Simon Dinnerstein

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Simon Dinnerstein
Born (1943-02-16) February 16, 1943 (age 81)
Brooklyn, New York
NationalityAmerican
Education City College of New York, Brooklyn Museum Art School, Hochschule fur Bildende Künste, Kassel, Germany
Known forPainting, drawing, printmaking
Notable workThe Fulbright Triptych, In Sleep, Passage of the Moon
MovementFigurative art
Awards Fulbright Fellowship, Germany;
Rome Prize, American Academy in Rome
Website simondinnerstein.com

Simon Dinnerstein (born February 16, 1943) is an American artist, best known for the painted work, The Fulbright Triptych (1971).

Contents

Early life

Dinnerstein was born in Brownsville, Brooklyn, New York, in 1943 to pharmacist Louis and homemaker Sarah Dinnerstein. One of two children, his older brother Harvey Dinnerstein was also an artist. [1]

Education and career

Dinnerstein holds a Bachelor of Arts in History from the City College of New York. He studied painting and drawing at the Brooklyn Museum Art School with Louis Grebenak, David Levine, and Richard Mayhew. [2] [3] He was a member of the faculty at the New School for Social Research, Parsons School of Design, and New York City Technical College. He lectures widely and has lectured at Pennsylvania State University. [4]

Style and influences

Dinnerstein's art is mostly in the figurative style, [5] with folk, expressionistic, and surrealistic influences, [6] [7] [8] possessing a "narrative" [6] and "psychological edge". [9] He uses a variety of media, pencils, charcoal, and oil paints. Dinnerstein renders still-lifes, but most of his work involves portraiture or human figures. He often "paints the figure in unexpected juxtaposition with landscape or interior elements", [2] of which Dinnerstein says,

What interests me is the ability of Degas, Balthus, Lucian Freud and Antonio López García ... to deal with the figure ... to create art ... rich in scale, yet abstract adventurous, experimental ... deeply human ... a combination of modernism and tradition of skill medium and ... a fresh, personal response to the human form in art ... Hopefully my work speaks to these issues. [2]

Often the human figures are portrayed against a background of hyperreality, [7] or in dreamy surreal landscapes. [10] Light plays an important role in Dinnerstein's work achieving "an inwardness ... in the play of light that radiates from the object and renders it mysterious" [11] or makes "Brooklyn sunlight on an ordinary floor seem supernatural." [12] The use of light contributes to Dinnerstein's paintings being described as "magical realism". [13] In early Dinnerstein works, strong left-right symmetry prevails, although later works are noted for their asymmetry. [12] Dinnerstein draws on diverse sources for inspiration: Northern European art (Albrecht Dürer, Hieronymus Bosch [8] [14] ), Mexican art (Frida Kahlo, Diego Rivera [12] [15] ), as well as literature (D. H. Lawrence, August Strindberg [16] [17] ) and film (Ingmar Bergman, Alfred Hitchcock [11] [17] ).

The Fulbright Triptych

Dinnerstein's most notable painting, The Fulbright Triptych, was started in Germany in 1971 [16] while he served as a Fulbright Scholar in Graphics. It was completed in 1974. [14] A largely autobiographical work, [17] it combines stark realism [6] with American figurative tradition to produce a secular rendering of the usually religious form, the triptych.

Writer Jonathan Lethem commented: "Simon Dinnerstein's The Fulbright Triptych is one of those singular and astonishing works of art which seem to imply a description of the whole world merely by insisting on a scrupulous gaze at one perfect instant." [10] The oil-on-wood painting consists of three panels approximately 14 feet wide, depicting a graphic artist's studio. [18] Three figures, representing the Dinnerstein family, occupy the outer panels. The central panel consists of the artist's desk, engraving tools, a copper disk of the commissioned Fulbright engraving project, and an outward view in perspective of Hessisch Lichtenau (near to Kassel). [16] [19] Plants, photographs, old master's paintings, children's grade school writing, and an exit visa from Russia, appear tacked to the wall of the studio. [7] [16] [17] [20] The Triptych is noted for its symmetry, meticulous detail, [6] mixture of textures, and sense of space.

Widely praised, with each viewer bringing a different sensibility and interpretation of the work, the painting is the subject of numerous essays, articles, and books, including The Suspension of Time: Reflections of Simon Dinnerstein's 'The Fulbright Triptych' edited by Daniel Slager, published 2011. Among the many who have commented on the painting are art critic John Russell, Guggenheim Foundation director Thomas M. Messer, art historian Albert Boime, artist George Tooker, writer Anthony Doerr, composer George Crumb, poet Dan Beachy-Quick, actor John Turturro, and Pulitzer Prize winner Jhumpa Lahiri.

Personal life

In 1965, Dinnerstein married Renée Sudler, a noted educational consultant. [4] Renée Dinnerstein is the author of the book Choice Time: How to Deepen Learning Through Inquiry and Play, PreK-2 published in August 2016. [21] She runs the popular blog, Investigating Choice Time: Inquiry, Exploration and Play. [22] They have a daughter, Simone Dinnerstein, a concert pianist. Both wife and daughter (as an infant) figure prominently in The Fulbright Triptych as well as other works.

