Quills | |
---|---|
Written by | Doug Wright |
Directed by | Howard Shalwitz |
Date premiered | 3 November 1995 |
Place premiered | New York Theatre Workshop |
Original language | English |
Subject | moral nihilism, atheism, sadism, pornography |
Genre | Drama |
Setting | 1807 France |
Quills is a 1995 play written by American playwright Doug Wright. The play is based on the final days of the Marquis de Sade and was directed by Howard Shalwitz. It first opened at the New York Theatre Workshop in 1995 and ran from November 3 to December 22. Wright received an Obie Award for Best Playwright. [1] [2] He later adapted it into the 2000 feature film of the same name directed by Philip Kaufman.
The play, set in 1807 during the Reign of Terror as a part of the French Revolution, centers around the writings and final days of the Marquis de Sade, portrayed by Rocco Sisto, who earned a Drama Desk Award nomination for his performance.
The play follows the Marquis de Sade during his imprisonment in the lunatic asylum of Charenton. There, he continues to write and secretly publishes his work with the help of the vivacious and curious young laundry maid, Madeleine Leclerc. The Marquis has daily spirited debates involving morality and atheism with the Catholic priest Abbé de Coulmier. During his stay, the conservative and brutal Dr. Royer-Collard, a newly appointed chief physician, battles with the Marquis at the behest of Renée Pélagie, the Marquis' wife. [3]
Character | New York Theatre Workshop 1995 | Feature film adaptation 2000 |
---|---|---|
Marquis de Sade | Rocco Sisto | Geoffrey Rush |
Abbé de Coulmier | Jefferson Mays | Joaquin Phoenix |
Madeleine Leclerc | Katy Selverstone | Kate Winslet |
Dr. Royer-Collard | Daniel Oreskes | Michael Caine |
Simone / Madame Royer-Collard | Katy Selverstone | Amelia Warner |
Monsieur Prouix | Kirk Jackson | Stephen Moyer |
Renée Pélagie | Lola Pashalinski | Jane Menelaus |
The production premiered at the New York Theatre Workshop in 1995, running from 3 November through 22 December. [4]
The play received positive critical reception. Vincent Canby of The New York Times praised the direction, performances, and writing, "[Wright] successfully blends intentional archness, grotesque exaggeration and bold humor to create a theatrical experience of real wit". He added, "Quills doesn't mean to be an epic. It's a theatrical entertainment that manages to be serious fun along the way." [5] Variety theatre critic Jeremy Gerard described the production as "sensational in every sense of the word... [it's] smirky, gross-out fun with a purpose". He compared it to the likes of " Titus Andronicus by way of Sweeney Todd or Pulp Fiction by way of Carrie ". [6]
Year | Award | Category | Nominated work | Result | Ref. |
---|---|---|---|---|---|
1996 | Obie Award | Best Playwright | Doug Wright | Won | [7] |
Drama Desk Award | Outstanding Actor in a Play | Rocco Sisto | Nominated | [8] | |
In 2000, Wright adapted the project to the screen, working with director Philip Kaufman. [9] The film was distributed by Fox Searchlight and starred Geoffrey Rush, Kate Winslet, Joaquin Phoenix, and Michael Caine. [10] The film premiered at the Telluride Film Festiva [11] and was later named Best Film at the National Board of Review. [12] Wright was nominated for the Golden Globe Award for Best Screenplay, and the film went on to receive three Academy Award nominations for Best Actor, Best Production Design, and Best Costume Design. [13] [14]
Quills is a 2000 period film directed by Philip Kaufman and adapted from the Obie award-winning 1995 play by Doug Wright, who also wrote the original screenplay. Inspired by the life and work of the Marquis de Sade, Quills re-imagines the last years of the Marquis's incarceration in the insane asylum at Charenton. It stars Geoffrey Rush as de Sade, Kate Winslet as laundress Madeleine "Maddie" LeClerc, Joaquin Phoenix as the Abbé de Coulmier, and Michael Caine as Dr. Royer-Collard.
