Ray Jackendoff | |
---|---|
Born | January 23, 1945 |
Alma mater | MIT, Swarthmore |
Awards | Fellow of the AAAS Jean Nicod Prize (2003) Rumelhart Prize (2014) |
Scientific career | |
Fields | Generative grammar, cognitive science, music cognition |
Institutions | Tufts, Brandeis |
Doctoral advisor | Noam Chomsky |
Notable students | Neil Cohn |
Ray Jackendoff (born January 23, 1945) is an American linguist. He is professor of philosophy, Seth Merrin Chair in the Humanities and, with Daniel Dennett, co-director of the Center for Cognitive Studies at Tufts University. He has always straddled the boundary between generative linguistics and cognitive linguistics, committed to both the existence of an innate universal grammar (an important thesis of generative linguistics) and to giving an account of language that is consistent with the current understanding of the human mind and cognition (the main purpose of cognitive linguistics).
Jackendoff's research deals with the semantics of natural language, its bearing on the formal structure of cognition, and its lexical and syntactic expression. He has conducted extensive research on the relationship between conscious awareness and the computational theory of mind, on syntactic theory, and, with Fred Lerdahl, on musical cognition, culminating in their generative theory of tonal music. His theory of conceptual semantics developed into a comprehensive theory on the foundations of language, which indeed is the title of a monograph (2002): Foundations of Language. Brain, Meaning, Grammar, Evolution. In his 1983 Semantics and Cognition, he was one of the first linguists to integrate the visual faculty into his account of meaning and human language.
Jackendoff studied under linguists Noam Chomsky and Morris Halle at the Massachusetts Institute of Technology, where he received his PhD in linguistics in 1969. Before moving to Tufts in 2005, Jackendoff was professor of linguistics and chair of the linguistics program at Brandeis University from 1971 to 2005. During the 2009 spring semester, he was an external professor at the Santa Fe Institute. Jackendoff was awarded the Jean Nicod Prize in 2003. He received the 2014 David E. Rumelhart Prize. He has also been granted honorary degrees by the Université du Québec à Montréal (2010), the National Music University of Bucharest (2011), the Music Academy of Cluj-Napoca (2011), the Ohio State University (2012), and Tel Aviv University (2013).
Jackendoff argues against a syntax-centered view of generative grammar (which he calls syntactocentrism), at variance with earlier models such as the standard theory (1968), the extended standard theory (1972), the revised extended standard theory (1975), the government and binding theory (1981), and the minimalist program (1993), in which syntax is the sole generative component in the language. Jackendoff takes syntax, semantics, and phonology all to be generative, interconnected via interface components. The task of his theory is to formalize the proper interface rules.
While rejecting mainstream generative grammar due to its syntactocentrism, the cognitive semantics school has offered an insight that Jackendoff would sympathize with[ citation needed ], namely, that meaning is a separate combinatorial system not entirely dependent upon syntax. Unlike many of the cognitive semantics approaches, he contends that neither syntax alone should determine semantics, nor vice versa. Syntax need only interface with semantics to the degree necessary to produce properly ordered phonological output (see Jackendoff 1996, 2002; Culicover & Jackendoff 2005).
Jackendoff, together with Fred Lerdahl, has been interested in the human capacity for music and its relationship to the human capacity for language. In particular, music has structure as well as a "grammar" (a means by which sounds are combined into structures). When a listener hears music in an idiom he or she is familiar with, the music is not merely heard as a stream of sounds; rather, the listener constructs an unconscious understanding of the music and is able to understand pieces of music never heard previously. Jackendoff is interested in what cognitive structures or "mental representations" this understanding consists of in the listener's mind, how a listener comes to acquire the musical grammar necessary to understand a particular musical idiom, what innate resources in the human mind make this acquisition possible and, finally, what parts of the human music capacity are governed by general cognitive functions and what parts result from specialized functions geared specifically for music (Jackendoff & Lerdahl, 1983; Lerdahl, 2001). Similar questions have also been raised regarding human language, although there are differences. For instance, it is more likely that humans evolved a specialized language module than having evolved one for music, since even the specialized aspects of music comprehension are tied to more general cognitive functions. [1]
Evolutionary linguistics or Darwinian linguistics is a sociobiological approach to the study of language. Evolutionary linguists consider linguistics as a subfield of sociobiology and evolutionary psychology. The approach is also closely linked with evolutionary anthropology, cognitive linguistics and biolinguistics. Studying languages as the products of nature, it is interested in the biological origin and development of language. Evolutionary linguistics is contrasted with humanistic approaches, especially structural linguistics.
