Revolutions per Minute | ||||
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Studio album by | ||||
Released | May 18, 2010 | |||
Recorded | 2008–2010 Electric Lady Studios (Greenwich Village, New York) | |||
Genre | Hip hop | |||
Length | 60:35 | |||
Label | Blacksmith, Rawkus, Warner Bros. | |||
Producer | Hi-Tek, Talib Kweli (exec.), Sha Money XL (exec.), Corey Smyth (exec.) | |||
Reflection Eternal chronology | ||||
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Talib Kweli chronology | ||||
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Hi-Tek chronology | ||||
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Singles from Revolutions | ||||
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Review scores | |
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Source | Rating |
Allmusic | [5] |
Alternative Press | [6] |
The A.V. Club | B [7] |
Boston Phoenix | [8] |
Pitchfork | 7.5/10 [9] |
PopMatters | 8/10 [10] |
RapReviews | 9/10 [11] |
Slant Magazine | [12] |
Spin | [13] |
Tom Hull –on the Web | A− [14] |
Revolutions per Minute is the second studio album by American hip hop duo Reflection Eternal,released May 18,2010,on Blacksmith Records and Rawkus Records. Composed of rapper Talib Kweli and DJ/hip hop producer Hi-Tek,it is the duo's follow-up to their collaborative debut Train of Thought (2000).
The album debuted at number 18 on the US Billboard 200 chart,selling 21,000 copies in its first week. Upon its release,Revolutions per Minute received generally positive reviews from most music critics.
Like the first album,Revolutions per Minute was recorded at Electric Lady Studios. It is their second album after a 10-year hiatus. Hi-Tek produced the entire album. The album features five singles:"Back Again","Just Begun" with Mos Def,Jay Electronica and J. Cole,"In This World","Strangers (Paranoid)" with Bun B,and "Midnight Hour" with Estelle. The album was released May 18,2010 on Blacksmith Records and Rawkus Records. [15]
The album debuted at number 18 on the US Billboard 200 chart with first-week sales of 21,000 copies. [16] It also entered at number five on Billboard 's R&B/Hip-Hop Albums, [17] at number three on its Rap Albums, [18] and at number 11 on its Digital Albums chart. [19]
Upon its release,the album received positive reviews from most music critics,based on an aggregate score of 80/100 from Metacritic. [20] Allmusic writer Gregory Heaney commended Kweli's and Hi-Tek's musical chemistry and wrote "Hi-Tek's soul-infused beats create the perfect laid-back atmosphere for Kweli's casual verbal acrobatics,crafting beats that bring the listener into the group's chilled-out space with their minimal aesthetic". [5] Steve Juon of RapReviews gave it a 9/10 rating and praised Kweli's rapping,stating "Kweli is using his keen powers of observation to see the world for what it really is,and then translate that knowledge into a musical form you can simultaneously enjoy and learn from". [11] Exclaim! 's Anupa Mistry wrote that Revolutions per Minute is "doused in their working chemistry". [21] Boston Phoenix writer Chris Faraone gave it 3 out of 4 stars and stated "The chemistry between these two remains bubbling". [8] HipHopDX writer Kathy Iandoli gave it 4 out of 5 stars and wrote that it "displays the evolution of both the emcee and the deejay". [22] Giving it an 8/10 rating,PopMatters writer Dave Heaton praised Kweli's lyrics concerning the importance of money in life,building a career in hip hop,the differences between celebrity and work,and the former's effect on a person,stating:
Taken as a whole, Revolutions Per Minute offers a specific and complicated vision of what it means to be an artist. It presents the notion that music-making is about dedication and practice, about practical business decisions as much as art, while also being a manner of “exorcising” ghosts and “testifying” to what’s going on in the world (as he puts it on “Back Again”). To sign a record deal is to enter a deal with the devil, and every musician needs to know it, Kweli notes repeatedly. [10]
— Dave Heaton
Giving it 4 out of 5 stars, Slant Magazine writer M.T. Richards described the album as "brainy, energizing stuff" and praised Kweli's rapping, stating "Sinking his no-frills flow into calm, bassy tracks, Kweli lands punchline after punchline with the kind of finesse Jay and Common could only dream of". [12] The A.V. Club 's Nathan Rabin gave the album a B rating and wrote "Hi-Tek lacks a trademark style, but his chemistry with Kweli remains potent, even when Minute doesn't hit the heights of the duo's debut". [7] Mosi Reeves of Spin gave the album 3½ out of 5 stars and viewed Hi-Tek's "jazz-inflected riffs and soulful vibes" as complementary to Kweli's "mercurial" style, stating "congenial beats balance intricately daring rhymes". [13] Alternative Press writer Casey Boland gave it four out of five stars and viewed it as an improvement for Hi-Tek's producing and Kweli's rapping, stating "he sounds at home with Hi-Tek. His cadence has never locked so tightly with the tune, his lyrical flow never so sinuous". [6] Henry Adaso of About.com noted a "musical maturation" by the duo and wrote that the album "finds Kweli masterfully marrying the physical with the philosophical atop Hi-Tek's rich palette of headphone music". [23] Pitchfork Media's Nate Patrin gave Revolutions per Minute a 7.5/10 rating and commended its "conscious yet unpretentious lyricism delivered with acrobatic dexterity over on-point, no-gimmick beats". [9]
No. | Title | Length |
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1. | "RPM's" | 1:06 |
2. | "City Playgrounds" | 4:43 |
3. | "Back Again" (featuring Res) | 3:26 |
4. | "Strangers (Paranoid)" (featuring Bun B) | 2:51 |
5. | "In This World" | 3:31 |
6. | "Got Work (Fame)" | 4:16 |
7. | "Midnight Hour" (featuring Estelle) | 4:40 |
8. | "Lifting Off" | 5:22 |
9. | "In the Red" | 3:00 |
10. | "Black Gold (Intro)" | 0:18 |
11. | "Ballad of the Black Gold" | 5:34 |
12. | "Just Begun" (featuring Jay Electronica, J. Cole, and Mos Def) | 3:37 |
13. | "Long Hot Summer" | 2:22 |
14. | "Get Loose" (featuring Chester French) | 5:34 |
15. | "So Good" | 3:33 |
16. | "Ends" (featuring Bilal) | 3:22 |
17. | "My Life (Outro)" | 3:28 |
Credits for Revolutions per Minute adapted from Allmusic.
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Mos Def & Talib Kweli Are Black Star is the debut studio album by American hip hop duo Black Star, composed of rappers Talib Kweli and Yasiin Bey. The album was released on September 29, 1998, to critical acclaim. The title is a reference to the Black Star Line, a shipping line founded by Pan-Africanist Marcus Garvey. The album deals with modern-day issues, philosophical ideas, and life in Brooklyn, New York City as the two artists know it.
Tony Louis Cottrell, better known as Hi-Tek, is an American rapper and music producer from Cincinnati, Ohio. He is best known for his work with Talib Kweli. His father is singer Willie Cottrell of the Willie Cottrell Band, whom Hi-Tek featured on his second album, Hi-Teknology 2.
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