Scene (subculture)

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Members of the scene subculture in 2008 Scene kids2.jpg
Members of the scene subculture in 2008

The scene subculture is a youth subculture that emerged during the early 2000s in the United States from the pre-existing emo subculture. [1] The subculture became popular with adolescents from the mid 2000s [2] to the early 2010s. Members of the scene subculture are referred to as scene kids, trendies, or scenesters. [3] Scene fashion consists of skinny jeans, bright-colored clothing, a signature hairstyle consisting of straight, flat hair with long fringes covering the forehead, and bright-colored hair dye. [4] Music genres associated with the scene subculture include metalcore, crunkcore, deathcore, electronic music, and pop punk. [5] [6]

Contents

From the mid-2000s to early 2010s, scene fashion gained popularity among teens and the music associated with the subculture achieved commercial success in both the underground and the mainstream. Groups like Bring Me the Horizon, Asking Alexandria, Pierce the Veil, and Metro Station garnered mainstream attention and large audiences while still largely being tied to the scene subculture. In the mid-to-late 2010s, the scene subculture lost popularity; however, since 2019, there have been movements that have given it a revival. [7] [8]

Fashion

Example of scene fashion Hopapanic.jpg
Example of scene fashion

Scene fashion includes bright-colored clothing, skinny jeans, stretched earlobes, sunglasses, piercings, large belt buckles, wristbands, fingerless gloves, eyeliner, hair extensions, and straight, androgynous flat hair with a long fringe covering the forehead and sometimes one or both eyes. Scene people dye their hair colors like blond, pink, red, green, or bright blue. [4] [9] [10] [11] Members of the scene subculture often shop at Hot Topic. [12] According to The Guardian , a scene girl named Eve O'Brien described scene people as "happy emos". [11]

Music

Scene people are associated with various styles of music including metalcore, deathcore, post-hardcore, crunkcore, electronic music, indie rock, emo pop, and pop punk. Artists commonly associated with the scene subculture include Cute Is What We Aim For, Asking Alexandria, Black Veil Brides, Attack Attack!, We Came As Romans, Bring Me the Horizon, Paramore, Mayday Parade, Suicide Silence, the Medic Droid, Breathe Carolina, Escape the Fate, Falling in Reverse, Hawthorne Heights, Lights, Taking Back Sunday, Prima Donna, and Design the Skyline. [9] [13] [14] [15] [16] [17] [18] [11] [19] [20] Many bands associated with the scene subculture gained popularity through the social media website MySpace. [21]

Crunkcore

Crunkcore (also called crunk punk, [22] screamo-crunk and scrunk [23] ) is a musical fusion genre that is popular among scene kids. Characterized by the combination of cultural and musical elements from crunk, screamo, pop, electronic and dance music, [24] [25] the genre often features screamed vocals, hip hop beats, and sexually provocative lyrics. [24] [25] [26] [27] Notable groups in the genre included Brokencyde, Hollywood Undead, [1] 3OH!3 and Millionaires. [24]

Neon pop-punk

Neon pop-punk emerged in the late 2000s as a style that blended elements of power pop and electronic music with the upbeat, catchy sound of pop-punk. [28] Bands in this genre embraced bright, glistening aesthetics and often featured neon colors in their merch and music videos. Notable groups from that era include All Time Low, the Maine, the Cab, Metro Station, We the Kings, Marianas Trench, Boys Like Girls, The Summer Set, Cobra Starship, Hey Monday, the Academy Is... and Forever the Sickest Kids. [29] [30] [1]

History

Origins

The Blood Brothers were influential on the development of scene fashion. The Blood Brothers - 07-27-2007 - 1 (cropped).jpg
The Blood Brothers were influential on the development of scene fashion.

Scene originated from the emo subculture in the early-2000s across the United States. The name began being used around 2002, through the term "scene queen", a derogatory term describing attractive, popular women perceived by older hardcore musicians as only being involved in hardcore for the subculture. [1]

"Fashioncore" was an aesthetic originated by Orange County metalcore band Eighteen Visions that helped to originate the scene subculture. Originating as a way of purposely being confrontational to the hypermasculinity of hardcore, it used many aspects that would come to define scene fashion, such as eyeliner, tight jeans, collared shirts, straightened hair and white belts. [1] According to MetalSucks writer Finn McKenty, the quintessential scene haircut was invented by Eighteen Visions bassist Javier Van Huss. Huss, himself, had been inspired to create the haircut from seeing a poster of the band Orgy. [31] in Louder Than Hell by Katherine Turman and John Wiederhorn, Ryan Downey states "Javier [Van Huss] really led the charge with crazy hairstyles and pink and blond and blue chunks in their hair". [32] Though the term began as pejorative against fashionable people in the hardcore scene, the style was eventually popularized in the early-2000s through the success of Eighteen Visions, Atreyu and From Autumn to Ashes. [33]

