Portmeirion Pottery

Last updated

Portmeirion Group PLC
Type Public
LSE:  PMP
ISIN GB0006957293
Industry Pottery
Founded1960
Founder Susan Williams-Ellis, Euan Cooper-Willis
Headquarters,
England
Key people
  • Mike Raybould (Chief Executive)
  • Dick Steele (Chairman)
Products Homeware
RevenueGBP 92 million (2019)
GBP 7.5 million (2019)
GBP 5.8 million (2019)
Total assets GBP 82 million (2019)
Total equity GBP 48 million [1]  (2019)
Number of employees
847 [1]
Subsidiaries
  • Nambé International
  • Pimpernel
  • Portmeirion
  • Royal Worcester
  • Spode
  • Wax Lyrical England
Website portmeirion.com

Portmeirion is an English pottery company based in Stoke-on-Trent, England. They specialise in earthenware tableware. [2] [3] [4]

Contents

History

Portmeirion Pottery began in 1960 when pottery designer Susan Williams-Ellis (daughter of Sir Clough Williams-Ellis, who created the Italian-style Portmeirion Village in North Wales) and her husband, Euan Cooper-Willis, took over a small pottery-decorating company in Stoke-on-Trent called A. E. Gray Ltd, also known as Gray's Pottery. Susan Williams-Ellis had been working with A.E. Gray for some years, commissioning designs to sell at the gift shop in Portmeirion Village, the items bearing the backstamp "Gray's Pottery Portmeirionware". In 1961, the couple purchased a second pottery company, Kirkhams Ltd, that had the capacity to manufacture pottery, and not only decorate it. These two businesses were combined and Portmeirion Potteries Ltd was born.

Susan Williams-Ellis' early Portmeirion designs included Malachite (1960), Moss Agate (1961) and Talisman (1962). [5] In 1963, she created the popular design Totem, an abstract pattern based on primitive forms coupled with a cylindrical shape.

She later created Magic City (1966) and Magic Garden (1970), but arguably Portmeirion's most recognised design is the Botanic Garden range, decorated with a variety of floral illustrations adapted from Thomas Green's Universal or-Botanical, Medical and Agricultural Dictionary (1817), and looking back to a tradition begun by the Chelsea porcelain factory's "botanical" designs of the 1750s. It was launched in 1972 and, with new designs added periodically, is still made today, [6] the most successful ceramics series of botanical subjects. [7] More recent designs have included Sophie Conran's Crazy Daisy and Dawn Chorus.

On 23 April 2009, Portmeirion Potteries Ltd purchased the Royal Worcester and Spode brands, after they had been placed into administration the previous November. Portmeirion Potteries has since changed its company name to Portmeirion Group to reflect this acquisition. [8] The purchase did not include the manufacturing facilities of Royal Worcester or Spode. The manufacture of much of Spode's ware was returned to Britain from the Far East, to the Portmeirion Group's factory in Stoke-on-Trent. [9]

In 2019, the Victoria and Albert Museum mounted an exhibition of Portmeirion pottery. [10]

Related Research Articles

<span class="mw-page-title-main">Stoke-on-Trent</span> City and unitary authority in England

Stoke-on-Trent is a city and unitary authority area in Staffordshire, England, with an area of 36 square miles (93 km2). In 2021, the city had an estimated population of 258,400. It is the largest settlement in Staffordshire and is surrounded by the towns of Newcastle-under-Lyme, Alsager, Kidsgrove and Biddulph, which form a conurbation around the city.

<span class="mw-page-title-main">Clarice Cliff</span> English artist

Clarice Cliff was an English ceramic artist and designer. Active from 1922 to 1963, Cliff became the head of the factory creative department.

<span class="mw-page-title-main">Susie Cooper</span>

Susan Vera Cooper OBE was a prolific English ceramic designer working in the Stoke-on-Trent pottery industries from the 1920s to the 1980s.

<span class="mw-page-title-main">Thomas Whieldon</span>

Thomas Whieldon was an English potter who played a leading role in the development of Staffordshire pottery.

<span class="mw-page-title-main">Josiah Spode</span> Founder of the Spode pottery works (1733-1797)

Josiah Spode was an English potter and the founder of the English Spode pottery works which became famous for the high quality of its wares. He is often credited with the establishment of blue underglaze transfer printing in Staffordshire in 1781–84, and with the definition and introduction in c. 1789–91 of the improved formula for bone china which thereafter remained the standard for all English wares of this kind.

<span class="mw-page-title-main">Spode</span> English brand of pottery and homewares

Spode is an English brand of pottery and homewares produced by the company of the same name, which is based in Stoke-on-Trent, England. Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two extremely important techniques that were crucial to the worldwide success of the English pottery industry in the century to follow.

<span class="mw-page-title-main">Staffordshire Potteries</span> Historic ceramic-producing region within the present Stoke-on-Trent, Staffordshire, England

The Staffordshire Potteries is the industrial area encompassing the six towns Burslem, Fenton, Hanley, Longton, Stoke and Tunstall, which is now the city of Stoke-on-Trent in Staffordshire, England. North Staffordshire became a centre of ceramic production in the early 17th century, due to the local availability of clay, salt, lead and coal.

