Central Java is a province of Indonesia, located in the middle of the island of Java. Its administrative capital is Semarang. It is bordered by West Java in the west, the Indian Ocean and the Special Region of Yogyakarta in the south, East Java in the east, and the Java Sea in the north. It has a total area of 34,337.48 km2, with a population of 36,516,035 at the 2020 Census making it the third-most populous province in both Java and Indonesia after West Java and East Java. The official population estimate in mid-2022 was 37,032,410. The province also includes a number of offshore islands, including the island of Nusakambangan in the south, and the Karimun Jawa Islands in the Java Sea.
Wayang, also known as wajang, is a traditional form of puppet theatre play originating from the Indonesian island of Java. Wayang refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as wayang. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata, as well as local adaptations of cultural legends. Traditionally, a wayang is played out in a ritualized midnight-to-dawn show by a dalang, an artist and spiritual leader; people watch the show from both sides of the screen.
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.
Batara Kala is the god of the underworld in traditional Javanese and Balinese mythology, ruling over it in a cave along with Setesuyara. Batara Kala is also named the creator of light and the earth. He is also the god of time and destruction, who devours unlucky people. He is related to Hindu concept of Kala, or time. In mythology, he causes eclipses by trying to eat the Sun or the Moon.
Kakawin Ramayana is an Old Javanese poem rendering of the Sanskrit Ramayana in kakawin meter.
Wayang wong, also known as wayang orang, is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the Ramayāna or Mahabharāta. Performances are stylised, reflecting Javanese court culture:
Wayang wong dance drama in the central Javanese Kraton of Yogyakarta represents the epitome of Javanese aesthetic unity. It is total theatre involving dance, drama, music, visual arts, language, and literature. A highly cultured sense of formality permeates every aspect of its presentation.
Wayang style is a style of puppetry influenced by the Indonesian wayang kulit, in which human figures and those that are supernatural are depicted as flat and very two-dimensional. This style was commonly used in East Java during the Majapahit Empire, which lasted from about 1293 AD to around 1500 AD.
Wayang golek is one of the traditional Sundanese puppet arts from West Java, Indonesia. In contrast to the wayang art in other areas of Java island that use leather in the production of wayang, wayang golek is a wayang art made of wood. Wayang Golek is very popular in West Java, especially in the Pasundan land area. Today, wayang golek has become an important part of Sundanese culture.
In Javanese wayang, the panakawan or panakavan (phanakavhan) are the clown servants of the hero. There are four of them – Semar, Petruk, Gareng and Bagong. Semar is the personification of a deity, sometimes said to be the dhanyang or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so Semar is always portrayed as short and fat with a pug nose and a dangling hernia.
Twalen is a member of the pantheon of gods and demi-gods of Balinese mythology.
The Panji tales are a cycle of Javanese stories, centred around the legendary prince of the same name from East Java, Indonesia. Along with the Ramayana and Mahabharata, the tales are the basis of various poems, sculpture and painting, dance-drama performances and genres of wayang, especially the one known in East and Central Java as wayang gedhog. Panji tales have been the inspiration of Indonesian traditional dances, most notably the topeng (mask) dances of Cirebon, Central Java and Malang, as well as gambuh dance-drama in Bali. Especially in the environs of Kediri, part of the probable homeland of the tales of Panji, local stories grew and were connected with the obscure legendary figure of Totok Kerot. Panji tales have spread from East Java (Indonesia) to be a fertile source for literature and drama throughout Indochina Peninsula and Malay World as well.
Dewi Sri or Shridevi is the Javanese, Sundanese, and Balinese Hindu Goddess of rice and fertility, still widely worshiped on the islands of Java, Bali and Lombok, Indonesia. She is often associated or equated with the Hindu goddess Lakshmi, the shakti (consort) of Vishnu.
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ideas has occurred. For example, the older ancestral mythology might be merged with foreign mythology, such as Hindu, Islam, or Christian biblical mythology.
Wawacan Sulanjana is a Sundanese manuscript containing Sundanese myths. The title means "The Tale of Sulanjana", derived from the name of the hero Sulanjana as the protector of rice plant against the attack of Sapi Gumarang cow, Kalabuat and Budug Basu boars symbolizing rice pestilence. The Wawacan Sulanjana contains Sundanese local wisdom through reverence of rice cultivation in its tradition.
Batara Guru is the name of a supreme god in Indonesian Hinduism. His name is derived from Sanskrit Bhattaraka which means “noble lord". He has been conceptualized in Southeast Asia as a kind spiritual teacher, the first of all Gurus in Indonesian Hindu texts, mirroring the guru Dakshinamurti aspect of Hindu god Shiva in the Indian subcontinent. However, Batara Guru has more aspects than the Indian Shiva, as the Indonesian Hindus blended their spirits and heroes with him. Batara Guru's wife in Southeast Asia is Shiva's consort Durga.
Semar Gugat is a stage play written by Nano Riantiarno for his troupe Teater Koma. It follows the traditional wayang character Semar as he attempts— and fails— to take revenge against Arjuna and Srikandi for humiliating him by cutting off a lock of his hair while they are under the influence of the demon queen Durga. Completed in mid-1995, the play consists of 559 lines of dialogue spread through 30 scenes. Semar Gugat has been read as a critique of the New Order government under president Suharto. It was first performed on 25 November 1995 after the government withheld permission for several months. After Teater Koma gave an initial two-week run, it was adapted by various amateur groups. In 1998 Riantiarno won a S.E.A. Write Award for the work.
Petruk is a character in traditional Javanese puppetry, or wayang. He is one of the Punokawan, four comedic figures common in the medium.
Wayang kulit is a traditional form of shadow puppetry originally found in the cultures of Java and Bali in Indonesia. In a wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut oil light. The dalang manipulates carved leather figures between the lamp and the screen to bring the shadows to life. The narratives of wayang kulit often have to do with the major theme of good vs. evil.
Seno Nugroho was an Indonesian artist and puppeteer. His name is widely known as the puppeteer through the wayang kulit performance that combines the Surakarta gagrag and the Yogyakarta gagrag. Another peculiarity that has made him famous is when he presents panakawan with jokes that are spontaneous, contextual, actual, and funny. Apart from performing in Indonesia, Seno Nugroho has also been invited to perform in the Netherlands and Belgium.
Indonesian theatre is a type of art in the form of drama performances that are staged on a stage, with a distinct Indonesian nuance or background. In general, theatre is an art that emphasizes the performing arts that are displayed in front of a large crowd. In other words, theater is a form of visualisation of a drama that is staged on the stage and watched by the audience. Indonesian theatre includes the performing arts of traditional theater and modern theatre located in the territory of Indonesia. Some examples of Indonesian theater are Arja, Wayang, Wayang wong, Lenong, Ludruk, Janger, Randai and others. Theatre in Indonesia can also be referred to as regional or ethnic theatre, because it originates and develops from 1,300 ethnic cultures in Indonesia.
