Remission & Bites | ||||
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Compilation album by | ||||
Released | 1987 | |||
Recorded | 1984–85 | |||
Genre | Industrial | |||
Length | 64:17 | |||
Label | Play It Again Sam | |||
Skinny Puppy chronology | ||||
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Remission & Bites is a compilation by Skinny Puppy released on Play It Again Sam in 1987. [1] The release of this compilation coincides with that of Bites and Remission and contains many of the same songs, albeit in a different context. This release is, to date, the only CD pressing of Skinny Puppy's first two albums in their original form. While the audio is free of any song-splicing or bonus tracks, the inserts contain a number of shortcomings.
No. | Title | Length |
---|---|---|
1. | "Smothered Hope" | 5:14 |
2. | "Glass Houses" | 3:24 |
3. | "Far Too Frail" | 3:41 |
4. | "Solvent" | 4:37 |
5. | "Sleeping Beast" | 6:01 |
6. | "...Brap" | 1:12 |
7. | "Assimilate" | 6:54 |
8. | "The Choke" | 6:30 |
9. | "Blood on the Wall" | 2:57 |
10. | "Church" | 3:12 |
11. | "Dead Lines" | 6:11 |
12. | "Last Call" | 5:54 |
13. | "Basement" | 3:28 |
14. | "Tomorrow" | 4:54 |
Skinny Puppy was a Canadian electro-industrial band formed in Vancouver in 1982. The group was among the founders of the industrial rock and electro-industrial genres. Initially envisioned as an experimental side-project by cEvin Key while he was in the new wave band Images in Vogue, Skinny Puppy evolved into a full-time project with the addition of vocalist Nivek Ogre. Over the course of 13 studio albums and many live tours, Key and Ogre were the only constant members. Other members have included Dwayne Goettel, Dave "Rave" Ogilvie, Bill Leeb, Mark Walk (2003–2023), and a number of guests, including Al Jourgensen (1989), Danny Carey (2004), and many others.
VIVIsectVI is the fourth studio album by Canadian electro-industrial band Skinny Puppy. It was released on September 12, 1988 through Nettwerk. Despite tackling controversial topics like animal rights, chemical warfare, and environmental waste, VIVIsectVI was well-received. It spawned two singles, "Censor", which was released on the album as "Dogshit", and "Testure", which was Skinny Puppy's only song to chart on Billboard's Dance Club Songs. VIVIsectVI was followed by a theatrically involved tour with Nine Inch Nails as the opening act.
Remission is a 1984 EP by Canadian electro-industrial band Skinny Puppy, their record label debut and first release with Nettwerk. The 12-inch EP originally featured six tracks, then, a year later in 1985, it was released on cassette with five additional songs that lengthened the release to a full album. This expansion became the default version of Remission.
Bites is the first full-length studio album by Canadian industrial band Skinny Puppy, released as an LP through Nettwerk in 1985. It was reissued in 1993 on CD with additional material compiled from cassette releases, international releases, and previously undistributed tracks. The cover art was designed by Steven R. Gilmore.
Mind: The Perpetual Intercourse is the second studio album by Skinny Puppy, released on September 5, 1986. It contained the single "Dig It", which inspired several industrial music contemporaries, including Nine Inch Nails. "Dig It" received extensive airplay on MTV and was listed by Billboard as a recommended dance track. The song "Stairs and Flowers" was also released as a single.
Too Dark Park is the sixth studio album by the industrial music group Skinny Puppy. The album cover features the debut appearance of the band's "SP" logo. The cover art was created by Vancouver based artist Jim Cummins. The artwork for this album and its associated singles was inspired by cosmic horror stories such as the Cthulhu Mythos. Lyrical themes include collapse of society due to destruction of nature, drug addiction, and psychological issues.
