Two lavishly illustrated illuminated manuscript psalters are known as the Psalter of Saint Louis (and variants) as they belonged to the canonized King Louis IX of France. They are now in Paris and Leiden, and are respectively good examples of French Gothic and English Romanesque illumination.
The Paris Psalter of St. Louis (Bibliothèque nationale de France MS Latin 10525) was made for Louis sometime between the death of his mother Blanche of Castile in 1253 and his death in 1270. [1] Done in the elaborate Rayonnant style and richly gilded, the manuscript contains 78 miniatures of Old Testament scenes starting at the story of Cain and Abel and ending with the coronation of Saul, a calendar of feast days, prayers and the 150 psalms. The psalter is in excellent condition and considered a relic of Louis IX, who was canonized in 1297. [2]
The Leiden St Louis Psalter, (Leiden, University Library: BPL 76A), was originally produced for Geoffrey Plantagenet, Archbishop of York, probably in northern England in the 1190s. It is in Latin, with some inscriptions added in French, on parchment, with 185 folios, 24,5 x 17,7 cm. in size, 23 miniatures and historiated initials.
This manuscript passed into the hands of Blanche of Castile after Geoffrey's death, and, as religious manuscripts often were, was used to teach the future saint King Louis IX how to read as a child, as a 14th-century inscription below the Beatus initial (illustrated right) records. After the king's death it passed through a number of royal owners, including the Valois Dukes of Burgundy, being regarded as a relic of the saint, before reaching the Leiden University Library in 1741. [3]
A digital version of the manuscript can be consulted via Leiden University Libraries’ Digital Collections. [4]
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Louis IX, commonly revered as Saint Louis, was King of France from 1226 until his death in 1270. He is widely recognized as the most distinguished of the Direct Capetians. Following the death of his father, Louis VIII, he was crowned in Reims at the age of 12. His mother, Blanche of Castile, effectively ruled the kingdom as regent until he came of age and continued to serve as his trusted adviser until her death. During his formative years, Blanche successfully confronted rebellious vassals and championed the Capetian cause in the Albigensian Crusade, which had been ongoing for the past two decades.
Blanche of Castile was Queen of France by marriage to Louis VIII. She acted as regent twice during the reign of her son, Louis IX: during his minority from 1226 until 1234, and during his absence from 1248 until 1252.
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art.
The Morgan Bible, also called the Morgan Picture Bible, Crusader Bible, Shah Abbas Bible or Maciejowski Bible, is a unique medieval illuminated manuscript. It is a picture book Bible consisting of 46 surviving folios. The book consists of miniature paintings of events from the Hebrew Bible, set in the scenery and costumes of thirteenth-century France, and depicted from a Christian perspective. It is not a complete Bible, as it consists largely of illustrations of stories of kings, especially King David. The illustrations are now surrounded by text in three scripts and five languages: Latin, Persian, Arabic, Judeo-Persian, and Hebrew. The level of detail in the images and the remarkable state of preservation of the work make it particularly valuable to scholars.
Books of hours are Christian prayer books, which were used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages, and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images.
The Melisende Psalter is an illuminated manuscript commissioned around 1135 in the crusader Kingdom of Jerusalem, probably by King Fulk for his wife Queen Melisende. It is a notable example of Crusader art, which resulted from a merging of the artistic styles of Roman Catholic Europe, the Eastern Orthodox Byzantine Empire and the art of the Armenian illuminated manuscript.
The Luttrell Psalter is an illuminated psalter commissioned by Sir Geoffrey Luttrell (1276–1345), lord of the manor of Irnham in Lincolnshire, written and illustrated on parchment circa 1320–1340 in England by anonymous scribes and artists.
The Paris Psalter is a Byzantine illuminated manuscript, 38 x 26.5 cm in size, containing 449 folios and 14 full-page miniatures. The Paris Psalter is considered a key monument of the so-called Macedonian Renaissance, a 10th-century renewal of interest in classical art closely identified with the emperor Constantine VII Porphyrogenitus (909-959) and his immediate successors.
The Grandes Heures de Rohan is an illuminated manuscript book of hours, painted by the anonymous artist known as the Rohan Master, probably between 1418 and 1425, in the Gothic style. It contains the usual offices, prayers and litanies in Latin, along with supplemental texts, decorated with 11 full page, 54 half page, and 227 small miniatures, decorated with tempera paints and gold leaf. The book margins are decorated with Old Testament miniatures with captions in Old French, in the style of a Bible moralisée. The full page illuminations are renowned for the highly emotional and dramatic portrayal of the agonies of Christ and the grief of the Virgin. According to Millard Meiss, "The Rohan Master cared less about what people do than what they feel. Whereas his great predecessors excelled in the description of the novel aspects of the natural world, he explored the realm of human feeling." Meiss concludes that the Rohan Master was the "greatest expressionist in 15th century France." The manuscript is currently housed in the Bibliothèque Nationale, Paris, France.
