The Staffordshire Potteries is the industrial area encompassing the six towns Burslem, Fenton, Hanley, Longton, Tunstall and Stoke (which is now the city of Stoke-on-Trent) in Staffordshire, England. [1] North Staffordshire became a centre of ceramic production in the early 17th century, [2] due to the local availability of clay, salt, lead and coal.
Hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other glazing and decorating techniques. In general Staffordshire was strongest in the middle and low price ranges, though the finest and most expensive types of wares were also made. [3]
By the late 18th century North Staffordshire was the largest producer of ceramics in Britain, despite significant centres elsewhere, and relied heavily on child labor throughout the production process. [4] Large export markets took Staffordshire pottery around the world, especially in the 19th century. [5] Production began to decline in the late 19th century, as other countries developed their industries. After World War II it declined steeply. Production continues in the area, but at a small fraction of the levels at the peak of the industry.[ citation needed ]
The boom came after the discovery in 1720 by potter John Astbury of Shelton, that by adding heated and ground flint powder to the local reddish clay he could create a more palatable white or Creamware. The flint was sourced from either the South Coast of England or France, then shipped to the Port of Liverpool or to Shardlow on the River Trent. [6] After shipping by pack horses to the watermills local to the potteries, or to commercial flint grinding mills in either the Churnet Valley or Moddershall Valley, it was sorted to remove flint that had reddish hues, then heated to 1,200 °C (2,200 °F) to create an easily ground product. [6] A group involving James Brindley later patented a water-based process that reduced the generation of fine siliceous dust, lessening workers' risk of developing silicosis. In the early 1900s the process was converted to grinding bone, which had a similar effect. [6] [7]
With the coming of pottery products distribution by railway that began in the 1840s, mainly by the London and North Western Railway and Midland Railway, there was a considerable increase in business.[ citation needed ]
Potteries active in the 19th century include Spode, Aynsley, Burleigh, Doulton, Dudson, Mintons, Moorcroft, Davenport, Twyford, and Wedgwood.
The Chartist 1842 General Strike was ignited by striking miners at collieries in the Potteries, and led to the 1842 Pottery Riots.
William Hines and his brother Thomas Hines established the pottery firm Hines Brothers in Fenton, Stoke-on-Trent and built Heron Cross Pottery [8] in 1886, particularly making the classic brown earthenware teapots and tea services for the London Midland and Scottish Railway. The business was taken over in 1907 and became the Kensington Pottery in Hanley in about 1922: this pottery continued until 1937.
It is understood that in about 1850 William Hines was born either in Ellesmere, Shropshire or in St Oswalds, Welsh Marches. He married Mary Mellor on 10 March 1875 and remarried when she died (reportedly not until the evening of his marriage telling his second wife that he already had six children). He became a prominent rider in the North Staffordshire Hunt [9] and owner of a stable of horses. He spent considerable money building Wesleyan chapels. There is a Hines Street in Fenton. [10] [11]
Stoke-on-Trent is a city and unitary authority area in Staffordshire, England, with an area of 36 square miles (93 km2). In 2022, the city had an estimated population of 259,965. It is the largest settlement in Staffordshire and is surrounded by the towns of Newcastle-under-Lyme, Alsager, Kidsgrove and Biddulph, which form a conurbation around the city.
Faience or faïence is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding 1,000 °C (1,830 °F) was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles.
Thomas Whieldon was an English potter who played a leading role in the development of Staffordshire pottery.
Josiah Spode was an English potter and the founder of the English Spode pottery works which became famous for the high quality of its wares. He is often credited with the establishment of blue underglaze transfer printing in Staffordshire in 1781–84, and with the definition and introduction in c. 1789–91 of the improved formula for bone china which thereafter remained the standard for all English wares of this kind.
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England. Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
Fenton is one of the six towns that amalgamated with Hanley, Tunstall, Burslem, Longton and Stoke-upon-Trent to form the county borough of Stoke-on-Trent in 1910, later raised to city status in 1925. Fenton is often referred to as "the Forgotten Town", because it was omitted by local author, Arnold Bennett, from many of his works based in the area, including one of his most famous novels, Anna of the Five Towns.
