Gladstone Pottery Museum

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Gladstone Pottery Museum
Bottle Kiln.JPG
The courtyard and bottle kiln
Staffordshire UK location map.svg
Red pog.svg
Location within Staffordshire
Established1974
Location Longton, Staffordshire, England
Coordinates 52°59′12″N2°07′53″W / 52.98667°N 2.131488°W / 52.98667; -2.131488
TypeIndustrial museum
Public transit access Longton railway station 10 mins by foot
Website http://www.stokemuseums.org.uk/visit/gpm/
Gladstone Pottery Museum GladstonePotteryMuseum(ValVannet)Jul2004.jpg
Gladstone Pottery Museum
Inner courtyard of the museum Gladstone Pottery Museum inside.jpg
Inner courtyard of the museum

The Gladstone Pottery Museum is a working museum of a medium-sized coal-fired pottery, typical of those once common in the North Staffordshire area of England from the time of the Industrial Revolution in the 18th century to the mid 20th century. It is a grade II* listed building. [1]

Contents

The museum is located in Longton, Stoke-on-Trent, Staffordshire. It is also included in one of the regional routes of the European Route of Industrial Heritage. [2] Despite the name of the museum, it is a complex of buildings from two works, the Gladstone and the Roslyn. [3] The protected features include the kilns. As there are fewer than 50 surviving bottle ovens in Stoke-on-Trent (and only a scattering elsewhere in the UK), the museum's kilns along with others in the Longton conservation area represent a significant proportion of the national stock of the structures. [4] [5]

In 1976, the Gladstone Pottery Museum was awarded National Heritage Museum of the Year. [6]

History

A pottery factory first opened on the site in 1787. It was run by the Shelley family who produced earthenware and decorated plates and dishes produced by Josiah Wedgwood in Etruria. The site was purchased in 1789 by William Ward who split it into two pot banks: the Park Place Works subsequently named the Roslyn works, and the Wards Pot Bank which was sold to John Hendley Sheridan in 1818. In the 1850s Sheridan had rented out the site to Thomas Cooper who employed 41 adults and 26 children to produce china and parian figures.

By 1876 the Wards site had passed into the hands of R. Hobson and Co. and had been renamed Gladstone, after the politician William Ewart Gladstone. [7]

The factory opened as a museum in 1974, the buildings having been saved from demolition in 1970 when the pottery closed (some ten years after its bottle ovens were last fired). In the 1990s ownership passed to Stoke-on-Trent City Council.

The museum has shown its commitment to industrial heritage by functioning as a working pottery. However, production has had to be curtailed for financial reasons and the museum is therefore less of a "living" museum than it was. [8] As at 2014 the Middleport Pottery in Burslem, which is used for commercial production, is arguably the only working Victorian pottery in the city of Stoke-on-Trent. [9]

Process of making table-ware

The clay and ground bone were mixed in the sliphouse. Bowls, plates and saucers were pressed, jiggered and jolleyed or moulded from the slip. The green (un-fired) china was left to dry in the greenhouse. At the same time the saggars that would hold them in the kiln were made.

The bottle oven kiln is protected by an outer hovel, which helps to create an updraught. The biscuit kiln was filled with clay sealed saggars of green (un-fired) flatwares (bedded in flint) by placers. The doors (clammins) were bricked up and the firing began. Each firing took 14 tons of coal. Fires were lit in the firemouths and baited every four hours, flames rose up inside the kilns, heat passed between the bungs of saggars. They controlled the temperature of the firing using dampers in the crown. The temperature was gauged by watching the contraction of bullers rings (a pyrometric device placed in the kiln). A kiln would be fired to 1250C. [10]

The biscuitwares are glazed. They fired again in the bigger glost kilns- again they are placed in sealed saggars, items separated by kiln furniture such as stints, saddles and thimbles. The table-ware would then be decorated by transfers or by painting and placed in the muffle kiln. [10]

The enamel kiln (or muffle kiln) is of different construction- it fired at 700C. The pots were stacked on 7 or 8 levels of clay bats (shelves). The door was iron lined with brick. [10]

When the kiln cooled the product was transported in basket and exported to different parts of the country and empire using the canal network and the ports on the River Mersey. [10]

Buildings

The museum is centred on the Roslyn pottery. It contains two biscuit ovens and two larger glost ovens. In addition are two enamel kilns. A tandem compound steam engine by Marshall & Sons, of Gainsborough, Lincolnshire is in place but it is turned by an electric motor. The two muffle kilns came from elsewhere.