Sass music was also a notable origin of scene. Like fashioncore, sass was also a deliberate confrontation to hardcore's hyper masculinity, with sass bands doing so through their use of overt homoeroticism. The fashion of many sass musicians, notably Johnny Whitney, lead vocalist for the Blood Brothers, were influential upon the development of scene. [1]

Mainstream success

Gabe Saporta helped to define scene fashion by taking influence from rave and Harajuku street fashion. Gabe Saporta stage.jpg
Gabe Saporta helped to define scene fashion by taking influence from rave and Harajuku street fashion.

Scene entered popular culture following the mainstream exposure of the emo subculture, indie pop, pop punk, and hip hop in the mid 2000s. [34] [35] The scene subculture is considered by some to have developed directly from the emo subculture and thus the two are often compared. [36] During the mid 2000s, members of the British and American scene subculture took inspiration from the deathcore music scene. In a 2005 article by Phoenix New Times , writer Chelsea Mueller described the appearance of the band Job for a Cowboy (a band that was deathcore at the time) by writing that the band "may look like scenesters with shaggy emo haircuts and tight pants, and may mock metal greats, but this death-metal band is for real." [37] Mueller described Job for a Cowboy as "five guys in girls' jeans and tight band tee shirts". [37] Another early deathcore group popular among members of the scene subculture is Bring Me the Horizon. [15]

In the following years, the spectrum of scene fashion broadened to include a number of sub-styles taking influence from a wide range of fashion styles. According to PopMatters writer Ethan Stewart, "the most renowned [sub-style of scene] was those who merged the subculture with brightly coloured party fashion", a style he attributed the beginnings of to Cobra Starship vocalist Gabe Saporta and his influence from rave and Harajuku street fashion. He also noted those who took influence from 1980s glam metal fashion, such as the members of Black Veil Brides, Escape the Fate and Falling in Reverse. He attributed the origin of this style to Blessed by a Broken Heart. [1]

Members of the subculture quickly began using MySpace. As the popularity of MySpace grew, the website began to develop some of the earliest internet celebrities, referred to as "scene queens". [38] Notable MySpace scene queens include Audrey Kitching, Jeffree Star and the members of the Millionaires. [39] [40]

The music festival Warped Tour became popular with members of the scene subculture during the 2000s. Artists associated with the subculture would often play at the festival. [5] Bands influenced by crunkcore, electropop and electronic dance music gained popularity among scene kids during the mid to late 2000s, including Cobra Starship and 3OH!3. Blood on the Dance Floor became especially popular, after Jayy Von Monroe joined as lead singer in 2009. [41] [42]

During the late 2000s, similar subcultures emerged in Asia and Latin America, including the Shamate in China, [43] the Floggers in Argentina, the Coloridos of Brazil, and the Pokemón in Chile. Like their American counterparts, these scene kids wore brightly colored clothing, androgynous big hair and eyeliner, and identified with the emo pop, indie rock, hip hop, and EDM scene. [44]

Decline and revival

By around 2014 the subculture had seen a decline in popularity, [2] while also being influential on the fashion and culture of Tumblr, [45] a website which would eventually develop a number of its own scene queens, such as Halsey. [46] Warped Tour had its last show in 2019 after running annually since 1995.

The late 2010s saw the growing popularity of musicians who had begun their careers as members of scene bands, most notably Lil Lotus, Blackbear, Post Malone, Mod Sun and Lil Aaron. Within this movement came the mainstream success of emo rap, itself influenced by scene. [1]

Beginning in 2019, there were several movements promoting the return of the subculture, such as #20ninescene (2019) [47] and the "Rawring 20s" (2020s). [48] Websites like SpaceHey and FriendProject, [49] which retain Myspace's early design, have gained popularity among teenagers, [50] [51] and social media influencers on Instagram and TikTok have begun adopting scene fashion. [52] Around this time, the subculture was also influential on the development of the e-girls and e-boys subculture, [53] and the development of hyperpop. [1] Scene festivals also returned in 2022 with the When We Were Young festival.

Criticisms

Brokencyde was a popular scene band that received widespread criticism for their sound and fashion. BrokeNCYDE.jpg
Brokencyde was a popular scene band that received widespread criticism for their sound and fashion.

