Russell Collection

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Raymond Russell Collection of Early Keyboard Instruments
Museum of Musical Instruments (geograph 3678543).jpg
The public display of keyboard Instruments
Russell Collection
Established1968
Location St Cecilia's Hall,
Niddry Street,
Edinburgh
Coordinates 55°56′57″N3°11′11″W / 55.94903°N 3.18649°W / 55.94903; -3.18649
Typekeyboard instrument collection
Collection size21 instruments
Website Musical Instrument Collection website
St Cecilia's Hall, Edinburgh, where the collection is housed St Cecilia's Hall, Edinburgh, by Jim Barton, Geograph 4253114.jpg
St Cecilia's Hall, Edinburgh, where the collection is housed

The Russell Collection is a substantial collection of early keyboard instruments assembled by the British harpsichordist and organologist Raymond Russell. It forms part of the Musical Instrument Museums collection of the University of Edinburgh, and is housed in St Cecilia's Hall. Its full name is the Raymond Russell Collection of Early Keyboard Instruments. [1]

Contents

History

Raymond Russell, a British harpsichordist and organologist, bought his first historic keyboard instrument in 1939. [2] Over the next twenty years he assembled a considerable collection of seventeenth- and eighteenth-century clavichords and harpsichords. His collection included instruments from all the main harpsichord-building areas of Europe: a number of English spinets; early harpsichords and virginals from Italy; Flemish instruments by the Ruckers; a late French instrument by Pascal Taskin; and a clavichord and harpsichord from North Germany, both by Johann Adolph Hass. [1] Russell described many of the instruments in detail in his book The Harpsichord and Clavichord: an Introductory Study, published in 1959.

By 1960 Russell had decided to donate his collection to Edinburgh University, where it was to become the nucleus of a centre for research in keyboard performance practice and organology, but this plan was not completed by the time of his sudden death in Malta in 1964 at the age of forty-one. [1] Later that year, in his memory and in accordance with his wishes, his mother Maud Russell donated almost all of his collection – nineteen instruments – to the university; [1] the donation also included his notes and his collection of documentary photographs. [3] :vii The collection was housed in St Cecilia's Hall in Edinburgh, which opened as a museum in 1968. The opening recital was given by Gustav Leonhardt.[ citation needed ]

The university bought two further instruments from Russell's collection – an English double harpsichord by Jacob Kirckman, bought at auction in 1970, and a French double harpsichord by Jean Goermans and Taskin, purchased from Maud Russell in 1974 – bringing the total number to twenty-one. [1]

Instruments

The instruments in the collection represent the five principal geographical areas or national schools of harpsichord-making – England, Flanders, France, the German-speaking world and the Italian peninsula – and more than two hundred years of the history of the craft.

England

English instruments in the collection include:

Flanders

There are four Flemish harpsichords in the collection, all made in Antwerp:

France

The two French instruments are:

Germany

There are two North German instruments, both made in Hamburg by Johann Adolph Hass: an unfretted clavichord dating from 1763, [18] and a single-manual harpsichord made in 1764. [19] There is also a small German triple-fretted clavichord from about 1700. [20] [21] :16

Italy

Instruments from Italy include:

See also

Related Research Articles

<span class="mw-page-title-main">Harpsichord</span> Plucked-string keyboard instrument

A harpsichord is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute.

<span class="mw-page-title-main">Spinet</span> Small form of keyboard instruments

A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ.

<span class="mw-page-title-main">Virginals</span> Keyboard instrument of the harpsichord family

The virginals is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods.

The Ruckers family were harpsichord and virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influence stretched well into the 18th century, and to the harpsichord revival of the 20th.

Pascal Taskin

Pascal-Joseph Taskin was a Belgium-born French harpsichord and piano maker.

<span class="mw-page-title-main">Claviorgan</span>

The claviorgan is a combination of a stringed instrument and an organ. Its origin is uncertain but its history can be traced back to the fifteenth century.

Hieronymus Albrecht Hass was a German harpsichord and clavichord maker. He was the father of Johann Adolph Hass, who also made harpsichords and clavichords.

<span class="mw-page-title-main">Johann Adolph Hass</span>

Johann Adolph Rudolph Hass, usually known as Johann Adolph Hass, was a German maker of clavichords, harpsichords and possibly organs. He was the son of Hieronymus Albrecht Hass, also a maker of keyboard instruments.

<span class="mw-page-title-main">Finchcocks</span> House in Kent, United Kingdom

Finchcocks is an early Georgian manor house in Goudhurst, Kent. For 45 years it housed a large, visitor-friendly museum of historical keyboard instruments, displaying a collection of harpsichords, clavichords, fortepianos, square pianos, organs and other musical instruments. The museum was run by the owners of the house, Richard and Katrina Burnett. It is now owned by Neil and Harriet Nichols who use it as a family home and a venue for residential piano courses.