Nathan Lane is an American actor. Since 1975, he has been seen on stage and screen in both comedic and dramatic roles. Lane has received numerous awards, including three Tony Awards, seven Drama Desk Awards, a Laurence Olivier Award, three Emmy Awards, and a Screen Actors Guild Award. Lane received a star on the Hollywood Walk of Fame in 2006 and was inducted into the American Theater Hall of Fame in 2008. In 2010, The New York Times hailed Lane as "the greatest stage entertainer of the decade".
Mercedes J. Ruehl is an American screen, stage, and television actress. She is the recipient of several accolades, including an Academy Award, a Golden Globe Award, a Tony Award, a Drama Desk Award, two Obie Awards, and two Outer Critics Circle Awards.
The Obie Awards or Off-Broadway Theater Awards are annual awards given since 1956 by The Village Voice newspaper to theater artists and groups involved in off-Broadway and off-off-Broadway productions in New York City. Starting just after the 2014 ceremony, the American Theatre Wing became the joint presenter and administrative manager of the Obie Awards. The Obie Awards are considered off-Broadway's highest honor, similar to the Tony Awards for Broadway productions.
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The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade, is a 1963 play by Peter Weiss. The work was first published in German.
Charenton was a lunatic asylum founded in 1645 by the Frères de la Charité in Charenton-Saint-Maurice, now Saint-Maurice, Val-de-Marne, France.
Douglas Wright is an American playwright, librettist, and screenwriter. Known for his extensive work in the American theatre in both plays and musicals, he has received numerous accolades including the Pulitzer Prize and a Tony Award.
Tonya Pinkins is an American actress and filmmaker. Her award-winning debut feature film Red Pill was an official selection at the 2021 Pan African Film Festival, won the Best Black Lives Matter Feature and Best First Feature at The Mykonos International Film Festival, Best First Feature at the Luléa Film Festival, and is nominated for awards in numerous festivals around the globe. Her web-series The Red Pilling of America can be heard on her podcast "You Can't Say That!" at BPN.fm/ycst
François Simonet de Coulmier was a French Catholic priest, originally a member of the Premonstratensian canons regular, and an active member of the French legislature at the start of the French Revolution and again during the First French Empire.
Patrick George Magee was a Northern Irish actor. He was noted for his collaborations with playwrights Samuel Beckett and Harold Pinter, sometimes called "Beckett's favourite actor," as well as creating the role of the Marquis de Sade in the original stage and screen productions of Marat/Sade.
Mark Jones was a British actor, who appeared frequently in various films and television series.
There have been many and varied references to the Marquis de Sade in popular culture, including fictional works, biographies and more minor references. The namesake of the psychological and subcultural term sadism, his name is used variously to evoke sexual violence, licentiousness and freedom of speech. In modern culture his works are simultaneously viewed as masterful analyses of how power and economics work, and as erotica. Sade's sexually explicit works were a medium for the articulation of the corrupt and hypocritical values of the elite in his society, which caused him to become imprisoned. He thus became a symbol of the artist's struggle with the censor. Sade's use of pornographic devices to create provocative works that subvert the prevailing moral values of his time inspired many other artists in a variety of media. The cruelties depicted in his works gave rise to the concept of sadism. Sade's works have to this day been kept alive by artists and intellectuals because they espouse a philosophy of extreme individualism that became reality in the economic liberalism of the following centuries.
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The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade, is a 1967 British film adaptation of Peter Weiss' play Marat/Sade. The screen adaptation is directed by Peter Brook, and originated in his theatre production for the Royal Shakespeare Company. The English version was written by Adrian Mitchell from a translation by Geoffrey Skelton.
Antoine-Athanase Royer-Collard was a French physician and psychiatrist. He was a younger brother to philosopher Pierre-Paul Royer-Collard (1763–1845).
Donatien Alphonse François, Marquis de Sade was a French writer, libertine, political activist and nobleman best known for his libertine novels and imprisonment for sex crimes, blasphemy and pornography. His works include novels, short stories, plays, dialogues, and political tracts. Some of these were published under his own name during his lifetime, but most appeared anonymously or posthumously.
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