Creamware is a cream-coloured refined earthenware with a lead glaze over a pale body, known in France as faïence fine, in the Netherlands as Engels porselein, and in Italy as terraglia inglese. It was created about 1750 by the potters of Staffordshire, England, who refined the materials and techniques of salt-glazed earthenware towards a finer, thinner, whiter body with a brilliant glassy lead glaze, which proved so ideal for domestic ware that it supplanted white salt-glaze wares by about 1780. It was popular until the 1840s.
Etruria is a suburb of Stoke-on-Trent, Staffordshire, England.
Tunstall is one of the six towns that, along with Burslem, Longton, Fenton, Hanley and Stoke-upon-Trent, amalgamated to form the City of Stoke-on-Trent in Staffordshire, England. It was one of the original six towns that federated to form the city. Tunstall is the most northern, and fourth largest town of the Potteries. It is situated in the very northwest of the city borough, with its north and west boundaries being the city limit. It stands on a ridge of land between Fowlea Brook to the west and Scotia Brook to the east, surrounded by old tile-making and brick-making sites, some of which date back to the Middle Ages.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. Pottery decorated using this technique is known as transferware or transfer ware.
Longton is one of the six towns which amalgamated to form the county borough of Stoke-on-Trent in 1910, along with Hanley, Tunstall, Fenton, Burslem and Stoke-upon-Trent in Staffordshire, England.
Barlaston is a village and civil parish in the borough of Stafford in the county of Staffordshire, England. It is roughly halfway between the city of Stoke-on-Trent and the small town of Stone. According to the 2001 census the population of the parish was 2,659, rising at the 2011 Census to 2,858.
Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. It was rapidly successful and was soon one of the largest manufacturers of Staffordshire pottery, "a firm that has done more to spread the knowledge and enhance the reputation of British ceramic art than any other manufacturer", exporting across Europe as far as Russia, and to the Americas. It was especially successful at producing fine earthenware and stoneware that were accepted as equivalent in quality to porcelain but were considerably cheaper.
Johnson Brothers was a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware. It was among the most successful Staffordshire potteries which produced tableware, much of it exported to the United States, from the 1890s through to the 1960s. They were also important manufacturers of large bathroom ceramics. Some of its designs, such as "Eternal Beau", "Dawn", "Old Britain Castles" and "Historic America", achieved widespread popularity and are still collected today. The company's success was due in part to its ability to identify and follow trends that appealed to its customers in the United States, and in part to the high quality of its designs, produced by skilled artists.
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.
Marc-Louis-Emmanuel Solon, pseudonym Miles, was a French porcelain artist. After beginning his career at the Sèvres Pottery, he moved to Stoke-on-Trent in 1870 to work at Mintons Ltd, where he became the leading exponent of the technique of ceramic decoration called pâte-sur-pâte. His work commanded high prices in the late Victorian period.
The federation of Stoke-on-Trent was the 1910 amalgamation of the six Staffordshire Potteries towns of Burslem, Tunstall, Stoke-upon-Trent, Hanley, Fenton and Longton into the single county borough of Stoke-on-Trent. The federation was one of the largest mergers of local authorities, involving the greatest number of previously separate urban authorities, to take place in England between the nineteenth century and the 1960s. The 1910 federation was the culmination of a process of urban growth and municipal change that started in the early 19th century.
A potbank is a colloquial name for a pottery factory in North Staffordshire used to make bone china, earthenware and sanitaryware.
William Greatbatch was a noted potter at Fenton, Staffordshire, from the mid-eighteenth to the beginning of the nineteenth centuries. Fenton was one of the six towns of the Staffordshire Potteries, which were joined in the early 20th century to become the city of Stoke-on-Trent in Staffordshire, England.
Millicent (Millie) Jane Taplin (1902–1980) was a British designer and painter of ceramics who spent most of her career at Josiah Wedgwood and Sons (1917–1962). She was trained in painting by Alfred and Louise Powell, and supervised Wedgwood's ceramics painters. She became a designer of decorative patterns in 1929 and by the mid-to-late 1930s was one of the company's main designers, although she did not design pottery shapes. She was one of only two working-class women to become a successful ceramics designer before the Second World War. Her tableware designs were exhibited by Wedgwood at Grafton Galleries in London in 1936, and several of her designs are now on display at the V&A Museum. Her design "Strawberry Hill", with Victor Skellern, was awarded the Council of Industrial Design's Design of the Year Award in 1957.
