"Rotterdam (Or Anywhere)" | ||||
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Single by the Beautiful South | ||||
from the album Blue Is the Colour | ||||
B-side |
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Released | 23 September 1996 [1] [2] | |||
Length | 3:40 | |||
Label | Go! Discs | |||
Songwriter(s) | ||||
Producer(s) | Jon Kelly | |||
The Beautiful South singles chronology | ||||
| ||||
Official video | ||||
"Rotterdam (Or Anywhere)" on YouTube |
"Rotterdam (Or Anywhere)" is a song by English pop rock music group the Beautiful South, taken from their fifth studio album, Blue Is the Colour (1996). It was written by Paul Heaton and Dave Rotheray, was produced by Jon Kelly, and features Jacqui Abbott on lead vocals. Released in September 1996 by Go! Discs, the song reached number five on the UK Singles Chart and stayed in the UK top 40 for nine weeks.
Paul Heaton told The Guardian : "I wrote the lyrics [sic] to Rotterdam (Or Anywhere) sitting in a bar on the north end of Lijnbaan, Rotterdam's main shopping street. The bar was modern-looking and not friendly at all. It was in January 1996, about three in the afternoon. I'd probably been up all night drinking, I probably smelled, and I'd walked into their bar and plonked my bag down. I wasn't the sort the owners wanted in there. They probably thought: 'Oh God, we don't want this bloke to be our regular. Let’s make sure he never comes back.' So they were trying to think of different excuses to move me on, like: 'You can't sit there, there's a private party coming in.' I got really pissed off – and I wrote a short story that became a very bitchy song, scribbling it down while sitting there." [3]
Jennifer Nine from Melody Maker wrote that the song "is prancingly nagging; maybe it's its unprovoked attack on poor old Rotterdam; maybe it's Jacqueline's voice, a less subtle instrument than her predecessor Brianna's, treacling off into Eddie Reader-land." [4]
The music video for "Rotterdam" features Jacqui Abbott walking along an empty British motorway, carrying a vintage Shell fuel can, followed by a series of miscellaneous costumed extras, including a dance troupe, beekeepers, cowboys, a man with a sandwich board, snorkellers and a pantomime cow, with successive groups changing with each verse of the song. Abbott walks on, seemingly oblivious to the following crowd. The rest of the band wait for Abbott while sitting on the back of a vintage blue Chevrolet GMC pick-up truck. Abbott told The Guardian: "The Rotterdam video had a circus theme, and it was filmed on a stretch of disused motorway where they road-tested vehicles. All day, I walked up and down, miming and holding a petrol can, with jugglers and unicyclists behind me. I think the people watching just thought – as we did: 'What the hell is going on?'" [3] Towards the end of the video all of the figures following Abbott give up on the parade with an air of resigned disappointment.
The Beautiful South
Additional musicians
Technical
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [17] | Gold | 400,000‡ |
‡ Sales+streaming figures based on certification alone. |
The song gained prominence as a terrace chant for association football in the United Kingdom. The lyrics at the end of the chorus would be changed to say that the opposing team "get battered, everywhere they go". English supporters were noted to sing this around Wembley Stadium during UEFA Euro 2020, changing the lyrics to "Scotland get battered, everywhere they go". The two countries, which already had a football rivalry, were drawn into the same group during the tournament. [18] West Ham United, while often using the song to deride rivals Tottenham Hotspur or Chelsea F.C., would change the lyrics to "West Ham are massive, everywhere we go" to reflect the club's improved progress during the 2021–22 season. [19]
The Beautiful South were an English pop rock group formed in 1988 by Paul Heaton and Dave Hemingway, two former members of the Hull group the Housemartins, both of whom performed lead and backing vocals. Other members throughout the band's existence were former Housemartins roadie Sean Welch (bass), Dave Stead (drums), and Dave Rotheray (guitar). The band's original material was written by Heaton and Rotheray.
Paul David Heaton is an English singer-songwriter. He was the lead singer and main lyricist of The Housemartins, who had commercial success in the UK and other European countries between 1985 and 1988 with several singles including "Happy Hour" and the UK number one single "Caravan of Love" in 1986, before the band disbanded in 1988. Heaton then formed The Beautiful South with The Housemartins' drummer Dave Hemingway in 1988, and the band's debut single and debut album were released in 1989 to commercial success. They had a series of hits throughout the 1990s, including the number-one single "A Little Time". They disbanded in 2007. He subsequently pursued a solo career, which produced three albums, and in 2014 he released What Have We Become?, a collaboration with former Beautiful South vocalist Jacqui Abbott. As of 2022, he has recorded four more albums with her: Wisdom, Laughter and Lines in 2015, Crooked Calypso in 2017, Manchester Calling in 2020 and N.K-Pop in 2022. Heaton performed at Glastonbury on 28th June 2024 with singer Rianne Downey. Earlier in June, it was announced on Heaton's homepage and on Heaton's official account on Twitter (@PaulHeatonSolo) that a new album, "The Mighty Several" will be released on Friday 11 October 2024.
0898 Beautiful South, also referred to as 0898, is the third studio album by English band the Beautiful South. After the success of their previous work over 1989–1991, the band hired prolific record producer Jon Kelly and recorded the album at AIR Studios in London. The album contains a more "muscular" yet sometimes more sombre sound than their previous albums, although still entirely retains lyricist Paul Heaton's witty and bitter lyrical style. The album "deals in fragile melodies and harmonies, soulful but low-key instrumentation, and lyrics full of subtle social commentary and humour." The album title refers to the 0898 premium rate dialling code associated with sex hotlines in the UK at the time.