Last Rights is the seventh studio album by Canadian electro-industrial band Skinny Puppy. It was released in March 1992 as the group's final record distributed through Nettwerk. Last Rights saw the band experimenting with two opposite extremes: cacophonous heavy music and gloomy melodies, resulting in moments of industrial weight as well as moments of uncharacteristic softness. Along with containing some of the band's most impenetrable walls of sound and an eleven-minute track composed almost entirely of manipulated and distorted samples, Last Rights also features Skinny Puppy's first ballad.
The Process is the eighth studio album by Canadian industrial band Skinny Puppy. Released by American Recordings on February 27, 1996, The Process was the band's final album before it reformed in 2000 and released The Greater Wrong of the Right in 2004. Skinny Puppy's keyboardist, Dwayne Goettel, died near the end of The Process' recording, and the album experienced difficult production and record-label intrusion.
Brap: Back & Forth Series 3 & 4 is a compilation album by industrial band Skinny Puppy. It was released as a double-CD in 1996. This album reached to #9 in Billboard chart's Top Heatseekers. Disc one is largely instrumental demos whereas Disc two is composed mainly of live cuts. The cover art was created by Dave McKean. The CD also features enhanced CD content including a 3D style VR interface based on the Too Dark Park album and a virtual walk through the art of the Spasmolytic single.
Bites and Remission is a compilation by Skinny Puppy released on Nettwerk in 1987. The release of this compilation coincides with that of Remission & Bites and contains many of the same songs, albeit in a different context. This compilation culls songs from the assorted releases of Skinny Puppy's first two albums, Remission and Bites, and features remixes of two songs in place of their original versions.
Subconscious Communications is an independent record label based in Toluca Lake, California. Originating in Vancouver, B.C., Canada, it was founded in 1993 by Dwayne Goettel of Skinny Puppy and Phil Western of Download. The label has been described as a "record label, musician collective, remix team, 32-track digital studio, [and an] analogue synth museum."
The Canadian electro-industrial band Skinny Puppy has released twelve studio albums and two extended plays along with a number of live albums, compilations, and singles. The group formed in 1982 and released its debut EP, Back & Forth, in 1984. Later that year, Skinny Puppy was picked up by Nettwerk and released another EP, Remission, in December 1984. The band's first studio album, 1985's Bites, was its last with the original lineup of vocalist Nivek Ogre and producer / multi-instrumentalist cEvin Key; Dwayne Goettel joined in 1986, and the band released its next two albums, Mind: The Perpetual Intercourse and Cleanse Fold and Manipulate, in 1986 and 1987 respectively.
"Censor" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in the same year. "Censor's" original title was "Dogshit", which was changed for this release's marketability.
Chainsaw is a single by the band Skinny Puppy. It contains new material, as well as additional material taken from their albums Bites and Mind: The Perpetual Intercourse.
"Testure" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in 1989. "Testure" was the group's first and last song to chart on Billboards's Dance Club Songs, and it was accompanied with a controversial music video.
"Inquisition" is a song by Canadian electro-industrial band Skinny Puppy. It was released as a single on March 24, 1992 in advance of its host album, Last Rights (1992). The B-side "Lahuman8" was created at the request of the Québécois contemporary dance group La La La Human Steps.
"Track 10", originally titled "Left Handshake", is a song by Canadian electro-industrial band Skinny Puppy created for its 1992 album Last Rights. The track was meant to close Last Rights, but it was ultimately cut due to threatened legal action from the owner of a sample that appears in the song. "Track 10" did not see individual release until August 20, 2000, when it was sold at Skinny Puppy's reunion performance in Germany.
Weapon is the twelfth and final studio album by Canadian electro-industrial band Skinny Puppy. It was released on May 28, 2013, through Metropolis Records. Skinny Puppy received mainstream media attention when the band billed the U.S. government for using its music as torture in the Guantanamo Bay detention camp, which was a primary source of inspiration for the album. Musically, Weapon's sound is reminiscent of Skinny Puppy's earliest releases, Remission (1984) and Bites (1985), due to the employment of old equipment and simplified songwriting.