Royal Saltworks at Arc-et-Senans

Last updated
Royal Saltworks at Arc-et-Senans
Saline royale d'Arc-et-Senans
France arc et senas saline royal main building 1.jpg
Main façade of the Royal Saltworks
Royal Saltworks at Arc-et-Senans
General information
Location Arc-et-Senans, Doubs
CountryFrance
Coordinates 47°01′59″N5°46′41″E / 47.033°N 5.778°E / 47.033; 5.778
Construction started1775 [1]
Design and construction
Architect(s) Claude-Nicolas Ledoux [1]
Official nameFrom the Great Saltworks of Salins-les-Bains to the Royal Saltworks of Arc-et-Senans, the Production of Open-pan Salt
TypeCultural
Criteriai, ii, iv
Designated1982 (6th session)
Reference no. 203bis-001
Region Europe and North America
Extension2009

The Saline Royale (Royal Saltworks) is a historical complex at Arc-et-Senans in the department of Doubs commissioned during the reign of Louis XVI (1774-92) and designed by Claude-Nicolas Ledoux.

Contents

The complex is listed as the World Heritage Site since 1982. It is notable for being the first major industrial architecture achievement implementing the Enlightenment ideals by improving architectural quality to match these of palaces or religious buildings. [2]

For salt production the Saline Royale used firewood from nearby Forest of Chaux to boil the brine. It was also connected with saltworks of Salins-les-Bains (added in an extension to World Heritage Site in 2009) by a 21 km pipeline carrying the brine. [2]

Background

In the 18th century salt was an essential and valuable commodity. At the time, salt was widely used for the preservation of foods such as meat or fish. The ubiquity of salt use caused the French government to impose the gabelle, a tax on salt consumption. The government mandated that all people over the age of 8 years buy an amount of salt per year at a price that the government had set. The Ferme Générale was responsible for collecting the gabelle.

As a region, Franche-Comté was relatively well-endowed with salt springs due to subterranean seams of halite. Consequently, there were a number of small salt works, such as those at Salins-les-Bains and Montmorot, that extracted salt by boiling water over wood fires. The salt works stood close to the springs and drew on wood brought from nearby forests. After many years of exploitation, the forests were becoming more and more rapidly denuded, with the result that wood had to be brought from farther and farther away, at greater and greater cost. Furthermore, over time the salt content of the brine was dropping. This led the experts of the Ferme Générale to consider exploiting even small springs, an initiative that the King's council stopped in April 1773. Part of the problem was that it was impossible to build evaporation buildings because Salins-les-Bains sat in a small valley.

The Fermiers Généraux decided to explore a more mechanised and efficient method of extraction. The concept was to construct a purpose-built factory near the forest of Chaux in the Val d'Amour, i.e., with the brine was to be brought to the factory by a newly constructed canal.

Claude Nicolas Ledoux

On September 20, 1771, Louis XV appointed Ledoux Commissioner of the Salt Works of Lorraine and Franché-Comté. As Commissioner, Ledoux was responsible for inspecting the different saltworks in eastern France. This gave him an opportunity to see many different saltworks, including those at Salins-les-Bains and Lons-le-Saunier, and to learn from them what one might want if designing a factory from scratch.

Two years later, Madame du Barry supported Ledoux's nomination to membership in the Royal Academie of Architecture. This permitted him to style himself as Royal Architect. (He was already the architect for the Ferme générale , the private customs and excise operation that collected many taxes on behalf of the king, under 6-year contracts.) It was on the basis of his positions as Inspector of the Saltworks and as Royal Architect that he received the commission to design the Royal Saltworks at Arc-et-Senans.

The first plan

In 1775, the king rejected Ledoux's first design plan Premier projet salines royales d'Arc-et-Senans.jpg
In 1775, the king rejected Ledoux's first design plan

Without even having received any request from the king, Ledoux decided to design a saltworks. The project was something of an abstraction as he had no site in mind. He presented the resulting project in April 1774 to Louis XV.

Unconstrained by any practical considerations, the project was ambitious, innovative, and a break with traditional approaches. What Ledoux did was to impose a rigid geometry on the overall design. The buildings were placed around the edges of an immense square, and linked to each other by porticoes; no building stood in isolation. To speed connections between buildings, Ledoux introduced covered arcades that linked the midpoints of adjacent sides, forming a square within the square. Columns abounded. The buildings themselves were replete with them, and 144 Doric columns supported the covered arcades.

