Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
The Fighting Temeraire, tugged to her last berth to be broken up, 1838 is an oil-on-canvas painting by the English artist Joseph Mallord William Turner, painted in 1838 and exhibited at the Royal Academy in 1839.
Modern Rome – Campo Vaccino is a landscape by British artist Joseph Mallord William Turner completed in 1839. It is Turner's final painting of Rome and had been in the possession of the family of the 5th Earl of Rosebery since 1878, until the painting came to auction, 7 July 2010. It was bought by the J. Paul Getty Museum, Los Angeles, and was subject to an export bar to allow a British gallery time to attempt to match the Getty's bid.
Light and Colour – The Morning after the Deluge – Moses Writing the Book of Genesis is an oil painting by the English painter Joseph Mallord William Turner (1775–1851), first exhibited in 1843.
The Fifth Plague of Egypt is an 1800 oil painting by Romantic English artist Joseph Mallord William Turner currently in the permanent collection at the Indianapolis Museum of Art. Despite its title, it depicts Moses cursing the Egyptians with a plague of hail and fire, known as the seventh plague. It is one of the first works in which Turner uses an extreme representation of landscape and nature to explore the sublime.
Ulysses Deriding Polyphemus is an 1829 oil painting by Joseph Mallord William Turner. It depicts a scene from Homer's Odyssey, showing Odysseus (Ulysses) standing on his ship deriding Polyphemus, one of the cyclopes he encounters and has recently blinded, who is disguised behind one of the mountains on the left side. Additional details include the Trojan Horse, a scene from Virgil's Aeneid, on one of the flags and the horses of Apollo rising above the horizon. This painting is thought to be quickly done as a replacement for previous paintings submitted to the Academy that had been delayed. The painting was exhibited at the Royal Academy of Arts in 1829 and acquired by the National Gallery in 1856.
In 1842, British artist J. M. W. Turner painted three watercolours of the Rigi, a mountain in the Alps in Central Switzerland, which he had visited the previous summer. Widely regarded as some of his finest works, the watercolours capture the transitory effects of light and atmospheric conditions at the Rigi. According to John Ruskin, "Turner had never made any drawings [watercolours] like these before, and never made any like them again ... He is not showing his hand in these, but his heart."
Fishermen at Sea, sometimes known as the Cholmeley Sea Piece, is an early oil painting by English artist J. M. W. Turner. It was exhibited at the Royal Academy in 1796 and has been owned by the Tate Gallery since 1972. It was the first oil painting by Turner to be exhibited at the Royal Academy. It was praised by contemporary critics and burnished Turner's reputation, both as an oil painter and as a painter of maritime scenes.
The Golden Bough is a painting from 1834 by the English painter J. M. W. Turner. It depicts the episode of the golden bough from the Aeneid by Virgil. It is in the collection of the Tate galleries.
Moonlight, a Study at Millbank is an oil painting by J. M. W. Turner, painted c. 1797. The nocturne is painted in oils on a mahogany board which measures 31.4 cm × 40.3 cm. It has been held by the Tate Gallery since 1910.
Tate Britain holds a self-portrait of J. M. W. Turner which it dates to c.1798 or c.1799, when the artist was aged about 23 or 24 years old.
Peace – Burial at Sea is an oil painting on canvas by the English Romantic artist J. M. W. Turner (1775–1851), first exhibited in 1842. The painting serves as a memorial tribute to Turner's contemporary, the Scottish painter Sir David Wilkie (1785–1841), depicting Wilkie's burial at sea off Gibraltar. It was intended as a companion piece to War. The Exile and the Rock Limpet which alludes to the sordid demise of the former Emperor of France Napoleon Bonaparte. The two works are characterized by their sharply contrasting colours and tones: War utilizes a strident yellow and red while Peace is painted a cool blend of white, blue and black.
London from Greenwich Park is an 1809 landscape painting by the English artist J. M. W. Turner. It looks down from Greenwich Hill towards Greenwich Hospital and the Queen's House. In the distance beyond the River Thames is the City of London with St Paul's Cathedral towering over the other buildings. It emphasises the extent of the capital as an expanding metropolis. It replicates a similar view by the Dutch painter Hendrick Danckerts dating back to 1670.
The Funeral of Sir Thomas Lawrence is an 1830 watercolour painting by the British artist J. M. W. Turner. It depicts the funeral at St. Paul's Cathedral in London of Sir Thomas Lawrence, the President of the Royal Academy and a friend and colleague of Turner. Lawrence died unexpectedly in January, and the painting captures the snow-covered landscape of his burial ceremony. Turner served as one of the pallbearers and sketched the scene from memory. It was exhibited at the Royal Academy's Summer Exhibition. It was later part of the 1856 Turner Bequest and is now in the collection of the Tate Britain.
Two Captured Danish Ships Entering Portsmouth Harbour is an 1807 maritime painting by the English artist Joseph Mallord William Turner. It depicts two captured Danish ships of the line being brought into harbour by the Royal Navy at Spithead the major naval base off Portsmouth, Hampshire.
View of Richmond Hill and Bridge is an 1808 landscape painting by the British artist Joseph Mallord William Turner. It depicts a view of Richmond Bridge in Surrey, then some miles outside London. In the distance is Richmond Hill. A few years later Turner designed and lived in Sandycombe Lodge in nearby Twickenham.
Cologne, the Arrival of a Packet Boat in the Evening is an 1826 landscape painting by the British artist Joseph Mallord William Turner. It shows a scene as the Rhine River passes through the city of Cologne as a packet boat arrives. Visible on the skyline to the right is Great St. Martin Church, Cologne.
The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage is an 1832 marine history painting by the English artist Joseph Mallord William Turner. It depicts an event from the Glorious Revolution of 1688 when William III had landed at Brixham. It is also known by the shorter title The Prince of Orange Landing at Torbay.
Juliet and her Nurse is an oil painting created by Joseph Mallord William Turner. Painted in 1836, it depicts a view of Venice at dusk. The scene features a crowd of Venetians who have assembled in St. Mark's Square to watch fireworks exploding against a blue and yellow sky. On a balcony in the lower right corner stand Juliet and her nurse, two characters from the play Romeo and Juliet by English playwright William Shakespeare. In a departure from Romeo and Juliet's Verona setting, Turner incongruously placed the characters in Venice instead.
