Fox on December 19, 2004.
"Exit Strategy" is the twelfth episode of the third season of the American television satirical sitcom Arrested Development. It is the 52nd overall episode of the series, and was written by series creator Mitchell Hurwitz and co-executive producer Jim Vallely, and directed by Rebecca E. Asher. It originally aired on Fox on February 10, 2006, along with the two previous episodes, and the following episode in a two-hour block against NBC's coverage of the 2006 Winter Olympics opening ceremony.
"Making a Stand" is the eighth episode of the third season of the American television satirical sitcom Arrested Development. It is the 48th overall episode of the series, and was written by series creator Mitchell Hurwitz and co-executive producer Chuck Tatham, and directed by Peter Lauer. It originally aired on Fox on December 12, 2005. The episode is Hurwitz's joint-favorite episode, the other being "Pier Pressure", while also making the Parents Television Council's Worst Primetime TV Show of the Week list for the first week of 2006 due to its "graphic violence and dysfunction."
"Development Arrested" is the thirteenth and final episode of the third season of the American television satirical sitcom Arrested Development, and is the 53rd overall episode of the series. It was written by co-executive producers Chuck Tatham and Jim Vallely from a story by co-executive producer Richard Day and series creator Mitchell Hurwitz, and was directed by John Fortenberry. It was the final episode to air on Fox before the series was cancelled. The episode originally aired on February 10, 2006, along with the three previous episodes in a two-hour block against NBC's coverage of the 2006 Winter Olympics opening ceremony. The series was later revived by Netflix for a fourth and fifth season.
"The Cabin Show" is the first episode of the third season of the American television satirical sitcom Arrested Development. It is the 41st overall episode of the series, and was written by series creator Mitchell Hurwitz and Jim Vallely, and directed by Paul Feig. It originally aired on Fox on September 19, 2005.
"Missing Kitty" is the sixteenth episode of the first season of the American television satirical sitcom Arrested Development. It was written by series creator Mitchell Hurwitz and co-executive producer John Levenstein, and directed by producer Joe Russo. It originally aired on Fox on March 28, 2004.
"Best Man for the Gob" is the nineteenth episode of the first season of the American television satirical sitcom Arrested Development. It was written by series creator Mitchell Hurwitz and co-executive producer Richard Rosenstock, and directed by Lee Shallat Chemel. It originally aired on Fox on April 4, 2004.
"Let 'Em Eat Cake" is the twenty-second and final episode of the first season of the American television satirical sitcom Arrested Development. It was written by series creator Mitchell Hurwitz and consulting producer Jim Vallely, and directed by Paul Feig. It originally aired on Fox on June 6, 2004.
"Not Without My Daughter" is the twenty-first episode of the first season of the American television satirical sitcom Arrested Development. It was written by series creator Mitchell Hurwitz and co-executive producer Richard Rosenstock, and directed by Lee Shallat Chemel. It originally aired on Fox on April 25, 2004.
"Hand To God" is the twelfth episode of the second season of the American television satirical sitcom Arrested Development. It is the 34th overall episode of the series, and was written by series creator Mitchell Hurwitz and supervising producer Chuck Martin, and directed by Joe Russo. It originally aired on Fox on February 13, 2005, airing back-to-back with the previous episode, "Out on a Limb".
"Ready, Aim, Marry Me!" is the tenth episode of the second season of the American television satirical sitcom Arrested Development. It is the 32nd overall episode of the series, and was written by co-executive producer Jim Vallely and series creator Mitchell Hurwitz, and directed by Paul Feig. It originally aired on Fox on February 13, 2005.