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Gilgamesh was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken place sometime in the beginning of the Early Dynastic Period (Mesopotamia), c. 2900 – 2350 BC, though he became a major figure in Sumerian legend during the Third Dynasty of Ur.
Inanna is an ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadians, Babylonians, and Assyrians under the name "Ishtar". She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her most prominent symbols included the lion and the eight-pointed star. Her husband was the god Dumuzid and her sukkal, or personal attendant, was the goddess Ninshubur.
The Epic of Gilgamesh is an epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian poems about Bilgamesh, king of Uruk, dating from the Third Dynasty of Ur. These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, Shūtur eli sharrī. Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru. Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal.
Enkidu (Sumerian: 𒂗𒆠𒄭EN.KI.DU10) was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian Epic of Gilgamesh, written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems.
Atra-Hasis is an 18th-century BCE Akkadian epic, recorded in various versions on clay tablets, named for its protagonist, Atrahasis. The Atra-Hasis tablets include both a creation myth and one of three surviving Babylonian flood myths. The name "Atra-Hasis" also appears, as king of Shuruppak in the times before a flood, on one of the Sumerian King Lists.
Lugalbanda was a deified Sumerian king of Uruk who, according to various sources of Mesopotamian literature, was the father of Gilgamesh. Early sources mention his consort Ninsun and his heroic deeds in an expedition to Aratta by King Enmerkar.
Ninsun was a Mesopotamian goddess. She is best known as the mother of the hero Gilgamesh and wife of deified legendary king Lugalbanda, and appears in this role in most versions of the Epic of Gilgamesh. She was associated with Uruk, where she lives in this composition, but she was also worshiped in other cities of ancient Mesopotamia, such as Nippur and Ur, and her main cult center was the settlement KI.KALki.
Siduri, or more accurately Šiduri (Shiduri), is a character in the Epic of Gilgamesh. She is described as an alewife. The oldest preserved version of the composition to contain the episode involving her leaves her nameless, and in the later standard edition compiled by Sîn-lēqi-unninni her name only appears in a single line. She is named Naḫmazulel or Naḫmizulen in the preserved fragments of Hurrian and Hittite translations. It has been proposed that her name in the standard edition is derived from an epithet applied to her by the Hurrian translator, šiduri, "young woman." An alternate proposal instead connects it with the Akkadian personal name Šī-dūrī, "she is my protection." In all versions of the myth in which she appears, she offers advice to the hero, but the exact contents of the passage vary. Possible existence of Biblical and Greek reflections of the Šiduri passage is a subject of scholarly debate.
Gilgameš is an opera in three acts by Rudolf Brucci. The libretto by Arsenije Arsa Milošević is based on the Mesopotamian Epic of Gilgamesh. It premiered on November 2, 1986 at the Serbian National Theatre in Novi Sad.
Sarpanit was the consort of Marduk, the main god of Babylon, and a goddess of birth. She was already attested as the wife of Marduk before his ascension to the top of the Mesopotamian pantheon, appearing in inscriptions of the Babylonian kings Sumulael and Samsu-iluna. Some researchers regard her simply as one of the "prototypical divine wives."
The Cedar Forest is the glorious realm of the gods of Mesopotamian mythology. It is guarded by the demigod Humbaba and was once entered by the hero Gilgamesh who dared cut down trees from its virgin stands during his quest for fame. The Cedar Forest is described in Tablets 4–6 of the Epic of Gilgamesh.
The Gilgamesh flood myth is a flood myth in the Epic of Gilgamesh. Many scholars believe that the flood myth was added to Tablet XI in the "standard version" of the Gilgamesh Epic by an editor who used the flood story from the Epic of Atrahasis. A short reference to the flood myth is also present in the much older Sumerian Gilgamesh poems, from which the later Babylonian versions drew much of their inspiration and subject matter.
The Sumerian word NIN (𒎏) was used to denote a queen or a priestess, and is often translated as "lady". Other translations include "queen", "mistress", "proprietress", and "lord".
Anu or Anum, originally An, was the divine personification of the sky, king of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshiped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result he was actively worshiped by inhabitants of the city in the final centuries of history of ancient Mesopotamia.
The cuneiform qut sign, sign is found in both the 14th century BC Amarna letters and the Epic of Gilgamesh. It is a multi-use sign with 9 syllabic/alphabetic uses in the Epic of Gilgamesh; in the Amarna letters it is extremely common in the prostration formula, typical first paragraph of a letter, saying typically: "7 and 7 times,I bow down" ; a small group of Amarna letters are addressed to a different distinct personage in Egypt, under the Pharaoh.
The cuneiform KÚR sign is used extensively in the Amarna letters. It also has a minor usage in the Epic of Gilgamesh. Its usage in the Amarna letters is due to the letters' topics of "hostilities", "war", or "warfare" in the discord amongst the city-states and the regional discord in the Canaan region. A large subset of the Amarna letters are written by vassal kings in governorship of cities, towns or regions in Canaan.
The cuneiform bad, bat, be, etc. sign is a common multi-use sign in the mid 14th-century BC Amarna letters, and the Epic of Gilgamesh. In the Epic it also has 5 sumerogram uses. From Giorgio Buccellati 'comparative graphemic analysis', of 5 categories of letters, the usage numbers of the bad sign are as follows: Old Babylonian Royal letters (71), OB non-Royal letters (392), Mari letters (2108), Amarna letters (334), Ugarit letters (39).
In ancient Mesopotamian mythology, the Bull of Heaven is a mythical beast fought by the hero Gilgamesh. The story of the Bull of Heaven has two different versions: one recorded in an earlier Sumerian poem and a later version in the standard Akkadian Epic of Gilgamesh. In the Sumerian poem, the Bull is sent to attack Gilgamesh by the goddess Inanna for reasons that are unclear.
The cuneiform sign ni is a common-use sign of the Amarna letters, the Epic of Gilgamesh, and other cuneiform texts. It has a secondary sub-use in the Amarna letters for addressing the Pharaoh, from the vassal states of Canaan. The address to the Pharaoh is often 'King-Lord-Mine': LUGAL, EN-ia which has many varieties of expression. "LUGAL" is Akkadian language for "Šarru", English "king", and EN in Akkadian is bēlu, for "Lord",. In some Amarna letters the sub-use of ni is lí, for spelling "bēlu", be-lí often .
Manzat (Manzât), also spelled Mazzi'at, Manzi'at and Mazzêt, sometimes known by the Sumerian name Tiranna (dTIR.AN.NA) was a Mesopotamian and Elamite goddess representing the rainbow. She was also believed to be responsible for the prosperity of cities.
References
- Kovacs, Maureen Gallery (1985). The Epic of Gilgamesh. Stanford, California: Stanford University Press. ISBN 0-8047-1711-7. Glossary, Appendices, Appendix (Chapter XII=Tablet XII). A line-by-line translation (Chapters I-XI).
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