Indian classical music is the classical music of the Indian subcontinent. It is generally described using terms like Marg Sangeet and Shastriya Sangeet. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from Eastern part of India, i. e. Odissi music has evolved since two thousand years ago.
The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music – in Pakistan, India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as gamaks (shakes) and meends. The sarangi (Nepali) is a different instrument, traditional to Nepal.
Ustad Amir Khan was one of the greatest and most influential Indian vocalists in the Hindustani classical tradition. He was the founder of the Indore gharana.
Basant or Vasant is a Hindustani classical raga.
Bhairav is a Hindustani classical raga of Bhairav thaat. It is a sampurna raga that is traditionally performed in the morning and also as the beginning piece in concerts. It is the defining raga of its own Thaat.
Khamaj is a Hindustani classical Music raga within the Khamaj thaat which is named after it.
Ahir Bhairav is a Hindustani classical raga. It is a mixture of Bhairav and the ancient, rare raga Ahiri or Abhiri, or perhaps a mixture of Bhairav and Kafi.
Bahar is a Hindustani classical raga. This raga is very similar to raga Malhar. This raga is from the Kafi Thaat.
Pilu or Peelu is a raga of Hindustani classical music. It is mostly used in light-classical forms, like thumris.
Purvi or Poorvi is a raga in Hindustani classical music that exemplifies its own thaat, the Poorvi thaat. Purvi has a deeply serious, quiet and somewhat mystical character. It is uncommon in performances nowadays.
Adana is an Indian raag. It is also called Adana Kanada. It is often sung or played in drut laya after a vilambit composition in raga Darbari Kanada, as Adana is straighter than Darbari in its chalan, thus allowing faster passages. The flow of this raga is similar to a mix of Madhumad Sarang / Megh and Darbari. Another common vivadi some artists use sparingly is shuddha nishad which enhances the Saranga mood of the raga.
Ram Narayan, often referred to with the title Pandit, is an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.
Ram Narayan began to record music when he played on three solo 78 rpm gramophone records for the British HMV Group in 1950 and recorded an early 10 inch LP album in Mumbai in 1951. Over the following decades Narayan had numerous solo recordings published.
Rāg Lalit is a studio album by Indian classical musician Ram Narayan, released in 1989. Recorded December 3, 1987, in Wyastone Leys near Monmouth, Wales, the album features a performance of the serene dawn raga Lalit on sarangi. Narayan performs a long non-metrical introduction to unfold the raga, during which he adds a pulse, until he is joined by tabla to perform a composition.
Brij Narayan is an Indian classical musician who plays the string instrument sarod. Narayan was born in the Indian state Rajasthan and began to study sarod from a young age under his father Ram Narayan and other teachers. He won the All India Radio instrumentalist competition in 1967 and accompanied his father on a tour to Afghanistan in 1969. Narayan graduated from the University of Mumbai in 1972 and has since worked on movies and toured Africa, Europe, and America.
Pandit Anindo Chatterjee is an Indian tabla player of the Farukhabad gharana school. He was born into a musical family. Chatterjee is a disciple of Pandit Jnan Prakash Ghosh.
Ravi Shankar's Festival from India is a double album by Indian musician and composer Ravi Shankar, released on World Pacific Records in December 1968. It contains studio recordings made by a large ensemble of performers, many of whom Shankar had brought to the United States from India. Among the musicians were Shivkumar Sharma, Jitendra Abhisheki, Palghat Raghu, Lakshmi Shankar, Aashish Khan and Alla Rakha. The project presented Indian classical music in an orchestral setting, so recalling Shankar's work as musical director of All India Radio in the years before he achieved international fame as a soloist during the 1960s.
Milind Chittal is an Indian classical vocalist. Chittal is the son of Kannada writer Yashwant Chittal. He trained under Firoz Dastur of the Kirana Gharana. He is also a qualified chartered accountant.
Bhairav is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. But there is no connection in the similarity between in the names of the thaat and the raga.
