A shot-on-video (SOV) film, [1] [2] also known as a shot-on-VHS film [3] [4] or a camcorder film, [2] is a film shot using camcorders and consumer-grade equipment, as opposed to film stock or high-end digital movie cameras.
A shot-on-video (SOV) film, [1] [2] also known as a shot-on-VHS film [3] [4] or a camcorder film, [2] is a film shot using camcorders and consumer-grade equipment, as opposed to film stock or high-end digital movie cameras.
The first theatrically-released films shot on videotape pre-date the invention of the camcorder and related consumer video technology, starting with the Electronovision process developed by film producer and entrepreneur H. William "Bill" Sargent, Jr. around 1964. [5] Electronovision used conventional analog Image Orthicon-based studio video cameras (RCA TK-60 cameras in Electronovision's case), recording video from them to an Ampex high-band 2" Quadraplex-format video tape recorder (VTR), all configured to use the black-and-white 819-line interlaced 25 frame per second (FPS) video standard, used in France for TV broadcasting at the time. The videotaped 819-line footage was then edited, with the final cut being transferred from tape to film stock via a kinescope process. The 819-line video standard was chosen by Electronovision over the regular 525-line 30 FPS video standard in use in the US at the time, due to its higher resolution and closer frame rate to motion picture film's 24 FPS, making it a better fit for transfer to film.
A few films were shot and released using the Electronovision process, such as The TAMI Show , (1964), [6] Hamlet (1964), [7] and Harlow (1965). [8]
Around 1969, The Vidtronics Company, a division of Technicolor, had also developed a process for transferring color videotape to film, this time using standard 525-line NTSC color video gear. To demonstrate the potential of their process, they produced The Resurrection of Zachary Wheeler (1971). [9] The picture was shot by the crew from the TV series Death Valley Days , transferred and processed by Technicolor, and distributed by a Technicolor subsidiary, Gold Key Entertainment. It was not successful in theatres, but was frequently shown in TV syndication and 16mm rentals.
Other films using Vidtronics' tape-to-film process were Why? (1971), and 200 Motels (1971), the latter being shot using the 625-line PAL color video standard at Pinewood Studios in the UK.
In 1973, Hollywood actor/producer Ed Platt, made famous by his role as "The Chief" in the NBC-TV series Get Smart , raised the money to produce Santee , starring Glenn Ford. Platt saw the advantages of using videotape over film, and used the facilities of Burbank's Compact Video Systems to shoot the western on location in the California and Nevada deserts. The motion picture was shot with Norelco PCP-70 portable plumbicon NTSC cameras and portable Ampex VR-3000 2" VTRs, then transferred to film at Consolidated Film Industries in Hollywood. The film was not commercially successful.
Shot-on-video films became more common in the wake of the release of Sony's professional-grade Betacam and consumer-grade Betamovie camcorders in 1983. [10] [11] Many shot-on-video films were low-budget [12] and belong to the horror genre. Filmmaker siblings the Polonia brothers were known for their shot-on-video horror films, such as Splatter Farm (1987) and Feeders (1996). [2] [11]
The scenes in Bill Gunn's 1980 film Personal Problems were shot using a videocassette recorder which was a new technology at the time (as most previous films were shot using film stock). [13]
The 1994 documentary film Hoop Dreams [14] was one of the first shot-on-video documentaries to receive a wide theatrical release. [15] The 1999 film The Blair Witch Project was shot on both 16 mm film and the consumer-grade Hi8 video format, which was transferred to film for its national theatrical release. [15] An international example is Danish filmmaker Lars von Trier's minimalist film The Idiots (1998; aka Dogme #2). [11]
Both Tongues Untied and Hoop Dreams are inducted into the National Film Registry. [60]
Possibly in Michigan first gained notoriety on social media in 2015, and has gained popularity among Gen Z teens. [61] [62]
Some SOV films like Feeders, Things (later to be known as one of the worst movies of all time) and Rollergator were spoofed by RiffTrax, consisting of former Mystery Science Theater 3000 alumni Kevin Murphy, Bill Corbett and Michael J. Nelson. [63] [64]
Heavy Metal Parking Lot was positioned at #67 by Rolling Stone on their list of 70 greatest music documentaries. [65]