The Bible moralisée, also known as the "Bible Historiée", the "Bible Allégorisée" and sometimes "Emblémes Bibliques", is a later name for the most important examples of the medieval picture bibles, called in general "biblia pauperum", to have survived. They are heavily illustrated, and extremely expensive, illuminated manuscripts of the thirteenth century, and from the copies that still survive it is clear that they existed in at least two versions with different contents. They were similar in the choice and order of the Biblical texts selected, but differed in the allegorical and moral deductions drawn from these passages.
The British Library is a research library in London that is the national library of the United Kingdom. It is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Culture, Media and Sport.
The Howard Psalter and Hours is a 14th-century illuminated prayerbook. It includes a liturgical Psalter with canticles and litany, the Office of the Dead, a calendar of East Anglian origin and an incomplete Hours of the Passion. It was produced between 1310 and 1320. It is written in Latin in a Gothic script in two columns per page. There are 115 extant folios which measure 360 by 235 mm. The text block occupies an area of 250 by 166 mm. It is bound together with the De Lisle Psalter, a contemporary psalter.
The Royal manuscripts are one of the "closed collections" of the British Library, consisting of some 2,000 manuscripts collected by the sovereigns of England in the "Old Royal Library" and given to the British Museum by George II in 1757. They are still catalogued with call numbers using the prefix "Royal" in the style "Royal MS 2. B. V". As a collection, the Royal manuscripts date back to Edward IV, though many earlier manuscripts were added to the collection before it was donated. Though the collection was therefore formed entirely after the invention of printing, luxury illuminated manuscripts continued to be commissioned by royalty in England as elsewhere until well into the 16th century. The collection was expanded under Henry VIII by confiscations in the Dissolution of the Monasteries and after the falls of Henry's ministers Cardinal Wolsey and Thomas Cromwell. Many older manuscripts were presented to monarchs as gifts; perhaps the most important manuscript in the collection, the Codex Alexandrinus, was presented to Charles I in recognition of the diplomatic efforts of his father James I to help the Eastern Orthodox churches under the rule of the Ottoman Empire. The date and means of entry into the collection can only be guessed at in many if not most cases. Now the collection is closed in the sense that no new items have been added to it since it was donated to the nation.
The Westminster Psalter, British Library, MS Royal 2 A XXII, is an English illuminated psalter of about 1200, with some extra sheets with tinted drawings added around 1250. It is the oldest surviving psalter used at Westminster Abbey, and is presumed to have left Westminster after the Dissolution of the Monasteries. It joined the Old Royal Library as part of the collection of John Theyer, bought by Charles II of England in 1678. Both campaigns of decoration, both the illuminations of the original and the interpolated full-page drawings, are important examples of English manuscript painting from their respective periods.
The Gorleston Psalter is a 14th-century manuscript notable for containing early music instruction and for its humorous marginalia. It is named for the town of Gorleston in Norfolk.
The Great Canterbury Psalter is an early 13th- and mid 14th-century illuminated manuscript with the shelfmark MS lat. 8846 in the Bibliothèque nationale de France in Paris. It was made in two different locations and moments in time: at Canterbury around 1200 and in Catalonia around 1340. It is the last of a series of copies of the Utrecht Psalter made in Canterbury, following the Harley Psalter and the Eadwine Psalter.
The Acre Bible is a partial Old French version of the Old Testament, containing both new and revised translations of 15 canonical and 4 deuterocanonical books, plus a prologue and glosses. The books are Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, 1 and 2 Samuel, 1 and 2 Kings, Judith, Esther, Job, Tobit, Proverbs, 1 and 2 Maccabees and Ruth. It is an early and somewhat rough vernacular translation. Its version of Job is the earliest vernacular translation in Western Europe.
Gothic book illustration, or gothic illumination, originated in France and England around 1160/70, while Romanesque forms remained dominant in Germany until around 1300. Throughout the Gothic period, France remained the leading artistic nation, influencing the stylistic developments in book illustration. During the transition from the late Gothic period to the Renaissance, book illustration lost its status as one of the most important artistic genres in the second half of the 15th century, due to the widespread adoption of printing.
The Douce Apocalypse is an illuminated manuscript of the Book of Revelation, dating from the third quarter of the 13th century, preserved in the Bodleian Library under the reference Douce 180. The manuscript contains 97 miniatures. It has been called "one of the glories of English thirteenth-century painting".