Ledoux's plan envisaged that the central square courtyard would be where the factory would keep its firewood. At each corner of the square, and at the midpoints of each side stood two-story, square buildings that would house the various parts of the operation. In front were the quarters for the guards, a chapel, and a bakery. On the sides were workshops for the coopers and other workmen. At the base was the factory itself. Gardens were to surround the site to provide the workers with a supplement to their income. Lastly, a wall would surround the entire complex to protect it from theft.

It was the project's grandiose vision that blocked its realization. No industrial building of the period was equally imposing. The king rejected the project. He particularly objected to the extensive use of columns, features that he felt were more appropriate for churches and palaces. He also objected to the chapel being relegated to a corner.

In his own critical review of the project, Ledoux stated that he had put too much weight on the conventions of a factory to the neglect of symbolic aspects. The result was a flat, uniform design based on bi-lateral symmetry, rather than one that would have a marked center of gravity. The design also recalled the traditional communal buildings of the time such as convents, monasteries, hospitals, large farms, and the like. Furthermore, since ancient times, architects had recognized that plans such as Ledoux's were vulnerable to the spread of fire and not very hygienic, with throughout the day some part of the site being in the shade. Lastly, critics pointed out that the project did not take into account the geographic or geological constraints.

The second plan

Ledoux's second design plan for Royal Saltworks at Arc-et-Senans. Arc-et-Senans - Plan de la saline royale.jpg
Ledoux's second design plan for Royal Saltworks at Arc-et-Senans.
Aerial view of the proposed city at the Royal Saltworks at Arc-et-Senans by Claude Nicolas Ledoux, published in 1804 Projet pour la ville de Chaux - Ledoux.jpg
Aerial view of the proposed city at the Royal Saltworks at Arc-et-Senans by Claude Nicolas Ledoux, published in 1804

Ledoux designed the semicircular complex to reflect a hierarchical organization of work. The complete plan included the building of an ideal city forming a perfect circle, like that of the sun. Louis XV had signed the edict authorizing the construction of the saltworks on 29 April 1773, and after approval of Ledoux' second design, construction began in 1775. [3] The city was never started, however. All that was completed was the diameter and a semicircle of buildings of the saltworks.

In the second design, the entrance building sits at the midpoint of the semicircle and contains on one side guardrooms and on the other a prison and a forge. Other buildings on the semicircle include on the left, as one faces the entrance, quarters for carpenters and laborers, and on the right, marshals and coopers. At the center of the circle is the house of the Director, which has a belvedere on top. A monumental staircase led to a chapel that was destroyed by fire in 1918, following a lightning strike. On either side of the Director's house are the saltworks themselves. These two buildings are 80 meters long, 28 meters wide, and 20 meters high. They contain the drying ovens, the heating pots, the "Sales des Bosses", and the salt stores. At each intersection of the diameter and the semicircle sit buildings that housed the works' clerks. Behind the Director's house there is an elegant, small stables for the Director's horses.

The support of salt works by a state monopoly probably explains why this building is so grand. The gabelle was very unpopular and was one of the complaints that led to the French Revolution. The Revolution itself probably curtailed the building of the ideal city.

Since the end of salt production

The salt works produced 40,000 quintals of salt per year at its peak, all of which was exported to Switzerland. All production ceased in 1895 following a lawsuit that the inhabitants of Arc-and-Senans initiated, protesting the pollution of nearby wells. At the same time, the salt works was having difficulty in the face of competition from sea salt brought by rail.

Jeter des Fleurs sur l'Avenir, by the French painter Arnaud Courlet de Vregille, exposed in Royal Saltworks in 2006 for the Claude-Nicolas Ledoux's bicentenary. Jeter des Fleurs sur l'avenir.jpg
Jeter des Fleurs sur l'Avenir, by the French painter Arnaud Courlet de Vregille, exposed in Royal Saltworks in 2006 for the Claude-Nicolas Ledoux's bicentenary.

As mentioned above, a lightning bolt in 1918 destroyed the chapel. In April 1926, some of the buildings were dynamited, and many of the trees on the site were cut down. Still, on November 30, 1926, after a review that began in 1923, the Commission for Monuments declared the central pavilion and the entryway historical monuments. [4] The Society for the Eastern Saltworks, still the owner of the Arc-et-Senans site, was not pleased with the decision. On 10 June 1927 the department of Doubs acquired the salt works and commenced restoration work in 1930.

