The Poplars series paintings were made by Claude Monet in the summer and fall of 1891. The trees were in a marsh along the banks of the Epte River a few kilometers upstream from Monet's home and studio. To reach his floating painting studio that was moored in a place he went by small boat up the nearby waterway to where it joined the mainstream. The trees were along the riverside in single file, following along an S-curve. There were three groups of paintings — in one group the paintings have towering Poplars that go off the top edge of the canvas, in another group, there are seven trees and in another group three or four Poplars on the banks of the Epte River near Giverny. The trees, which actually belonged to the commune of Limetz, were put up for auction before Monet had completed all of his paintings. At a certain point, Monet was forced into buying the trees because he still wasn't finished with his paintings. After he finished the series he sold the trees back to the lumber merchant who wanted them. [1]
In 2015, the National Gallery in London exhibited five paintings of the series, together in a single room, for the duration of an exhibition devoted to Paul Durand-Ruel. This was a rare occurrence and believed to possibly be the first time that these five paintings have been exhibited together since they were painted. [2] [3]
The paintings were also shown at The Philadelphia Museum of Art when the exhibition traveled from London to Philadelphia.
Oscar-Claude Monet was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in 1874 initiated by Monet and his associates as an alternative to the Salon.
Giverny is a commune in the northern French department of Eure. The village is located on the "right bank" of the river Seine at its confluence with the river Epte. It lies 80 km (50 mi) west-northwest of Paris, in the region of Normandy. It is best known as the location of Claude Monet's garden and home.
Lilla Cabot Perry was an American artist who worked in the American Impressionist style, rendering portraits and landscapes in the free form manner of her mentor, Claude Monet. Perry was an early advocate of the French Impressionist style and contributed to its reception in the United States. Perry's early work was shaped by her exposure to the Boston School of artists and her travels in Europe and Japan. She was also greatly influenced by Ralph Waldo Emerson's philosophies and her friendship with Camille Pissarro. Although it was not until the age of thirty-six that Perry received formal training, her work with artists of the Impressionist, Realist, Symbolist, and German Social Realist movements greatly affected the style of her oeuvre.
Frederick Carl Frieseke was an American Impressionist painter who spent most of his life as an expatriate in France. An influential member of the Giverny art colony, his paintings often concentrated on various effects of dappled sunlight.
Theodore Robinson was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
Haystacks is the common English title for a series of impressionist paintings by Claude Monet. The principal subject of each painting in the series is stacks of harvested wheat. The title refers primarily to a twenty-five canvas series which Monet began near the end of the summer of 1890 and continued through the following spring, though Monet also produced five earlier paintings using this same stack subject. A precursor to the series is the 1884 Haystack Near Giverny.
Claude Monet painted several series of nearly 100 impressionist oil paintings of different views of the Thames River in the autumn of 1899 and the early months of 1900 and 1901 during stays in London. One of these series consists of views of the Palace of Westminster, home of the British Parliament, and he began the first of these paintings at about 15.45 on 13 February 1900. All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm × 92 cm. They are, however, painted during different times of the day and weather conditions.
The Rouen Cathedral series was painted in the 1890s by French impressionist Claude Monet. The paintings in the series each capture the façade of Rouen Cathedral at different times of the day and year and reflect changes in its appearance under different lighting conditions.
Water Lilies is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict his flower garden at his home in Giverny, and were the main focus of his artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.
Alice Raingo Hoschedé Monet was the wife of department store magnate and art collector Ernest Hoschedé and later of the Impressionist painter Claude Monet.
The Garden at Sainte-Adresse is a painting by the French impressionist painter Claude Monet.. The painting was acquired by the Metropolitan Museum of Art after an auction sale at Christie's in December 1967, under the French title La terrasse à Sainte-Adresse. The painting was exhibited at the 4th Impressionist exhibition, Paris, April 10–May 11, 1879, as no. 157 under the title Jardin à Sainte-Adresse.
Blanche Hoschedé Monet was a French painter who was both the stepdaughter and the daughter-in-law of Claude Monet.
Boating on the River Epte is an 1890 oil painting by French impressionist artist Claude Monet. It is currently housed at the São Paulo Museum of Art.
Springtime or The Reader is an 1872 painting by the French Impressionist painter Claude Monet. It depicts his first wife, Camille Doncieux, seated reading beneath a canopy of lilacs. The painting is presently held by the Walters Art Museum.
John Leslie Breck (1860–1899) was an American artist who died at the age of 39. During his short life he painted a number of notable works, and is credited with introducing Impressionism to the United States with a show in Boston in 1890. He died in 1899, reported as death by asphyxiation from lighting gas poisoning, and is interred in Forest Hills Cemetery in Boston. His works remain in a number of American museums and private collections.
The Fondation Claude Monet is a nonprofit organisation that runs and preserves the house and gardens of Claude Monet in Giverny, France, where Monet lived and painted for 43 years. Monet was inspired by his gardens, and spent years transforming them, planting thousands of flowers. He believed that it was important to surround himself with nature and paint outdoors. He created many paintings of his house and gardens, especially of water lilies in the pond, the Japanese bridge, and a weeping willow tree.
Jean Monet was the eldest son of French Impressionist artist Claude Monet and Camille Doncieux Monet and the brother of Michel Monet. He was the subject of several paintings by his father and married his step-sister, Blanche Hoschedé.
The Artist's Garden at Giverny is an oil on canvas painting by Claude Monet done in 1900, now in the Musée d'Orsay, Paris.
Reiji Hiramatsu is a Japanese Nihonga painter.
Paul-Émile Pissarro, also Paulémile Pissarro or Paul Émile Pissarro was a French impressionist and neo-impressionist painter. He came from the Pissarro family of artists.
Media related to Poplars by Monet at Wikimedia Commons
Media related to Claude Monet at Wikimedia Commons
External videos | |
---|---|
![]() |