Sextant | ||||
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Studio album by | ||||
Released | 30 March 1973 | |||
Recorded | early 1973 | |||
Studio |
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Genre | ||||
Length | 39:02 | |||
Label | Columbia | |||
Producer | David Rubinson | |||
Herbie Hancock chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [4] |
Rolling Stone 1998 | [3] |
Rolling Stone 2004 | [5] |
Uppity Music | (favorable) [6] |
Virgin Encyclopedia | [7] |
Penguin Guide to Jazz | [8] |
The Rolling Stone Jazz Record Guide | [9] |
Sextant is the eleventh studio album by Herbie Hancock, released in 1973 by Columbia. It is the last album with the Mwandishi-era sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. Synthesizer player Patrick Gleeson and percussionist Buck Clarke also appear.
Released on March 30, 1973, Sextant was Herbie Hancock's first album on Columbia Records, [3] and the last with his Mwandishi-era group. The album showcased Hancock's early adoption of synthesizers and electronic effects. [3]
Upon release, the record was considered to be a commercial flop. [3]
AllMusic called the album a "gem" which features "a kind of post-modal, free impressionism while gracing the edges of funk." [4] Rolling Stone wrote that, "taking his cue from [Miles] Davis' swirling, anarchic Bitches Brew and On the Corner , Hancock went even further into outer space [...] much of Sextant, with its twittering, burbling effects, amounts to a primitive version of Nineties ambient music." [3] The album was called an "uncompromising avant-funk masterpiece" by Paste Magazine. [2]
All tracks are written by Herbie Hancock
No. | Title | Length |
---|---|---|
1. | "Rain Dance" | 9:16 |
2. | "Hidden Shadows" | 10:11 |
Total length: | 19:27 |
No. | Title | Length |
---|---|---|
1. | "Hornets" | 19:35 |
Total length: | 19:35 |
Herbert Jeffrey Hancock is an American jazz musician, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, using a wide array of synthesizers and electronics. It was during this period that he released one of his best-known and most influential albums, Head Hunters.
Head Hunters is the twelfth studio album by American pianist, keyboardist and composer Herbie Hancock, released October 26, 1973, on Columbia Records. Recording sessions for the album took place in the evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California.
Bennie Maupin is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet.
Dis Is da Drum is Herbie Hancock's thirty-fourth album and his first solo album since leaving Columbia Records. Guests include saxophonist Bennie Maupin, trumpeter Wallace Roney and flautist Hubert Laws.
The Headhunters are an American jazz fusion band formed by Herbie Hancock in 1973. The group fused jazz, funk, and rock music.
Secrets is a jazz-funk fusion album by keyboard player Herbie Hancock. It is also Hancock's seventeenth album overall. Participating musicians include saxophonist Bennie Maupin and guitarist Wah Wah Watson.
Future 2 Future is the thirty-eighth album by Herbie Hancock. Hancock reunited with producer Bill Laswell. The two tried to repeat the success of the three previous albums that combine jazz with electronic music.
Mwandishi is the ninth album by jazz pianist Herbie Hancock, released in 1971. It is the first album to officially feature Hancock’s ‘Mwandishi’ sextet consisting of reed player Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart.
Thrust is the fourteenth studio album by American jazz-funk musician Herbie Hancock, released in September 1974 on Columbia Records. The album reached No. 2 on the Billboard Top Soul Albums chart and No. 13 on the Billboard 200 chart. It is the second album featuring The Headhunters: saxophonist Bennie Maupin, bass guitarist Paul Jackson, drummer Mike Clark and percussionist Bill Summers.
Lite Me Up is a pop album with a strong disco-funk feel by Herbie Hancock. It was Hancock's twenty-eighth album and first release without producer David Rubinson since 1969. On this album, Hancock was influenced by his long-time friend, producer Quincy Jones and sessions included many musicians associated with Jones including Steve Lukather and Jeff Porcaro of Toto. The album was the first on which Hancock played the Synclavier, a digital polyphonic synthesizer.
Mr. Hands is the twenty-fourth album by Herbie Hancock. Unlike the preceding album, Monster, which was conceptualized as a dance album, Mr. Hands is a collection of different musical styles with distinct groups. It features bass guitarist Jaco Pastorius on the track "4 A.M.," plus multiple guests including Bennie Maupin, Sheila E. and Ron Carter, plus an all-synthesizer track ("Textures") performed entirely by Hancock. "Shiftless Shuffle" was recorded by the members of the Headhunters quintet in 1973 during the sessions for the album Head Hunters. This album was the first on which Hancock used a computer, an Apple II. He continued his relationship with Apple Computer for many years.
Man-Child is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records. It was the final studio album to feature The Headhunters, and a number of guest musicians including saxophonist Wayne Shorter, a full brass section, three different guitarists, and Stevie Wonder on harmonica.
Crossings is the tenth album by jazz pianist Herbie Hancock, released in 1972.
Fat Albert Rotunda is the eighth album by jazz keyboardist Herbie Hancock, released in 1969. It was Hancock's first release for Warner Bros. Records after his departure from Blue Note Records. The music was originally done for the TV special Hey, Hey, Hey, It's Fat Albert, which later inspired the Fat Albert and the Cosby Kids TV show.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, along with jazz fusion/jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
Flood is the second live album, and sixteenth album overall, by American jazz pianist and keyboardist Herbie Hancock. Recorded live in Tokyo, the album was originally released exclusively in Japan in 1975 as a double LP 洪水, reads kōzui meaning flood. It features The Headhunters performing selections from the albums Maiden Voyage, Head Hunters, Thrust, and Man-Child –– with the latter album still two months away from release at the time of these concerts.
Patrick Gleeson is an American musician, synthesizer pioneer, composer, and producer.
The Jewel in the Lotus is the debut album by jazz woodwind player Bennie Maupin, recorded in March 1974 and released on ECM later that year. The sextet's rhythm section consists of pianist Herbie Hancock, bassist Buster Williams and percussionists Billy Hart, Freddie Waits and Bill Summers, with guest appearances from trumpeter Charles Sullivan. The title is a translation of the Buddhist mantra Oṃ maṇi padme hūṃ.
Inside Out is an album by American jazz trumpeter Eddie Henderson recorded in 1973 and released on the Capricorn label.
Realization is the debut album by American jazz trumpeter Eddie Henderson recorded in 1973 and released on the Capricorn label.