Praxis Makes Perfect | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 29 April 2013 | |||
Genre | Pop, electronica, hip hop | |||
Length | 31:15 43:49 (with Years of Lead EP) | |||
Label | Lex | |||
Producer | Boom Bip, Gruff Rhys | |||
Neon Neon chronology | ||||
| ||||
Singles from Praxis Makes Perfect | ||||
|
Praxis Makes Perfect is the second studio album by the pop-electronica-hip hop duo Neon Neon, which was produced by Boom Bip and Gruff Rhys, and the album was released on 29 April 2013 by Lex Records. Praxis Makes Perfect is a concept album based on the life of influential Italian publisher Giangiacomo Feltrinelli. The album charted at No. 43 in the United Kingdom. Between May and October 2013, the album was performed live as an immersive gig theatre performance with National Theatre Wales. [1]
Heather Phares of Allmusic told that "aside from the biographical concept and the largely electronic arrangements, they don't repeat themselves much." [2] At Fact , Steve Shaw affirmed that the release "possesses all of the keen humour of the former, modest and understated to a tee." [3] Dan Lucas of Under the Radar said that "the appeal of the album lies in its musicianship and perfect production", and that the "synths and drum machines create a panic-laden sci-fi landscape; meanwhile, acoustic guitars slip deftly in and out of the songs." [4] At Mojo , Andy Cowan felt that the release "achieves the tricky balancing act between playful [...] and poignant". David Welsh of musicOMH said that the release is "crammed with literary snippets," and has "realpolitik themes", however "for all the fresh blood, this is familiar territory." [5] At NME , Alex Hoban noted that "ironically, the depth of the source material shows up the problem with concept albums – no matter how great the idea, it still needs killer hooks." [6] Anna Wilson Clash wrote that it is "audaciously ambitious in conceptual scope, it’s not evenly matched in musicality." [7] PopMatters' Evan Sawdey noted that "the album is missing that quintessential 'something', their lyrics more pointed yet somehow less focused, their journey meandering, their use of narration forcing the concept upon the listener instead of letting it happen naturally." [8] At Loud and Quiet , Chris Watkeys told that in "listening to this album [it] feels like walking around inside a glistening, neon pink kaleidoscope, or a musical sweet shop where there aren't any flavours you don't like." [9]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
Evening Standard | [10] |
Fact | [3] |
The Guardian | [11] |
Mojo | [12] |
musicOMH | [5] |
NME | 7/10 [6] |
The Observer | [13] |
Q | [14] |
The Skinny | [15] |
Praxis Makes Perfect has received generally positive reception by music critics. At Metacritic, the assign a "weighted average" score to ratings and reviews from selected mainstream music critics, which based on 21 reviews, the album holds a Metascore of 71. [16] At AnyDecentMusic?, they assign a "weighted average" rating to selected mainstream ratings and reviews, which based on 24 reviews, the album has a rating of 7.1-out-of-ten. [17]
Heather Phares of Allmusic wrote that "this is a wonderfully entertaining collection of pop songs that just happen to be well-versed in history and political and economic theories." [2] At Fact , Steve Shaw highlighted that this album is "displaying a razor wit and awareness of a goal at the same time." [3] Dan Lucas of Under the Radar said that "Praxis Makes Perfect confirms the pun-happy pairing as leaders in the admittedly niche genre of concept albums about historical figures with whom listeners may at first not be familiar." [4] At Mojo , Andy Cowan called the effort "a master-class in high-voltage electronic pop, whether you buy into its concept or not." Simon McEwen of Q told that the album in being "concise at just 30 minutes, perphaps explaining why 'the concept' is not fully realised, but it is still unlikely you'll hear a better anti-fascist-Marxists-electro-pop record all year." [14] Drowned in Sound's Aaron Lavery rated the album an 8-out-of-ten, and wrote that it "works better as a cohesive record, dipping you into a strange mix of left-wing politics and cheery synth pop." [18] At This Is Fake DIY , David Rowlinson rated the album an 8-out-of-ten, and wrote that the album is imbued "with an undoubtable sincerity", and noted how the release "transcends any concept and leaves you with simple endearing pop moments you just can’t help but fall for." [19] Chris Watkeys of Loud and Quiet rated the album an 8-out-of-ten, and called this "a half-hour slice of perfectly formed, instantly accessible, shiny melodic sonic joy." [9] At The Skinny , Wilbur Kane proclaimed this album to be "a synthesised delight." [15]
At NME , Alex Hoban told that "Ultimately the confusion and convolution is all part of the charm on this adventure into a world of history and imagination." [6] David Welsh of musicOMH wrote that the "side project, collaboration or fully fledged act, Neon Neon have a Mercury nomination under their belts – and now a follow-up LP that, for better or worse, peddles the same worthy wares." [5] Pitchfork's Marc Hogan rated the album a 7.0-out-of-ten, and said that "Praxis Makes Perfect's songs never quite hit the highs of its predecessor's best tracks, but it's a more coherent album, and still strangely rewarding in its own way." [20] At Clash , Anna Wilson rated the album a 7-out-of-ten, and noted that "nevertheless an appealing curio and trailblazer in the small sphere of biographical concept albums." [7]
However, The Guardian's Maddy Costa told that "Praxis doesn't quite make perfect on the second album [...] but there are times when it comes close." [11] At The Observer , Kitty Empire wrote that "Praxis Makes Perfect might lack in fresh musical directions [...] their percolating analogue-digital pop remains little altered [...] it makes up for in apposite italophile detail." [13] Sam Richards of Uncut rated the album a 6-out-of-ten, and called the album "fun", yet at the same time "musically filmsy", and wrote that "the songs here aren't quite as strong" as on the first album. [21] At the Evening Standard , David Smyth noted that "the lo-fi electronica sound is less imaginative than the concept but the tunes lift this sparse oddity." [10] PopMatters' Evan Sawdey rated the album a 4-out-of-ten, and told that "after listening to the album, however, perhaps we can expect something a bit more focused in five more." [8]
Praxis Makes Perfect was the No. 43 sold album in all of the United Kingdom in its debut week. The albums spent a total of two weeks on the chart.