In linguistics, syntax is the study of how words and morphemes combine to form larger units such as phrases and sentences. Central concerns of syntax include word order, grammatical relations, hierarchical sentence structure (constituency), agreement, the nature of crosslinguistic variation, and the relationship between form and meaning (semantics). There are numerous approaches to syntax that differ in their central assumptions and goals.
In linguistics, transformational grammar (TG) or transformational-generative grammar (TGG) is part of the theory of generative grammar, especially of natural languages. It considers grammar to be a system of rules that generate exactly those combinations of words that form grammatical sentences in a given language and involves the use of defined operations to produce new sentences from existing ones.
Cognitive linguistics is an interdisciplinary branch of linguistics, combining knowledge and research from cognitive science, cognitive psychology, neuropsychology and linguistics. Models and theoretical accounts of cognitive linguistics are considered as psychologically real, and research in cognitive linguistics aims to help understand cognition in general and is seen as a road into the human mind.
Deep structure and surface structure are concepts used in linguistics, specifically in the study of syntax in the Chomskyan tradition of transformational generative grammar.
Generative grammar is a research tradition in linguistics that aims to explain the cognitive basis of language by formulating and testing explicit models of humans' subconscious grammatical knowledge. Generative linguists tend to share certain working assumptions such as the competence-performance distinction and the notion that some domain-specific aspects of grammar are partly innate. These assumptions are rejected in non-generative approaches such as usage-based models of language. Generative linguistics includes work in core areas such as syntax, semantics, phonology, psycholinguistics, and language acquisition, with additional extensions to topics including biolinguistics and music cognition.
Theta roles are the names of the participant roles associated with a predicate: the predicate may be a verb, an adjective, a preposition, or a noun. If an object is in motion or in a steady state as the speakers perceives the state, or it is the topic of discussion, it is called a theme. The participant is usually said to be an argument of the predicate. In generative grammar, a theta role or θ-role is the formal device for representing syntactic argument structure—the number and type of noun phrases—required syntactically by a particular verb. For example, the verb put requires three arguments.
Conceptual semantics is a framework for semantic analysis developed mainly by Ray Jackendoff in 1976. Its aim is to provide a characterization of the conceptual elements by which a person understands words and sentences, and thus to provide an explanatory semantic representation. Explanatory in this sense refers to the ability of a given linguistic theory to describe how a component of language is acquired by a child.
Force dynamics is a semantic category that describes the way in which entities interact with reference to force. Force Dynamics gained a good deal of attention in cognitive linguistics due to its claims of psychological plausibility and the elegance with which it generalizes ideas not usually considered in the same context. The semantic category of force dynamics pervades language on several levels. Not only does it apply to expressions in the physical domain like leaning on or dragging, but it also plays an important role in expressions involving psychological forces. Furthermore, the concept of force dynamics can be extended to discourse. For example, the situation in which speakers A and B argue, after which speaker A gives in to speaker B, exhibits a force dynamic pattern.
Paul Smolensky is Krieger-Eisenhower Professor of Cognitive Science at the Johns Hopkins University and a Senior Principal Researcher at Microsoft Research, Redmond Washington.
