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Company type | Private |
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Industry | Pottery |
Genre | Porcelain ceramics |
Founded | 1751 |
Headquarters | , |
Parent | Portmeirion Group |
Website | www.royalworcester.co.uk |
Royal Worcester is a porcelain brand based in Worcester, England. It was established in 1751 and is believed to be the oldest or second oldest remaining English porcelain brand still in existence today, although this is disputed by Royal Crown Derby, which claims 1750 as its year of establishment. Part of the Portmeirion Group since 2009, Royal Worcester remains in the luxury tableware and giftware market, although production in Worcester itself has ended.
The Worcester Royal Porcelain Co. Ltd. (known as Royal Worcester) was formed in 1862, and although the company had a royal warrant of appointment from 1788, wares produced before that time, as well as those produced at two other factories in Worcester, are known as Worcester porcelain. The enterprise has followed the pattern of other leading English porcelain brands, with increasing success during the 18th and 19th centuries, then a gradual decline during the 20th century, especially the latter half.
Prior to 1751, John Wall, a physician, and William Davis, an apothecary, attempted to develop a method of making porcelain that could then be used to boost prosperity and employment in Worcester. The success of their early experimentation is unknown (the chemical composition of the sherds from the early 1750s confirms that Wall and Davis did manufacture a novel type of porcelain distinct from the later soapstone one [1] ), but they clearly came into contact around 1750–1751 with the Bristol porcelain manufactory of Lund and Miller, who were using steatite as a raw material. This appears to be a then-unique method for producing porcelain.
In 1751, Wall and Davis persuaded a group of 13 businessmen to invest in a new factory at Warmstry House, Worcester, England, on the banks of the River Severn (the site was leased on 16 May, and the partnership agreement was signed on 4 June [2] ), but whether the business plan put forward to the prospective partners was based on the future buy out of Lund's Bristol porcelain factory is uncertain. [3] Wall and Davis secured the sum of £4500 from the partners to establish the factory, known then as "The Worcester Tonquin Manufactory"; the original partnership deeds are still housed in the Museum of Worcester Porcelain. [4] [5]
Richard Holdship, a Quaker and major shareholder, was prominent in the process of the subsequent ‘buy out’ of the Bristol manufactory in early 1752. Holdship personally bought from Benjamin Lund, a fellow Quaker, the soaprock licence that ensured the mining of 20 tons p.a. of soaprock from Cornwall. [6]
The early wares were soft-paste porcelain with bodies that contained soaprock, commonly called in most ceramic circles as soapstone. The chemical analyses of these wares closely correlates to those of the Bristol manufactory. [6] This places Worcester in a group of early English potteries including Caughley and factories in Liverpool. [7]
In 1783, the factory was purchased by Thomas Flight—the former London sales agent for the concern—for £3,000. He let his two sons run the concern, with John Flight taking the lead role till his death in 1791. In 1788 George III, following a visit to the company, granted it a royal warrant, and it became known as the "Royal Porcelain Works". [8] Knowledge of this period is largely a result of the excellent diary that John Flight kept from 1785 to 1791. This is discussed in detail in Appendix III of Flight & Barr Worcester Porcelain by Henry Sandon.
During this period, the factory was in poor repair. Production was limited to low-end patterns of mostly Blue and White porcelains after Chinese porcelain designs of the period. It was also pressured by competition from inexpensive Chinese export porcelain, and from Thomas Turner's Caughley (pronounced "Calf-ley") Factory. Martin Barr joined the firm as a partner in 1792; porcelains of this period are often identified by an incised capital "B" and, later, by more elaborate printed and impressed marks.
Thomas Flight died in 1800, leaving the factory in the hands of his son Joseph Flight and Martin Barr. Barr's sons Martin Barr Jr. and George Barr were being prepared at that time to run the factory. In addition to the warrant granted by George III, royal warrants were also issued by the Prince of Wales in 1807, and the Princess of Wales in 1808.