The Kirkman family were English harpsichord and later piano makers of Alsatian origin, active from the 1770s until the late 1800s.

<span class="mw-page-title-main">Couchet</span>

The Couchet family were Flemish harpsichord and virginal makers in Antwerp, closely associated with, and descendants of, the Ruckers family.

History of the harpsichord

The harpsichord was an important keyboard instrument in Europe from the 15th through the 18th centuries, and as revived in the 20th, is widely played today.

<span class="mw-page-title-main">Benton Fletcher</span>

Major George Henry Benton Fletcher was a collector of early keyboard instruments including virginals, clavichords, harpsichords, spinets and early pianos. His collection is currently housed and kept in playing condition by the National Trust in Fenton House, a beautiful late 17th century merchant's house in, Hampstead, north London.

<span class="mw-page-title-main">Moritz Georg Moshack</span>

Moritz Georg Moshack was a builder of Danish clavichords. Three of his instruments are known to exist: a fret-free clavichord dating to 1768 at the Norsk Folkemuseum, Oslo, Norway; a single manual harpsichord dating to 1770 at the Falsters Minder Museum, Nykøbing, Falster, Denmark; and the fret-free Clavichord dating to 1770 at the Danish Music Museum in Copenhagen, Denmark.

<span class="mw-page-title-main">Artus Gheerdinck</span>

Artus Gheerdinck (1564–1624) was a Dutch harpsichord builder.

<span class="mw-page-title-main">Albert Delin</span>

Albert Delin was a harpsichord maker in the Low Countries.

<span class="mw-page-title-main">Girolamo Zenti</span> 17th century Italian harpsichord maker and organ builder

Girolamo Zenti was an Italian harpsichord maker and organ builder in the 17th century. He is known as the probable inventor of the bentside spinet and for having traveled unusually extensively to practice his trade at the courts of Europe, including Rome, Florence, Paris, London and Stockholm.

The Antunes family were Portuguese harpsichord- and early piano builders in the 18th and 19th centuries.

John Philip Kitchen MBE is a Scottish organist, conductor, early music scholar, and music educator based in Edinburgh. He serves as the Edinburgh City Organist. Kitchen is known for his extensive recording portfolio of organ music, and his research and demonstration of historical keyboard instruments, He made major contributions to the discography and scholarship on the organ works of William Russell, and Johann Ludwig Krebs.

Raymond Russell (organologist)

Raymond Anthony Russell,, was a British organologist and antiquarian. He was an expert on early keyboard instruments, and assembled an important collection which now forms the Raymond Russell Collection of Early Keyboard Instruments of the University of Edinburgh.

References

  1. 1 2 3 4 5 Raymond Russell Collection of Early Keyboard Instruments. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  2. Peter Bavington (2016). Russell, Raymond. Grove Music Online. Oxford Music Online. Oxford: Oxford University Press. Accessed March 2017. (subscription required).
  3. Sidney Newman, Peter F. Williams (editors) (1968). The Russell Collection and other Early Keyboard Instruments in Saint Cecilia's Hall, Edinburgh. Edinburgh: University of Edinburgh.
  4. Virginal: Stephen Keene. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  5. Spinet: Attributed to John Player. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  6. Single-manual harpsichord: Thomas Hancock. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  7. Spinet: Thomas Hitchcock. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  8. Spinet: Sir John Harrison Burnett. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  9. Double-manual harpsichord: Jacob Kirckman. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  10. Spinet: Neil Stewart. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  11. Single-manual harpsichord: John Broadwood and Sons. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  12. Double-manual harpsichord: Andreas Ruckers the elder. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  13. Single-manual harpsichord: Ioannes Ruckers. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  14. Double-manual harpsichord: Ioannes Ruckers. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  15. Single-manual harpsichord: Ioannes Couchet. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  16. Double-manual harpsichord: Jean Goermans / Pascal Taskin. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  17. Double-manual harpsichord: Pascal Taskin. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  18. Clavichord: Johann Adolph Hass. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  19. Single-manual harpsichord: Johann Adolph Hass. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  20. Clavichord: Unknown. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  21. George Napier (1986). A Brief Guide to the Russell Collection of Harpsichords and Clavichords in St. Cecilia's Hall. Edinburgh: Friends of St. Cecilia's Hall.
  22. Virginal: Alessandro Bertoloti. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  23. Single-manual harpsichord: Unknown. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  24. Triple-manual harpsichord: Stefano Bolcioni. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.
  25. Octave spinet: Petrus Michael Orlandus. Edinburgh: Library & University Collections, University of Edinburgh. Accessed March 2017.