Sly Fox | |
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Origin | Cincinnati, Ohio New York City, U.S. |
Genres | |
Years active |
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Labels | Capitol (1985–1988) |
Past members |
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Sly Fox was an American dance pop duo, consisting of P-Funk vocalist Gary "Mudbone" Cooper and Michael Camacho. The duo came to prominence in the mid-1980s with their UK/US top 10 hit single "Let's Go All the Way". They released one studio album of the same name which charted within the US Top 40, and a couple of subsequent singles before breaking up. [1]
The duo was assembled by record producer Ted Currier, and presented as wholesome, clean-living teen idols. Cooper, a funk session musician, had previously been a vocalist with Parliament-Funkadelic and Bootsy's Rubber Band. Camacho was a protégé of David Bowie. The group's touring band included Cooper's former Rubber Band bandmates Frank "Kash" Waddy (drums), Joel "Razor Sharp" Johnson (keyboards), and Flip Cornett (guitar/bass), along with "Bad Boy Troy" Tipton (guitar), [2] Greg Seay, and current Zapp keyboardist, Gregory Jackson. [3]
Their sole studio album, Let's Go All the Way , was released on Capitol Records in December 1985. The title track became a top 10 hit in both the US and UK in 1986. [4] The follow-up singles "Como Tu Te Llama", "Stay True" and "Don't Play with Fire" did not perform as well and sold poorly. [1] The group disbanded in 1988.
In 1989, Sly Fox reformed briefly in Cincinnati, Ohio. With a demo budget from Bill Laswell, the duo recorded four songs, including Cooper's "There's No Place Like Home". The recording sessions included musicians James Ibold (guitar), Chris Sherman (bass), Casey McKeown (keyboards) and Johnny Miracle (drums). Previously unsettled artistic differences arose between the duo, and they abruptly separated again. Cooper returned to tour with George Clinton, while Camacho headed to Los Angeles to focus on a film career.
Since the dissolution of the group, Cooper has remained involved in the music industry. His most recent studio album, 2006's Fresh Mud, was a collaboration with Dave Stewart that combined blues and rap. Camacho has concentrated on acting, directing, and singing. He released the solo studio album Just for You in 2007. [1] He is also a proprietor of a well-known jazz lounge and bar in New York City and has started a funk band named the Funky Foxes.
Year | Album | Peak chart positions | |
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US [5] | US R&B [5] | ||
1985 | Let's Go All the Way | 31 | 34 |
Year | Single | Peak chart positions | |||
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US Pop [6] | US R&B [6] | US Dance [6] | UK [4] [7] | ||
1985 | "Let's Go All the Way" | 7 | 57 | — | 3 |
1986 | "Como Tu Te Llama" | ― | ― | 13 | — |
"Stay True" | 94 | — | ― | ― | |
"Don't Play with Fire" | ― | ― | ― | ― | |
"—" denotes releases that did not chart. |
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style has drawn on psychedelia, outlandish fashion, and surreal humor. They have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.
William Earl "Bootsy" Collins is an American bass guitarist, singer, and songwriter. Rising to prominence with James Brown in the early 1970s before joining the Parliament-Funkadelic collective, Collins established himself as one of the leading names and innovators in funk with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as Bootsy's Rubber Band. He was a frequent collaborator with other musicians from a variety of genres, including dance music, electronic big beat, and alternative metal (Praxis), among others. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic. In 2020, Rolling Stone magazine ranked Collins number 4 in its list of the 50 greatest bassists of all time.
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Dayton was a post-disco funk band, formed in Dayton, Ohio, United States by Chris Jones from the band Sun and Shawn Sandridge from Over Night Low. Derrick Armstrong (vocals), Kevin Hurt, Jenny Douglas (vocals) and Rachel Beavers (vocals) completed the line up. Former Sun member Dean Hummons played the keyboards on the first two Dayton albums.
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Starpoint was an American R&B and funk band from Maryland that was active from 1978 to 1990 recording 10 albums during that time. It comprised four brothers and two other musicians. The ten albums released did well, some reaching the US R&B Charts.
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Bootsy? Player of the Year is the third album by the American funk band Bootsy's Rubber Band. The album was released on Warner Bros. Records on January 20, 1978. At the height of the album's popularity, it competed head to head with Bootsy Collins' mentor George Clinton and his band Parliament, who had released the album Funkentelechy Vs. the Placebo Syndrome just two months earlier. The album was produced by Clinton and Collins and arranged by "The Player". The original vinyl version of the album contained a pair of cut out star shaped eyeglasses.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band, released through Warner Bros. Records in 1979. Unlike previous albums by Bootsy's Rubber Band, the album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made for Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
Keepin' Dah Funk Alive 4-1995 is a live double CD set by Bootsy's New Rubber Band. The album was first released by P-Vine Records on January 25 1995, and by Rykodisc in the U.S. and the UK later that same year. The album was recorded at Club Jungle Bass in Tokyo, Japan on June 24 and 25, 1994, and represents the first live recording of Bootsy and his Rubber Band. The album includes a fold-out poster.
Funk of Ages is a solo album by former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released in 1990 by Gramavision Records. It includes contributions by numerous guest musicians, including Sly and Robbie, David Byrne, Herbie Hancock, Keith Richards, Vernon Reid, and Phoebe Snow. P-Funk bandmates Bootsy Collins, Maceo Parker, Gary Cooper, Doug Duffey, and Michael Hampton also contributed.
Live in Oklahoma 1976 is a live album by the American Funk band Bootsy's Rubber Band. The album was released in 2001 and represents a collaborative effort between the Funk To The Max label, based in the Netherlands, and Bootzilla Records in the U.S.. The performance was recorded while Bootsy's Rubber Band was the support act for headliners Parliament-Funkadelic.
Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.
This is the discography of American musician Bootsy Collins.