Romance with the Unseen | ||||
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Studio album by | ||||
Released | September 21, 1999 | |||
Genre | Jazz | |||
Label | Blue Note | |||
Producer | Don Byron, Hans Wendl | |||
Don Byron chronology | ||||
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Romance with the Unseen is an album by the American musician Don Byron, released on September 21, 1999. [1] [2] He supported the album with a North American tour. [3] Due in part to the album, Byron was chosen as "Clarinetist of the Year" in a DownBeat readers' poll. [4]
The album was produced by Byron and Hans Wendl. [5] Byron was backed by Jack DeJohnette on drums, Drew Gress on bass, and Bill Frisell on guitar. [6] Byron considered many of the songs to be about romantic relationships and his inability to separate his political opinions from his personal interactions. [7] He took a more relaxed approach to recording, seeking out people he wanted to play with and choosing not to worry about technical aspects of his playing or commercial prospects. [8] "I'll Follow the Sun" is a version of the Beatles song. [9] "Perdido (Pegao)" is a take on the composition made famous by Duke Ellington. [5] "One Finger Snap" was written by Herbie Hancock. [5] "Basquiat" is a tribute to the American artist Jean-Michel Basquiat. [10] "Homegoing" is based on one of Byron's favorite and much used melodies. [11] "Bernhard Goetz, James Ramseur, and Me" references the 1984 New York City Subway shooting. [12]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Gazette | 9/10 [14] |
Los Angeles Times | ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz on CD | ![]() ![]() ![]() ![]() |
Sound & Vision | ![]() ![]() ![]() ![]() ![]() |
The Sydney Morning Herald | ![]() ![]() ![]() ![]() ![]() |
The Gazette said that "Frisell's moody, impressionistic guitar serves as a perfect backdrop to Byron's clean, articulate clarinet". [14] The Chicago Sun-Times noted that "few contemporary musicians roam the stylistic landscape as restlessly or rewardingly as clarinetist Don Byron". [18] The Los Angeles Times opined that "despite the players' skill and the music's appeal as an intellectual exercise, the music seems unfulfilled." [15] Sound & Vision called "I'll Follow the Sun" "one of the most beguiling jazz interpretations of the Beatles." [16]
The Globe and Mail said that Byron's "clarinet, for all of its piping melody and pure tones, probably couldn't have carried the disc without the assistance of Frisell". [19] The Irish Times concluded that "Byron spins a series of solos that rely for impact more on their logic and originality of line than on tone". [20] The Independent said, "Byron's sounds are beautifully airy, on a set of free-floating tunes whose delicate treatment by the band creates a very superior form of chamber-jazz, with none of the usual stuffiness that term implies." [21]
No. | Title | Length |
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1. | "A Mural from Two Perspectives" | |
2. | "Bad Twilight" | |
3. | "Bernhard Goetz, James Ramseur, and Me" | |
4. | "I'll Follow the Sun (For EAMR)" | |
5. | "'Lude" | |
6. | "Homegoing" | |
7. | "One Finger Snap" | |
8. | "Basquiat" | |
9. | "Perdido (Pegao)" | |
10. | "Closer to Home" |