Dinnerstein resides in Brooklyn, where, in addition to practicing his art, he teaches classes on art history and appreciation. [4]

Videos and podcasts

List of awards

Exhibitions

Articles and reviews

Books

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References

  1. ↑ "Simon and Simone Dinnerstein in Conversation: An Interview with Robin Quivers at the German Consulate of New York". 20 February 2012.
  2. 1 2 3 Dantzic, Cynthia Maris (November 2006). 100 New York Painters. Schiffer Publishing. p. 85. ISBN   978-0764325434.
  3. ↑ Micchelli, Thomas (2019-05-11). "Encountering "The Fulbright Triptych"". Hyperallergic. Retrieved 2020-11-09.
  4. 1 2 3 "Chronology of Simon Dinnerstein" . Retrieved 17 May 2014.
  5. ↑ Mertens, Richard (October 25, 1991). "Essential Realities: Simon Dinnerstein Draws the Essence of Art from the Commonplace". The Concord Monitor.
  6. 1 2 3 4 Messer, Thomas M. (November 1990). The Art of Simon Dinnerstein. Foreword: The University of Arkansas Press. ISBN   978-1557281425.
  7. 1 2 3 Smith, Roberta (August 11, 2011). "Rediscovered at the Altar of Art". The New York Times. Retrieved 17 May 2014.
  8. 1 2 Hagler, Elana (21 April 2013). "Pursuing Humanity: An Interview with Simon Dinnerstein". Painting Perceptions. Retrieved 18 May 2014.
  9. ↑ Proctor, Roy (August 20, 2000). "Exploring the Edge: No Slave to Fashion, Artist Draws Us Into Other States of Mind". Richmond Times-Dispatch.
  10. 1 2 Slager, Daniel, ed. (June 14, 2011). The Suspension of Time: Reflections on Simon Dinnerstein and The Fulbright Triptych. Milkweed Editions. ISBN   978-1571313263.
  11. 1 2 Abramovitch, Ilana (2002). Jews of Brooklyn. Brandeis University Press. p. 169. ISBN   978-1584650034.
  12. 1 2 3 Davenport, Guy, essayist (2000). The Art of Simon Dinnerstein, Simon Dinnerstein: Paintings and Drawings. Hudson Hills Press. ISBN   0965048543.{{cite book}}: CS1 maint: multiple names: authors list (link)
  13. ↑ Arnheim, Rudolph, essayist (2000). Simon Dinnerstein: Painting and Drawing. Hudson Hills Press.{{cite book}}: CS1 maint: multiple names: authors list (link)
  14. 1 2 "Triptych: An Evening of Painting and Music: Simon Dinnerstein & Robert Sirota". 25 April 2014. Retrieved 17 May 2014.
  15. ↑ McLeod, Deborah (September 1, 2000). "Bodies of Work: From Visceral Portraits to Romanticized Nymphs, Simon Dinnerstein's Retrospective at the Marsh Gallery Shows a Stylistic Niche through Every Turn of the Artist's Evolution". Richmond Style Weekly. Retrieved 17 May 2014.
  16. 1 2 3 4 Dinnerstein, Simon (April 1986). "Looking At One's Own Artwork". American Artist.
  17. 1 2 3 4 Boime, Albert (November 1990). The Art of Simon Dinnerstein. The University of Arkansas Press. ISBN   978-1557281425.
  18. ↑ Dinnerstein, Simon. "The Fulbright Triptych" . Retrieved 17 May 2014.
  19. ↑ Russell, John (February 8, 1975). "In Dinnerstein's Painting, An Echo Chamber". The New York Times.
  20. ↑ André, Michael (March 1975). "Simon Dinnerstein (Staempfli)". Art News.
  21. ↑ "Author Bio: Renee Dinnerstein". Heinemann Publishing, of Houghton, Mifflin, Harcourt. Retrieved 10 September 2016.
  22. ↑ "About Renée Dinnerstein". Investigating Choice Time: Inquiry, Exploration, and Play. September 2010. Retrieved 17 May 2014.
  23. ↑ "• Simone Dinnerstein • Simon Dinnerstein • In Conversation on Vimeo". 20 February 2012. Retrieved 30 October 2016.
  24. ↑ "Triptych: An Evening of Painting and Music: Simon Dinnerstein & Robert Sirota". 25 April 2014. Retrieved 30 October 2016.
  25. ↑ Video on YouTube
  26. ↑ "Simon Dinnerstein" . Retrieved 30 October 2016.
  27. ↑ "Simone Dinnerstein and Simon Dinnerstein: A Conversation on the Mysteries of Art and Family". Vimeo. 31 August 2018. Retrieved 5 November 2018.
  28. ↑ simondinnerstein.com/email/cpm1412_02.pdf "Simon Dinnerstain", Colored pencil, December 2014

The Fulbright Triptych articles and reviews

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