The Bee Gees were a music group formed in 1958, featuring brothers Barry, Robin and Maurice Gibb. The trio were especially successful as a popular music act in the late 1960s and early 1970s, and later as prominent performers of the disco music era in the mid- to late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid- to late 1970s and 1980s. The Bee Gees wrote all of their own hits, as well as writing and producing several major hits for other artists and have been regarded as one of the most important and influential acts in pop music history. They have been referred to in the media as The Disco Kings, Britain’s First Family of Harmony, and The Kings of Dance Music.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
The Seeds were an American psychedelic garage rock band formed in Los Angeles, California in 1965.
Nick Cave and the Bad Seeds are an Australian rock band formed in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist-vocalist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey, guitarist George Vjestica, keyboardist/percussionist Toby Dammit and drummers Thomas Wydler (Switzerland) and Jim Sclavunos. Described as "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward", they have released seventeen studio albums and completed numerous international tours.
Sky "Sunlight" Saxon was an American rock and roll musician best known as the leader and singer of the 1960s Los Angeles psychedelic garage rock band The Seeds.
The Shape of Things is Pere Ubu's fourth live album. It documents a performance within the band's first few months of existence, from the brief period in which Peter Laughner was a member. Initially produced only as a tour merchandise item, it has since been released to retail.
Merseybeast is the title of Ian McNabb's third solo album after disbanding The Icicle Works. It is also the title of the first song on the album. The name is a play on the idea of the "Mersey Beat", a 1960s musical genre and movement. Merseybeast is also the title of Ian McNabb's autobiography, published in 2008. A second CD entitled North West Coast was also released in limited quantities. The album peaked at No. 30 on the official UK charts.
Just a Collection of Antiques and Curios is the third album by the Strawbs, mostly recorded live at the Queen Elizabeth Hall in London on 11 July 1970. The album reached number 27 in the UK Albums Chart.
Joe Hasselvander is an American musician. He was the drummer of heavy metal band Raven from 1987 until 2017 and was a member of the influential doom metal band Pentagram.
The Seeds is the debut album by American garage rock band the Seeds. It was released in April 1966 through GNP Crescendo Records and produced by Marcus Tybalt and Sky Saxon. After the release of two singles in 1965, "Can't Seem to Make You Mine" and "Pushin' Too Hard", the album was released and charted in the United States where it peaked at No. 132 on the Billboard Top LPs & Tapes chart. Modern reception of the album is positive, with critics considering the album's similarity to punk rock a decade later.
"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March.
"Can't Seem to Make You Mine" is a song by American rock group the Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1965 and re-issued in 1967, when it peaked at number 41 on the U.S. Billboard Hot 100 chart, and number 33 in Canada.
"Mr. Farmer" is a song by American garage rock group The Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1967 and peaked at number 86 on the U.S. Billboard Hot 100 chart. The song was banned on many radio stations during the time of its release because of its drug references.
A Web of Sound is the second album by the American garage rock band the Seeds. Produced by Marcus Tybalt and released in October 1966, it contained the single "Mr. Farmer" and the 14-minute closing song "Up In Her Room". The album did not chart, though it has received generally favorable reviews from music critics.
"A Thousand Shadows" is a song by American rock group The Seeds, written by vocalist Sky Saxon, keyboardist Daryl Hooper, and guitarist Jan Savage. Produced by Marcus Tybalt, it was released as a single in 1967 and peaked at number 72 on the U.S. Billboard Hot 100 chart.
Satisfy You may refer to:
Future is the third studio album by Los Angeles rock band the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
A Full Spoon of Seedy Blues is the fourth album by the American garage rock band, the Seeds, credited to the Sky Saxon Blues Band, and released on GNP Crescendo in November 1967. The album saw the group take a completely different and controversial direction from the psychedelia featured on their previous effort, Future, towards a style rooted in blues. However, the results of the venture were ill-received, both commercially and within their loyal fanbase.
Fallin' Off the Edge is a compilation album by the American garage rock band the Seeds, and was released on GNP Crescendo, in 1977. The first album of its kind to compile Seeds music, Fallin' Off the Edge includes rarities of the group's catalogue, alternate takes, and unreleased tracks. Among the songs available include the 1968 version of the hit "Pushin' Too Hard" without studio-created crowd noises, which was originally the closing track to the fake live album Raw & Alive: The Seeds in Concert at Merlin's Music Box. Although other Seeds compilations have been released over the years, Fallin' Off the Edge remains a collector's item and has been reissued.
Evil Hoodoo is a compilation album by the American garage rock band the Seeds, and was released by Bam-Caruso Records, in 1988. Somewhat relatable to a greatest hits album, Evil Hoodoo did not issue any unreleased tracks by the group; however, it did introduce listeners to the Seeds' music as underground psychedelic rock and garage rock musical genres were being rediscovered.