All tracks are written by Neon Neon; Except where indicated
No. | Title | Length |
---|---|---|
1. | "Praxis Makes Perfect" | 2:53 |
2. | "The Jaguar" | 3:01 |
3. | "Dr. Zhivago" | 3:51 |
4. | "Hoops with Fidel" | 2:54 |
5. | "Hammer & Sickle" | 2:51 |
6. | "Shopping (I Like To)" (featuring Sabrina) | 3:06 |
7. | "Mid Century Modern Nightmare" (featuring Cate Le Bon) | 1:58 |
8. | "The Leopard" (featuring Erica Daking) | 3:15 |
9. | "Listen to the Rainbow" | 3:24 |
10. | "Ciao Feltrinelli" | 4:02 |
Total length: | 31:15 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Years of Lead" | Neon Neon, Josiah Clark Steinbrick | 3:32 |
2. | "Non Aligned States" | Neon Neon, Josiah Clark Steinbeck | 3:42 |
3. | "Socialism at Sea (Take in the Sails, Head into the Wind)" | 2:31 | |
4. | "Fuga in Avanti" | Neon Neon, Josiah Clark Steinbrick | 2:48 |
Total length: | 12:34 |
|
|
Chart (2013) | Peak position |
---|---|
UK Albums (OCC) [22] | 43 |
Gruffudd Maredudd Bowen Rhys is a Welsh musician, composer, producer, filmmaker and author. He performs solo and with several bands, including Super Furry Animals, which obtained mainstream success in the 1990s. He formed the electro-pop outfit Neon Neon with Boom Bip. Their album Stainless Style was nominated for the 2008 Nationwide Mercury Prize. He won the 2011 Welsh Music Prize for his album Hotel Shampoo, which was followed up by American Interior in 2014, accompanied by a film, a book and a mobile app. His most recent album, Sadness Sets Me Free, was released in 2024. He is considered a figurehead of the era known as Cool Cymru.
The Man-Machine is the seventh studio album by German electronic music band Kraftwerk. It was released on 28 April 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. The album has a satirical bent to it. It is thought to address a wide-range of themes from the Cold War, Germany's fascination with manufacturing, and humankind's increasingly symbiotic relationship with machines. It includes the singles "The Model" and "The Robots".
First Impressions of Earth is the third studio album by American rock band the Strokes. It was released through RCA Records first on December 30, 2005, in Germany, and on January 3, 2006, elsewhere. Three singles were released from the album: "Juicebox", "Heart in a Cage", and "You Only Live Once".
Giangiacomo Feltrinelli was an influential Italian publisher, businessman, and political activist who was active in the period between the Second World War and Italy's Years of Lead. He founded a vast library of documents mainly in the history of international labour and socialist movements.
Stainless Style is the debut album from Neon Neon—a project from Super Furry Animals front man Gruff Rhys and electronic artist Boom Bip—which was released in March 2008 via Lex Records. The album was streamed in its entirety on the band's Myspace page for one week before its physical release.
Neon Neon is a collaborative project from producer Boom Bip and Gruff Rhys, the frontman for the Welsh rock band Super Furry Animals. They began work on the project in October 2006 originally under the moniker Delorean. In March 2008 the duo, by now calling themselves Neon Neon, released a full-length album entitled Stainless Style to generally positive reviews and earned a nomination for the 2008 Mercury Music Prize.