Displays

The museum allows the visitor to explore the bottle kilns and exhibits the principal ancillary rooms: the engine house, the slip room, saggar making workshop. It shows aspects of working with clay- including hands on displays of throwing, moulding and decorating. Colour and gilding is presented as interpretive panels.

There is a gallery explaining the history of the tile: how it was pressed glazed and decorated. In one tableau the "Gladstone Vase" by Frederick Alfred Rhead is displayed. [lower-alpha 1]

There is also a gallery charting the history of sanitary ware, privies, earth closets and water closets.

Media interest

Gladstone has seen its share of celebrity interest, from Tony Robinson filming for a BBC documentary 'The Worst Jobs in Britain' and from Alan Titchmarsh. It also has regular visits from the Blue Peter crew, and numerous children's TV programmes. In 1986, parts 13 and 14 of the Doctor Who serial The Trial of a Time Lord were shot at the museum. [13] In the early 1990s it was featured on Noel's House Party with a live 'gunging' outside of the bottle kilns.

Gladstone pottery museum was featured on Living TV's popular series, "Most Haunted".[ citation needed ]

The museum featured in the third episode of the BBC One programme 24 Hours in the Past featuring six celebrities working in the Victorian era. The episode aired on 12 May 2015. [14] [15]

Since 2020, latter series of The Great Pottery Throwdown have been filmed there (having moved from Middleport Pottery )

In 2021, it was used as a regular location for both Netflix TV Series The Irregulars based on the characters from the Arthur Conan Doyle Sherlock Holmes novels and The Colour Room about the local Pottery designer Clarice Cliff.

Celebrations and events

The museum holds annual events from Halloween ghosts walks and tours, to Christmas Carol Concerts and seasonal festivals. It also caters for children with Egg Easter Hunts and Summer Pottery workshops.

See also

Related Research Articles

<span class="mw-page-title-main">Kiln</span> Furnace for clay products

A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or chemical changes. Kilns have been used for millennia to turn objects made from clay into pottery, tiles and bricks. Various industries use rotary kilns for pyroprocessing and to transform many other materials.

<span class="mw-page-title-main">Stoke-on-Trent</span> City in Staffordshire, England

Stoke-on-Trent is a city and unitary authority area in Staffordshire, England, with an area of 36 square miles (93 km2). In 2022, the city had an estimated population of 259,965. It is the largest settlement in Staffordshire and is surrounded by the towns of Newcastle-under-Lyme, Alsager, Kidsgrove and Biddulph, which form a conurbation around the city.

<span class="mw-page-title-main">Earthenware</span> Nonvitreous pottery

Earthenware is glazed or unglazed nonvitreous pottery that has normally been fired below 1,200 °C (2,190 °F). Basic earthenware, often called terracotta, absorbs liquids such as water. However, earthenware can be made impervious to liquids by coating it with a ceramic glaze, and such a process is used for the great majority of modern domestic earthenware. The main other important types of pottery are porcelain, bone china, and stoneware, all fired at high enough temperatures to vitrify. End applications include tableware and decorative ware such as figurines.

<span class="mw-page-title-main">Staffordshire Potteries</span> Historic ceramic-producing region within the present Stoke-on-Trent, Staffordshire, England

The Staffordshire Potteries is the industrial area encompassing the six towns Burslem, Fenton, Hanley, Longton, Tunstall and Stoke in Staffordshire, England. North Staffordshire became a centre of ceramic production in the early 17th century, due to the local availability of clay, salt, lead and coal.

<span class="mw-page-title-main">Burslem</span> One of the Six Towns of Stoke-on-Trent, in Staffordshire, England

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<span class="mw-page-title-main">Middleport, Staffordshire</span> Human settlement in England

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<span class="mw-page-title-main">Saggar</span> Type of kiln furniture

A saggar is a type of kiln furniture. It is a ceramic boxlike container used in the firing of pottery to enclose or protect ware being fired inside a kiln. The name may be a contraction of the word safeguard.

<span class="mw-page-title-main">Charlotte Rhead</span> English ceramics designer

Charlotte Rhead was an English ceramics designer active in the 1920s and the 1930s in the Potteries area of Staffordshire.

<span class="mw-page-title-main">Longton, Staffordshire</span> One of the Six Towns of Stoke-on-Trent, in Staffordshire, England

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<span class="mw-page-title-main">Frederick Hurten Rhead</span>

Frederick Hurten Rhead (1880–1942) was a ceramicist and a major figure in the Arts and Crafts movement. A native of England, he worked as a potter in the United States for most of his career. In addition to teaching pottery techniques, Rhead was highly influential in both studio and commercial pottery. He worked for the Roseville Pottery, established his own Rhead Pottery (1913–1917), and in 1935 designed the highly successful Fiesta ware for Homer Laughlin China Company.