Miaow is the fourth album by English pop rock group the Beautiful South. It was released in 1994 via GO! Discs. As with most Beautiful South albums, the songs were written by Dave Rotheray and Paul Heaton. The cover originally depicted numerous dogs seated in a music hall with a gramophone on the stage. However, HMV made the band withdraw it as it mocked their trademark dog, and the band put out a second cover depicting four dogs in a boat. Both paintings were created by Michael Sowa.
Carry On Up the Charts: The Best of the Beautiful South is an album by English Alternative rock band The Beautiful South. It is the group's fifth album and their first greatest hits collection. It was a major commercial success, reaching number one in the UK Albums Chart and going on to become the second biggest selling album of 1994.
Blue Is the Colour is the fifth studio album from English band the Beautiful South, released in October 1996 through Go! Discs and in America through Ark 21 Records. The album was released following the two singles "Pretenders to the Throne" and "Dream a Little Dream", which never featured on any album until the release of the second greatest hits Solid Bronze in 2001.
Solid Bronze: Great Hits is The Beautiful South's ninth album and second greatest hits compilation. It was released in November 2001 and contains 19 tracks. The album contains two songs that were released between Carry on up the Charts and Blue Is the Colour, and never made it onto any album.
"A Little Time" is a song by English pop rock group the Beautiful South, the first single to be released from their second album, Choke. It consists of a duet featuring vocalists Dave Hemingway and Briana Corrigan. Produced by Mike Hedges, "A Little Time" is the band's only single to reach number one on the UK Singles Chart, and it peaked inside the top 20 in Austria, Belgium, Ireland, and the Netherlands.
"Beautiful Ones" is a song by English rock band Suede, released as the second single from their third album, Coming Up (1996), on 14 October 1996 through Nude Records. The song became a top-10 hit in the United Kingdom, peaking at number eight, and reached number one in Iceland for two weeks.
"How Long's a Tear Take to Dry?" is a single by British pop rock group the Beautiful South from their sixth album, Quench (1998). It was written by Paul Heaton and Dave Rotheray. The lyrics, which take the form of a conversation between two reconciling lovers, are noted for a reference to the TARDIS from Doctor Who. According to the book Last Orders at the Liars Bar: the Official Story of the Beautiful South, "How Long's a Tear Take to Dry?" was originally to be called "She Bangs the Buns" due to its chord structure reminiscent of Manchester's the Stone Roses. The song reached number 12 on the UK Singles Chart, becoming the band's 12th and final top-20 hit.
"Perfect 10" is a song by English pop rock band the Beautiful South, released on 21 September 1998 as the first single from their sixth studio album, Quench (1998). It debuted at number two on the UK Singles Chart, selling 89,000 copies during its first week of release, and is the band's last UK top-10 single to date. It received a platinum certification from the British Phonographic Industry in 2021 for sales and streams exceeding 600,000 units.
"House of Love" is a song by British boy band East 17, released in August 1992 by London Records as their debut single from their first studio album, Walthamstow (1993). The song was written by band member Tony Mortimer with its producer, Robin Goodfellow, becoming a number-one hit in Finland, Israel, and Sweden. It was also a top-40 hit in several other countries between 1992 and 1994. In the United Kingdom, "House of Love" peaked at number 10 on the UK Singles Chart. Two different music videos were produced to promote the single. Rolling Stone ranked the song at number 75 in their list of "75 Greatest Boy Band Songs of All Time" in 2020.
"Song for Whoever" is a song by English music group the Beautiful South, written by band members Paul Heaton and David Rotheray. The first and highest-charting single from their debut album, Welcome to the Beautiful South, it peaked at number two on the UK Singles Chart in July 1989 and was certified Silver by the British Phonographic Industry (BPI). Considered typical of the band's gently subversive, self-reflexive signature style, it is sung from the point of view of a cynical songwriter who romances women solely to get material for love songs.
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"Give Me a Little More Time" is a song by English singer and songwriter Gabrielle, recorded for her second studio album, Gabrielle (1996). Written by Gabrielle and Ben Barson with the Boilerhouse Boys, Ben Wolff, and Andrew Dean, it served as the album's lead single, released on 12 February 1996 by Go! Beat. "Give Me a Little More Time" returned Gabrielle to the top 10 of the UK Singles Chart, peaking at number five and spending 10 weeks inside the top 20. The song also peaked at number nine on the Irish Singles Chart and reached the top 40 in Iceland, the Netherlands, New Zealand, and Sweden. It was accompanied by a black-and-white music video. Melody Maker ranked "Give Me a Little More Time" number 18 in their list of the best singles of 1996.
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"Glory Box" is a song by English electronic band Portishead, released on 3 January 1995 by Go! Beat as the third and final single from their debut album, Dummy (1994). It samples "Ike's Rap II" by Isaac Hayes and peaked at number 13 on the UK Singles Chart. Additionally, the song was a top 10 hit in Iceland, while entering the top 20 in France, Ireland and Scotland.
"Out of the Sinking" is a song by British singer-songwriter Paul Weller, released in 1994 by Go! Discs as the first single from his third solo album, Stanley Road (1995). Weller wrote the song and produced it with Brendan Lynch. The B-side to the single is a cover of the Beatles' "Sexy Sadie".
Peacock Suit is a song by English singer-songwriter Paul Weller that was released on 5 August 1996 as the first single from his fourth solo album Heavy Soul. It reached No. 5 on the UK Singles Chart in August 1996, making it the highest-charting single of his solo career.
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