According to a 2008 article by The Sydney Morning Herald , the scene subculture has been criticized for its perceived derivativeness of emo fashion. [10] The scene subculture has also been the subject of criticism from members of the heavy metal subculture. Pejorative terms such as "myspace-core", "scenecore" and "mallcore" have been used to describe scene music and artists. [21] These terms mock the use of the suffix "-core" which has been used to describe genres related to the scene subculture such as metalcore, crunkcore, and deathcore. [54]

Crunkcore has received criticism and the genre has been poorly received by music reviewers. The Boston Phoenix has mentioned criticism of the style, saying that "the idea that a handful of kids would remix lowest-common-denominator screamo with crunk beats, misappropriated gangsterisms, and the extreme garishness of emo fashion was sure to incite hate-filled diatribes". [24] Deathcore has been criticized by members of the heavy metal community for its use of breakdowns. [55] [56] [57] [58] [59]

See also

Related Research Articles

<span class="mw-page-title-main">Punk subculture</span> Anti-establishment subculture

The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.

<span class="mw-page-title-main">Hardcore punk</span> Aggressive and fast subgenre of punk rock

Hardcore punk is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".

Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

<span class="mw-page-title-main">Music of Washington (state)</span>

The U.S. state of Washington has been home to many popular musicians and several major hotbeds of musical innovation throughout its history. The largest city in the state, Seattle, is known for being the birthplace of grunge as well as a major contributor to the evolution of punk rock, indie music, folk, and hip hop. Nearby Tacoma and Olympia have also been centers of influence on popular music.

<span class="mw-page-title-main">Screamo</span> Aggressive subgenre of emo

Screamo is a subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.

Metalcore is a broadly defined fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming; more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.

Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.

<span class="mw-page-title-main">Deathcore</span> Fusion of death metal and metalcore genres

Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California, which are home to many notable bands and various festivals.

<span class="mw-page-title-main">Melodic hardcore</span> Music genre

Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Nevertheless, the genre has been very diverse, with different bands showcasing very different styles. Many pioneering melodic hardcore bands, have proven influential across the spectrum of punk rock, as well as rock music more generally.

<span class="mw-page-title-main">Emo subculture</span> Youth subculture

Emo, whose participants are called emo kids or emos, is a subculture which began in the United States in the 1990s. Based around emo music, the subculture formed in the genre's mid-1990s San Diego scene, where participants were derisively called Spock rock due to their distinctive straight, black haircuts. The subculture entered the mainstream consciousness in the 2000s, being associated with social networks including Myspace, Buzznet and hi5. During this time of popularity, it faced backlash, including violent attacks on emo teens in Mexico and Iraq, and proposed Russian laws targeting the subculture, due to views that it was dangerous and promoted anti-social behavior, depression and suicide. By 2009, this mainstream attention had largely declined as the subculture continued underground on websites including Tumblr and through emo revival groups.

Emo pop is a fusion genre combining emo with pop-punk, pop music, or both. Emo pop features a musical style with more concise composition and hook-filled choruses. Emo pop has its origins in the 1990s with bands like Jimmy Eat World, the Get Up Kids, Weezer and the Promise Ring. The genre entered the mainstream in the early 2000s with Jimmy Eat World's breakthrough album Bleed American, which included its song "The Middle". Other emo pop bands that achieved mainstream success throughout the decade included Fall Out Boy, the All-American Rejects, My Chemical Romance, Panic! at the Disco and Paramore. The popularity of emo pop declined in the 2010s, with some prominent artists in the genre either disbanding or abandoning the emo pop style.

Crunkcore is a musical fusion genre characterized by the combination of musical elements from crunk, post-hardcore, heavy metal, pop, electronic and dance music. The genre often features screamed vocals, hip hop beats, and sexually provocative lyrics. The genre developed from members of the scene subculture during the mid-2000s.

The emo revival, or fourth wave emo, was an underground emo movement which began in the late 2000s and flourished until the mid-to-late 2010s. The movement began towards the end of the 2000s third-wave emo, with Pennsylvania-based groups such as Tigers Jaw, Algernon Cadwallader and Snowing eschewing that era's mainstream sensibilities in favor of influence from 1990s Midwest emo. Acts like Touché Amoré, La Dispute and Defeater drew from 1990s emo and especially its heavier counterparts, such as screamo and post-hardcore.

<i>Beating a Dead Horse</i> (album) 2015 studio album by Jarrod Alonge

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