During the Flight and Barr period the factories under a variety of company names produced the soapstone porcelain. At first popular due to its resistance to thermal shock, this type of porcelain got out of favour in the middle of 1790s once the bone china was invented. While much of their competition changed to the new recipes, Flight and Barr continued with their original formulation until merging with Chamberlain in 1840. [9]
"Worcester porcelain" also includes the hard-paste porcelain wares made in Chamberlain's Factory and Grainger's Factory, as they tend to be referred to in catalogues and museum descriptions. Both of these began as decorating shops in Worcester, painting "blanks" made by other factories, but after a few years began to make their own porcelain. Chamberlain's Factory, which was very high quality and in 1811 received its own royal warrant from the Prince Regent, had begun to manufacture by 1791. In 1840, at a time when both businesses were having difficulties keeping up with a changing market, it merged with the main Flight and Barr concern as "Chamberlain & Company. [10]
A rebuilding after a fire [11] in early 1850s was overseen by new owners, William Henry Kerr and Richard William Binns. [1] The Worcester Royal Porcelain Company Limited was formed in 1862 after Kerr's retirement (Binns partnered with Edward Philips). [12]
Grainger's Factory was making porcelain from 1807, though not of quite the highest quality. Under a succession of partnership and company names the Grainger family retained significant shares until the death of the last member in 1889, when Royal Worcester took them over. As Grainger & Co the factory and name were used until 1902, when a full transfer to the main factory took place. Some Grainger moulds remained in use in the 21st century. The factory site at St Martin’s Gate was used from 1809 to 1902. [13]
In 1905 Royal Worcester acquired the factory of James Hadley and Sons. [2] Hadley used to work for Royal Worcester in 1850s-1870s, but set up his own manufacturing facility on Diglis Road in 1897. [14]
The factory's former site includes the independent Museum of Royal Worcester (formerly known as the 'Dyson Perrins Museum' and 'Worcester Porcelain Museum') owned by the Dyson Perrins Museum Trust. [15] The Museum houses the world’s largest collection of Worcester porcelain. The collections date back to 1751 and the Victorian gallery, the ceramic collections, archives and records of factory production, form the primary resource for the study of Worcester porcelain and its history.
Artists and designers who worked for the factory included Thomas Baxter, William Billingsley, John Stinton, David Bates, James Hadley, Christopher Dresser, Charles Baldwin, Harry Davis and Peter Ewence. A number of Royal Worcester fruit painters from the late 19th century onwards are known to collectors.
In the 20th century, Royal Worcester's most popular pattern has been "Evesham Gold", first offered in 1961, depicting the autumnal fruits of the Vale of Evesham with fine gold banding on an "oven to table" body. [16]
After the 1976 merger with Spode, [17] and due to heavy competition from overseas, the production was switched to factories in Stoke and abroad. 100 staff were made redundant in 2003, and another 100 went in 2005. Fifteen porcelain painters left the Severn Street factory on Friday 29 September 2006, together with 100 other workers. [18] The last trading date for Royal Worcester was 14 June 2009.
The company went into administration on 6 November 2008 and on 23 April 2009, the brand name and intellectual property were acquired by Portmeirion Pottery Group – a pottery and homewares company based in Stoke-on-Trent. As Portmeirion Group has a factory in Stoke-on-Trent, the purchase did not include the Royal Worcester and Spode manufacturing facilities. [17]
Porcelain is a ceramic material made by heating raw materials, generally including kaolinite, in a kiln to temperatures between 1,200 and 1,400 °C. The greater strength and translucence of porcelain, relative to other types of pottery, arise mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures. End applications include tableware, decorative ware such as figurines, toilets and washbasins, and products in technology and industry such as electrical insulators and laboratory ware.
Josiah Spode was an English potter and the founder of the English Spode pottery works which became famous for the high quality of its wares. He is often credited with the establishment of blue underglaze transfer printing in Staffordshire in 1781–84, and with the definition and introduction in c. 1789–91 of the improved formula for bone china which thereafter remained the standard for all English wares of this kind.
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England. Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
Soft-paste porcelain is a type of ceramic material in pottery, usually accepted as a type of porcelain. It is weaker than "true" hard-paste porcelain, and does not require either its high firing temperatures or special mineral ingredients. There are many types, using a range of materials. The material originated in the attempts by many European potters to replicate hard-paste Chinese export porcelain, especially in the 18th century, and the best versions match hard-paste in whiteness and translucency, but not in strength. But the look and feel of the material can be highly attractive, and it can take painted decoration very well.
Chelsea porcelain is the porcelain made by the Chelsea porcelain manufactory, the first important porcelain manufactory in England, established around 1743–45, and operating independently until 1770, when it was merged with Derby porcelain. It made soft-paste porcelain throughout its history, though there were several changes in the "body" material and glaze used. Its wares were aimed at a luxury market, and its site in Chelsea, London, was close to the fashionable Ranelagh Gardens pleasure ground, opened in 1742.
Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus. After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by Augustus the Strong, King of Poland and Elector of Saxony. The production of porcelain in the royal factory at Meissen, near Dresden, started in 1710 and attracted artists and artisans to establish, arguably, the most famous porcelain manufacturer known throughout the world. Its signature logo, the crossed swords, was introduced in 1720 to protect its production; the mark of the swords is reportedly one of the oldest trademarks in existence.
The Museum of Royal Worcester is a ceramics museum located in the Royal Worcester porcelain factory's former site in Worcester, England.
Portmeirion is a British pottery company based in Stoke-on-Trent, England. They specialise in earthenware tableware.
The Nantgarw China Works was a porcelain factory, later making other types of pottery, located in Nantgarw on the eastern bank of the Glamorganshire Canal, 8 miles (13 km) north of Cardiff in the River Taff valley, Glamorganshire, Wales. The factory made porcelain of very high quality, especially in the years from 1813–1814 and 1817–1820. Porcelain produced by Nantgarw was extremely white and translucent, and was given overglaze decoration of high quality, mostly in London or elsewhere rather than at the factory. The wares were expensive, and mostly distributed through the London dealers. Plates were much the most common shapes made, and the decoration was typically of garlands of flowers in a profusion of colours, the speciality of the founder, William Billingsley. With Swansea porcelain, Nantgarw was one of the last factories to make soft-paste porcelain, when English factories had switched to bone china, and continental and Asian ones continued to make hard-paste porcelain.
William Billingsley (1758–1828) was an influential painter of porcelain in several English porcelain factories, who also developed his own recipe for soft-paste porcelain, which produced beautiful results but a very high rate of failure in firing. He is a leading name associated with the English Romantic style of paintings of groups of flowers on porcelain that is sometimes called "naturalistic" by older sources, although that may not seem its main characteristic today.
Henry George Sandon was an English antiques expert, television personality, author and lecturer who specialised in ceramics and was a notable authority on Royal Worcester porcelain. He was the curator of the Dyson Perrins Museum for many years.
James Hadley was an English potter and artist associated with the Worcester Royal Porcelain Company. Until 1895 his work was produced almost exclusively by Royal Worcester; he later set up his own factory.
French porcelain has a history spanning a period from the 17th century to the present. The French were heavily involved in the early European efforts to discover the secrets of making the hard-paste porcelain known from Chinese and Japanese export porcelain. They succeeded in developing soft-paste porcelain, but Meissen porcelain was the first to make true hard-paste, around 1710, and the French took over 50 years to catch up with Meissen and the other German factories.
Thomas Baxter Jnr. was an English porcelain painter, and a watercolour painter and illustrator.
Coalport, Shropshire, England was a centre of porcelain and pottery production between about 1795 and 1926, with the Coalport porcelain brand continuing to be used up to the present. The opening in 1792 of the Coalport Canal, which joins the River Severn at Coalport, had increased the attractiveness of the site, and from 1800 until a merger in 1814 there were two factories operating, one on each side of the canal, making rather similar wares which are now often difficult to tell apart.
Thomas Turner was an English potter. He was the lessee of the celebrated Salopian porcelain company, or Caughley manufactory, during the later decades of the 18th century. He is not to be confused with the potter John Turner (1737-1787) and his family, of Lane End, Staffordshire, who were active in the same period.
H & R Daniel is a little known manufactory of porcelain and earthenware. During the 24 years the pottery was in operation it was considered of equal stature with Spode, Minton and their contemporaries. The pottery was situated in Stoke on Trent, Staffordshire, England.
Vienna porcelain is the product of the Vienna Porcelain Manufactory, a porcelain manufacturer in Alsergrund in Vienna, Austria. It was founded in 1718 and continued until 1864.
Ludwigsburg porcelain is porcelain made at the Ludwigsburg Porcelain Manufactory founded by Charles Eugene, Duke of Württemberg, on 5 April 1758 by decree as the Herzoglich-ächte Porcelaine-Fabrique. It operated from the grounds of the Baroque Ludwigsburg Palace. After a first two decades that were artistically, but not financially, successful, the factory went into a slow decline and was closed in 1824. Much later a series of other companies used the Ludwigsburg name, but the last production was in 2010.