During 1938, the site housed a camp for Spanish Republican refugees. Then, during October 1939, at the outbreak of World War II, the French military installed an anti-aircraft battery in the courtyard area. Also, a unit of engineers occupied some of the buildings. Still, February 20, 1940, saw the publication of the official announcement of the classification of the salt works and its surrounding wall as historical monuments.

In June 1940, German troops took up residence. From May 1941 to September 1943, the French authorities established an internment camp to hold the area's gypsies and others with no fixed address (Centre de Rassemblement des tziganes et nomades).

After the war, there was an extensive public campaign by artists, journalists and writers from the region to encourage the authorities to protect the site. [5]

The Saltworks were a primary location in the 1961 film by Pierre Kast La Morte-Saison des amours AKA The Season for Love.

In 1965, Marcel Bluwal used the director's house for the tomb of the Commander in his television adaptation of Molière's Dom Juan .

Since 1973, the royal salt works and the Institut Claude-Nicolas Ledoux have been members of the European network of cultural sites. Then in 1982, UNESCO listed the salt works as a World Heritage Site. [2]

In the new millennium

Since June 29, 2009, the salt works at Salins-les-Bains has been added to the listing for Arc-et-Senans in the World Heritage list. It has been the venue for several cultural events and exhibitions in recent years.

Related Research Articles

<span class="mw-page-title-main">Doubs</span> Department of France in Bourgogne-Franche-Comté

Doubs is a department in the Bourgogne-Franche-Comté region in Eastern France. Named after the river Doubs, it had a population of 543,974 in 2019. Its prefecture is Besançon and subprefectures are Montbéliard and Pontarlier.

<span class="mw-page-title-main">History of salt</span> Role in human culture

Salt, also referred to as table salt or by its chemical formula NaCl, is an ionic compound made of sodium and chloride ions. All life depends on its chemical properties to survive. It has been used by humans for thousands of years, from food preservation to seasoning. Salt's ability to preserve food was a founding contributor to the development of civilization. It helped eliminate dependence on seasonal availability of food, and made it possible to transport food over large distances. However, salt was often difficult to obtain, so it was a highly valued trade item, and was considered a form of currency by many societies, including Rome. According to Pliny the Elder, Roman soldiers were paid in salt, from which the word salary is derived, although this is disputed by historians. Many salt roads, such as the Via Salaria in Italy, had been established by the Bronze Age.

<span class="mw-page-title-main">Salins-les-Bains</span> Commune in Bourgogne-Franche-Comté, France

Salins-les-Bains, commonly referred to simply as Salins, is a commune in the Jura department in the Bourgogne-Franche-Comté region in Eastern France. It is located on the departmental border with Doubs, 34.8 km (21.6 mi) to the south-southwest of Besançon. In 2018, Salins-les-Bains had a population of 2,567.

<span class="mw-page-title-main">Arrondissement of Besançon</span> Arrondissement in Bourgogne-Franche-Comté, France

The arrondissement of Besançon is an arrondissement of France in the Doubs department in the Bourgogne-Franche-Comté region. It has 252 communes. Its population is 253,510 (2021), and its area is 1,926.4 km2 (743.8 sq mi).

<span class="mw-page-title-main">Claude Nicolas Ledoux</span> French Neoclassical architect

Claude-Nicolas Ledoux was one of the earliest exponents of French Neoclassical architecture. He used his knowledge of architectural theory to design not only domestic architecture but also town planning; as a consequence of his visionary plan for the Ideal City of Chaux, he became known as a utopian. His greatest works were funded by the French monarchy and came to be perceived as symbols of the Ancien Régime rather than Utopia. The French Revolution hampered his career; much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title L'Architecture considérée sous le rapport de l'art, des mœurs et de la législation. In this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate assessment of his role in the evolution of Neoclassical architecture. His most ambitious work was the uncompleted Royal Saltworks at Arc-et-Senans, an idealistic and visionary town showing many examples of architecture parlante. Conversely his works and commissions also included the more mundane and everyday architecture such as approximately sixty elaborate tollgates around Paris in the Wall of the General Tax Farm.

<span class="mw-page-title-main">Open-pan salt making</span> Brine derivative

Open-pan salt making is a method of salt production wherein salt is extracted from brine using open pans.

The year 1779 in architecture involved some significant events.

<span class="mw-page-title-main">Arc-et-Senans</span> Commune in Bourgogne-Franche-Comté, France

Arc-et-Senans is a commune in the Doubs department in the Bourgogne-Franche-Comté region of eastern France.