<span class="mw-page-title-main">Mintons</span> English pottery company (1793–2005)

Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.

<span class="mw-page-title-main">Burleigh Pottery</span> British pottery manufacturer

Burleigh Pottery is the name of a pottery manufacturer in Middleport, Stoke-on-Trent. The business specialises in traditionally decorated earthenware tableware.

Frederick Alfred Rhead (1856–1933) was a potter working in North Staffordshire, England. He is not to be confused with his son Frederick Hurten Rhead (1880–1942) who was also a potter, and who worked mainly in the USA. His other children included the pottery designer Charlotte Rhead.

Stoke-on-Trent is a city in Staffordshire, England. Known as The Potteries and is the home of the pottery industry in the United Kingdom. Formed in 1910 from six towns, the city has almost 200 listed buildings within the city. Many of these are connected with the pottery industry and the people involved with it.

<span class="mw-page-title-main">Bottle oven</span> Type of kiln

A bottle oven or bottle kiln is a type of kiln. The word 'bottle' refers to the shape of the structure and not to the kiln's products, which are usually pottery, not glass.

<span class="mw-page-title-main">Shelley Potteries</span>

Shelley Potteries, situated in Staffordshire, was earlier known as Wileman & Co. which had also traded as The Foley Potteries. The first Shelley to join the company was Joseph Ball Shelley in 1862 and in 1896 his son Percy Shelley became the sole proprietor, after which it remained a Shelley family business until 1966 when it was taken over by Allied English Potteries. Its china and earthenware products were many and varied although the major output was table ware. In the late Victorian period the Art Nouveau style pottery and Intarsio ranges designed by art director Frederick Alfred Rhead were extremely popular but Shelley is probably best known for its fine bone china “Art Deco” ware of the inter-war years and post-war fashionable tea ware.

<span class="mw-page-title-main">China painting</span> Art of painting on ceramics

China painting, or porcelain painting, is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain, developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.

<span class="mw-page-title-main">Middleport Pottery</span>

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<span class="mw-page-title-main">Potbank</span>

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References

Notes
  1. The Gladstone Vase was decorated in pâte-sur-pâte . It was presented to W.E. Gladstone by the Liberals of Burslem in August 1888. [11] Contemporary sources describe it as:
    "In the centre is a symbolic figure of Liberty seated on a dais, and holding in one hand the scales of justice and in the other a broken chain. On the right is Homer and on the left Dante offering a poet’s tribute. Next to the central figure on the left are figures of a vestal in a pleading attitude and a historian recording the deeds done in the name of freedom. On the back of the vase in the centre is a figure of St. George, supported on one side by William Wallace and on the other by Brian Boru. There are figures of Ireland with bowed heads and Poland with mournful look and hair unbound. There are also figures of saucy children and a maiden bringing offerings of flowers. The figures are executed in white on a blackish or bottle green ground, and the general ground of the vase is of heliotrope tint, with quiet ornamentation".
    It is on loan from the Gladstone family. [12]
Footnotes
  1. Historic England & 1195854.
  2. "The "Heart of England" Regional Route" . Retrieved 29 November 2014.
  3. "Listed Buildings in Stoke-on-Trent and area" . Retrieved 29 November 2014.
  4. "Bottle oven Conservation Scheme" . Retrieved 30 November 2014.
  5. "Longton Conservation Area" (PDF). 2009. Retrieved 1 December 2014.
  6. "Awards and Winners" (PDF), National Heritage, National Heritage, retrieved 28 June 2019
  7. http://www.stokemuseums.org.uk/visit/gpm/history/ Archived 5 December 2014 at the Wayback Machine History of Gladstone Pottery
  8. "Way we were". The Sentinel . 2014. Retrieved 30 November 2014.
  9. Tyler, Richard (2011). "Burleigh pottery saved". Telegraph. Retrieved 30 November 2014.
  10. 1 2 3 4 Interpretation board at Gladstone Pottery Museum.
  11. "Attributed to Frederick Alfred Rhead [1856-1933]-". invaluable.co.uk.
  12. Mason, Peter (13 March 2014). "Frederick Rhead's Gladstone Vase". www.rheadpottery.com. Retrieved 4 December 2014.
  13. Mulkern, Patrick (30 June 2012). "The Trial of a Time Lord *". Radio Times. Retrieved 5 May 2015.
  14. "24 Hours in the Past - S1 - Episode 3: Pottery". Radio Times.
  15. "BBC One - 24 Hours in the Past". BBC.

Bibliography

52°59′12″N2°07′54″W / 52.9866°N 2.1317°W / 52.9866; -2.1317