"Cognitive Constraints on Compositional Systems" is an essay by Fred Lerdahl that cites Pierre Boulez's Le Marteau sans maître (1955) as an example of "a huge gap between compositional system and cognized result," though he "could have illustrated just as well with works by Milton Babbitt, Elliott Carter, Luigi Nono, Karlheinz Stockhausen, or Iannis Xenakis". To explain this gap, and in hopes of bridging it, Lerdahl proposes the concept of a musical grammar, "a limited set of rules that can generate indefinitely large sets of musical events and/or their structural descriptions". He divides this further into compositional grammar and listening grammar, the latter being one "more or less unconsciously employed by auditors, that generates mental representations of the music". He divides the former into natural and artificial compositional grammars. While the two have historically been fruitfully mixed, a natural grammar arises spontaneously in a culture while an artificial one is a conscious invention of an individual or group in a culture; the gap can arise only between listening grammar and artificial grammars. To begin to understand the listening grammar, Lerdahl and Ray Jackendoff created a theory of musical cognition, A Generative Theory of Tonal Music. That theory is outlined in the essay.
Music semiology (semiotics) is the study of signs as they pertain to music on a variety of levels.
In linguistics, linguistic competence is the system of unconscious knowledge that one knows when they know a language. It is distinguished from linguistic performance, which includes all other factors that allow one to use one's language in practice.
Generative semantics was a research program in theoretical linguistics which held that syntactic structures are computed on the basis of meanings rather than the other way around. Generative semantics developed out of transformational generative grammar in the mid-1960s, but stood in opposition to it. The period in which the two research programs coexisted was marked by intense and often personal clashes now known as the linguistics wars. Its proponents included Haj Ross, Paul Postal, James McCawley, and George Lakoff, who dubbed themselves "The Four Horsemen of the Apocalypse".
In certain theories of linguistics, thematic relations, also known as semantic roles, are the various roles that a noun phrase may play with respect to the action or state described by a governing verb, commonly the sentence's main verb. For example, in the sentence "Susan ate an apple", Susan is the doer of the eating, so she is an agent; an apple is the item that is eaten, so it is a patient.
Formal semantics is the study of grammatical meaning in natural languages using formal tools from logic, mathematics and theoretical computer science. It is an interdisciplinary field, sometimes regarded as a subfield of both linguistics and philosophy of language. It provides accounts of what linguistic expressions mean and how their meanings are composed from the meanings of their parts. The enterprise of formal semantics can be thought of as that of reverse-engineering the semantic components of natural languages' grammars.
The generative theory of tonal music (GTTM) is a system of music analysis developed by music theorist Fred Lerdahl and linguist Ray Jackendoff. First presented in their 1983 book of the same title, it constitutes a "formal description of the musical intuitions of a listener who is experienced in a musical idiom" with the aim of illuminating the unique human capacity for musical understanding.
In linguistics, the term formalism is used in a variety of meanings which relate to formal linguistics in different ways. In common usage, it is merely synonymous with a grammatical model or a syntactic model: a method for analyzing sentence structures. Such formalisms include different methodologies of generative grammar which are especially designed to produce grammatically correct strings of words; or the likes of Functional Discourse Grammar which builds on predicate logic.
Theory of language is a topic in philosophy of language and theoretical linguistics. It has the goal of answering the questions "What is language?"; "Why do languages have the properties they do?"; or "What is the origin of language?". In addition to these fundamental questions, the theory of language also seeks to understand how language is acquired and used by individuals and communities. This involves investigating the cognitive and neural processes involved in language processing and production, as well as the social and cultural factors that shape linguistic behavior.
In linguistics, the syntax–semantics interface is the interaction between syntax and semantics. Its study encompasses phenomena that pertain to both syntax and semantics, with the goal of explaining correlations between form and meaning. Specific topics include scope, binding, and lexical semantic properties such as verbal aspect and nominal individuation, semantic macroroles, and unaccusativity.