Fouvent-Saint-Andoche is a commune in the Haute-Saône department in the region of Bourgogne-Franche-Comté in eastern France.

<span class="mw-page-title-main">Louis XVI style</span> Neoclassical style within architecture and design

Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1792), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple. It also expressed the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow.

<span class="mw-page-title-main">Forest of Chaux</span>

The Forest of Chaux is the fifth largest forest in France. Its 20,493 hectares are located in the region of Franche-Comté on the plains west of the Jura mountains.

The Lüneburg Saltworks was a salt mine in the German town of Lüneburg that extracted salt.

<span class="mw-page-title-main">Hallors and Saline Museum</span>

The Technical Hallors and Saline Museum was founded in the buildings of the former Royal Prussian Saline, Halle upon Saale in 1967. Hallors had been members of a brotherhood of salt producers.

<span class="mw-page-title-main">Arnaud Courlet de Vregille</span> French painter (born 1958)

Arnaud Courlet de Vregille is a French painter.

<span class="mw-page-title-main">Charles Belle</span> French painter

Charles Belle is a French painter. He is known for his outspoken paintings.

<span class="mw-page-title-main">Mining in France</span> Mining industry in France

Mining in France is based solely on the nature of the material, whether extracted from the surface or underground. These include fuels, metals and a few other minerals.

<span class="mw-page-title-main">Grozon coal and saltworks</span> Mines in the Keuperian basin, France

The Grozon collieries and saltworks are coal and rocksalt mines located in the Keuperian basin, in the Jura department of Bourgogne-Franche-Comté, in eastern France. They were mined in the communes of Grozon and Tourmont from 1845 to 1944 for the coal and from the 6th to the 20th century for the salt, after an initial period of mining in the Neolithic period and during the Ancient history. The use of coal on site to evaporate the brine enabled the Jura Mining Company to reduce the cost of salt.

<span class="mw-page-title-main">Coal mines and saltworks of Gouhenans</span> Complex of mines and factories in eastern France.

The coal mines and saltworks of Gouhenans constitute a complex of mines and factories situated in eastern France. They have been engaged in the exploitation and processing of rock salt and pyrite since 1831 and coal since 1828. These resources are situated in the same geological layer of the Keuper Basin. The coal deposit was first identified in the 1770s and is situated beneath the communes of Gouhenans, Athesans, and Villafans in the Haute-Saône department, in Bourgogne-Franche-Comté. The discovery of salt occurred concurrently with the onset of coal mining operations. The use of locally mined coal for the evaporation of brine enabled the company to reduce the cost of production of salt. The industrial complex was further expanded with the addition of a chemical factory and glassworks, which contributed to a period of economic growth and prosperity in Gouhenans. In 1927, the Kuhlmann group acquired the chemical activity, which remained under their ownership until the facility's closure in 1955.

<span class="mw-page-title-main">Haute-Saône Keuperian coalfield</span> Coal basins at Vosges and Jura

The Haute-Saône Keuperian coalfield constitutes the coal basins from the Vosges and Jura. From a geological perspective, it represents the most recent of the two coal deposits in Haute-Saône. Coal mining in the region commenced in the late 16th century and continued until the mid-20th century, with operations occurring in the southeastern portion of Haute-Saône, as well as in the northern regions of Doubs and Jura in eastern France. The coal extracted from this field was characterized by high sulfur content, making it a low-grade resource. This quality limited its use in most applications; however, it was effectively used as fuel in boilers for evaporating brine at local saltworks. Additionally, other resources such as rock salt, pyrite, and gypsum were also extracted from the same geological layer.

References

  1. 1 2 Hall, William (2019). Stone. Phaidon. p. 190. ISBN   978-0-7148-7925-3.
  2. 1 2 3 "From the Great Saltworks of Salins-les-Bains to the Royal Saltworks of Arc-et-Senans, the Production of Open-pan Salt". UNESCO World Heritage Centre. United Nations Educational, Scientific, and Cultural Organization. Retrieved 11 October 2021.
  3. "From the Great Saltworks of Salins-les-Bains to the Royal Saltworks of Arc-et-Senans, the Production of Open-pan Salt".
  4. Monuments historiques du Doubs Archived February 23, 2009, at the Wayback Machine
  5. "De l'utopie à la réalité", in La fabuleuse histoire du sel, André Besson, Collection Archives vivantes, Cabédita, 1998.