<span class="mw-page-title-main">Bone china</span> Porcelain composed of bone ash, feldspathic material, and kaolin

Bone china is a type of ceramic that is composed of bone ash, feldspathic material, and kaolin. It has been defined as "ware with a translucent body" containing a minimum of 30% of phosphate derived from animal bone and calculated calcium phosphate. Bone china is the strongest of the porcelain or china ceramics, having very high mechanical and physical strength and chip resistance, and is known for its high levels of whiteness and translucency. Its high strength allows it to be produced in thinner cross-sections than other types of porcelain. Like stoneware, it is vitrified, but is translucent due to differing mineral properties.

<span class="mw-page-title-main">Royal Worcester</span>

Royal Worcester is a porcelain brand based in Worcester, England. It was established in 1751 and is believed to be the oldest or second oldest remaining English porcelain brand still in existence today, although this is disputed by Royal Crown Derby, which claims 1750 as its year of establishment. Part of the Portmeirion Group since 2009, Royal Worcester remains in the luxury tableware and giftware market, although production in Worcester itself has ended.

The Spode Museum is based in Stoke-on-Trent, England, where Josiah Spode, known for his role in the Industrial Revolution, established his pottery business in 1774. The Spode Museum collection includes a ceramics collection representing 200 years of Spode manufacture, ranging from spectacular pieces made for Royalty, the Great Exhibitions and the very rich to simple domestic wares.

Susan Williams-Ellis was a British pottery designer, who was best known for co-founding Portmeirion Pottery. She was the eldest daughter of Sir Clough Williams-Ellis.

<span class="mw-page-title-main">Royal Doulton</span> British ceramics manufacturing company

Royal Doulton is an English ceramic and home accessories manufacturer that was founded in 1815. Operating originally in Vauxhall, London, and later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. From the start, the backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to drain pipes, lavatories, water filters, electrical porcelain and other technical ceramics. From 1853 to 1901, its wares were marked Doulton & Co., then from 1901, when a royal warrant was given, Royal Doulton.

<span class="mw-page-title-main">Thomas Minton</span>

Thomas Minton (1765–1836) was an English potter. He founded Thomas Minton & Sons in Stoke-on-Trent, Staffordshire, which grew into a major ceramic manufacturing company with an international reputation.

<span class="mw-page-title-main">Willow pattern</span> Chinese-style pattern used on pottery

The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from China. Its creation occurred at a time when mass-production of decorative tableware, at Stoke-on-Trent and elsewhere, was already making use of engraved and printed glaze transfers, rather than hand-painting, for the application of ornament to standardized vessels.

<span class="mw-page-title-main">Mintons</span> English pottery company (1793–2005)

Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.

Lorna Bailey is an English potter and businesswoman.

<span class="mw-page-title-main">J. & G. Meakin</span>

J. & G. Meakin was an English pottery manufacturing company founded in 1851 and based in Hanley, Stoke-on-Trent, Staffordshire.

<span class="mw-page-title-main">Royal Winton</span> English ceramics brand

Royal Winton is an English brand of ceramics, made by Grimwades Limited, a Stoke-on-Trent based company founded in 1885. The brand is particularly associated with chintzware.

<span class="mw-page-title-main">Shelley Potteries</span>

Shelley Potteries, situated in Staffordshire, was earlier known as Wileman & Co. which had also traded as The Foley Potteries. The first Shelley to join the company was Joseph Ball Shelley in 1862 and in 1896 his son Percy Shelley became the sole proprietor, after which it remained a Shelley family business until 1966 when it was taken over by Allied English Potteries. Its china and earthenware products were many and varied although the major output was table ware. In the late Victorian period the Art Nouveau style pottery and Intarsio ranges designed by art director Frederick Alfred Rhead were extremely popular but Shelley is probably best known for its fine bone china “Art Deco” ware of the inter-war years and post-war fashionable tea ware.

Flux Stoke-on-Trent is a spin-out company from Staffordshire University. Located in Stoke-on-Trent, traditional centre of the English pottery industry, it produces decorated bone china tableware that is manufactured in the city and primarily designed by students on its ceramics master's degree programme.

References

  1. 1 2 Portmeirion Group (18 March 2020). Annual Report and Accounts 2019 - Portmeirion Group plc (Report). Portmeirion Group plc.
  2. 'Portmeirion Pottery' S. Jenkins, S. P. McKay. Richard Dennis. 2000
  3. 'Portmeirion' W. Farmer, R. Higgins. Bloomsbury Publishing, 2012
  4. "Botanic Garden 32 Piece Dinner Set".
  5. "Portmeirion pottery in the 60s". www.retrowow.co.uk. Retrieved 18 November 2019.
  6. Jenkins & Mckay Portmeirion Pottery (2000)
  7. "Botanic Garden" is no. 5 in "Appendix A: 100 Most Popular Patterns" listed from the records of Replacements.com and illustrated in Shax Riegler. 2011. Dish: 813 Colorful, Wonderful Dinner Plates pp256ff.
  8. David Johnson, Article in The Staffordshire Sentinel on 16.12.10, The Sentinel
  9. "Stoke kilns fired up for Spode again". Staffordshire Sentinel. Nortchliffe. 24 April 2009. Archived from the original on 26 April 2009. Retrieved 25 April 2009.
  10. "Portmeirion: Pottery Trendsetter". Victoria and Albert Museum. Retrieved 29 March 2019.

Further reading