Romance Is Boring is the third studio album by Welsh indie pop band Los Campesinos!, released on 26 January 2010 via Wichita and Arts & Crafts. Produced by John Goodmanson, the album's maximalist production, unconventional structure and particularly demoralising themes marked a departure from the band's previous twee pop sound.
Maximum Balloon is the debut solo studio album by American musician and record producer Dave Sitek. It was released on September 21, 2010, via DGC/Interscope Records. Produced by Sitek himself, it features guest appearances from Aku of D.O.Z, Ambrosia Parsley, David Byrne, Holly Miranda, Karen O, Katrina Ford, Little Dragon and Theophilus London, as well as his TV on the Radio bandmates Kyp Malone and Tunde Adebimpe.
Fields is the debut LP by Swedish-based indie rock band Junip.
Era Extraña is the second studio album by American electronic music band Neon Indian. It was released on September 7, 2011, by Static Tongues and Mom + Pop Music. The recording took place between the winter of 2010 and 2011 during frontman Alan Palomo's visit to Finland. Containing influences and elements of psychedelic pop, shoegaze, and new wave, the album has the same summery sound as the band's debut studio album, Psychic Chasms (2009), but with a darker and more serious tone.
Berberian Sound Studio is an original soundtrack album by the British band Broadcast. The album is a soundtrack to Peter Strickland's 2012 horror film Berberian Sound Studio. Recording for the album began after Strickland approached Broadcast members James Cargill and Trish Keenan about providing the music for the soundtrack to an unseen fictional film contained within the main Berberian Sound Studio film; Cargill completed the album following the sudden death of Keenan in 2011. Berberian Sound Studio was released by Warp in January 2013, and marked Broadcast's first new material since 2009's Broadcast and the Focus Group Investigate Witch Cults of the Radio Age.
Bankrupt! is the fifth studio album by French indie pop band Phoenix. The album was released on 19 April 2013 by Loyauté, Glassnote Records and Atlantic Records. It is the band's follow up to Wolfgang Amadeus Phoenix, which was released four years earlier in 2009. The album was produced by the band with Philippe Zdar and was recorded in a span of two years at Studios d'Herbécourt and Motorbass Studios in Paris, France, and at Oscilloscope Laboratories in New York City, United States. The album received generally favorable reviews from music critics upon release. It debuted at number 3 on the French Albums Chart, number 4 on the Billboard 200, and number 14 on the UK Albums Chart.
Mala is the eighth studio album by American folk rock musician Devendra Banhart, released on March 12, 2013, on Nonesuch Records. The album was produced by Banhart and Noah Georgeson, and mastered by Greg Calbi.
A Bad Wind Blows in My Heart is the second studio album by English musician Bill Ryder-Jones. It was released in April 2013 under Domino Records.
Desire Lines is the fifth album released by Scottish indie pop band Camera Obscura. The album was released on 3 June 2013 on the 4AD record label. It was recorded in Portland, Oregon with producer Tucker Martine, and features guest vocals from Neko Case and My Morning Jacket's Jim James. It is the last album recorded with keyboardist Carey Lander, who was diagnosed with osteosarcoma during the early stages of the album's creation in 2011. Though lead singer Tracyanne Campbell found it difficult to write songs during Lander's illness, the latter insisted that the album be finished. After completing the album and touring with the band in support of it, Lander died on 11 October 2015.
MCII is the second studio album by rock musician Mikal Cronin. It was released on May 7, 2013 by Merge Records.
The Big Dream is the third studio album by the American film director and musician David Lynch, released on July 10, 2013. It was released on Sacred Bones Records in the United States and Sunday Best in Europe. Consisting of 12 "modern blues" songs, The Big Dream was recorded and produced by Lynch with his frequent musical collaborator Dean Hurley at Lynch's own Asymmetrical Studio in Los Angeles, California during 2012.
Blue is the third studio album by Swedish audiovisual project iamamiwhoami, led by singer and songwriter Jonna Lee. It was released on 7 November 2014 on Lee's label To whom it may concern. The album was announced on 8 July 2014 through a trailer on YouTube, and on the same day, it was made available for pre-order on To whom it may concern.'s website. Blue was musically produced by Claes Björklund and visually directed by Swedish collective Wave, with costume design by Mathieu Mirano.
King's Mouth: Music and Songs is the fifteenth studio album by experimental rock band The Flaming Lips. It was released on Record Store Day on April 13, 2019 as a limited run of 4,000 gold-coloured records for the event. An official commercial version was released on July 19, 2019.
Spare Ribs is the eleventh studio album by English post-punk band Sleaford Mods. It was released on 15 January 2021 on the Rough Trade Records. Production was handled by Andrew Fearn. It features guest appearances from Amy Taylor and Billy Nomates. It was later nominated for the Best Album Ivor Novello Award in May 2022.